A month after Army aviators (briefly) sparked an investigation into their motives for doing a fly-by at Kid Rock‘s Nashville estate, the “Devil Without a Cause” rapper was sitting in the actual gunner’s seat of an Apache helicopter on Monday (April 28) for a fly-around promoted on socials by Defense Sec. Pete Hegseth.

“Joined my friend @KidRock — and some of our great @USArmy Apache pilots — for a ride this morning. (More to come on that!),” wrote Hegseth of X in a post that included pictures of Rock and the Secretary posing with troops on the tarmac, but not actual footage or images from the flight. “Kid Rock is a patriot and huge supporter of our troops. The War Department is wasting no time celebrating America’s 250th — home of the free because of the brave.”

Comments on the post included one in which a person suggested that the fly around violated Army Reg 95-1 and DoD 4515.3, which state, “Army aircraft will be utilized for authorized purposes only. Army owned, operated, or controlled aircraft will only be used to transport Army personnel, government property, other official government passengers, or other passengers and cargo as authorized by statute and DOD issuances, or Army Directives, regulations, or policies … Also, air travel must be the most economical mode of transportation consistent with the accomplishment of the military mission, and the particular aircraft to be utilized must be the least costly one available that is capable of satisfying the transportation requirement.”

The latter notes that space-available passenger transportation is extended to: “Uniformed services members and their dependents as an avenue of relief from the demands of duty and prolonged service,” or retired uniformed services members and their families in recognition of their career of duty or other “designated individuals,” on a limited basis, for their “direct service to uniformed services members and their families.” The rules also state that other non-military passengers, including “invited travelers” may ride on military vehicles if invited by the “concerned DoD Component head.”

The flight came at a time when military hardware is increasingly strained due to Pres. Trump’s war in Iran and the jet fuel used to gas up Apaches — which is already in short supply — has jumped in price by more than 55% due to the war and the attendant blocking of the Strait of Hormuz, where both Iran and the U.S. are restricting travel through the Strait.

According to the Associated Press, Rock landed at Fort Belvoir in Virginia at 6:30 a.m. and after 1 p.m. an U.S. Army AH-64 Apache took off and did a “few loops” over the base, landing 10 minutes later.

The DoD rules allow for public affairs flights if given “high-level approval,” which it is fair to assume Hegseth was cleared to give, though Apache helicopters are combat aircraft and not configured for passenger flights. Another commenter wondered about the taxpayer dollars spent on the PR flight on one of the most advanced and expensive helicopters in the U.S. arsenal, which the AP reported costs up to $7,000 per flight hour at a time when many Americans are struggling to fill their gas tanks due to a nearly 40% increase in prices at the pump due to Trump’s Iran war.

The official X press account of frequent Trump agitator California Gov. Gavin Newsom wrote, “why are taxpayers paying to fly Kid Rock around on $100 million helicopters?” The AP also noted that Apaches typically have a two-person crew who can both fly the vehicle, with one typically focusing on managing the weapons systems, meaning a passenger would replace one of those crewmembers. In that case, it appears that Hegseth and Rock (born Robert Ritchie) would not have flown in the same aircraft at the same time.

Pentagon spokesperson Sean Parnell said that Rock flight was in support of a “community relations event” tied to the White House’s Freedom 250 initiative, part of the country’s 250th anniversary celebrations. “Robert ‘Kid Rock’ Ritchie participated in multiple troop touches with service members and filmed videos for Memorial Day, America’s 250th birthday, and for his Freedom 250 tour,” Parnell said in a statement.

In March, Army aviators did a fly-by at Rock’s Nashville estate, while also flying over a “No Kings” protest against Trump that day in Nashville, which raised questions about whether those flights were authorized. After initially saying it would investigate the maneuvers by the 101st Airborne Division and suspending the pilots, Hegseth intervened and shut down the probe.

Rock’s latest stunt comes after he faced widespread mockery from the left in February for a bizarre shitless workout video filmed with Robert F. Kennedy Jr. promoting the health secretary’s MAHA agenda.


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Spotify beat guidance for monthly active users in the first quarter, as the number of consumers on the streaming giant’s ad-supported tier rose by double-digits, helping the streaming giant meet its revenue target despite a 5% decline in ad-supported revenue.

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Spotify reported it added 10 million monthly users for a total of 761 million monthly active users (MAUs), driven by ad-supported MAUs rising 14% to 483 million in the quarter ending March 31 compared to a year ago. Premium subscribers rose by 9% to 293 million, in line with target expectations. The company reported 4.5 billion euros ($5.3 billion) in revenue for the first quarter, as 10% growth in subscriber revenue outweighed a 5% decline in revenue from ad-supported accounts compared to a year ago.

An ongoing concern for streaming companies has been achieving growth even after most adults in developed markets have streaming accounts. Spotify’s executives noted they saw growth in their free tier in highly saturated markets like the United States, with users there listening and watching content more frequently each month since Spotify rolled out certain personalization features.

“We’re well positioned because of our large, engaged user base, deep creator relationships, and years of investment in personalization and infrastructure at scale,” co-CEO Gustav Söderström said in a press release. “These create a platform that can take advantage of this moment and unlock entirely new growth vectors that will enable us to climb new mountains previously unimaginable. We see significant room to grow across users, formats and engagement and to expand what Spotify is and can become over time.”

Revenue from premium accounts in the quarter rose 10% to 4.15 billion euros ($4.87 billion), while revenue from ad-supported accounts declined 5% to 385 million euros ($456.6 million).

Gross profit rose 13% in the quarter from a year ago for a gross margin of 33%.

The company will discuss earnings during a presentation to investors at 8 a.m. New York time. The company’s stock was down 4.28% in pre-market trading.

Here are the key take-aways from Spotify’s first quarter results:

  • 761 million monthly active users was up 10 million from a year ago.
  • 293 million premium subscribers rose 3 million subscribers, in line with previous guidance.
  • 483 million ad-supported users rose 60 million from a year ago, an increase of 14%.
  • Total revenue was 4.53 billion euros for the first quarter.
  • $11B paid out to the music industry in 2025, $70 billion paid out to the music industry since Spotify’s founding
  • Spotify works across more than 2,000 devices from over 200 brands


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American Idol entered its Taylor Swift era on Sunday night (April 27), with the remaining contestants taking on songs from Taylor Swift’s catalog for the show’s first episode dedicated entirely to the pop superstar.

The theme night featured seven contestants performing tracks spanning Swift’s career, from early country cuts like “Tim McGraw” and “Fearless” to later fan favorites including “Cardigan,” “Exile” and “Lover.”

Among the night’s performances, Keyla Richardson drew particular attention for her take on “Lover,” reworking the song into something that even guest judge Nikki Glaser said felt entirely new.

“I don’t even recognize that song!” Glaser said following the performance, praising Richardson for bringing a different interpretation to the track.

Judges Luke Bryan, Lionel Richie and Carrie Underwood echoed that sentiment throughout the episode, emphasizing the challenge of performing Swift’s material — particularly songs so closely tied to her distinctive storytelling and vocal style.

Other performances included Chris Tungseth’s version of “Exile,” which Bryan called one of his favorite performances from the singer so far, and Jordan McCullough’s take on “Tim McGraw.”

Swift herself did not appear during the episode, though host Ryan Seacrest noted that dancers from her Eras Tour were part of the broadcast.

Originally released in 2019, Lover debuted at No. 1 on the Billboard 200, becoming Taylor Swift’s sixth chart-topping album. The set spawned multiple hits, including “Lover,” which reached the top 10 on the Billboard Hot 100.

The episode highlighted both the breadth of Swift’s catalog and the difficulty contestants face in reinterpreting it. By this stage of the competition, versatility has become a key differentiator, with contestants needing to balance familiarity with originality in order to stand out.

At the end of the night, Daniel Stallworth and Brooks Rosser were eliminated, narrowing the field as the competition moves toward its final rounds.

Next week’s episode will feature a return from former judges Randy Jackson and Paula Abdul as part of a special anniversary celebration.

Breakout folk duo Buffalo Traffic Jam will make their debut trip to Australia and New Zealand later this year, announcing a four-date run across the region as part of their Down Under Tour 2026.

The Montana-based pair — comprised of Frankie Cassidy and Nathan Ross — will kick off the tour on Oct. 28 at The Tuning Fork in Auckland, before heading to Sydney’s Metro Theatre on Oct. 31, Brisbane’s Fortitude Music Hall on Nov. 4 and Melbourne’s Northcote Theatre on Nov. 7.

The dates mark the duo’s first performances in both territories, arriving on the heels of a sold-out U.S. tour that has helped expand their audience beyond their home market.

Tickets for the shows will go on sale May 1, following a Live Nation presale beginning April 30.

Buffalo Traffic Jam have steadily built momentum over the past year, driven by a run of independently released material and growing streaming numbers. Their latest project, Take Me Home, has generated more than 8 million streams across platforms, adding to a catalog that includes early singles “Rescue Me” and “Forgot Your Roots.”

Formed in Bozeman, Montana, the duo first connected as students at Montana State University before developing a sound rooted in traditional folk instrumentation and harmony-driven songwriting. Their recent rise has been fueled by touring, including festival appearances at Under the Big Sky and Redwest Fest, as well as support slots alongside country singer-songwriter Dylan Gossett.

The upcoming tour places Buffalo Traffic Jam within a growing wave of U.S. folk and country-adjacent acts finding traction in Australia, where audiences have increasingly embraced stripped-back, narrative-driven songwriting alongside mainstream country imports.

While still early in their international rollout, the Down Under dates represent a key step in the duo’s expansion beyond North America, offering a first look at their live show for audiences in the region.

Buffalo Traffic Jam — Down Under Tour 2026

Oct. 28 — Auckland, NZ @ The Tuning Fork

Oct. 31 — Sydney, AU @ Metro Theatre

Nov. 4 — Brisbane, AU @ Fortitude Music Hall

Nov. 7 — Melbourne, AU @ Northcote Theatre

Morgan Evans is set to return to Australian stages in a rare, stripped-back setting, with Nova Entertainment announcing the country star will perform at an upcoming Nova’s Red Room event in Sydney.

The ARIA Award-winning artist will take the stage on May 15 at a secret location for an invite-only crowd of just 150 guests, marking one of the most intimate performances of his recent career. Known for his high-energy live shows, the Newcastle-born, Nashville-based singer-songwriter is expected to deliver a more personal set, blending new material with fan favorites.

“Nova’s Red Room shows are always special,” Evans said in a statement. “This one will be a small room, stripped back versions, with probably too much talking in between … new songs, old songs, let’s go!”

The event forms part of Nova’s long-running Red Room series, which has hosted more than 350 artists across its history, including major international names such as Ed Sheeran, Lizzo, and Billie Eilish, alongside Australian acts like Tones And I and The Kid LAROI.

Evans’ upcoming performance comes amid a busy period for the singer, who released his latest album, Steel Town, in March. The project continues his trajectory as one of Australia’s most globally recognized country exports, following the success of tracks like “Kiss Somebody” and “Day Drunk,” which have collectively helped him surpass 900 million global streams.

Following the Red Room show, Evans will embark on a wider tour across Australia and New Zealand, beginning May 21 in Perth. The run will see him perform at major venues including Melbourne’s Forum, Sydney’s Enmore Theatre and Brisbane’s Fortitude Music Hall, before heading across the Tasman.

Nova’s Red Room continues to position itself as a premium live music platform, offering fans access to exclusive performances in intimate settings while giving artists the opportunity to showcase a different side of their catalog.

Fans can enter to attend the Sydney event via the Nova Player, with winners gaining access to one of the most in-demand tickets of the month.

Producer and songwriter Mark Ronson is set to receive an Honorary Clio Award at the 2026 Clio Awards, which will be held on May 12 at Cipriani in New York City.  Actor, writer, and producer Keegan-Michael Key will host the event, which will bring together top creative talent from across advertising, marketing and communications.

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Each year, the Honorary Clio Award recognizes individuals whose work has had a lasting impact on popular culture. “With this award, the Clios recognize Ronson’s enduring influence on music and culture, and his ability to shape sound in ways that resonate across entertainment, advertising, and beyond,” the organization said in a statement.

In addition, multidisciplinary artist Mickalene Thomas will receive an Honorary Clio Award “for her transformative impact on contemporary art and visual culture.”

Ronson, 50, has won nine Grammy Awards, including two awards for record of the year – as producer and engineer/mixer of Amy Winehouse’s “Rehab” and as artist, producer and engineer/mixer of his own megahit “Uptown Funk!,” featuring Bruno Mars. He won an Oscar and a Golden Globe for cowriting the Lady Gaga/Bradley Cooper collab “Shallow” from A Star Is Born. Last year, he received his first Primetime Emmy nod as an executive producer of SNL50: The Homecoming Concert.

Ronson has also worked with Adele, Paul McCartney, Miley Cyrus, Dua Lipa and more. His memoir, Night People: How to Be a DJ in ’90s New York City, became a New York Times bestseller and is currently being adapted for film.

Key has built a career that spans film, television, theater, and voice acting. He first rose to prominence as the co-creator and co-star of Comedy Central’s Key & Peele, which earned a Primetime Emmy for outstanding variety sketch series. His recent work includes roles in The Super Mario Bros. Movie, Wonka and Schmigadoon! and his bestselling book The History of Sketch Comedy.

The Clio Awards were founded in 1959 to honor excellence in advertising around the world.

Megan Thee Stallion‘s final curtain call is coming a bit earlier than expected.

The rapper announced via Instagram on Monday (April 27) that she’ll be departing the cast of Broadway’s Moulin Rouge! The Musical after her performance on Friday. She was originally scheduled to perform in the show through May 17.

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“Hotties, my last performance as Zidler in @moulinrougebway will be May 1,” Megan said in her caption alongside photos of herself meeting fans at the stage door after performances and posing with castmates and special guests. “It’s been such an honor to be part of thee Moulin Rouge family and I’ve met so many amazing people in this theater!”

She continued by sharing her gratitude for the cast and crew of the Broadway show for “[making] the experience so meaningful” and commending them on their dedication and work ethic. She concludes by thanking her fans for seeing the show.

“And to all the Hotties that showed up or planned to attend, thank you for supporting me during this incredible journey! I LOVE YALL See you soon,” Megan writes.

Megan made her Broadway debut as Zidler in Moulin Rouge on TKTK, the first woman to every play the role in a production of the show. News of her early departure comes on the heels of her breakup with Mavericks shooting guard Klay Thompson. On Saturday (April 25), Megan took to her Instagram Story to share that she and Thompson, whom she dated for a little under a year, broke up due to his infidelity.

“Cheating, had me around your whole family playing house… got ‘cold feet,’” the three-time Grammy winner wrote. “Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season now you don’t know if you can be ‘monogamous’????”

In a statement to Billboard afterward, Megan confirmed that she ended things with Thompson, citing “Trust, fidelity and respect” as “non-negotiable for [her] in a relationship.”

“I’m taking this time to prioritize myself and move ahead with peace and clarity,” Megan concluded in her statement on the breakup.

As with any multi-artist, multi-stage festival, there are always hard choices to make as to which acts to see and which to miss, but it feels like this year’s edition of the New Orleans Jazz & Heritage Festival had nearly impossible decisions.

Take, for example, this block on Saturday (April 25) when Stevie Nicks, Tyler Childers, Nas, Rihannon Giddens and Bruce Hornsby & The Noisemakers were all playing against each other. Even Jason Isbell was in a quandary. Isbell, who was playing with his band the 400 Unit in the time slot right before all the above names on Saturday, turned to his guitar played Sadler Vaden and asked if he was going to see “Stevie or Tyler?” Vaden simply answered “Bruce.”

Just like deciding between the fried soft-shell crab po’ boy or the Crawfish Monica, there’s really no wrong choice when it comes to the music at Jazz Fest, just FOMO. The Fest, which runs April 23-26 and April 30-May 3, always has a great vibe with friendly people, but this year’s first weekend felt a little extra special…maybe because, in a horrible sign of our times, on opening day authorities arrested a man in Florida who was allegedly planning a mass shooting at Jazz Fest. People seemed especially determined to have a good time and celebrate the music.

It could have also been because of the great weather. Jazz Fests can offer everything from torrential downpours and times when the temperature and the humidity have both been in the stifling 90s. This year, there was only two short periods of rain and the temperature, while hot, stayed in the mid-80s.

Below, in no particular order except for putting Batiste at the top, were some of the highlights of the first weekend of Jazz Fest. Next weekend’s performers include The Eagles, Trombone Shorty, Widespread Panic, Lainey Wilson, the Black Keys, Herbie Hancock and Earth, Wind & Fire.


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Lightning might not strike twice, but Zach Bryan will.

The country star had to delay and shorten his Saturday (April 25) show in Nebraska due to inclement weather. Prior to the start of the performance, Bryan took to X to let his fans know that the show would start later than originally intended, writing, “tour in the spring they said, it’ll be fun they said.”

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Doors to the venue opened four hours after Bryan’s original post, and his opening act, Kings of Leon, did not take the stage. Unfortunately, the rough weather continued with lightning strikes hitting overhead, and Bryan had to get offstage earlier than planned.

Following the shortened show, Bryan posted a setlist to X the following day, apologizing to fans and letting them know that only the final six songs were cut. A few fans were not pleased with Bryan’s actions or follow-up post, with one person demanding partial refunds be delivered to fans at the show.

“I know a lot of this was out of your control but we got half a show. Very disappointing,” one fan replied to Bryan’s apology post. Bryan responded to the fan with his thoughts on her ask.

“Karen ahhhh tweet,” Bryan replied, to the dismay of another fan.

“What a scum response to a fan who probably waited all night to see you and the opening artists,” responded the next angry fan. “I paid over a thousand dollars to see this show and waited in my car for over 4 hours. Minimal communication by the stadium and zach bryan himself. Ridiculous.”

Bryan once again replied, relying on a line that he already knew worked: “Karen ahhh tweet.”

The country star did have some support in the X comments, with one fan replying: “They are acting like it was in your control, great show brother!” Bryan agreed with the commenter, sharing a photo of the scary weather and writing, “There were f—n lighting bolts?? Above?? Our?? Heads??”

Bryan’s next performance is set for Davis Wade Stadium in Starkville, Mississippi, on Saturday night.

Josh Groban is set to receive a star on the Hollywood Walk of Fame on May 6, two days before the release of his new Reprise album Cinematic, a collection of film songs, and his performance that same night at the Grammy Hall of Fame gala, where his record company, Warner Music, is being honored.

Groban will receive the 2,843rd star on the Walk of Fame on May 6 at 11:30 a.m. PT at 6212 Hollywood Boulevard, in front of Amoeba Records. The event will be streamed live at www.walkoffame.com. Groban will receive his star in the category of recording.

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Three longtime Groban friends and associates are set to speak at his star ceremony: David Foster, who mentored Groban early on and produced several of his hit albums; Josh Gad, whose friendship with Groban dates to the time they were both classmates in the musical theater program at Carnegie Mellon University; and Ben Schwartz, with whom Groban worked in the 2013 comedy film Coffee Town. Foster received a star, also in the category of recording, in 2013.

Ellen K, iHeart Media personality, will emcee the event. She received a star in the category of radio in 2012.

“The Hollywood Chamber of Commerce is proud to welcome singer Josh Groban to the Hollywood Walk of Fame,” Ana Martinez, Walk of Fame producer, said in a statement. “Josh has this incredible way of connecting with people through his music. It’s been amazing to watch his journey over the years.”

Groban, 45, has had three No. 1 albums on the Billboard 200: Closer (2004), Noel (2007) and All That Echoes (2017). He has received five Grammy nominations, including three for best traditional pop vocal album. His new album Cinematic, produced by Greg Wells, may put him back in contention in that category. The 10-track collection includes songs from films including The Godfather, Casablanca, Breakfast at Tiffany’s and Stand by Me.

Groban has also received two Tony nominations for best actor in a musical (for Natasha, Pierre & The Great Comet of 1812 and the 2023 revival of Sweeney Todd) and two Primetime Emmy nods (for co-hosting the 2018 Tony Awards with Sara Bareilles and co-writing a song for the show).

Foster and Teddy Swims will perform at the 2026 Grammy Hall of Fame Gala in tribute to Warner Records, which is this year’s recipient of the Visionary of Music Award. The Gala, presented jointly by the Recording Academy and the Grammy Museum, will be held on Friday, May 8 at The Beverly Hilton in Beverly Hills, Calif.

Groban recently completed his GEMS World Tour. In June, he will head back out on the road for a North America tour with special guest Jennifer Hudson. In the fall he will return to The Colosseum at Caesars Palace for Josh Groban: GEMS – The Las Vegas Residency.

Groban remains an active arts education philanthropist and advocate. His Find Your Light Foundation seeks to enrich the lives of young students through arts, education, and cultural awareness.

The Hollywood Chamber of Commerce administers the Walk of Fame for the City of Los Angeles and has hosted the iconic star ceremonies for decades. Millions have visited this cultural landmark since 1960.