BOYNEXTDOOR achieves its third consecutive top 10 on Billboard’s Top Album Sales chart, as the act’s latest release, 19.99, arrives at No. 4. The set sold 16,500 copies in the U.S. in the week ending Sept. 19, according to Luminate. With the debut, the act nets its highest charting album and best sales week.

Also in the top 10 of the latest Top Album Sales chart, Travis Scott’s Days Before Rodeo rallies 25-1 after its vinyl editions were shipped to customers, Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters at No. 2 after its deluxe reissue and CD release, Miranda Lambert’s Postcards From Texas opens at No. 3, keshi’s Requiem arrives at No. 7, Jack White’s No Name re-enters at No. 8 after its wide physical release, and the Hazbin Hotel, Season One soundtrack debuts at No. 10 after its vinyl release.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of the 16,500 copies sold of 19.99 in its first week, physical album sales comprise nearly all of that sum – and all on CD. Its sales were bolstered by the album’s availability across more than 15 collectible CD editions, all containing collectible branded paper ephemera.

Travis Scott’s 2014 mixtape Days Before Rodeo rallies 25-1 in its fourth week on the list, for its second week on top. (It debuted atop the list.) The album sold 150,000 copies in the tracking week (up 4,608%) after its vinyl editions – exclusively sold through Scott’s webstore – shipped to customers. Vinyl sales comprise 149,000 of that sales figure – Scott’s largest week on vinyl ever. It’s also the biggest week on vinyl for a rap album, as well as the sixth-largest week on vinyl across all genres, since Luminate began tracking sales in 1991.

The vinyl sales pushing Scott to No. 1 began generating pre-orders via his official webstore before the album was released on Aug. 23 via streamers, as a digital download and on CD. It was available in two vinyl variants (a standard edition and a deluxe edition in expanded packaging), as well as two boxed sets (one containing a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl), and in two Fan Pack offers (one with a hoodie and the standard vinyl and one with a T-shirt and the deluxe vinyl).

A wide retail release beyond Scott’s webstore for any physical formats of the album has not been announced.

Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters the chart at No. 2 (matching its debut and peak), following its deluxe reissue and CD release. The album was reissued via digital download services on Sept. 13 with bonus tracks, while on the same day its original standard album was issued in two CD variants. It sold 24,000 (up 3,328%) across all of its configurations (all versions are combined for tracking and charting purposes).

Miranda Lambert logs her ninth top 10, all tallied consecutively, as her new studio album Postcards From Texas, taps in at No. 3 with 19,000 sold. Its first week sales were aided by the set’s availability across four vinyl variants (including a signed edition), three CD editions (including a signed version) and a download album.

Sabrina Carpenter’s Short n’ Sweet is steady at No. 5 on Top Album Sales (14,500; down 6%) while Chappell Roan’s The Rise and Fall of a Midwest Princess rises 7-6 (13,000; up 25%).

Requiem, from keshi, debuts at No. 7 with nearly 10,500 sold, marking the second top 10-charting effort for the artist. The album’s sales were bolstered by its availability across six vinyl variants (including a signed edition) and a signed CD edition.

Jack White’s No Name returns to the top 10, re-entering the chart at No. 8 (matching its debut and peak position), following its wide vinyl release on Sept. 13. The album sold a little more than 10,000 copies in the tracking week ending Sept. 19 – its best sales week yet – earning a 695% gain over the previous week.

Stray Kids’ chart-topping ATE is a non-mover at No. 9 on Top Album Sales, with nearly 9,000 sold (up 8%).

Rounding out the top 10 is the debut of the Hazbin Hotel, Season One soundtrack, entering at No. 10 with 8,500 sold. Nearly all of that sum is from vinyl sales, as the album made its vinyl debut on Sept. 13 after only being available to purchase as a digital download.

Pepe Aguilar has never shied away from expressing what is really going through his mind. And his latest song, titled “Cuídamela Bien” — which translates to “take good care of her” — is no exception. Singing directly to Christian Nodal, who in July married his daughter Ángela Aguilar, the Mexican star is clear on his requests for him.

“Well you’re no idiot, you took from the old man the best woman,” he croons over wailing trumpets and nostalgic guitar notes. “Love her, cabrón. Show the world that you’re on the right track, and you’ve got a heart. Make her as happy as I’ve always wanted to in life.”

Aguilar’s song is a play on words that makes the most sense in Spanish. In one verse, he sings, “Y NO DA La cara el bandido,” or, “And that bandit won’t show his face” — which could also refer to Nodal’s face tattoos. In another part of the song, he uses song titles, including Ángela’s “Ahí Donde Me Ven” and Nodal’s “Botella Tras Botella,” to wittingly express how he’s feeling.

Toward the end of the song, in a total state of emotional vulnerability, Aguilar reaffirms he’s given the couple his blessing, something he first announced publicly just a day after the wedding ceremony, which took place just weeks after the couple confirmed their relationship.

“In any lasting relationship, love is essential and respect and responsibility totally indispensable,” he wrote then. “With love, you face the most complicated challenges inside and outside your environment. … I have also been in your shoes. And after 27 years with my wife I say to you: There is no simple principle.”

Below, the lyrics to Pepe Aguilar’s “Cuídamela Bien” translated to English:

It’s not news that she’s with you
Well the world knows it and everyone is a witness
So fast time passed and my ANGEL someone else snatched her away
And the bandit won’t show his face

I’m going to be very clear, do things right
Because for outlaws, mijo (son), this is not the place to be
And I know it’s easy to be cabrón
I’ve been in that situation myself
But the one who stays is more of a man

And I’m sorry if I’m being a little rude
It’s just that I got dumbfounded by a lucky chamaco (boy)

Take good care of her
You’ve already made her fall in love
You already took her away
What am I gonna do?

She was never mine
And I knew
That I was going to lose her

And lucky for you
Now she’s with you
I wish you well

Take good care of her
Maybe she’s not perfect
But I assure you
She knows how to love

Roses were enough for you
So that my prideful daughter
Would fall at your feet

And face-to-face
I give you a piece of advice
If you love her well

Don’t change her because you’re very good at it

When you brought her roses, I played the strong one
And in the serenades I couldn’t kick you out
The eagle has already taken off
And the one who doesn’t show his face now has shown it
I admit that you’re easy to love

And I’m sorry if I’m a little rude
It’s just that I got dumbfounded by a lucky chamaco (boy)

Take good care of her
“Ahí Donde Me Ven” (There where they see me)
“Botella Tras Botella” (Bottle after bottle)
“No Me 100to Bien” (I don’t feel good)

Well you’re no idiot
You took from the old man
The best woman

And lucky for you
Now she’s with you
I wish you well

Love her, cabrón
Show the world
That you’re on the right track
And you’ve got a heart

Make her as happy as
I’ve always wanted to in life

And in the eye of the cyclone
For my part I give you my blessing
And I will always wish your relationship well

Pepe Aguilar is set to speak at the 35th anniversary Billboard Latin Music Week, which will feature exclusive panels, conversations and performances by Latin music’s biggest stars from Oct. 14-18 in MIami. Tickets are available now at BillboardLatinMusicWeek.com. He will also be honored with the Billboard Hall of Fame Award at the 2024 Billboard Latin Music Awards, which will air Oct. 20 on Telemundo

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

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Damiano David feels sorrow no more. The Måneskin frontman has embarked on his first solo project, releasing the song “Silverlines” — produced by Labrinth — on Thursday (Sept. 26).

“This song is a very special story to me,” the Italian artist tells Billboard of the emotional track that begins as a raw, stripped-back melancholy tune that fills with hope as it crescendos. “Sometimes, you hear a song and you think, ‘Oh my god, this song talks about me.’ … It was so amazing for me to get to work with such a huge artist and also on a song that, it’s basically describing my whole journey.”

According to David, singer-songwriter Sarah Hudson was already working on the tune with Labrinth when she came up with the idea to connect the two men and have the Måneskin rocker hop on the track, for which he helped pen the lyrics. And given the opportunity to collaborate with Labrinth — who has worked with the likes of Billie Eilish, The Weeknd, Nicki Minaj and more — he wasn’t about to say no. “If you have the chance to work with Labrinth, you don’t get precious! You just do it!” David laughs, praising his “extremely meticulous” producer and their “very easy” collaboration process. And he’s more than delighted with how “Silverlines” has turned out.

“It was funny for me how [this] first song was actually, it was, like, all I hoped for,” he marvels of “Silverlines,” which finds him showing a vulnerable side that he had yet to share in his music with Måneskin. “It was like the lyrics are such a message of hope for me because it was exactly what I was aiming for with this record, and now that the record is finished, I look back to that song and it’s like, ‘Wow! That’s basically the last stop of my journey,’ and it’s so funny that it came at the beginning — like [it was] heaven sent.”

“There’s a level of vulnerability that I never reached and a level of honesty that I never managed to reach not because I was not being honest in the other songs,” he adds. “I had to dig deeper into myself in order to even get to this information and then be able to transform it into music.”

David explains that part of the reason he had not yet shared this more personal side of him in Måneskin was because he wanted to respect the band’s strong identity — which he credits as part of its success — and also the “role that was assigned to him,” but it wasn’t showing him as a whole person. “At one point I started to really suffer this very partial point of view of myself that I myself was giving to the world … I knew that I was the one choosing only to express that,” he shares, emphasizing that he takes responsibility for that, and is now, with his solo work, revealing a fuller picture of who Damiano David is. “Literally my brain and my body rebelled to me and forced me to actually kind of cut me open, cut myself open and show myself to the world.”

And that honesty is right there in his favorite lyrics from “Silverlines”: A smile/ I welcome you/ A darkness/ I’ve long forgotten you/ And peace belongs to me. “That’s what happened. This is the part that I share with the audience — it’s the public part of the work I’ve done,” explains David, who moved to Los Angeles in January, where he spent a few months by himself to figure out his priorities. “I of course did a lot of personal work and personal growing, and I cut some things out of my life and I replaced [them] with new, healthier, more beautiful ones. I think now things are better.”

Helping him pull back the curtain is the accompanying music video for “Silverlines,” a theatrical visual directed by Nono + Rodrigo that shows first the struggle, then the endless possibilities that await David. “One of the main topics of the whole thing is like, more than having the world,” he shares. “For me, it’s more like, from now on, it’s a white sheet and I’m able to actually … make my visuals become reality.”

And now that he’s sharing a closer look at himself with his solo music, the vocalist is excited to see what’s on the horizon, though nabbing a Billboard Hot 100 No. 1 for “Silverlines” may not be at the top of his list. “I don’t want to be like a hypocrite and say I don’t care about the charts because of course I care! Everybody cares!” he admits. “But at the same time, the goal of this song is not topping the charts. I’m introducing myself to the world, so I don’t expect to be first from the first day. Actually, I don’t expect to be first any time. But I’m just very glad I have the opportunity to do this, and the results will come.”

Check out Damiano David’s debut solo song, “Silverlines,” and its video below: