A Michigan inmate has won a $100 million default judgment against Sean “Diddy” Combs in a sexual assault lawsuit, an eye-popping figure handed down after the rapper did not show up in court or file any formal response to the case.

The huge judgment, confirmed by Billboard from court records, was issued by a Michigan state judge in Lenawee County to Derrick Lee Cardello-Smith – one of numerous people to accuse the embattled rapper of sexual abuse over the past year.

The ruling is a so-called default judgment, a kind of legal award granted when an accused party doesn’t respond to a legal action. At a hearing last month, a judge said that Combs had been properly served with the lawsuit, and court records indicate that he never answered the claims.

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In a statement to Billboard, Combs’ attorney Marc Agnifilo strongly denied that his client had ever been served with the lawsuit and said the rapper “looks forward to having this judgment swiftly dismissed.”

“This man is a convicted felon and sexual predator, who has been sentenced on 14 counts of sexual assault and kidnapping over the last 26 years,” Agnifilo said. “His resume now includes committing a fraud on the court from prison, as Mr. Combs has never heard of him let alone been served with any lawsuit.”

If lawyers for the rapper now respond to the lawsuit, they could seek to overturn the default judgment and proceed to normal litigation, where Cardello-Smith would need to prove his allegations to a jury before securing a judgment.

Once one of the most powerful men in the music industry, Diddy has been hit with at least seven civil lawsuits alleging sexual abuse over the past year, including claims by ex-girlfriend Cassie Ventura that were later followed by a video showing him assaulting her. The hip-hop mogul is also facing an apparent federal criminal investigation after authorities raided his homes in March.

Though the rapper has denied the legal allegations against him, he issued an apology in May over his conduct captured on the video of the Ventura attack: “My behavior on that video is inexcusable. I take full responsibility for my actions in that video.”

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According to Michigan inmate records, Cardello-Smith, 51, is serving multiple, decades-long sentences for a variety of crimes, including first-degree criminal sexual conduct and two counts of kidnapping. The earliest he can be released from prison is 2036.

Cardello-Smith sued Combs in June, claiming the rapper had spiked his drink and sexually assaulted him at a party in 1997. At a court hearing last month, he told a judge that the rapper had personally visited him in prison after he filed the lawsuit and offered him $2.3 million to drop his case.

At that same hearing, the inmate alleged that Combs had told him that he would not appear in court or respond to the lawsuit, saying “You know how we get down.” Cardello-Smith told the judge that he responded by telling Combs “I disagree with how you get down” and rejecting the settlement offer.

The lawsuit against Combs is not the first civil action Cardello-Smith has filed from behind bars. Last year, he sued a Detroit-area Catholic archdiocese, alleging he had been sexually abused by a priest and others between 1979 and 1993. The case was dismissed last month by state appeals court, which ruled that Cardello-Smith’s allegations were barred by the statute of limitations.

Country Music Hall of Famers Brooks & Dunn are set to bring their high-octane live show and stacked arsenal of hit songs to arenas in Texas, North Carolina, Illinois and more in 2025, as they have revealed the dozen-concert initial slate of shows for their Neon Moon Tour.

Produced by Live Nation, the Neon Moon Tour 2025 will launch March 13 in Lubbock, Texas. Joining them is “Dust on the Bottle” hitmaker and storied songcrafter David Lee Murphy.

For more than three decades, Kix Brooks and Ronnie Dunn have staged concerts that are essential viewing for country music devotees, thanks to their energetic performance style, nearly two dozen No. 1 Billboard Hot Country Songs chart hits (many of which they wrote), and Dunn’s always formidable lead vocals.

The namesake of the duo’s tour is their 1992 hit “Neon Moon,” which topped Billboard‘s Country Airplay chart. The song has become a favorite for both fans and other artists. On the duo’s Reboot album, Kacey Musgraves joined them in covering the song. Meanwhile, in 2019, The Voice coaches Kelly Clarkson, Blake Shelton, Gwen Stefani and John Legend covered “Neon Moon.”

Tickets will go on sale starting Friday, Sept. 13, at 10 a.m. local time on the duo’s website

See the full list of Brooks & Dunn’s Neon Moon Tour dates below:

  • March 13: Lubbock, Texas – United Supermarkets Arena
  • March 14: Austin, Texas – Moody Center
  • March 15: Corpus Christi, Texas – American Bank Center
  • March 27: Raleigh, N.C. – PNC Arena
  • March 28: Charlotte, N.C. – Spectrum Center
  • March 29: Charlottesville, Va. – John Paul Jones Arena
  • April 3: Indianapolis – Gainbridge Fieldhouse
  • April 4: Peoria, Ill. – Peoria Civic Center Arena
  • April 5: Rosemont, Ill. – Allstate Arena
  • April 24: Des Moines, Iowa. – Wells Fargo Arena
  • April 25: St. Louis – Enterprise Center
  • April 26: Louisville, Ky. – KFC Yum! Center

As Chappell Roan dealt with backlash to her comments on toxic fan behavior over the last month, the singer says a huge number of fellow female artists have offered her their support.

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In a new cover story for Rolling Stone, Roan said that a number of her fellow pop girls reached out to her and offered their words of encouragement. The list of singers included Charli XCX, Billie Eilish, Hayley Williams, Katy Perry, Lorde, Muna, Miley Cyrus, Lady Gaga, Lucy Dacus, Julien Baker, Phoebe Bridgers and Mitski. “I’m not trying to name-drop,” she explained. “I’m trying to tell you there are girls who are good people, who are helping other girls out. I’m name-dropping them because people just need to know that people are good people.”

Roan specifically thanked Sabrina Carpenter during the conversation, saying that the pair had a long heart-to-heart about their similarly huge years and the implications that has on their mental health. “We’re both going through something so f–king hard … she just feels like everything is flying, and she’s just barely hanging on,” Roan said. “It was just good to know someone else feels that way.”

The “Pink Pony Club” singer did point out that she’s noticed a worrying trend among the artists reaching out to her. “Not a lot of boys have been like, ‘Let me know if you ever want to talk about it,’” she said, before revealing that a few — including Orville Peck, Troye Sivan and Noah Kahan — have offered her their support.

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One living legend who has supported Roan throughout her career also reached out — Sir Elton John. The “Rocket Man” singer told Rolling Stone that he felt “protective” over Roan. “She is kind, innocent and wonderful. She is not ‘Chappell Roan’ off stage – a bit like me,” he said. “She is one of those people who I felt like I have known for a long time.”

Roan added that as much as audiences like to pin the toxic fan discussion on her, she is far from the only artist feeling this way. “I don’t want to be agoraphobic. That’s [how] most of my peers [feel]. Every f–king artist is on this page,” she said. “Everyone is uncomfortable with fans. Some people just have more patience. I f–king don’t.”

Elsewhere in her interview, Roan revealed a number of specific instances of fans being inappropriate with her, including a fan kissing her without consent and a stalker showing up to her parents’ home in Missouri. “[Fans] need to see me as a random b—h on the street,” she said. “You can’t yell at a random b—h who’s on the sidewalk that you don’t know. It’s considered catcalling or harassment.”

Flavor Flav knows how to work his way around a clock, but maybe don’t let him get a gavel in his hands. The lesson was learned when the Public Enemy rapper joined U.S. Women’s Water Polo Team goalie Ashleigh Johnson at the New York Stock Exchange on Monday (Sept. 9).

That’s when Flav got a bit overzealous with the gavel when attempting to ring the closing bell, which saw him lose control of the hammer and accidentally send it into the crowd. “FLAVOR FLAV::: They said it was good luck if I hit it hard,” he captioned his Instagram post.

Fans hit the rapper with jokes in his comments section after he nearly decked an onlooker with the gavel. “Is catching the gavel from flav akin to catching the bouquet at a wedding,” one person asked. Another added, “Opening the stock exchange?! What happened to fighting the power?”

The 65-year-old hadn’t had the opportunity to be at the NYSE in his career, and he basked in the honor after watching it on television all these years.

“This means the world to me right now to be here at the Stock Exchange,” Flav added. “The only time I ever seen it was on TV. Now I get to be here part of it. Yeah, boy!”

Flavor Flav signed a five-year sponsorship deal with the U.S. Women’s and Men’s Water Polo Teams, for whom he served as the hype man at the 2024 Summer Olympics in Paris. His sponsorship came with a $1,000 check to each player and a cruise voyage for the women’s team.

It’s a busy week running around the Big Apple for Flav. After stops at the U.S. Open tennis championship and the NYSE, the New York native is slated to appear at the 2024 MTV Video Music Awards on Wednesday (Sept. 11).

Watch some of the highlights from his NYSE trip below.

She Is The Music Day took to New York City for its third installment and welcomed 100 local college women for an opportunity to connect, grow and empower each other. 

Held at Soho’s lush Casa Gessi event space, the afternoon affair sponsored by Häagen-Dazs Ice Cream saw a number of women gather for conversation, networking opportunities, free swag, photo opps and tunes provided by DJ Adi Oasis. Industry expertise ranged from women in Publicity, Brand Partnerships, Production/Engineering, International Marketing and Touring. 

Four key speakers who have worked with the likes of SZA, H.E.R., Maeta and more came together for the main speaker conversation to spotlight their experience and support for their industry peers. Among the panelists included Shari Bryant (Founder & CEO of Knip Agency & PINKESTLUV), Sam Selolwane (Head of Promo for Hip-Hop & R&B for RCA Records), Jeanine McLean (President of MBK Entertainment and CEO of Castlight Media) and Shardé Simpson (co-founder of Simpson & Reed, PLLC).

Additional breakout workshop speakers included Kathy Iandoli (journalist and author), Alexis Johnson (Interscope), Gloria Kaba (producer/engineer), Danielle Geiger (Atlantic Records) and Marissa Loil (UTA).

For more on the She Is The Music organization and their mission to provide equality, inclusivity and opportunity for women in music, head over to their official website

Beyoncé has a reputation for staying aloof and enigmatic in spite of being one of the most famous women on the planet, with her public appearances remaining few and far between even when she’s in the midst of an album cycle. And in a new GQ cover story published Tuesday (Sept. 10), the multi-hyphenate explains why. 

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In the interview conducted over email, Bey was candid about the fact that creating art and performing are what she loves to do — but everything else that comes with superstardom? Not so much. “I create at my own pace, on things that I hope will touch other people,” she told the publication. “I only work on what liberates me.”  

“It is fame that can at times feel like prison,” Bey continued. “So, when you don’t see me on red carpets, and when I disappear until I have art to share, that’s why.” 

Because of her love of music, the 32-time Grammy winner hasn’t shied away from experimenting with new genres — for example, her Billboard 200-topping country LP Cowboy Carter — and making albums based on what she loves, not on what’s popular. For instance, in 2011, when she could’ve played things safe by releasing a dance-pop album to keep up with the time’s radio-friendly trends, she instead turned in 4

“I wouldn’t say that I was anti-pop,” she recalled of the 13-year-old project. “I respected pop. But it was a time where everyone was doing pop/dance music, and R&B and soul were getting lost. It was popular and fun, but it wasn’t my thing. It was not where I was going with my music career at that time. I was yearning for something deeper with more musicality.”  

The cover story comes amid fan outrage that Cowboy Carter was snubbed from the CMA Awards, eight years after the incident that Bey seemingly hinted in March was the catalyst for her releasing a country album in 2024. In 2016, her performance of “Daddy Lessons” with The Chicks at the award show sparked backlash from critics who felt she didn’t belong in the space; almost a decade later, the vocalist wrote on social media that Cowboy Carter was “born out of an experience” she’d had years prior where she “did not feel welcomed.” 

But as Bey told GQ, she’d still be singing even if she had no stage to perform on. “Singing is not work for me,” she said. “There’s magic in the way it feels on my throat, a resonance that vibrates through me. When I am at my lowest, when I’ve been sad or in a heavy fog, sick or anxious with sleepless nights, I sing. And, often, I sing alone.” 

“It steadies my heartbeat, it’s my best hit of dopamine,” she added. “It’s one of the deepest joys of my life, a necessity as vital as breath.” 

See Bey’s cover of GQ below:

Chappell Roan caused a stir earlier this year when she rejected the White House’s invitation for her to perform at a Pride event in June. Now, the singer is saying that had she attended, she would have done much more than just perform.

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For the latest cover of Rolling Stone, Roan told the publication that she originally intended to accept the White House’s invitation to the event — but she planned to protest the Biden administration’s involvement in Israel’s attacks on Gaza instead of performing one of her songs.

“I had picked out some poems from Palestinian women. I was trying to do it as tastefully as I could because all I wanted to do was yell,” she said. “I had to find something that’s tasteful and to the point and meaningful, and not make it about me and how I feel. I don’t know if I’ll ever get that close in direct sight of the president ever in my life. This is my shot.”

While Roan said that her publicist ultimately talked her out of her protest (saying, “You f–k with the president and the government, your security is not the same, and neither is your family’s”), she firmly stands by her decision not to attend the event. “I’m not going to go to the White House because I am not going to be a monkey for Pride,” she explained, before criticizing the administration’s walked-back statement about gender-affirming surgery for minors. “Thank God I didn’t go because they just made a huge statement about trans kids.”

When performing at Gov Ball, Roan took a moment during her show to tell her audience that she refused the White House’s invitation to perform, dedicating her song “My Kink Is Karma” to the administration. “We want liberty, freedom and justice for all,” she said. “When you do that, that’s when I’ll come.”

The “Good Luck, Babe!” singer also dispelled a rumor that her distaste for the Biden administration’s treatment of Palestinians and trans youth meant that she was a supporter of former president Donald Trump. “I saw a couple of TikToks where they were like, ‘So she’s pro Trump?’ It is not so black and white that you hate one and you like the other. No matter how you say it, people are still going to be pissed for f–king some reason,” she said.

The singer later told the publication that she was supporting Kamala Harris’ bid for the White House this November. “Right now, it’s more important than ever to use your vote, and I will do whatever it takes to protect people’s civil rights, especially the LGBTQ+ community,” she said. “My ethics and values will always align with that, and that hasn’t changed with a different nominee. I feel lucky to be alive during an incredibly historical time period when a woman of color is a presidential nominee.”

While none of us will ever know what it’s like to go on a lavish island vacation with Jay-Z, to hear Beyoncé tell it, the soundtrack to her 2024 Hot Girl summer is totally relatable. In a new email interview feature with GQ, Queen Bey opens up about about why she decided to launch her own whiskey brand, SirDavis, as well as the musical influences on her Cowboy Carter album and what movies and albums she’s had on repeat lately.

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Asked what is currently inspiring her in the world of film and music, Beyoncé said she simply loves and respects “all of the female singers-songwriters who are out right now,” ticking off a list that includes: Raye, Victoria Monét, Sasha Keable, Chloe x Halle, and Reneé Rapp. “I love Doechii and GloRilla, and I just heard That Mexican OT, he’s from Houston…. He goes hard!,” she said of the MC from Bay City, Texas whose 2023 breakthrough hit “Johnny Dang” hit No. 65 on the Billboard Hot 100.

In addition, like so many of you, she also loves Sabrina Carpenter’s first Billboard Hot 100 No. 1, “Please Please Please,” and added that, “I think that Thee Sacred Souls and Chappell Roan are talented and interesting.” Most relatable of all, though, was her love for Miley Cyrus, with Bey saying she’s mesmerized by the singer who joined her on the Carter track “II Most Wanted.”

“I’m obsessed with my backseat baby…. I’m a Smiler,” Bey said, referring to Cyrus by her fan group name and via a lyrical reference to the line “I’ll be your backseat baby, drivin’ you crazy/ Anytime you like, whoa/ I’ll be your shotgun rider, ’til the day I/ ‘Til the day I die” from their whiskey-soaked Carter ballad collab.

Back in March, Miley gave thanks for her feature on the landmark country-tinged album from Bey that features a galaxy of other stars — including her godmother Dolly Parton, among many others. “I’ve loved Beyonce since long before I had the opportunity to meet & work with her,” Cyrus wrote in an Instagram post that included the Cowboy Carter album cover. “My admiration runs so much deeper now that I’ve created along side of her,” she continued. “Thank you Beyonce. You’re everything & more. Love you. To everyone who spent time making this song so special thank you from the bottom of my heart.”

When she’s not listening to her fellow female pop stars, Beyoncé said she spins classics by Stevie Wonder, Marvin Gaye and the legendary Stax label, as well as watching the 2024 documentary about the Memphis soul label that broke Otis Redding, Isaac Hayes and Sam & Dave, Stax: Soulsville U.S.A.

The best movie she’s seen this year? The long-awaited, $1 billion-grossing sequel to the feelings-forward animated smash Inside Out 2. ” I think it’s brilliant,” she said of the film featuring the voice work of Maya Hawke, Ayo Edebiri, Tony Hale, Amy Poehler and Lewis Black, among others. She said she’s also currently watching the Game of Thrones sequel House of the Dragon and Lena Waithe’s long-running drama about life on the South Side of Chicago, The Chi.

Singer-songwriter Joshua Ray Walker, known for songs including “Thank You for Listening,” gave fans an update on his cancer battle, revealing on Tuesday (Sept. 10) that his cancer has spread.

“Once again, I’ve got some good and bad news to deliver. The good news is that I’ve finished chemo treatment!” began the country artist, who first told fans he was receiving treatment for colon cancer in 2023. “The bad news is that upon the completion of tests to check on the status of my cancer post treatment, multiple nodes of varying sizes were found in both my lungs.

“Before I started chemo, I was told I had a 90% chance of having clear tests post treatment. So to find completely new growth in a new organ was something for which I was not prepared,” he continued. “This unfortunately means my cancer will likely be restaged to stage 4.”

He informed fans of the road ahead for his treatment, explaining, “I will get a lung biopsy and start radiation soon. I wish I had more information to share but I’m still waiting to meet with a radiology oncologist following my biopsy surgery.”

Walker promised that he’d “continue to fight my hardest” despite the bad news. “I’ve always lived life to the fullest and I will continue to do so. When times are hard my instinct is to figure out how to survive financially,” he shared. “I work harder to ensure that me and my loved ones will have basic necessities. This trait has been very useful in life, but it makes it hard to rest when life’s difficulties aren’t solely monetary. I have a hard time asking for help, even when I believe it will be given happily.”

The singer added that he had launched a GoFundMe campaign to help him “focus exclusively on my health and relationships during this precious time, and ended his message with a note of gratitude for fans who have supported him during his health battle.

Walker is known for albums including 2019’s Wish You Were Here, 2020’s Glad You Made It and 2021’s See You Next Time. Last year, he released the album What Is It Even?, where he paid homage to several women artists, covering songs from artists including Whitney Houston (“I Wanna Dance With Somebody”), LeAnn Rimes (“Blue”), Cher (“Believe”) and Sia (“Cheap Thrills”).

See Walker’s post below:

Venues across the nation can now show off their independent status. On Tuesday (Sept. 10), the National Independent Venue Association (NIVA) announced the launch of “Live Independent,” a first-of-its-kind certification program for independent venues, promoters and festivals nationwide.

The new initiative, supported by event discovery platform Bandsintown, is aimed at strengthening and unifying the live entertainment community by “offering a seal of certification that recognizes excellence and commitment to the independent ethos,” according to NIVA.

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Certified venues will receive physical posters, stickers and decals of the Live Independent seal to display, along with virtual seals and assets for websites, marketing materials and social media. Partnerships with ticketing companies will also enable the Live Independent seal to be displayed on event tickets.

The Live Independent program will include a dedicated website serving as a hub of information and emphasizing the importance of supporting certified Live Independent venues and events. Fans can use the site’s search feature to verify if their favorite venue is certified independent and find shows at certified stages.

“This certification is a testament to the power of independent stages as sanctuaries for human connection. In an era dominated by publicly-traded live entertainment conglomerates, these venues and festivals are the final strongholds of authenticity, where the heart of live performance beats strongest,” said NIVA executive director Stephen Parker in a statement. “When fans and artists choose independent stages, they’re investing in the soul of their community. Live Independent is our collective promise — to the artists, to the fans, and to the communities that cherish these spaces — that the spirit of independent venues will not only endure but will continue to flourish.”

As a partner for the program, Bandsintown is committed to educating fans about what Live Independent means and promoting independent venues through dedicated placements on the Bandsintown app and at Bandsintown.com. Every NIVA-member independent venue will have the Live Independent seal on its Bandsintown venue page while a map of Live Independent-certified venues will be featured on Bandsintown’s homepage to help fans locate and support these independent entities.

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“Bandsintown’s ethos is independent at the core, serving artists since day one of their journey,” added Bandsintown co-founder/managing partner Fabrice Sergent. “Independent venues shed light on those artists early in their career and we’re proud to work alongside NIVA to help them find the audience they deserve.”

To become certified, venues, festivals and promoters must demonstrate a mission centered around delivering music, comedy and performance to audiences; maintain fair pay practices for all artists, performers and creators; be independent from multinational conglomerate or publicly traded company ownership or exclusive operation; show support for a transparent, competitive marketplace and a diverse, inclusive community; and be a NIVA member. NIVA members will not pay additional fees to join the program.

More information on the Live Independent certification program, including details on how to apply and the specific benefits of certification, can be found here.