There’s a very good reason that Henry Winkler is considered to be one of the nicest guys in show biz. The eternally sunshiny 78-year-old Happy Days veteran always brings the good cheer to his talk show appearances, that is when he’s not taking time to send fan notes to fellow artists he’s inspired by.

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During a visit to Live with Kelly and Mark on Tuesday (Oct. 15), Winkler was predictably enthusiastic about one of his recent kind letters eliciting an equally generous response when he shared how happy he was to get a thank you video from Jelly Roll.

“Oh my gosh, it was the most amazing thing that it came from you and that he answered,” Winkler told Ripa about getting an equally sweet reply from the “I Am Not Okay” that the singer sent to the daytime talk show host. Winkler explained to the studio audience that he often writes what he calls “fan notes” to artists he admires. “And I wrote one to Jelly Roll, ‘Dear Mr. Roll,’” he explained. “And I never thought I would hear back and all of a sudden I got a video from Kelly of Mr. Roll thanking me!”

Ripa responded that being a conduit of the mutual admiration society was “the most exciting thing that has ever not happened to me… it was for you, so it had nothing to do with me. “It was great,” Winkler said before Ripa cued up the tape.

“Hey Mr. Winkler, it’s Jelly Roll,” the singer said in the clip scrolled on Ripa’s device. “I’m just sending my love. I have been hoping to see you ‘cause I got a note and they said it was from you. I didn’t believe it and this is my publicist — she hates being embarrassed but now she is — and she told me it was you, she confirmed and I cannot tell you how much that meant to me.”

Jelly promised to send Winkler a picture of the letter when he gets back home. “I hope you don’t mind, I framed it. I hung it up on my wall where I have like hand written lyrics from Craig Morgan, all the stuff that’s really been special in my career. Thank you, I’m absolutely honored Mr. Winkler. I can’t wait to see you and hopefully give you a hug man. I’m a big hugger, I’ll squeeze you.”

During an appearance on Jimmy Kimmel Live! last week, Winkler first revealed that he’d sent the letter to the country star. “I really believe that when I see something that I think is wonderful you’ve got to let the person know,” he told the late night host, who has been on the receiving end of some of those nice notes. When asked who the most recent recipient was, Winkler said it was Jelly Roll, following an appearance on Kimmel’s show.

“I wrote him a letter, ‘Dear Mr. Roll,’ and all of a sudden I got a video back on my phone… it was amazing,” Winkler said. “I think that he is so filled with emotion.”

Watch Winkler kvell about his Mr. Roll moment below.

The 2024 Billboard Latin Music Week is in full swing, and while panels and Q&As take centerstage during the day, showcases are the place to be at night.

On Tuesday (Oct. 15), Rimas Publishing celebrated its 10th anniversary with a special showcase that featured performances by Valentina, Slow Jamz and Anonimus with surprise guests, including Randy (of Jowell & Randy). The showcase, which kicked off at 9 p.m., was held at M2 in Miami.

Rimas Publishing 10th Anniversary Showcase in Miami.
Rimas Publishing 10th Anniversary Showcase in Miami.

Rimas Entertainment is celebrating 10 years in business, and Randy was one of the first artists to be signed to the indie label. Now, the company — also home to global superstar Bad Bunny — has evolved and launched multiple divisions, including Habibi (management company home to Karol G and Grupo Frontera) and Rimas Sports.

Before the showcase took place, Noah Assad (CEO), Junior Carabaño (vp) and Raymond Acosta (general manager, Habibi) took centerstage during Billboard Latin Music Week for a panel during which they reflected on the company’s growth and what they look for in an artist.

“In terms of management, Raymond tells me, ‘Here is this opportunity.’ And I respond with, ‘What do you think?’ And if he says I love them, then so do I,” Assad said. “Sometimes I don’t see the vision, but someone else on the team will. If that person believes in an artist, we know there’s a reason. We trust that team member who identifies an artist and says, ‘I can do this for this person.”

The 2024 Billboard Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

The long-standing animus between former Van Halen singer David Lee Roth and band’s late guitar legend Eddie Van Halen was legendary, and apparently permanent. In a new interview with Rolling Stone, the band’s retired drummer, Alex Van Halen, revealed that after Eddie’s death in 2020 at 65 due to complications from throat cancer, he approached Roth about a reunion tour that would pay tribute to his younger brother.

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Following some rehearsals in 2022, Alex said the project fell apart over what he described as Roth’s refusal to include a segment paying homage to the rocker some consider the greatest guitarist of all time.

“The thing that broke the camel’s back, and I can be honest about this now, was I said, ‘Dave, at some point, we have to have a very overt — not a bowing — but an acknowledgment of Ed in the gig,” he said of his get-back plans that began to go south when he felt numbness from peripheral neuropathy that he took as an “omen from above” that maybe things were not meant to be.

“If you look at how Queen does it, they show old footage,’” Alex said of that band’s hat-tipping to late singer Freddie Mercury on their recent tours with replacement singer Adam Lambert. “And the moment I said we gotta acknowledge Ed, Dave f–kin’ popped a fuse.… The vitriol that came out was unbelievable.”

Alex, in his first interview since Eddie’s death, said Roth adamantly refused the idea, finding it “offensive,” for reasons he still cannot understand and which raised his ire. “I’m from the street,” he told the magazine. “‘You talk to me like that, motherf–ker, I’m gonna beat your f–king brains out. You got it?’ And I mean that. And that’s how it ended… It’s just, my God. It’s like I didn’t know him anymore. I have nothing but the utmost respect for his work ethic and all that. But, Dave, you gotta work as a community, motherf–ker. It’s not you alone anymore”; RS said Roth declined to comment for the story.

The profile also runs down the other A-list rock icons who were discussed as potential frontmen for the band that has had three lead singers over the years. Founding vocalist Roth held the seat from 1974-1985, then again for a brief time in 1996 and once more from 2007-2020, while Sammy Hagar took over from 1985-1996 during the band’s chart peak, and again from 2003-2005, while Extreme’s Gary Cherone briefly kept the mic warm from 1996-1999 between the other two vocalist’s stints.

Around 2001, following Cherone’s exit and Hagar’s return, the Van Halens had a chat with Ozzy Osbourne and his wife, manager Sharon Osbourne, as they contemplated a plan to have the metal god take over as vocalist. “When you get a dog, you don’t expect it to be a cat,” Alex explained. “When you get an Ozzy, you get Ozzy. Play the music, he’ll sing, and it’s gonna be great.”

But, right before they were slated to get to in the studio, the Osbourne’s began working on their MTV reality show The Osbournes, which scotched the plan; Ozzy confirmed the talks and said if it had come to pass it would have been “phenomenal.”

Van Halen also noted that the brothers jammed with Soundgarden’s Chris Cornell at one point — he couldn’t remember when — and when Eddie stepped out of the room for a bit Alex jammed alone with the singer. “Chris was in a very fragile part of his life, so to speak,” he said of the singer who died in 2017 at age 52. “I got behind the drums, and he started playing bass. We played for 45 minutes. This motherf–ker got so into it he started bleeding. I said, ‘This is the man you want.’ And then he died.”

Saying the demise of the original lineup was the “most disappointing thing” he’d experienced in his life until Eddie’s death, Alex said, for him, another brick in the wall of their demise was Eddie’s decision in 1982 to play his infamously spiraling guitar solo on Michael Jackson’s “Beat It.” That led to Roth deciding to strike out on his own as a solo act which began what Alex said was a death spiral for the group. After asking his brother not to take the gig — suggesting that Jackson guest on a VH album instead — Eddie did it anyway and in 1984, Jackson’s monumental album Thriller blocked VH’s 1984 album from the No. 1 position on the Billboard 200 album chart.

“Why would you lend your talents to Michael Jackson? I just don’t f–king get it,” Alex told RS about the feud that went on for years. “And the funny part was that Ed fibbed his way out of it by saying, ‘Oh, who knows that kid anyway?’ You made the mistake! Fess up. Don’t add insult to injury by acting stupid.”

Alex Van Halen’s memoir, Brothers, is slated for release on Oct. 22.

This article was created in partnership with Sorin Medical

The loss of several Hip-Hop legends over the past few years has ushered in a somber spirit to the culture. As Hip-Hop turned 50, and with a constant stream of premature health tragedies, a chance encounter on Wall Street between a cardiologist, a health advocate, and a music artist led to The CHECK IN being born.

To help mitigate this ongoing health crisis in the culture, Dr. Joseph A. Puma of Sorin Medical, Health Advocate and Media Personality Kenya Gipson (Coach Kenya), and rapper, Maino decided to tackle some of the disparities in care affecting communities of color “head on” by creating a platform that’s both entertaining and informative. It’s designed to empower individuals everywhere to take the fate of their health into their own hands through a preventative approach. Since most health situations can be treated and avoided if detected early, the program aims to ease some of the anxieties faced daily when it comes to understanding and learning about one’s health to make informed and educated decisions. 

How is The CHECK IN – Hip-Hop’s first health platform – different from other platforms in the space?

The CHECK IN is Hip-Hop’s first health and wellness platform designed, from inception, to change and save lives. By telling real stories of hip-hop artists and others in the game, The CHECK IN educates and informs in an entertaining way. One particular episode features artist and rapper Lady Luck, who had life-threateningly low blood counts that required four blood transfusions; these low counts were caused by chronic bleeding from uterine fibroids, which affect three in five women of color by age 50. Had she waited to connect with Dr. Puma, she would have run the risk of an extremely dangerous and potentially negative outcome. Hearing first-hand accounts from artists and executives in the hip-hop world in this program will highlight symptoms and diseases viewers have possibly never heard of, so they can seek out testing and treatments that could benefit themselves. For example, many signs of coronary artery disease can be missed using traditional diagnostic and stress tests. The advanced CT scan technology is a three-minute, non-invasive test that captures images of the heart and prostate in men, and fibroids in women. With education and awareness, we can reduce the morbidity and mortality of common illnesses that afflict the community.         

What will people experience from The CHECK IN?

Authenticity. Each story featured on The CHECK IN has a unique background and covers real-life health scenarios with real-time solutions. The audience will immediately be able to understand these and relate to themselves and their family in order to take a positive step towards addressing their health. The goal of each story is to create healthier, more positive outcomes in communities of color.

For example, Steven “DJ Suss One” Sussman, a beloved radio DJ in the game who can be heard spinning across the airwaves and on The Sherri Shepherd Show, lost a loved one to heart disease. Like many of us who have lost a parent, it’s critical to consider the genetic connection to diseases. That’s what led him to The CHECK IN, where he underwent Sorin’s state-of-the-art Heart Scan that provides patients with HeartFlow’s AI software imaging technology so they can see firsthand how their heart is functioning. 

Another story told on The CHECK IN is of music moguls like Dame Dash, founder of The America Nu Network, and his journey with Type 1 diabetes since age 15, and also explores the story of music executive Steve Lobel, who shares his recent encounter with a debilitating and near death health scare from prostate enlargement.

The CHECK IN is Hip-Hop, stories, health, and healing all rolled into one platform. Dr. Puma, Coach Kenya, and Maino are bringing the conversation of Hip-Hop and Health to the mainstream. Hopefully, by highlighting all of the resources available to the community and having some of Hip-Hop’s biggest players share their stories, we can help catch health complications early and prevent heart disease where possible, especially those affecting communities of color. To find out more about The CHECK IN and to see their latest episode, you can click here.

Connect: @sorinmedicalny @mainohustlehard @coachkenya

For anyone aching to start the holiday season early, Clay Aiken is here to deliver tidings of comfort and joy.

On Wednesday (Oct. 16), the American Idol alum announced his new holiday album, Christmas Bells Are Ringing, due Friday, Nov. 22. Reimagining 10 classic holiday songs in his signature soulful style, Aiken’s LP will mark his first full-length release in over a decade.

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“It’s been a while, but it feels like the right time to release this album. The whole world is a mess these days, so I think we could all use a bit more of the kindness and cheer that comes with the holiday season,” Aiken tells Billboard in an exclusive statement. “The holidays have taken on a different meaning for me over these past 15 years as a father. I’m excited to share that Christmas spirit with this album.”

Aiken is also offering fans a tease of what’s to come with his new rendition of the Christmas classic “Do You Hear What I Hear,” made popular by Bing Crosby. Revitalizing the Christmas anthem, Aiken said in a statement that he wanted to share a song that offered people hope in a year of intense divisiveness. “The whole American political climate over the past few years hasn’t really given us much in the way of hope or optimism,” he said. “As much as I wanted to believe I might be able to make some positive change in that world, I’ve realized that music often does a better job of that.”

The album is set to feature a slew a holiday classics, including the Carpenters’ “Merry Christmas, Darling,” Andy Williams’ “It’s the Most Wonderful Time of the Year” and even Paul McCartney’s “Wonderful Christmastime.”

In the 12 years since Aiken’s last studio album, 2012’s Steadfast, Aiken has set his aspirations to other fields: In 2022, the singer ran for the Democratic nomination in North Carolina’s 6th Congressional district, stating that he was inspired to run after seeing North Carolina’s lieutenant governor Mark Robinson ask “What is the purpose of homosexuality?” during a speech and wanting people in office “to start acting like grown-ups instead of children.” Aiken ultimately lost his primary to Rep. Valerie Foushee, who went on to win the seat.

Listen to Aiken’s rendition of “Do You Hear What I Hear” and see the full track list for his upcoming holiday album below:

Clay Aiken’s Christmas Bells Are Ringing tracklist:

  1. Merry Christmas, Darling
  2. It’s The Most Wonderful Time Of The Year
  3. Caroling, Caroling
  4. Do You Hear What I Hear?
  5. Pure Imagination
  6. Ave Maria
  7. All Year Long
  8. Wonderful Christmastime
  9. Magic Moments
  10. On This Silent Night

Sony Music Publishing Latin has signed Fuerza Regida frontman Jesús “JOP” Ortiz Paz and his label Street Mob Records. A leading indie label that puts out records in the Música Mexicana genre and beyond, Street Mob boasts a roster of more than 25 songwriters, producers and artists, including Chinco Pacas, Calle 24, Clave Especial and Miguel Armenta.

As one of the leading Música Mexicana groups, Fuerza Regida has helped introduce the genre to new fans around the world. The Mexican-American band’s ascent up the Billboard charts began in 2018, when Radicamos in South Central debuted at No. 35 on Regional Mexican Airplay. Since then, the band has produced a slew of hits, including “TQM,”  “Bebe Dame” with Grupo Frontera, “Sabor Fresa,” “Harley Quinn” with Marshmello and many more. The group’s 2023 album Pa Las Baby’s Belikeada peaked at No. 1 on the Top Latin Albums chart and at No. 14 on the Billboard 200.

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This week, JOP will join Billboard’s Leila Cobo in Miami at Billboard’s Latin Music Week as part of the Sony Music Publishing Icon Q+A.

Recently, Fuerza Regida earned eight nominations at the 2024 Billboard Latin Music Awards, including artist of the year and album of the year, while JOP received nominations for songwriter of the year and producer of the year, along with recognition on Billboard’s 2024 Latin Power Player list.

“Partnering with Sony Music Publishing marks an exciting chapter for Street Mob Records,” said JOP in a statement. “This deal shows our commitment to exploring songwriting within Música Mexicana and beyond various genres. It’s a true reflection of the talent at Street Mob and what we’re creating together. With Sony Publishing, we’re building a partnership that aims to inspire the next generation of artists and leave a lasting impact.”

Sony Music Publishing president/CEO, Latin America and U.S. Latin Jorge Mejia said of the deal: “We couldn’t be happier to team up with an artist and executive like JOP and Street Mob Records, in order to help support and develop a fantastic stable of writers within Música Mexicana and beyond. This partnership with Street Mob is visionary and an incredible opportunity for the Sony Music Publishing family.”

Sony Music Publishing Latin director of creative Monica Jordan added: “We are thrilled to embark on this journey with JOP and Street Mob Records. We look forward to working with JOP and the Street Mob roster as they continue to innovate and push the boundaries of Música Mexicana even further.”

Fresh off releasing new album Spill the Feels led by the DJ Khaled-featuring single “LOVE, MONEY, FAME,” SEVENTEEN’s ongoing global takeover steps into the Big Apple as the K-pop powerhouses partner with Spotify for an exclusive pop-up experience made for their most loyal fans, affectionately known as Carats.

Billboard can exclusively reveal details for Spotify x SEVENTEEN Present: Carat Station NYC, for Oct. 26 in Manhattan’s Soho neighborhood offering fans an in-person experience through their own whimsical, SEVENTEEN-themed world.

Like the band’s recent pop-up with Spotify in Seoul, the immersive experience will let local Carats explore a fantastical train station in the clouds with special, fan-centric details inside. Attendees can explore interactive kiosks and photo ops, including personalizing your light stick at the Charms Customization Station, indulging in Korean delicacies at the Dining Concourse, and exploring the Carat Street Flower Market that will be exclusive to the NY location.

“K-pop is now a major global and growing genre on Spotify and our Carat Station pop-ups represent that,” Lucy Davidson, Lead Label Partnerships at Spotify, tells Billboard. “By bringing the activation to New York City, we’re showing SEVENTEEN’s fans around the world that we see them too…Spotify’s Music teams in Korea, the U.S. and Japan worked in lockstep to create unique events in each city that feel both authentic to that particular place and connected to the larger Carat fandom. That’s why you’ll see common threads throughout each experience, but unique elements as well — like the Flower Market kiosk in New York City.”

Spotify will send personal invitations to SEVENTEEN’s top listeners in the NYC area starting today (Oct. 16), and the event will be open to the public at a soon-to-be announced location. Fans can also make reservations which will be honored on a first-come, first-served basis. RSVP at this link here.

SEVENTEEN also shared an exclusive message with their fans reading on Billboard, saying, “Hi Carats! Thanks for stopping by Carat Station in Seoul this past week. We hope you had so much fun! New York, don’t worry! We have a surprise coming your way too. October 26. See you soon!”

“The Carat Station concept was inspired by the idea that the fan journey starts long before the concert begins,” Davidson adds. “Fandoms are built in the hours leading up to the ‘big moment,’ whether through streaming the music, exploring the artist’s stories, watching videos, or connecting with other fans. Every genre has a unique fandom and K-pop is no different. We know New York’s Carats will be looking for insider details in every corner and so we’ve done our best to deliver SEVENTEEN-specific references for them to discover throughout the experience.”

Carat Station NYC runs parallel to the upcoming U.S. leg of SEVENTEEN’s RIGHT HERE world tour that kicks off its U.S. leg with two shows at Chicago’s Allstate Arena on Oct. 22 before two dates at the UBS Arena in New York.

Get ready for Spotify x SEVENTEEN Present: Carat Station NYC with images from the recent Seoul experience below and check out Spotify’s SEVENTEEN WORLD TOUR [RIGHT HERE] playlist.

SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify Seoul
SEVENTEEN x Spotify NYC
SEVENTEEN x Spotify NYC

TikTok’s decision to boycott Merlin and pursue direct deals with Merlin’s member labels is a troubling move that undermines the rights of labels to choose how their music is licensed. While TikTok frames this shift as a way to tackle streaming fraud, it’s clear that the real motive is to weaken the bargaining power of independent labels and use that leverage to suppress rates.

Merlin has built strong partnerships over the last 16 years with more than 40 digital services worldwide. These partners recognize the value Merlin brings—efficiency, scale, and a deep understanding of the independent music community. TikTok’s move to sideline Merlin is not about protecting against fraud but about undermining the ability of independent labels to achieve competitive terms, not just now but for the long term. The ultimate consequence of its refusal to negotiate with Merlin for the music that earns TikTok billions of dollars, will be to damage artists’ ability to make a living from their art. 

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This tactic is not new. It echoes the historical struggles of the music industry with partners such as terrestrial radio and MTV, both of which profited massively from the use of recorded music while refusing to pay artists under the pretext of “promotional value” or “exposure” — ostensibly for the sale of an artist’s CDs or LPs. In this largely digital economy the stream is the sale – and it has been widely reported that TikTok pays rights holders far less than other services for equivalent uses of music. 

Richard James Burgess, President and CEO of A2IM

Independent labels choose Merlin to license their rights, because of its expertise, experience and track record in striking these kinds of deals. This ensures compensation at levels enabling them to compete with the majors and protects independents from being unfairly exploited. TikTok’s decision to bypass Merlin and demand direct deals is an assault on the freedom of small and medium sized enterprises to determine their own business strategies. The fact that TikTok is giving Merlin members a matter of days to accept TikTok’s terms or lose access to its massive platform, is an unfair exercise of its market power.

This apparent divide-and-conquer strategy is, we believe, designed to keep payouts for indie artists low by exploiting their perceived reliance on TikTok’s platform. It’s not about addressing fraud or improving the digital music ecosystem. In fact, by exponentially multiplying the number of license deals TikTok will need to strike and by losing Merlin as a partner in the fight against fraudulent material, more fraud is likely to ensue. Merlin simplifies licensing, making it easier for platforms to access diverse, independent music. Fragmenting this system hurts artists and fans and will limit the range of music available on TikTok.

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At its core, this issue is about respecting the rights of independent labels to determine how their music is licensed. TikTok’s behavior doesn’t reflect a problem with Merlin; it reflects TikTok’s lack of respect for the value of music. Every other major platform has struck responsible deals with Merlin that balance the needs of the service with optimized compensation for artists. TikTok’s refusal to do so sets a dangerous precedent for recording artists and their labels.

TikTok must stop undermining and disrespecting the independent music community. It can do this by working with the labels’ rights management agency of choice to establish a fair, transparent licensing system that benefits all stakeholders in the music ecosystem. Independent labels have the right to choose their representatives to negotiate deals that truly reflect the value of their artists’ creative contributions. Anything less is a disservice to the artists and the fans and undermines the very fabric of music culture.

Dr. Richard James Burgess is an acclaimed musician, singer, songwriter, record producer, composer, author, manager, marketer and inventor, who presently serves as the president and CEO of the American Association of Independent Music (A2IM).

Britney Spears isn’t afraid to share her obsessions. On Tuesday (Oct. 15) the “Toxic” singer posted a lengthy tribute to her favorite women on Instagram Stories, reeling off a long list of famous singers, actresses and models who she is obsessed with.

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“Women I genuinely admire and have crazy girl crushes on 😘😘😘!!!” she wrote. “I have girlfriends I hang out with every now and then but it’s not the same as when we were younger !!! But why isn’t it ??? I wanted to share the women who inspire me !!!” Sure, there are friends she grew up with who she was so close to they finished each other’s sentences and even began to speak, walk and share mannerisms with.

But eventually you “get married and you grow up an live worlds apart,” she said. So, Brit ran through a list of women who inspire her now. First up was former Baywatch star Pamela Anderson, who she said is a “classic babe and seems so sweet!!!”

She also had kind words for Vox Lux star Natalie Portman, who she called the “coolest person,” recalling meeting the star on a New York street and realizing they had the same shirt on. She also gave props to “I Luv It” singer Camila Cabello, “because she’s so darn pretty and she makes me giggle out loud !!! Her personality is so sweet and kooky I think it’s healthy to be silly !!! I wish I was more like that.”

Britney then wondered if it’s “even normal to be that pretty ???” in reference to model Kendall Jenner and wrapped things up with shout outs to Selena Gomez and Drew Barrymore, just because they’re “literally gorgeous”; both women were on hand for Spears’ 2022 wedding to now ex-husband Sam Ashgari. In the end, Spears admitted that even she wasn’t sure why she committed all that to digital ink before wrapping up with a tease of what’s next.

“I’m away writing my novel and learning about myself,” said Spears, who penned two books with her mother, Lynne Spears, 2000’s Heart to Heart and 2001’s A Mother’s Gift, before releasing her 2023 tell-all memoir, The Woman in Me. At press time no additional information was available about the book from the singer who said in January that she will “never return to the music industry.”

Young Miko, our cover star of the month, spoke with Billboard‘s senior writer Griselda Flores during a Superstar Q&A on Tuesday (Oct. 15) during Billboard Latin Music Week 2024. They discussed their perceptions and experiences in the music industry, their artistic vision and the future of Latin music.

Here are the best ten quotes from the Puerto Rican rapper:

  1. Her artistic growth: Honestly, I can understand that it might feel like it was overnight. In reality, if you think about it, social media growth is so abrupt, fast, and global that it can definitely seem like an overnight thing, social media-wise. But indeed, we have been making music since 2018, 2019, and about three years ago is when Young Miko really started to gain a lot of momentum.
  2. Her beginnings in music: From 2018 to 2019 I started to explore with SoundCloud, and I began releasing music without giving it much thought. I had a lot of fun making Spanish versions, just exploring. Something that really sticks in my mind is that when you start, you imitate a lot. When you want to learn a skateboarding trick, you watch a video over and over and imitate it until you nail the trick.
  3. The before and after moment: I mostly felt it when “Riri” came out. “Riri” began to gain an audience outside of Puerto Rico. I had a very special moment in Puerto Rico, during the concerts of “Un Verano Sin Ti” by [Bad Bunny].
  4. About her team: The team came together little-by-little. Without realizing it, life put them in my path, Mariana and Mauro. I’ve known them since I was 11-years-old.
  5. About her manager: Mariana is my lifelong best friend, she is my sister, she knows me like no one else. She’s someone I admire greatly; she is a very hardworking, dedicated woman. I know no one who has the guts that Mariana has. She was definitely someone I wanted by my side in an industry that can sometimes be very noisy and chaotic.
  6. The lesbian renaissance: [We are in a] lesbian renaissance. We say it jokingly, but in reality, that phrase has a lot of power. It’s the girls’ time, and it seems to me that it’s noticeable and feels wonderful. We are in a much more receptive generation.
  7. About 1K: It is the collective I belong to. We are a group of people I love very much, very passionate and talented people. There’s a saying in Puerto Rico: Keep everything at 100. We try to keep it at a thousand, and that’s 1K.
  8. About her track “Pinot Grigio”: Even though all these emotions pass, whether I doubt or feel good or not, these are the people who will always be around. No matter what happens, you guys are the best thing I have in my life.
  9. About “Fina” and Bad Bunny: I had the opportunity to be in the studio with Benito and that man is incredibly creative. He is very clear about what he wants, both as an artist and as a person. I remember I was wearing a Powerpuff Girls shirt — I felt I could handle anything that day, ready to battle. He showed me the song and he had already written half of my verse.
  10. Collaborating with Karol G: I opened some dates for her in the U.S. I was with her in Medellín too. She is an incredible friend and one of the women I admire the most. Touring with her felt like she took me under her wing. There were many things she didn’t have to do before we were in a show. She showed me: “Look how they set up the stage, how I prepare; I like to stretch like this, I like to eat this.” It’s motivational that such an incredible woman shows you and says, “You can do it too, I trust you.”

Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.