Ed Sheeran only has one year left of touring in support of his +, –, =, ÷ and × albums, but he’s found a way to make sure that the global Mathematics trek lasts for ∞.

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On Instagram Monday (Sept. 9), the 33-year-old superstar announced plans to drop a collection of live recordings from his three-year tour Sept. 27 following the conclusion of his 2024 run of dates. “It’s been 15 years of releasing these Mathematics albums and it’s been a hell of a journey so far,” Sheeran wrote, sharing a video of highlights from his time on the road.

“I wanted to make a collection of the songs I play on the tour, but also just to have all the big songs in one place for fans, or new coming fans, a journey of where its been and where it is now,” he continued. “The tour collection vinyl / CD will also have some voicenotes from me hidden in them, talking about all my memories behind the songs and from tour, so look out for them.”

The announcement comes more than two years after the Mathematics Tour kicked off in 2022, which ended with Sheeran selling more concert tickets that year than any other musical act. In July, the “Bad Habits” singer confirmed that the trek would finally end in 2025, unveiling a final set of European dates for spring and summer next year.

“We have one more year of this tour then Mathematics is over for good, and onto the next set of symbols…,” he added in his post, seemingly teasing his next era.

Sheeran released the first of his math-themed albums in 2011, with + marking his breakthrough into global stardom. Since then, he’s fleshed out the series with four more albums, three of which — =, ÷ and = — topped the Billboard 200 and helped make him Billboard‘s 24th greatest pop star of the 21st century.

See Sheeran’s announcement below.

Kendrick Lamar was announced as the Super Bowl LIX Halftime Show headliner on Sunday (Sept. 8), and hip-hop staples spoke up about Lil Wayne being overlooked with the 2025 big game being in his hometown of New Orleans.

Master P voiced his opinion on Instagram, saying that Lil Wayne “should be part of this celebration,” as the No Limit Records boss serves as an ambassador of entertainment in the Big Easy.

“Salute to @kendricklamar for performing at the halftime show at Super Bowl LIX.. well deserved, he’s one of the hottest music artists in the world and has one of the biggest songs right now,” he began his post, before sharing his thoughts on Weezy. “As Ambassador of Entertainment in the City of New Orleans, I have to agree with the fans that @liltunechi #LilWayne should be a part of this celebration as well. He’s one of the greatest Hip Hop artists alive, still relevant, and he’s a New Orleans native. Let’s not miss this cultural moment in the South. Life is too short! We have to give our legends their flowers while they are here.”

Cam’ron and Mase returned with an episode of It Is What It Is on Monday (Sept. 9), during which they gave Kendrick Lamar his props, but couldn’t process how Lil Wayne wasn’t the Halftime Show selection. Cam put the onus on Jay-Z, who serves as a co-producer of the NFL’s Super Bowl Halftime Show, and speculated it could be due to issues with Hov and Wayne as rivals in the past.

“Listen, I love Kendrick Lamar… I hate the selection,” Cam began. “It’s in New Orleans and you don’t get Lil Wayne? That’s what we doing? You don’t get Lil Wayne in New Orleans for the Super Bowl? … There’s no reason why Lil Wayne shouldn’t be performing in the Super Bowl.”

He added: “It’s not really a secret, Lil Wayne had a problem with somebody before who’s kind of part of the organization running it. This is payback. Who’s Lil Wayne’s artist? Drake … Lil Wayne not to be performing in New Orleans for the Super Bowl is egregious and it’s gotta stop.”

Mase chimed in: “Hating at this age is crazy.”

Billboard has reached out to Jay-Z’s rep for comment.

Even though he’s from about 80 miles northwest of New Orleans, Boosie Badazz also shared his disappointment in the NFL’s decision to go with Kendrick Lamar and not any artists from the Big Easy or his home state.

“ALL YALL ACTING LIKE YALL COOL WITH HOW THEY PLAYING IT FOR THE SUPERBOWL SMH THE MOST CULTURAL CITY N THE USA( NEW ORLÉANS)ITS A SMACK N THE FACE TO EVERY HIP HOP LEGEND FROM LOUISIANA,” he wrote. “@MasterPMiller @BIRDMAN5STAR THIS SHOWS THEY NEVER WANTED YALL TO KICK N THE DOOR N THE FIRST PLACE CAUSE THEY STILL TRYNA LOCK IT‼️ SUPERBOWL 22 WAS N CALI N CALI ARTIST WAS ALLOWED TO DO THEY THANG N IT WAS A GREAT SHOW‼️BUT NOW ITS N LOUISIANA N NO LOUISIANA LEGENDS CANT DO THEY THANG #idontrespectit.”

Lil Wayne’s longtime engineer, Fabian Marasciullo, expressed his disappointment in the decision to snub Weezy for K. Dot.

“Confused. Disappointed. Angry. But most of all, inspired,” Marasciullo wrote to his Instagram Story captured by Complex. “Will never again be in a position or have the in a position where we are at the mercy of someone else’s decision. We will make the decisions.”

Now, this doesn’t mean that Lil Wayne won’t be part of the Super Bowl Halftime festivities in any capacity. The stage is set for Kendrick to take the stage at Super Bowl LIX on Feb. 9, 2025, in New Orleans. It won’t be Lamar’s first time taking part in the big game’s Halftime Show, as he was part of the West Coast celebration in 2022 alongside Dr. Dre, Eminem, Snoop Dogg, Mary J. Blige and 50 Cent.

“Rap music is still the most impactful genre to date,” Lamar said in the statement announcing him as the Halftime Show performer. “And I’ll be there to remind the world why. They got the right one.”

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Taylor Swift brought her iconic style (including her signature red lip) to the 2024 U.S. Open men’s finals on Sunday (Sept. 8) while she takes a break from her record-breaking Eras tour. This marks her second attendance after singing “America the Beautiful” 22 years prior — except this time, she attended solely as a spectator and with her boyfriend, Travis Kelce.

The 34-year-old appeared in one of her most “Miss Americana”-coded outfits yet: a red-and-white checkered dress from Reformation that’s less than $250, and is still in stock (for now). To complete her match-day look, she paired the flirty dress with oval sunglasses from Crap Eyewear ($99), Gucci platform sandals ($1,100) and a Gucci mini purse ($3,980), according to Taylor Swift fashion blogger Sarah Chapelle.

Taylor Swift a
Taylor Swift attends the Men’s Singles Final match between Taylor Fritz of the United States and Jannik Sinner of Italy on Day Fourteen of the 2024 US Open at USTA Billie Jean King National Tennis Center on September 08, 2024 in the Flushing neighborhood of the Queens borough of New York City.

Swifties can still buy the exact Reformation dress seen on the “Fortnight” singer, but not for long, as sizes are almost sold out. While the “Cruel Summer” artist chose to wear the minidress as a tank style, the versatile straps also can be worn as an off-the-shoulder look for a more cottagecore-inspired feel. There are also two additional colors to choose from — black and white — if your size is sold out.

Keep reading to buy the Reformation dress online.

model wearing red and white checkered off the shoulder dress from reformation

Sora Linen Dress

Bring a romantic vibe to your outfit when your show off Reformation’s Sora Linen Dress, which features 100% linen material and a fitted bodice that pools out into a flow skirt. Topping off the design is a sweetheart neckline and lengthened bodice that’s reminiscent of popular ’90s dresses.


The minidress tends to run large, and the clothing brand recommends sizing down for the best fit. You’ll also notice smocking on the back of the dress for some added stretch that’ll you feel comfy for longer wear.

For product recommendations, check out ShopBillboard‘s roundups of the best maxi dresses, slip dresses and denim dresses.

Until Morgan Wallen showed up on country radio, the genre hadn’t spawned a No. 1 hit on Billboard‘s Songs of the Summer chart since John Denver‘s “Annie’s Song” in 1974. But this year, Wallen’s collaboration with Post Malone, “I Had Some Help,” hit No. 1, while Shaboozey‘s “A Bar Song (Tipsy)” took No. 2. That follows last summer, when Wallen’s “Last Night” and Luke Combs‘ cover of Tracy Chapman‘s “Fast Car” topped the chart. 

“It feels good to know there’s this much quality coming out of Nashville,” says Steve Stewart, director of country content for broadcast chain Cox Media Group. “There’s a great model that’s already been built and thriving, which is why so many artists from other formats have moved to Nashville.” 

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“I Had Some Help” and “A Bar Song” took dramatically different roads to summer dominance. The former involved two megastars, one known for pop and hip-hop, the other a country fixture for years, joining for Post Malone’s long-awaited dip into the genre. The latter seemed to come out of nowhere, from a Nigerian-American singer-songwriter from Virginia who had put out two albums before Beyoncé collaborated with him on “Spaghettii” and “Sweet Honey Buckiin” earlier this year. Black artists have historically struggled to break into country music, but Shaboozey, who records for EMPIRE, a label most known for hip-hop, may have finally cracked the code and positioned himself for longterm commercial success.

“The power of great songs override everything,” says Tim Roberts, vp of programming and format captain for No. 2 broadcast chain Audacy. “Does it open more doors? Why wouldn’t it?” Adds Scott Donato, program director and operations manager at WGTY, a country station in York, Pa.: “He has an opportunity to continue this with multiple singles. I’m looking forward to seeing what he’s got next.”

The advanced chart metrics, in certain ways, suggest “A Bar Song” was even more dominant than the Post Malone-Wallen collaboration. Shaboozey’s smash topped the Hot 100 for eight weeks throughout the summer, while “I Had Some Help” led the list for just six weeks. But not everybody in country radio is convinced “A Bar Song” fits the format, given its interpolation of J-Kwon‘s 2001 hip-hop hit “Tipsy.” 

“I don’t think you can argue that Shaboozey song is the biggest song of the summer, in any genre,” says Nate Deaton, general manager of KRTY.com, an online country station in Los Gatos, Calif. “It’s everything a song should be — except country. This whole concept of country evolving into a melting pot, for lack of a better word, of genres, is an interesting phenomenon. I don’t know if it lasts.”

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Country radio has never been a format known for diversity or risk. But as radio ratings decline in general during the streaming era, the genre is one of the few retaining reliable listeners and hit-making clout. 

“Country absolutely can keep it going,” says Randy Chase, executive vp of programming for Summit Media, a radio chain in Birmingham, Ala., that owns several country stations. “This is all about being aggressive. Country [radio] needs to move faster — I’ve said that for years. The big difference between country and Top 40, adult contemporary and rhythmic is the amount of music the industry is pumping out. It is still a firehose of music, while in the other formats, the faucet is just trickling.”

Rich Homie Quan‘s father and girlfriend have spoken out on social media following the 33-year-old rapper’s sudden death on Sept. 5. 

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In statements posted to Instagram Stories a couple days after the star born Dequantes Lamar’s passing, his dad, Corey Lamar, and partner Amber Williams, both used the word “unbearable” to describe the depths of their grief. “Unbearable pain,” Corey wrote in white text over a black background, according to  the Los Angeles Times. “Lord please please please help me to understand this … let this be a dream.” 

“Yall pray for me and my family,” he continued. “I feel like I’m crushed into a million pieces.” 

In an interview with Atlanta’s ABC affiliate WSB-TV, Corey remembered his son as a trendsetter. “I used to tell him that it’s a difference in making songs and making hits,” he shared. “He made hits and I know that his music will live on forever.” 

In her statement, Williams thanked fans for the “overflow” of kind messages they’ve sent her way in the wake of Rich Homie’s death, the cause of which has not yet been revealed to the public. “This pain is unbearable,” she wrote, according to Complex. “I’m traumatized from a moment that’ll forever be in my head. I have nothing to prove because my love for my other half was ALWAYS shown. I had nothing to hide.” 

“Please respect me and the family at this time,” she added. “Our house is no longer a home. I’m completely heartbroken. 15 years gone. I’ll never be the same. This is a complete nightmare.” 

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Williams has since shared a number of old photos and videos of her late boyfriend on her Story, as well as reshared condolences from fellow mourners. “Praying for your strength to be strong for those babies,” one friend wrote, which the Brows by Rella founder reposted. 

In addition to his friends and family, news of the Atlanta rapper’s death has also left much of the hip-hop world reeling. Playboi Carti, Quavo, Jacquees and Boosie Badazz were among some of the names who posted their respects to the “Flex” musician — who was dad to four sons — while engineer Alex Tumay tweeted that his late collaborator was “One of the nicest people I ever worked with and a true artist.” 

See screenshots of Corey Lamar and Amber Williams’ statements below.

Elton John loves a good joke. The Rock and Roll Hall of Famer revealed over the weekend that he thought former one-term President Donald Trump’s repurposing of the pop star’s 1972 classic “Rocket Man” as a nickname for North Korean dictator Kim Jung Un was “hilarious.”

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That’s what John, 77, told Variety during the Toronto Film Festival after Friday’s premiere of the Disney+ documentary Elton John: Never Too Late. Trump, who frequently boasted of his good relations with dictators such as Un and Russian president Vladimir Putin during his term in office — and who has made a habit of referring to friends and foes alike with taunting nicknames — proudly referred to the North Korean leader as “Little Rocket Man” in press briefings.

“I laughed, I thought that was brilliant,” said John. “I just thought, ‘Good on you, Donald.’ … Donald’s always been a fan of mine, and he’s been to my concerts many, many times. So, I mean, I’ve always been friendly toward him, and I thank him for his support. When he did that, I just thought it was hilarious. It made me laugh.”

Trump administration CIA director/Secretary of State Mike Pompeo wrote in his 2022 Never Give An Inch memoir that Trump had to explain the nickname to Un, who was reportedly not familiar with John’s music when Trump autographed one of Elton’s CD’s as a gift to the dictator.

In 2018, South Korean media reported that when Pompeo and Trump visited North Korea that July for a round of denuclearization talks, the commander-in-chief brought along two gifts for his North Korean counterpart: a personal note as well as a signed CD with a recording of John’s “Rocket Man.”

John said he was not surprised by any of it. “Of course he hasn’t heard of me, Kim Jong Un. I’d be very surprised if he had,” John told the magazine. “I’ve never toured North Korea, and I have no intention of doing so. But, I thought it was a light moment, and it was fun.”

Though John had a jovial attitude about the musical way twice-impeached Trump cozied up to the North Korean strongman whose decade-plus in office has been marked by the reported assassinations of family members, repression of human rights and widespread starvation, Variety noted that the singer also seemed to take a veiled swipe at the convicted felon who will face off with Democratic candidate Vice President Kamala Harris in their first, and only, debate on Tuesday night (Sept. 10).

“Kindness will always win out… that’s what I hope for the American election in November,” said John, who later elaborated on what many political experts warn is an existential choice American voters are facing in November’s presidential face-off. “I don’t go on stage and say to people, ‘You must vote for the Republicans, you must vote for the Democrats.’ It’s none of my business how they vote. They come to see me, and I’m so grateful they have,” said John. “What I want by saying that last night … there is a danger, as Dick Cheney said the other day. America is in a very volatile position. And it’s a country I love, and I’ve always loved, and I’m so thankful that it made me who I am.”

Over the weekend, former Bush administration Vice President and staunch Republican Dick Cheney announced that he will be voting for Democrat Harris over Trump while issuing a warning that Trump should “never be trusted with power again,” adding, “In our nation’s 248-year history, there has never been an individual who is a greater threat to our republic than Donald Trump. He tried to steal the last election using lies and violence to keep himself in power after the voters had rejected him.”

John, who is a citizen of the UK despite owning homes in the U.S. for decades, made it clear that he is not the type to tell people how to vote or how to feel about their elected officials. “I just want people to vote for things that are just, things that are important to people: the right to choose, the right to be who you are, and not let anybody else tell you who to be. And that goes all the way up to the Supreme Court,” he said.

Trump has repeatedly boasted of seating three conservative justices on the Supreme Court who helped reverse more than half a century of precedent when they overturned the constitutional right to abortion in 2022; in his concurring opinion overturning Roe v. Wade, conservative justice Clarence Thomas appeared to suggest that other long-established precedents, including the 2015 decision legalizing gay marriage, could also be up for reconsideration, or reversal, in the future.

John, who shares two young children with husband/manager David Furnish, fell short of an explicit endorsement of either major party candidate, but did encourage Americans to vote with their hearts and choose hope over bluster and division. “I just hope that people make the right decision to see what the future is going to be. Is it going to be fire and brimstone … or are we going to have a much calmer, a much safer place?” John said. “People can vote for who they like, but as far as I’m concerned, I love love. And I’m a loving person, and I want that to come back to America. I feel it’s been lost in the last 12 years.”

Elton John: Never Too Late will have a limited theatrical run in November before streaming on Disney+ beginning Dec. 13.

Sony Music Entertainment Korea signed a deal to distribute the roster of K-pop label Attrakt, including its most successful act, FIFTY FIFTY. Sony Korea will also oversee global marketing campaigns and business development initiatives for the company, while Arista Records will handle U.S.-based marketing and distribution. FIFTY FIFTY has a new album slated for release at the end of September.

Apple Music partnered with Indian telecom giant Bharti Airtel in a deal that will give the latter company’s customers access to Apple Music later this year by bundling it with Bharti Airtel’s Wynk Music platform, greatly expanding the streamer’s footprint in the world’s most populous country. Access to Apple TV+ is also included in the agreement for Bharti Airtel’s Xstream customers.

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Flo Rida and his JettSet1 Enterprises struck a partnership with High Point Gamer, Dash Media Partners and executive producer Damon Jones that’s aimed at building out the gaming lifestyle segment for underserved communities globally, including by increasing educational and career opportunities to those communities in the gaming and tech sectors. Under the deal, the partners also plan to tour High Point’s Madden God tournament series and other console games via a festival-style model. “Together, we’re building career pipelines that will empower the next generation of leaders in gaming and entertainment,” said High Point Gamer co-founder Derek Watford in a statement, adding that the Madden God 4 tournament will be held at Raymond James Stadium in Tampa, Fla. at the end of the year.

Seat Unique, an online platform that connects fans with hospitality packages and premium tickets for live events, raised 14.5 million pounds ($19.04 million) as part of an extended Series A funding round led by Nickleby Capital. The funds will be used to further develop the Seat Unique platform, expand its reach into new sectors and more.

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Myst Music, a label dedicated to showcasing South Asian music to a global audience, announced a global distribution and label services deal with The Orchard. Under the agreement, Myst artists will have access to The Orchard’s full suite of artist and label services. Sri Lankan musician, actress and model Jacqueline Fernandez will be the first artist to release music under the deal later this month.

Three Norwegian indie labels — PropellerRecordings, IndieRecordings and 777 Music — merged to form the new label group Sounds Like Gold. Headquartered in Oslo, Norway, the label group will be partnered with Virgin Music Group worldwide. The company is being managed by the founders of Propeller Recordings, Indie Recordings and 777 Music to provide distribution, marketing, administration and creative support to executives working with artists including boy pablo, Highasakite, Gåte and Jan Eggum. The management team includes Kristine Bjørnstad and Tim Dunham, the founders of 777 and former heads of Virgin Music Group’s Nordic operation. Additionally, Sounds Like Gold has assumed operations of the historic record label Grappa and its affiliates, with Grappa founder Helge Westbye serving as the label group’s chairman of the board.

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Independent distributor IDOL signed a global partnership with Berlin-based indie label City Slang. Under the deal, IDOL will handle digital distribution, digital marketing and audience development for City Slang’s frontline and catalog releases globally. IDOL will service Caribou’s upcoming album Honey, due out Oct. 4, along with music from Eferklang, Faux Real, Jessica Pratt, Lambrini Girls, Los Bitchos, SPRINTS, Calexico, Tindersticks and Lambchop.

Indie hip-hop label Backwoodz Studioz signed a global distribution deal with Rhymesayers Entertainment that will bring Backwoodz’s catalog to retailers for the first time, including releases by Armand Hammer, billy woods, Kenny Segal, Blockhead, ELUCID, Cavalier, ShrapKnel, Moor Mother, AKAI SOLO, Fatboi Sharif and Fielded. The first release under the deal will be a reissue of artist and Backwoodz founder billy woods and Kenny Segal’s 2019 album Hiding Places on Sept. 27th. “For much of the last ten years, our physical distribution network has been an a la carte affair, working with a variety of different entities on a case-by-case basis,” said woods in a statement, adding, “This distribution partnership should benefit our artists by bringing all our titles under one umbrella, thus simplifying and streamlining our operations, while simultaneously increasing our reach and marketing abilities.”

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Licensing platform Soundstripe partnered with DAACI to launch its new AI song editing feature. The tool “analyzes a song and instantly identifies its short, self-contained sections,” allowing editors to rearrange, loop, add or delete those sections in-browser to produce different variations and mixes of a track, according to a press release. They can then download them to insert into their projects. Soundstripe also saves the Content ID of the original track, “keeping producers within the parameters of the original license while editing the track,” the release adds.

iHeartMedia and TelevisaUnivision struck strategic media partnerships with Airtasker, a global marketplace for local services including home repairs, pet care and event planning. iHeart will contribute $5 million in audio advertising media in exchange for a four-year, $5 million convertible note with a 5.0% coupon rate. Univision will invest $4.75 million in terrestrial and digital broadcast services for 17.2% equity in Airtasker.

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Turntable Labs secured $8.2 million in seed funding ahead of the public launch of its new social music platform Hangout, which allows music fans, coworkers and more “to gather, DJ together and interact in a playful virtual setting,” according to a press release. The round, which will be used to expand Hangout’s engineering infrastructure team, was led by Founders Fund, Elizabeth Street Ventures, 468 Capital and f7 Ventures, with contributions from angel investor Michael Giumarin, CEO of WordOut. Created by Turntable.fm co-founder Joseph Perla, Hangout boasts virtual DJ booths that allow users to privately spin selected tracks for themselves and their friends while also offering “public themed rooms based on their tastes and interests.” The platform, which is slated for a full public launch later this year, also offers custom digital avatars and chat options.

Canada’s ACTRA Recording Artists’ Collecting Society (ACTRA RACS) partnered with no-code metadata platform Noctil to streamline the ingestion and processing of artist and sound recording metadata. The move is designed to improve the accuracy and efficiency of ACTRA RACS’ operations. Noctil uses AI and machine learning technologies to improve matching and identification, leading to faster and more accurate royalty distributions to artists and performers.

Nas can’t get enough of Sin City. After three consecutive sold-out shows with the Las Vegas Philharmonic in celebration of Illmatic‘s 30th anniversary over Labor Day weekend, Nas is extending his Las Vegas residency and partnership with AEG Presents at The Wynn’s Encore Theater.

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Billboard can exclusively reveal on Monday (Sept. 9) that Nas will be doing another three-pack of concerts slated for February 2025. The Queensbridge rap icon is set to take the Encore Theater stage on Feb. 5, 7 and 8 during Super Bowl weekend.

Tickets are slated to go on sale to the general public for all three shows at the 1,400-person capacity venue starting on Sept. 13 at 10 a.m. PT on Ticketmaster. Prices start at $69.95 plus fees for balcony seating.

“Las Vegas has always served as a creative outlet for my music, and these performances will take that to the next level,” Nas told Billboard in a statement in May. “I am excited to partner with the Las Vegas Philharmonic to bring this first-of-its-kind performance to Encore Theater and to showcase my music to my fans in Las Vegas in a whole new way.”

Billboard was on hand for the Aug. 31 show in Sin City, and Nas happened to tease that he was thinking about adding onto the Encore Theater residency. “I could get used to doing this Vegas thing,” he shared. “I might extend it.”

Nas took fans on a trip down memory lane throughout the 70-minute set in celebration of Illmatic‘s 30th anniversary earlier this year, which Billboard hailed as the No. 1 greatest rap album of all time.

In addition to cuts from Escobar’s 1994 magnum opus with a classical twist from the orchestra, Nas also adds onto his Vegas set with plenty of other hits from throughout his decorated catalog to fill out the show.

In addition to being a double nominee at the Primetime Emmys on Sunday, Sept. 15, Selena Gomez is slated to present on the show. Gomez is nominated for outstanding actress in a comedy series for the first time for her role in Only Murders in the Building. She is also nominated as an executive producer of the show, which is up for outstanding comedy series for the third year in a row. Her co-stars Steve Martin and Martin Short, who are also double Emmy nominees this year, are also slated to present on the show.

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Another music superstar, Reba McEntire, is also a presenter. McEntire’s new sitcom, Happy’s Place, is set to premiere on NBC on Friday, Oct. 18. McEntire’s first sitcom, Reba, ran from 2001 to 2007. 

The 76th Emmy Awards, hosted by the father-and-son team of Eugene Levy and Dan Levy, will broadcast live on ABC Sunday, Sept. 15 (8-11 p.m. ET/5-8 p.m. PT) from the Peacock Theater at L.A. LIVE in downtown Los Angeles, and will be available for streaming on Hulu Sept. 16-22. Jesse Collins Entertainment is producing the show.

Both father and son won multiple Primetime Emmys four years ago for Schitt’s Creek. Dan won four; Eugene won two.

Jimmy Kimmel, who won his third Primetime Emmy at the Creative Arts Emmys over the weekend as host of the 2024 Oscars and is also nominated for outstanding talk series, is also set to present. Kimmel had hosted the Primetime Emmys the last three times it aired on ABC (in 2012, 2016, 2020), but is not hosting this year. (The show rotates among the three legacy networks and Fox.)

TV legend Dick Van Dyke, whose legacy was saluted when Dick Van Dyke: 98 Years of Magic won outstanding variety special (pre-recorded) at the Creative Arts Emmys, will also present.

In addition, there will be special appearances from Olympic gold medalist swimmer Caeleb Dressel and Olympic bronze medalist rugby player Ilona Maher.

Here’s a complete list of the presenters for the 2024 Primetime Emmys

  •     Christine Baranski
  •     Kathy Bates
  •     Meredith Baxter
  •     Candice Bergen
  •     Gael Garcia Bernal
  •     Matt Bomer
  •     Zach Braff
  •     Connie Britton
  •     Nicola Coughlan
  •     Billy Crystal
  •     Viola Davis
  •     Giancarlo Esposito
  •     Colin Farrell
  •     Jesse Tyler Ferguson
  •     Lily Gladstone
  •     Selena Gomez
  •     Dulé Hill
  •     Ron Howard
  •     Brendan Hunt
  •     Joshua Jackson
  •     Allison Janney
  •     Don Johnson
  •     Mindy Kaling
  •     Jimmy Kimmel 
  •     Padma Lakshmi
  •     Greta Lee
  •     John Leguizamo
  •     George Lopez
  •     Diego Luna
  •     Jane Lynch 
  •     Steve Martin
  •     Nava Mau
  •     Reba McEntire
  •     Janel Moloney
  •     Ebon Moss-Bachrach
  •     Niecy Nash-Betts
  •     Taylor Zakhar Perez
  •     Mekhi Phifer
  •     Melissa Peterman
  •     Da’Vine Joy Randolph
  •     Sam Richardson
  •     Maya Rudolph
  •     Richard Schiff
  •     Martin Sheen
  •     Martin Short
  •     Jean Smart
  •     Jimmy Smits
  •     Antony Starr
  •     Gina Torres
  •     Dick Van Dyke
  •     Susan Kelechi Watson
  •     Damon Wayans
  •     Kristen Wiig
  •     Henry Winkler
  •     Bowen Yang
  •     Steven Yeun

This week marks the release of Country Music Hall of Famer George Strait’s 31st studio album for MCA Nashville, Cowboys and Dreamers. Meanwhile, Ella Langley and Riley Green, who earned a viral hit with their collab “You Look Like You Love Me,” reunite on a new song from Green’s new album, while new music is also featured from Luke Bryan, Willow Avalon, Denitia and Joe Nichols.

Check out all of these and more in Billboard‘s roundup of the best country songs and projects of the week below.

George Strait, Cowboys and Dreamers

Strait’s 31st studio album comes following a period of severe personal loss in Strait’s camp, including the passings of his longtime manager Erv Woolsey, as well as his longtime fiddle and mandolin player Gene Elders, who played with Strait since the 1980s. On the 13-song album, with his warm vocal that eschews ostentation, Strait continues to evince why he is one of country music’s most gifted singers and lyrical narrators (though Strait has also steadily made songwriting contributions to his own albums, co-writing two songs on his latest).

He also pays homage to late songwriter, artist, and guitarist Keith Gattis on the album by recording a trio of Gattis-penned songs: the album’s title track, along with “Wish I Could Say” and the Gattis-Guy Clark penned “Rent.” Before the launch of “Rent,” Strait further punctuates his appreciation for Gattis’s work by offering words of praise for the late Gattis. Elsewhere, he pays homage to the late Waylon Jennings with a version of “Waymore’s Blues” and delivers a love song as only Strait can in “To the Moon.” Throughout all of them, Strait continues cementing his role in the genre as a paragon of sustained excellence.

Riley Green feat. Ella Langley, “Don’t Mind If I Do”

Green was recently featured on Langley’s song “You Look Like You Love Me,” which became a viral hit for both artists. Green returns the favor by featuring Langley on his latest song, a solo write from Green –and no wonder, as they make compelling collaborators and their voices mesh mightily. Here, he’s lonely and reminiscing on the halcyon days of a fizzled relationship. As his longing propels him, he asks for forgiveness if he decides to “drink up the nerve and show up at your house.” The cracks in his burly voice draw out the nuances in the unexpected twists and turns of the lyrics, while Langley’s languid drawl heightens the tensions of desire that runs throughout the song. The song is the title track to Green’s upcoming album (out in October).

Willow Avalon, “Homewrecker”

Newcomer Avalon turns the premise of Dolly Parton’s “Jolene” on its head, answering the classic cheating song with this rowdy mesh of prowling percussion and twangy, roadhouse guitars. “I’m just a girl who tried to take a man at his word,” she sings with a scathing yet airy warble. Avalon, who wrote this song with Tofer Brown and JR Atkins, is swiftly staking her claim as an immensely promising newcomer.

Luke Bryan, “Country Song Came On”

As he gears up for his new album Mind of a Country Boy, out Sept. 27, the two-time CMA entertainer of the year winner previews the project with this written by Ryan Beaver, Dan Alley and Neil Medley. This is still squarely within Bryan’s musical wheelhouse, but the structural simplicity and storytelling arc allow Bryan to use his conversational, narrational vocal to great effect. He nods to the decision-altering effects of classic country music with the hook, “I wasn’t gonna drink/ Then a country song came on.” The lyrics’ appreciated nod to Earl Thomas Conley doesn’t hurt, either.

Denitia, “Sunset Drive”

Denitia, who was named as part of CMT’s 2024 Next Women of Country class, issues a new, dozen-song project, marking Denitia’s first since 2022’s Highways. “Everything is beautiful even when it falls apart,” she sings on the title track, as intricate and breezy instrumental arrangements elevate her hazy, beckoning vocals, as she finds the positive elements even as a relationship crumbles. Denitia wrote with Brad Allen Williams. 

Joe Nichols, “Doin’ Life With You”

Nichols continues his proclivities for pouring his light-hearted vocal tone over tales of the highs and lows of everyday love in this new song, included on his upcoming album Honky Tonks and Country Songs, out Oct. 25. A solo write by Jimmy Yeary (“I Drive Your Truck”), this new song offers a clear-eyed look at the result of a love that has endured the trials, unexpected life twists, and mundane moments, all adding up to a solidified bond between two lovers. The song feels akin to his 2022 release “Good Day for Living,” while Nichols remains one of country music’s most consistent, indelible vocalists.