Sean “Diddy” Combs is not in any danger of self-harm despite being placed on a suicide watch as he awaits trial, his representatives tell Billboard.

“Mr. Combs is strong, healthy and focused on his defense,” a spokesperson for the music mogul explains. “He is committed to fighting this case and has full confidence in both his legal team and the truth.”

The decision to put Diddy on suicide watch is “procedural with high-profile clients,” the insider told NBC News. Sources also told People that the move was a preventative measure.

Diddy was arrested Monday (Sept. 16) in New York City, and Manhattan federal prosecutors have since unveiled the substance of their case against Combs — accusing him of operating a criminal enterprise centered on his “pervasive pattern of abuse toward women.”

He was denied bail at his Sept. 17 arraignment, and is currently facing up to life in prison for three felony charges. The next step for Combs will be an initial pretrial conference next week before Judge Andrew L. Carter, Jr., the federal district judge who will oversee his trial.

In a video obtained by CNN earlier this year and dated March 5, 2016, Combs appears to shove his longtime former partner, Cassie Ventura, to the ground near an elevator bank, kick her several times while she lies on the ground and drag her down a hallway. The contents of the video mirror an assault allegation Ventura made in a now-settled lawsuit she filed against Diddy in November.

Ventura was the first to accuse Diddy of sexual assault, filing a lawsuit in November in which attorneys for Cassie claimed she “endured over a decade of his violent behavior and disturbed demands,” including repeated physical attacks and forcing her to “engage in sex acts with male sex workers” while he masturbated. According to the complaint, after she attempted to separate from him in 2018 after an on-and-off public relationship for 11 years, Combs allegedly “forced her into her home and raped her while she repeatedly said ‘no’ and tried to push him away.” The case was soon settled, but Combs was then sued by multiple other women who claimed they were sexually abused by the hip-hop mogul.

If you or someone you know is a victim of domestic violence, please call the confidential National Domestic Violence Hotline toll-free at 1-800-799-7233, or go to thehotline.org. 

There are a lot of recognizable names on Billboard’s Alternative Airplay chart: Green Day, Jack White and Linkin Park are all in the top 10, to name a few. But this week, one of the most successful bands in the chart’s history spends a second week at No. 1: Cage The Elephant, whose latest single “Rainbow” becomes their 12th leader on the chart, tying Linkin Park and the Foo Fighters for the third-most all time.

That’s a significant milestone for both the band and its label, RCA Records. But RCA’s success atop Alternative Airplay goes deeper, and more unconventional, this week: Myles Smith’s breakout single “Stargazing” reaches No. 2 on the chart, giving the label the top two songs there for the week. And Smith’s achievement is all the more remarkable because the song is his first charting hit in the U.S., a relative rarity for an artist making waves at alternative. And that one-two punch success helps RCA’s senior vp of pop/rock promotion Gary Gorman earn the title of Billboard’s Executive of the Week.

Here, Gorman explains the strategies that helped RCA hit those marks, the differences between veteran acts and new artists at alternative radio and how the promotions job has changed over the course of his extensive career. “The information and technology we have now vs. 15 years ago is staggering and allows us to be more strategic than ever,” Gorman says. “The bones of this job are, however, still the same. I expect that to continue, as long as music programing at radio is still editorialized.”

This week, Cage The Elephant spent its second week at No. 1 on Alternative Airplay with “Rainbow,” tied with Foo Fighters and Linkin Park for third-most all time, with 12 No. 1s. What key decisions did you make to help make that happen?

Cage The Elephant is a Goldilocks band for the alternative format. Their history of No. 1 songs and alternative chart success coming into the Neon Pill album cycle was undeniable. Not to mention, for my money, they are one of the most consistently ferocious live bands in the space. That being said, multiple No. 1s from any campaign are promised to no one, so a lot of the strategy here lies in the long tail of the promotional campaign and how to outline a comprehensive 24-plus-month plan. Our partners at Q Prime are an incredible asset and invaluable in all collective decisions from the timing, touring, artist participation and information sharing. One of the hardest and most discussed decisions wound up being about which single to lead with. Impacting the darker “Neon Pill” first into the lighter “Rainbow” still rings true for me.

With Myles Smith’s “Stargazing” at No. 2, RCA has both of the top two slots on the chart, with two vastly different songs. What strategy goes into making that happen?

So wildly different — it’s such an exciting moment. Cage is an established band at the format, and it had been many years since new Cage music, so the table was set and the anticipation was high. Myles, on the other hand, was a virtual unknown to alternative radio. As a result, the set up was more “door to door” as we sought early champions. A handful of alternative major-market programmers led the way, early, on the backs of a huge streaming story and we were off to the races. We couldn’t have achieved this level of success on this campaign without the early belief from those first alternative stations. Those folks have all my gratitude.

The upper tier of the Alternative Airplay chart is full of artists who have had careers stretching back 10 years or more — Cage, White, The Offspring, Linkin Park, Green Day — but Myles is a much newer artist, with “Stargazing” being his first charting hit in the U.S. How hard is it to break a new artist on alternative radio these days?

As Public Enemy once said, harder than you think. Alternative radio has always played a wide variety of new musical styles, but ultimately, it’s their gold libraries that hold everything together. One can say many of the most successful new songs at alternative have “connective tissue” sonically to a station’s music library. With the nostalgic feels coming out of the pandemic, heritage artists releasing new music have been a hot ticket item for many programmers, making shots on new artists even tougher. That being said, there certainly have been some brand-new artists with terrific runs at alternative in the last year. Myles Smith has been a triple threat with “Stargazing”: a sonic fit, incredible streaming and early power-worthy research.

On the flip side, why is the format so friendly to artists with long careers, when so much of pop radio is driven by new hits and new artists?

How much time do you have? Alternative radio today has remained true to their explosive origins, continuing to support a larger library of songs and artists dating back to the format’s inception. As a result, these stations tend to have a slightly older audience than pop, along with fewer current tracks in rotation at a given time. As mentioned, the wave of historic artists releasing new music has created quite a dilemma. Given the limited space for current music, it would seem many programmers have opted to lean into the artists they know have worked in the past. The irony, of course, is that we have seen some of the biggest researching songs of the year come from either new or unexpected artists at this format, with Myles Smith being a prime example.

How has radio promotion evolved over the course of your career?

The information and technology we have now vs. 15 years ago is staggering and allows us to be more strategic than ever. The bones of this job are, however, still the same. I expect that to continue, as long as music programing at radio is still editorialized. I learned a long time ago that the one constant in this business is change. Having a crackerjack team here at RCA across all formats, including the promo leadership from Keith Rothschild and Sam Selolwane, allows us to face new challenges and adopt new strategies while remaining focused and unrelenting in the amplification of our artists across the radio platform.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Are you a fan of sci-fi horror? Get ready to embrace the spooky season with this M3GAN Head Knocker Bobblehead.

Available for pre-order for just $32.99 at Entertainment Earth, the 7 1/2-inch collectible features the robotic doll from the hit horror film M3GAN, which grossed $181 million worldwide.

M3GAN Head Knocker Bobblehead

$32.99

Pre-order Now at Entertainment earth

Add this M3GAN Head Knocker Bobblehead for a spooky addition to your Halloween collection, featuring a 7 1/2-inch tall figurine of your favorite character.

---

For those looking for an alternative M3GAN collectible, consider adding the M3GAN Bobbling Figurine. This collectible, available for pre-order on Amazon and Target, includes some of the doll’s iconic lines from the film, and is set to be released on Oct. 22.

If you were on TikTok when this movie came out in theaters last year, you remember the doll’s viral dance. Whether you’re fan of the film or just love creepy collectibles, this bobblehead makes a great addition to your spooky collection for Halloween. Its creepy aesthetic will instantly add a spooky touch to any room or Halloween party.

M3GAN Bobbling Figurine With Sound

$14.95

pre-order Now On Amazon

$14.99

pre-order Now at target

Level up the spookiness with this M3GAN Bobbling Figurine that includes sound. Press the button and hear M3GAN’s top five iconic lines from the film. This 3 3/4 figurine includes a 32-page mini book with additional quotes and images of the character. Hurry and pre-order now!

---

The Bobbling Figurine also comes with a 32-page mini book with five of the doll’s “iconic quotes” from the movie. All you need to do is press the button and M3GAN will say her lines. This feature adds another level of creepiness, so if you are looking to up the spooky element, this is definitely a great one to add into the mix. With this 2-in-1 special, you’ll be able to snag to items of your favorite character. This is also a great gift for all horror fans.

For more product recommendations, check out Lip Smacker Halloween Lip Balms, this 13-Foot LED Jack Skellington and the best merch inspired by Beetlejuice, Beetlejuice.

Michael Jackson’s estate has filed a legal action against a man who it claims has threatened to resurface ugly abuse allegations ahead of the upcoming release of a biopic about the King of Pop, according to multiple media reports.

As detailed by both the Washington Informer and the Financial Times on Friday, Jackson’s estate has filed a private arbitration case against the unnamed accuser, claiming his alleged threats violate an earlier, never-before-reported settlement over the abuse accusations.

In the arbitration case, the estate reportedly alleges that the earlier settlement — struck in 2020 — saw the accuser paid $3.3 million in return for signing a non-disclosure agreement. But the estate reportedly claims he’s now threatening to breach the agreement if he’s not paid another $213 million.

In an interview with the Informer, estate executor John Branca reportedly said: “The associate’s lawyer even said to us, ‘If you don’t meet our demands, we’re going to have to share these allegations with a wider group of people.’ It was a shakedown. Enough is enough.”

The name of Jackson’s accuser and the details of his supposed allegations were not disclosed in media reports. It’s unclear when the arbitration case was filed, or what exactly it alleges. The Jackson estate would not confirm the accuracy of the reports and declined to comment on the matter.

The article from the Financial Times reported that the Jackson estate had also referred the matter to the U.S. Attorney’s Office in Los Angeles. A spokesman for that office did not immediately return a request for comment from Billboard.

The threats to go public come as the Jackson estate prepares for the premiere of Michael, a movie about the singer’s life starring his nephew Jaafar Jackson in the titular role. The biopic, directed by Antoine Fuqua, is set for release in April 2025.

Jackson, who died suddenly in 2009, was never convicted or held legally liable on any accusation of child molestation, but is still dogged by such allegations. Two men, Wade Robson and James Safechuck, continue to claim Jackson sexually abused them as children, spending the last decade pursuing civil lawsuits. And their allegations were amplified in 2019 by HBO docuseries Leaving Neverland, which laid out their claims in disturbing detail.

The Jackson estate has always vehemently denied all such claims, pointing out that the singer was acquitted in a 2005 criminal trial and arguing that his accusers are simply seeking monetary gain from an artist who cannot defend himself because defamation law does not extend to dead individuals.

Shortly before Leaving Neverland aired, the estate sued HBO over the series, claiming that “Michael Jackson is innocent. Period.” The case claimed the network had breached a decades-old contract that it signed to air a Jackson concert back in 1992, which included a provision banning HBO from making “any disparaging remarks” about the singer.

That lawsuit was eventually sent to private arbitration in 2019, where it remains pending. The status of such arbitration cases, similar to the one reported on Friday, are intentionally kept more private than traditional litigation and are difficult to ascertain from public records.

Alexandria Ocasio-Cortez dissed Nicky Jam and Anuel AA when the subject turned to Donald Trump at a recent congressional hearing. 

While questioning Mark Krikorian, the executive director of the far-right Center for Immigration Studies, during an Oversight and Accountability Committee hearing Thursday (Sept. 19), the Bronx representative asked him whether he remembered the Donald Trump administration’s rumored desire to “sell” the island of Puerto Rico.  

“I don’t even remember that one,” Krikorian replied, to which AOC countered, “I suppose that puts you and Nicky Jam and Anuel in the same boat.” 

Nicky Jam was born and raised in Massachusetts, but has lived in Puerto Rico most of his life; Anuel is Puerto Rican. Billboard has reached out to reps for Ocasio-Cortez, Nicky Jam and Anuel AA for comment.  

The hearing was dubbed “A Legacy of Incompetence: Consequences of the Biden-Harris Administration’s Policy Failures.” It came with 46 days left to go before the 2024 presidential election, in which both Latin music stars mentioned by AOC are championing Trump.  

Anuel formally endorsed the Republican candidate at the former president’s rally in August, appearing on stage alongside fellow reggaetón star Justin Quiles. “The best president the world has seen, this country has ever seen, his name is President Trump,” the “China” musician said at the podium. “I personally spoke with him, he wants to help Puerto Rico grow and succeed as a country. He wants to keep helping Latinos in the U.S. Let’s keep doing things the right way and let’s make America great again.” 

The following month, Jam appeared at Trump’s rally in Las Vegas, where the twice-impeached ex-POTUS mistakenly referred to the “X” singer as a “she.” “Do you know Nicky? She’s hot. Where’s Nicky?” Trump said while introducing the artist. 

Despite the faux pas, Nicky Jam gave a passionate endorsement of the billionaire upon taking the microphone. “It’s an honor to meet you, Mr. President,” he told Trump. “We need you. We need you back, right? We need you to be the president.” 

He and Anuel are two of several musicians who are backing Trump’s re-election bid this year, alongside Jason Aldean, Kid Rock, Kodak Black, Lil Pump, Sexyy Red and Billy Ray Cyrus. Democratic opponent Kamala Harris, however, also has a litany of A-list artists on her side, from Taylor Swift to Billie Eilish, Cardi B, Megan Thee Stallion, John Legend and more. 

Watch AOC call out Nicky Jam and Anuel AA below.