The 2026 Tribeca Festival will feature a number of A-list musical names taking the stage to celebrate milestone anniversaries, new film projects and a special presentation of the Harry Belafonte Voices for Social Justice Award to Bruce Springsteen by U2 singer Bono.

“There are few figures who embody the spirit of Tribeca’s Harry Belafonte Award more fully than Bruce Springsteen,” said festival co-chair and co-founder Jane Rosenthal about the Rock and Roll Hall of Fame icon’s tireless work to follow in the footsteps of civil rights activist/singer Belafonte by using his platform to speak out and advance “equality, dignity and human rights.”  

The honor will include Springsteen in conversation with longtime friend and fellow activist Bono, as well as tributes from punk godmother Patti Smith and actor Robert De Niro. The 25th edition of the festival will run from Jun 3-14 in New York (with tickets on sale here now).

De Niro will also take part in a 50th anniversary celebration of his landmark film Taxi Driver, with a screening of the gritty 1976 drama and conversation between the actor and the movie’s director, Martin Scorsese.

Tribeca will host the world premiere of the new tour doc Katy Perry: The Lifetimes Tour — Live in Paris, followed by a conversation with Perry, as well as a 25th anniversary celebration of Bridget Jones’ Diary, along with a chat with director Sharon Maguire and star Renée Zellweger. Among the other music titles on tap is a newly restored 20th anniversary 4K version of retired French electronic duo Daft Punk’s 2006 sci-fi film Electroma, with an after-screening chat with member Thomas Bangalter.

Among the other fan-favorite retrospectives and reunions lined up for this year’s event are a 30th anniversary screening of neo-noir drama Bound, with a chat to follow with director Lilly Wachowski and stars Gina Gershon and Joe Pantoliano and a 20th anniversary showing of Small Town Gay Bar, a portrait of a community and self-expression in two Mississippi gay bars executive produced by Kevin Smith (Clerks).

Other highlights include a conversation about activism and global impact between Sean Penn and CNN chief White House correspondent Kaitlan Collins and Haim bassist Este Haim sharing insights from her career, from live performance to composing music for a number of film and TV projects, including Cha Cha Real Smooth, Maid and You Are So Not Invited to My Bat Mitzvah!

In addition, Paul Rudd will be on hand to talk about his long career in film, Finneas will discuss his perspective as one of the most sought-after musical collaborators in music with BAFTA-nominated composer Anthony Willis and Keke Palmer will round out the Storytellers Series with a conversation with Whoopi Goldberg.

The opening night of this year’s festival will feature a screening of Roots drummer Ahmir “Questlove” Thompson‘s documentary, Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World), followed by a post-screening live performance by EW&F and the Roots.

For a full list of this year’s programming click here.


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Katy Perry is turning her Lifetimes Tour into a concert film, with Tribeca Film Festival announcing Tuesday (April 28) that it will premiere The Lifetimes Tour – Live in Paris at this year’s event.

As revealed among the festival’s 2026 lineup, the pop star’s movie capturing footage from her Paris performances last fall will screen at 8:30 p.m. on June 8 at the OKX Theater at BMCC Tribeca Performing Arts Center in New York City. Immediately after the premiere, Perry will sit for a conversation about the film, which was directed by Paul Dugdale and produced by Daniel E Catullo III, Simon Fisher, Andrew Ward and Baz Halpin.

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“Capturing Katy Perry’s electrifying, immersive concert experience, Katy Perry: The Lifetimes Tour – Live in Paris blends powerhouse performances, exhilarating cinematography and intimate moments to bring audiences into the spectacular world of this creative artist,” a description reads.

The announcement comes nearly five months after the hitmaker’s global Lifetimes trek wrapped in Abu Dhabi on Dec. 7, closing out more than seven months on the road. Grossing more than $134 million across 1.05 million reported ticket sales in Asia, Australia, Europe, North America and South America, according to Billboard Boxscore, the tour supported Perry’s 2024 album 143, which debuted at No. 6 on the Billboard 200.

Fans strongly suspected that the vocalist was working on a concert film after she included a video of a screen — presumably used for editing — simultaneously displaying Lifetimes Tour footage shot from various angles in a post on Instagram. “is that a lifetimes tour movie tease I see HELLO?!” one KatyCat commented at the time.

Perry previously released a similar project for her 2014-2015 Prismatic World Tour. A few years before that, a camera crew followed her on her California Dreams trek for what would become her Katy Perry: Part of Me documentary.


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Taylor Swift is part of a great American dynasty of songwriters, according to The New York Times, which published a definitive list of U.S. musicians with the best pens on Monday (April 27) that also included Jay-Z, Bad Bunny and more.

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The unranked 30 Greatest Living American Songwriters roundup is made up of icons selected by hundreds of music experts who sent their ballots in to the newspaper’s editors, who then duked it out among themselves to narrow the list down to its current size. Dolly Parton, Mariah Carey, Carole King, Stevie Wonder, Paul Simon, Missy Elliott, Lionel Richie, Young Thug, Fiona Apple, Kendrick Lamar, Bob Dylan, Bruce Springsteen, Lana Del Rey and several other people whose “music has defined what half a century of national life sounds like” were also included.

“We considered all sorts of remarkable songwriters — including lots of weird geniuses and under-loved influences,” reads a NYT article about the methodology behind the list. “But we were drawn back toward the beating-heart story of American song, to people whose music has reverberated through private worlds and across the public square, echoing through headphones, radios, grocery-store aisles, TikTok videos and school-gym ceremonies, blasting out of karaoke machines, club speakers and the windows of passing cars.”

It’s easy to see why any of the listed artists made the cut. Between Swift, Jay and Benito alone, they share 494 total entries on the Billboard Hot 100 — including 20 No. 1s — and 45 Grammys. The Eras Tour headliner will also soon be inducted into the Songwriters Hall of Fame, becoming the youngest woman to ever join its ranks (second only to Wonder, who was seven days younger than she is when he was inducted).

The list also allows readers to see how those modern superstars stand up against legendary legacy acts such as Parton, King, Richie, Dylan and Springsteen, who are each widely considered to be pioneers in their genres and major influences on what country, pop, R&B, folk and rock — respectively — look like today.


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Primary Wave has acquired a stake in the music assets of the late Harry Chapin, the singer-songwriter whose songs “Taxi” and “Cat’s in the Cradle” were big hits back in the 1970s. While terms of the deal weren’t disclosed, the acquisition, described as a partnership in the press release, probably includes a significant majority stake in the assets, as is Primary Wave’s usual modus operandi when it comes to acquisitions. Besides Chapin’s publishing, the deal includes the recorded master royalties and name, image and likeness.

As part of the deal, the Chapin estate gains access to Primary Wave’s marketing team and publishing infrastructure. The estate will work closely with the company on new marketing, branding, digital and synch opportunities as well as film and TV projects, according to the announcement, which says the Chapin album catalog has sold more than 16 million albums worldwide. That catalog encompasses 11 albums and 14 singles.

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However, sales and other activity have slowed down from the catalog’s heyday. For the last two years, Chapin’s U.S. activity averaged about 43,000 album consumption units a year. Within that, on-demand streaming averaged nearly 54 million streams during the same two-year period, according to Luminate data. When global streams — including the U.S. — are taken into account, on-demand streams average 77 million streams in each of the two years. In other words, the estate probably realizes more business from the U.S. than abroad.

On the other hand, that means there is plenty of upside potential once Primary Wave unleashes its marketing team on the Chapin catalog.

“My family is incredibly impressed with Primary Wave and their remarkably talented team,” Chapin’s son Jason said in a statement. “We are so excited to support them as they introduce Harry Chapin music to wider and younger audiences while giving long-time fans more of what they love.”

During his career, Chapin was nominated for the best new artist Grammy, while his song “Cat’s In The Cradle was nominated in the best male pop vocal performance category. The RIAA included that song on its “songs of the century” list, while it was also inducted into the Grammy Hall of Fame, the Primary Wave announcement states. Chapin was also posthumously awarded the Congressional Gold Medal to honor his humanitarian work fighting world hunger.

“Harry Chapin’s unique gift as a storyteller and his ability to capture experiences that are at once personal and universally relatable make him one of the all-time greats, and an incredible addition to Primary Wave’s roster of legendary singer-songwriters,” Cole Rushworth, Primary Wave’s senior director of business & legal affairs, said in a statement. “It has been a true pleasure working with the Chapin family to bring this partnership to life and we are honored to have the opportunity to uphold Harry’s legacy.”

Barry Massarsky of Citrin Cooperman served as advisor while Fox Rothchild’s Cynthia Katz and Zach Blumenfeld represented the estate.


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Stagecoach may have come and gone, but this year’s country music celebrations are just getting started.

Billboard announced Tuesday (April 28) that it will be returning to Nashville this summer for Billboard Country Live, two days of celebrating country music’s biggest stars. The tentpole two-day event will take place June 4 and 5 at the legendary rooftop entertainment venue Category 10.

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The festivities will begin Wednesday, June 3, with the exclusive Billboard Country Power Players event, recognizing the genre’s most influential figures. The celebration will continue the following day with 2025 CMA Awards vocal group of the year The Red Clay Strays taking to the stage to headline a showcase concert. Billboard Country Live will close out Friday, June 5, with a headlining performance from hitmaking newcomer Tucker Wetmore, who has already landed four Hot 100 hits since his 2024 debut EP. Both days will also feature a slate of big names and surprise guests, with more to be announced in the coming weeks.

Alongside Billboard Country Live, Billboard‘s annual events slate includes the Billboard Music Awards, the only awards ceremony that recognizes musicians for their achievements on the Billboard charts; Billboard Women in Music, taking place on Wednesday this week at the Hollywood Palladium; Billboard Latin Music Week; and Billboard Live.

All Billboard Country Live shows will be free and open to the public with RSVP at live.billboard.com/country.

Trueno signed an exclusive publishing deal with Universal Music Publishing Group, Billboard can exclusively announce today (April 28).

“For me, it’s a pleasure to now be part of the Universal Music Publishing family,” Trueno said in a press statement. “I’m aware of the history and the many things they have accomplished, and their interest and commitment to contributing to my musical journey. For me, this marks a new stage in my career and a new team to share with and learn from. I’m proud that, from Argentina, we can connect with a team as big as Universal.”

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The artist born Mateo Palacios Corazzina first gained recognition in 2019 when he was crowned champion of the Red Bull Batalla de los Gallos and the Freestyle Master Series. Since then, he’s revolutionized the hip-hop and rap scene with his potent and emotionally-charged bars. Among his many Billboard hits, he has four entries on the Billboard Global 200 chart, five titles on the Billboard Global Excl. U.S. chart, and 26 hits on the Billboard Argentina Hot 100, including two No. 1s: “Mamichula” with Nicki Nicole, Taiu, Bizarrap and Tatool, and “Salimo de Noche” with Tiago PZK.

Trueno won the 2024 and 2025 Latin Grammy award for best rap/hip-hop song with “Tranky Funky” and “Fresh,” respectively.

“He represents a new generation of Latin artists redefining global sound and culture,” noted Alexandra Lioutikoff, president of Latin America & U.S. Latin at Universal Music Publishing Group. “His authenticity, lyrical power, and connection to his roots in Argentina make him a truly unique voice. We’re excited to support his continued growth on the world stage.”

Ana Rosa Santiago, senior vp, A&R Latin Music at Universal Music Publishing Group, added: “His impact in Argentina and across the globe has been undeniable. His ability to blend raw storytelling with genre defying production positions him as one of the most important voices of his generation.”

The exclusive signing comes on the heels of Trueno releasing his fourth studio album, TURR4ZO — a 14-track love letter to his native Argentina, where he pens ultra-personal songs about identity, his upbringing, his hardships and his road to success.

Front row (L-R): Alexandra Lioutikoff, Trueno, Ana Rosa Santiago, Melissa Galvez. Middle row (L-R): Juanita Gomez Martinez, Vicky Rivas, Gabriela Diaz, Camely Medina. Back row (L-R): Hazel Sarmiento, Candice Delgado, Francisco de Felipe

Front row (L-R): Alexandra Lioutikoff, Trueno, Ana Rosa Santiago, Melissa Galvez. Middle row (L-R): Juanita Gomez Martinez, Vicky Rivas, Gabriela Diaz, Camely Medina. Back row (L-R): Hazel Sarmiento, Candice Delgado, Francisco de Felipe

Courtesy of UMPG


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In one of the biggest music mergers in more than a decade, BMG, which represents artists like Jelly Roll and Lainey Wilson, and Concord, owner of songs by Creedence Clearwater Revival, Phil Collins and R.E.M., said on Tuesday (April 28) they reached a definitive agreement to merge companies under the BMG name.

The combined company will be 67% owned by Bertelsmann, BMG’s parent company, and 33% owned by affiliates of Concord’s backers Great Mountain Partners. The companies said certain affiliates of Great Mountain Partners will get a one-time cash payment of $1.16 billion. Leading the combined companies as CEO will be Concord’s CEO Bob Valentine, with BMG’s CEO Thomas Coesfeld taking the role of chairman and, as of January 2027, the role of CEO of Bertelsmann. The companies said the merger is expected to achieve $1.2 billion in earnings before interest, tax, depreciation and amortization (EBITDA) in the mid-term based off a pro forma EBITDA base of more than $730 million in 2026.

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BMG and Concord have long been two of the largest music companies after the three music majors —Universal Music Group, Sony Music Group and Warner Music Group — and a tie-up will help the companies scale their significant publishing and record label businesses, their capital intensive music catalog investments and frontline artist divisions and improve resources and technology amid heightened competition for market share.

“We believe this is a truly one-of-a-kind opportunity to bring together two world-class teams and rosters at the right moment, as scale in rights ownership becomes increasingly critical to long-term growth,” said BMG CEO Coesfeld, who is set to become Bertelsmann’s CEO in 2027.

“This transaction accelerates our … ambitious and sustained approach to investing in artists and songwriters, as well as in rights, technology, AI tools, and the talent shaping the industry. As one unified business, we will further deepen our position as a preferred global partner to artists, songwriters, and platforms, combining scale with the agility and independence they value.” 

A combined BMG and Concord would make up about 2.66% overall market share in the U.S. based on 2025 numbers, which still significantly trails the majors. However, the combined companies could be considered a quiet major given their scaled publishing and catalog rights, and an estimated $2 billion in combined annual revenue.

“We are excited to begin working together to build something truly exceptional,” said Valentine, Concord CEO and designated CEO of the combined company. “Both companies were founded to support great artistry and with a deep sense of responsibility to the performers, songwriters, and playwrights we serve. We share a philosophy grounded in artist development, strategic long-term management of IP, and operational discipline. Our greater scale will allow us to invest more in creative talent, global reach, accretive acquisition opportunities, and technology, while preserving the nimble, entrepreneurial spirit that artists and songwriters value most. This is not about replicating the major label model; it’s about using scale to strengthen independence. Together, we will build a company that gives artists more reach and more flexibility — all designed to support their distinct visions.”

The deal is subject to regulatory approval, but is expected to close in the second half of 2026. Terms of the transaction were not disclosed.

Davis Polk & Wardwell LLP is serving as legal counsel to BMG. J.P. Morgan is serving as financial advisor to Concord and Latham and Watkins LLP and Reed Smith LLP are serving as legal counsel. Alston & Bird LLP is advising Great Mountain Partners.


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For the second time in less than nine months, Jimmy Kimmel is facing calls for his ABC bosses to fire him, and once again the calls are coming from inside the White House. Kimmel opened his monologue on Monday (April 27) with one of his patented “can you believe this is our world?” jokes in which he quipped, “You know how sometimes you wake up in the morning and the first lady puts out a statement demanding you be fired from your job? We’ve all been there, right?”

Indeed First Lady Melania Trump wrote on X earlier on Monday, “Kimmel’s hateful and violent rhetoric is intended to divide our country. His monologue about my family isn’t comedy- his words are corrosive and deepens the political sickness within America.” She went on to call Kimmel a “coward” and demanded that ABC “take a stand.”

Her statement appeared to be tied to a joke Kimmel made last Thursday night in a cold open in which he made his own fake version of the White House Correspondents’ Dinner with obviously edited-together footage in which he included a joke about the 56-year-old First Lady glowing “like an expectant widow.”

Just three nights later, a gunman attempted to run by security at the actual WHCD in D.C. on Saturday night (April 215) and opened fire before being subdued by agents, who stopped him from accessing the ballroom — which was on a lower floor — where Trump and other cabinet members and thousands of members of the press were awaiting the annual event.

Trump also posted about Kimmel’s fake roast on his Truth Social platform, explaining the joke, and then attempting to tie it to the shooting while calling for Kimmel to be “immediately fired by Disney and ABC.

Kimmel seemed unbothered by the pushback, explaining that he made a “very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not, by any stretch of the definition, a call to assassination. And they know that. I’ve been very vocal for many years, speaking out against gun violence in particular.”

He then went on to note the hypocrisy of the Trumps criticizing his joke while noting the president’s long history of using demeaning and divisive language when discussing his critics, while saying he was glad no one was killed in the “traumatic” incident on Saturday. “I understand that the first lady had a stressful experience over the weekend, and probably every weekend is pretty stressful in that house,” Kimmel said. “And also, I agree that hateful and violent rhetoric is something we should reject. I do. And I think a great place to start to dial that back would be to have a conversation with your husband about it.”

Kimmel also said that if the White House wants Americans to believe that a joke made three days before the dinner had any impact on what happened at the event, they should look at a comment made by White House press secretary Karoline Leavitt just before the dinner that night. “It’ll be funny, it’ll be entertaining, there will be some shots fired tonight in the room,” she said with a big smile during a Fox News interview.

Kimmel, you may recall, was briefly pulled off the air last year after jokes he made about Charlie Kirk’s killing, then reinstated less than a week later.

George Clooney stepped up to defend Kimmel on Monday, also noting Leavitt’s gun-related joke, according to Variety. “Jimmy’s a comedian, and I would argue that Karoline Leavitt didn’t mean shots should be fired,” Clooney said. “She was making a joke. Fair enough. You look at that side and go, ’Well, jokes are jokes.’ But the rhetoric is a little dangerous. And we’ve seen it a lot lately.”

Clooney called on the overheated rhetoric on both sides of the aisle to be toned down. “When one side is calling anyone they disagree with traitors to the country, which is a charge that’s punishable by death, just because they don’t agree with someone, I think the rhetoric is a little too heated,” he said.

Watch Kimmel’s monologue below.


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Here’s everything you missed at Stagecoach 2026 including Ludacris discussing the evolving relationship between hip-hop and country music, Wynonna Judd connecting with new audiences while honoring her legacy and more.

Ludacris: What’s going on Billboard? This is Ludacris, Stagecoach 2026, I need y’all to come with me. We about to have a hell of a time. Let’s roll. 

Narrator: It gets no better than Stagecoach with the stars. And we went to Indio for three days to hang with the artist, catch them live and party at the rodeo. We take you there in Billboard All Access presented by Amazon. Day one, as we arrived on the grounds, we couldn’t wait to talk to our faves. 

Dan + Shay: It was so much fun to be able to come back here after, you know, the first time we played here it was 2014 crazy. It was wild man, different haircuts, for sure, different haircuts, different haircuts. It is crazy man, to be back here with all of our friends with so much history now being in the industry for like, 13 years, it’s crazy to come back here and it’s no longer like this new not. It’s still new and shiny, but it’s not like you don’t know anybody. It’s kind of scary in a lot of ways when you first come and now it’s like, it just feels like family because you got you’re running into all your friends and like we all know each other now. So it’s like a I don’t know, it’s a different experience. Very grateful to be here. 

Nate Smith: Okay, so there’s like, bucket things you want to check off as an artist, right? And I think there’s and I think there’s a few of those. I think Stagecoach is one of those bucket list things. I’m gonna be honest with you. Like, our shows now are so insane. So like, I think for a long time I was so insecure and nervous on stage that was thinking about how I was singing, and I think what I realized is I’m not a singer. I’ve done that my whole life. I’m an entertainer. And when you realize you’re an entertainer, all you gotta do is make sure you’re having fun and they’re having fun out there. You know what I’m saying? 

Tetris Kelly: That’s so important. I’m glad you said that’s the key.

Keep watching for more!

While it appears that this year’s Record Store Day (RSD) is slightly bigger on a unit count basis, courtesy of the latest count from Luminate for the week ending April 23, it’s unclear if, on a revenue basis, that will also turn out to be true. Nevertheless, already a number of well-known indie record stores are declaring the event on Saturday (April 18) as their best day ever — except for the Newbury Comics chain, which calls it the second biggest single day in company history.

Among the stores touting the 2026 RSD as their best-ever are Rough Trade Records in Manhattan, N.Y.;  Down In The Valley in Minneapolis; Monster Music & Movies in Charleston, S.C.; Licorice Pizza in Studio City, Calif.;  Looney Tunes Records on Long Island in West Babylon, N.Y.; and Music Millennium in Portland, Ore.

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The big records during the day were RSD titles from Taylor Swift, Laufey, KPop Demon Hunters, Bruce Springsteen, Charli xcx, Carly Rae Jepsen, Pink Floyd, KATSEYE, Bruno Mars, Olivia Dean, Ethel Cain and Brandi Carlile.

On a unit basis, this year’s RSD was slightly bigger than the week that contained RSD last year, with physical album sales coming in at 2.276 million units in the U.S. versus last year’s 2.241 million units. (Last year, due to a banking holiday in some international territories, RSD fell on the second Saturday of April instead of the traditional third Saturday of April, like it did this year.) However, last year, vinyl — the most expensive album format — outpaced this year’s RSD week vinyl sales 1.482 million to 1.409 million units; while this year’s RSD week CD sales topped last year’s sales, coming in at 627,000 versus 519,000 units, according to Luminate data.

Overall, this year’s RSD was “fantastic,” Stephen Godfrey, co-owner and president of Rough Trade, tells Billboard’s Retail Track via a phone interview on the Monday after RSD (April 20). “Our biggest year ever by some distance, and for the first time we beat out our flagship store in London.”

The crowd at Rough Trade’s Indieplaza event. Photo Credit: Ed Christman

Since Rough Trade moved from Brooklyn to Manhattan to occupy space in one of NYC’s landmark locations, Rockefeller Center, its RSD Festivities have grown proportionally. Every year for RSD, the store puts on the Rough Trade and Rockefeller Center Present Indieplaza, which this year featured eight bands: Weird Nightmare, Nouvo Testamento, Friko, Winter, Momma (Duo), Hotline TNT, Incendiary and headliner Superchunk. During band setups, three  DJs, including Saint Virgil, Soul in the Horn and Avalon Emerson, took turns spinning records.  The day began at noon and wound up sometime after 9 p.m.

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Now that Rough Trade has two locations, the store can handle crowds, making for shorter lines. Initially, the store funnels the RSD line to what’s known as Rough Trade Below in the Rockefeller Center retail concourse, where the entrances to the subway are. That space is much larger than Rough Trade Above on Sixth Avenue. Godfrey reports that as the day went on, they also began to stock Rough Trade Above with RSD titles.

While it’s unclear what time people began lining up at the store for RSD this year — it usually begins on the Friday before the event — the line wound up being the biggest Rough Trade had ever seen, according to eyewitnesses. The line stretched from its Sixth Avenue location all the way around the corner onto 49th Street, past the Rockefeller Center Plaza — where the ice-skating rink is and where the Indieplaza event is staged — and almost reached Fifth Avenue, Godfrey reports. He adds that he wishes the store had more copies of Charli xcx, Laura Marling and Cain, all of which were big sellers at Rough Trade.

Godfrey reports that Sunday was another very good sales day. That, he says, was due to the company spending a lot of time to ensure its website, which listed leftover RSD titles from the day before, was able to handle the amount of web traffic coming in from searches for those titles.

Godfrey says the Indieplaza event serves the same purpose as the Rough Trade store. “We are presenting great music to the largest audience as we can,” he says. Consequently, the Indieplaza event “brings in all ages and musical tastes and people from across the boroughs and beyond to celebrate as one large family. We present a diversity of music that we had throughout the day.” He adds that the plaza was mobbed, with a crowd stretching from 49th Street to 50th Street.

“The event allows the crowd to enjoy a location which is unlike anywhere else, with the music bouncing off the skyscrapers that surround the plaza,” Godfrey says. 

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Retail Track spied Beggers Banquet and Rough Trade owner Martin Mills enjoying the crowd at Indieplaza. Mills told Retail Track he was very happy that the store puts together an event like that. 

A highlight for the crowd that day was Incendiary, a rock-n’-rap band reminiscent of Rage Against the Machine. The crowd was packed during the group’s time on stage, and two-thirds of the crowd left as soon as the set ended, although about 100 people stayed behind to buy Incendiary merch.

Godfrey says Incendiary had previously played inside the store to a great reaction, with fans jumping off counters and crowd-surfing, leading to their invitation to play the Indieplaza show.

The Indieplaza stage. Photo Credit: Ed Christman

Meanwhile, up in New England, Newbury Comics had a bang-up day, even if it was only the company’s second-best day ever for vinyl behind RSD 2024, says Newbury Comics’ director of brand engagement Carl Mello. But even with that, sell-through wasn’t as good as they optimistically hoped for when the chain first put in its order, says Mello, who admitted: “We will probably have some stuff to mark down tomorrow.”

The biggest sellers for the chain were the Pink Floyd and Swift singles, thanks to Newbury Comics having plenty of stock on the latter title, Mello says. Other big sellers were Dean, KPop Demon Hunters, KATSEYE and Charli xcx.

“Our biggest disappointment was the Jeff Buckley title,” Mello says. “That was a brick for us.”

While there tends to be online criticism toward record stores during RSD, especially around pricing and allotments, Mello says, “Every year RSD seems to [get] better and more people come out. On the night before RSD, you can see pictures [on the internet] of the long lines outside the store, so you already know it won’t be a disaster.”

As for complaints that vinyl prices are too high, Mello says, “Welcome to the world” — or in other words, high prices aren’t isolated to the music industry.

On the other hand, Karl Groeger, owner of Looney Tunes in West Babylon, N.Y., on Long Island, indicates in an email recapping the day that RSD 2025 left him almost speechless. 

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“If you know me, you know I am rarely at a loss for words. Today I am…… All I can say is WOW WOW WOW! This RSD was the busiest day in our Looney Tunes 55 year history,” Groeger writes. He adds that RSD 2023 had been the best day ever, followed by RSD 2024, but that RSD 2026 shattered 2023, beating it by 32.4%. Or, as he put it, “astronomical numbers” (presumably he was referring to revenue).

Putting it in perspective, “We did more business Saturday than we did in all of [the month] of March,” Groeger says. He went on to report that Sunday, with all of its leftover RSD stock ready for sale online at 8 a.m., turned out to be the store’s biggest online sales day ever for a Sunday by more than 400%.

The store’s biggest sellers, in order, were titles from Swift, Hilary Duff, Pink Floyd, Joan Jett, Selena Gomez, Fall Out Boy, KPop Demon Hunters, Mars and Dean.

But Groeger wasn’t done providing numbers. He says the RSD line started at 4 p.m. on Friday (April 17) and that, by the time the store opened the doors at 8 a.m. on Saturday, there were 526 people waiting, the first 500 of whom were rewarded with bagels. What’s more, the first 300 customers received the store’s own RSD poster, drawn and designed by Kroeger’s brother, Jamie. Additionally, more than 100 free concert tickets were handed out to shoppers, courtesy of Live Nation. Kroeger gives a shout-out to Looney Tunes’ main supplier, Alliance Entertainment, which delivered the product on a timely basis, with a “pretty darn good” fill on the big titles, he says. In all, he reports that the store brought in 350 RSD titles for the day. 

But perhaps the most exciting occurrence at the store that day was a wedding. “Two customers who love RSD and Looney Tunes decided to get married at our store,” Groeger writes. “Was so cool!!”

Across the U.S. continent to the West Coast, Licorice Pizza in Studio City, Calif., also declared RSD 2026 its best ever, with owner Kerry Brown reporting via email, “We were by far the busiest we have ever been.” Of course, it helped to have Ziggy Marley performing at the store and having him stick around to sign his albums for fans. That led his album, Brightside, to become the store’s top seller of the day, followed by Paramore, Pink Floyd, Tom Petty, Carlile, The Cure, Charli xcx and Duff. 

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“RSD does a great a job of mixing up the releases, so it’s not focused on one genre, which keeps it diverse and interesting,” Brown says. “And consequently, the demographics were literally all over the map… young kids shopping with their parents and grandparents” — not to mention college kids, he adds.

Meanwhile, in Minneapolis, Down In the Valley’s new owners, Scott and Steven Farrell, were rewarded with RSD 2026 breaking the company’s record for the best day in its 54-year history and 18th year of RSD, according to a round-up written by Scott Farrell.

“The lines of customers before opening were the largest ever in the company’s history,” Farrell writes. “We had about 1,100 folks at our Golden Valley location at open and Maple Grove [store] had an estimated 500 in line when we opened the doors. This is impressive since temperatures in Minnesota were well below freezing overnight, hovering around 20 degrees.”  

He reports the stores sold more than 5,000 vinyl records over the weekend, a company record. He reports robust CD sales, too, adding that he wishes the store had more of the Ozzy and Hello Kitty figures from Handmade By Robots, a unit of the world’s largest music wholesaler, Alliance Entertainment.

Other big sellers for Down in the Valley were Stone Temple Pilots, Tom Petty & the Heartbreakers, Megadeth and John Prine, with Farrell noting that even the CD version of the Pink Floyd title made the store’s top 50 sellers list.

Down south in Charleston, S.C., Galen Hudson, owner of Monster Music and Movies, shares that his store’s RSD 2026 eclipsed the prior year by 7%. According to Hudson, the line started the night before at 7 p.m. and had grown to 150 people by 7 a.m. By the time the store opened at 8 a.m., more shoppers had arrived, but by then, employees were too busy to keep counting.

While Monster Music saw similar best-selling titles as other RSD participants this year, the store also counted Billy Strings, Prine, Mutemath and Talking Heads among its top sellers for the weekend. What’s more, he adds that the store sold out and could have used more Cain, Lil Peep, Bluey and Peter Gabriel records.

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Heading back to the West Coast, Portland, Ore.’s Music Millennium reports the store was up 12.6% over last year, making this its best RSD yet, according to the RSD wrap-up from owner Terry Currier, which Retail Track obtained via e-mail.

Along with best-selling titles from the likes of Swift, Dean, Mars and Pink Floyd, Currier also says Adrianne Lenker’s Live At Revolution Hall 42 made the store’s top five sellers for the day. Like Groeger, Currier also praises the diversified offering, especially the titles that brought in younger music fans, including releases from Paramore, Cain, KPop Demon Hunters, Lucy Dacus, Jepsen, Gomez and Demi Lovato. Slower-moving titles included Buckley, The Who, Jerry Garcia, Neil Young and Mark Knopfler. 

Music Millennium also witnessed hundreds of people lining up for the store’s opening on Saturday, with the first person showing up on Friday. By the time the store opened at 10 a.m., Currier reports that over 400 people were in line. Music Millennium rewarded the customers in line with a plethora of giveaways, including muffins, coffee, doughnuts and 350 goodie bags from other local merchants. Monster Energy also handed out free items. What’s more, KINK FM handed out station swag for about six hours, including t-shirts, water bottles and stickers. Finally, Currier notes that the store collaborated with Berlin Brewing and John’s Market and made a limited-edition beer for the day, offering 25 cases.

“Like vinyl collectors,” he writes, “beer geeks have to have a limited-edition brew.”

Kristin Robinson provided assistance in preparing this story.


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