UPDATE (Sept. 11): Mandolin maestros Sam Bush and Sierra Hull will co-host and perform at the 37th annual IBMA Bluegrass Music Awards, set for Thursday, Oct. 22 at 7:30 p.m. ET at Soldiers and Sailors Memorial Auditorium in Chattanooga Tenn.

The Del McCoury Band, Sister Sadie, Authentic Unlimited, The Grascals and Michael Cleveland & Flamekeeper are also set to perform.

The 2026 class of inductees into the Bluegrass Music Hall of Fame consists of Byron Berline, Nashville Bluegrass Band, Barry Poss and The Lost & Found. Musical tributes for each inductee are planned.

The IBMA Bluegrass Music Awards will be livestreamed; details coming soon.

UPDATE (July 22): One week after announcing the nominations for the 37th annual IBMA Bluegrass Music Awards, the International Bluegrass Music Association announced the nominees for the 2026 IBMA Industry Awards and the 2026 IBMA Momentum Awards.

The IBMA Industry Awards recognize outstanding work in non-performing industry categories and honor the individuals who help advance bluegrass music and support its artists. The ceremony will take place on Thursday, Oct. 22, at the Chattanooga Convention Center in Chattanooga, Tenn.

The IBMA Momentum Awards recognize artists and industry professionals in the early stages of their bluegrass music careers. In addition to honoring emerging talent, the awards also include recognition for a mentor whose guidance has had a significant and positive impact on upcoming artists and industry professionals. The Momentum Awards ceremony will take place on Wednesday, Oct. 21, also at the Chattanooga Convention Center.

These award ceremonies are part of IBMA World of Bluegrass, which runs Oct. 20-24. The week encompasses four events: the IBMA Business Conference, Oct. 20-22 at the Chattanooga Convention Center; the IBMA Bluegrass Ramble, Oct. 20-21 in downtown Chattanooga venues; the 37th Annual IBMA Bluegrass Music Awards, Oct. 22 at the Soldiers and Sailors Memorial Auditorium; and IBMA Bluegrass Live!, Oct. 23-24, a two-day festival of live performances and fan experiences. Tickets are now on sale for all IBMA World of Bluegrass events; visit their website for details.

PREVIOUSLY (July 15): This year’s nominees for the International Bluegrass Music Association Bluegrass Music Awards were announced on Wednesday (July 15), with Alison Krauss & Union Station, Sister Sadie and East Nash Grass among the year’s top nominees.

All three acts are up for entertainer of the year, alongside Billy Strings and The Del McCoury Band.

The 37th annual IBMA Bluegrass Music Awards will be held Oct. 22 at Soldiers and Sailors Memorial Auditorium in Chattanooga, Tenn., and will be presented by Get It Played. The awards are part of the annual World of Bluegrass, including Bluegrass Live! which runs Oct. 23-24 and will be spearheaded by performances from Sierra Ferrell, Leftover Salmon, Larry Sparks and more.

Last year’s top IBMA Bluegrass Music Awards winners included Billy Strings, Jason Carter & Michael Cleveland, Authentic Unlimited and The Travelin’ McCourys.

In addition to this year’s IBMA Bluegrass Music Awards nominees, the 2026 Bluegrass Music Hall of Fame inductees were revealed, including multi-instrumentalist Byron Berline, The Nashville Bluegrass Band, The Lost and Found, and Sugar Hill cofounder Barry Lyle Poss.

The 2026 IBMA Distinguished Achievement Award recipients are Gallagher Guitars, pioneering fiddle player Matt Glaser, The Marshall Family, Gary Reid, and journalist/editor/biographer Derek Halsey.

See the full list of this year’s IBMA Bluegrass Music Awards nominees, followed by 2026 IBMA Industry Award nominees and 2026 IBMA Momentum Awards nominees.

2026 IBMA Music Award Nominees

Entertainer of the year

Billy Strings

Alison Krauss & Union Station

Sister Sadie

East Nash Grass

The Del McCoury Band

Vocal group of the year

Alison Krauss & Union Station

Authentic Unlimited

Sister Sadie

Blue Highway

Red Camel Collective

Instrumental group of the year

Michael Cleveland & Flamekeeper

Billy Strings

The Travelin’ McCourys

East Nash Grass

Appalachian Road Show

Song of the year

“Broken Angels,” The Grascals and Dolly Parton (songwriters: Dolly Parton/Jamie Johnson, Producer: Kent Wells, Label: Billy Blue Records)

“Can’t Outrun the Blues,” Trey Hensley (songwriters: Trey Hensley/Bobby Starnes, Producer: Brent Maher, Label: Pinecastle Records)

“New Cluck Old Hen,” Steve Martin and Alison Brown (Feat. Della Mae) (Arrangement: Steve Martin/Alison Brown, Producers: Alison Brown/Garry West, Label: Compass Records)

“Cost of Living,” Authentic Unlimited (Songwriter: Jerry Cole, Producer: Authentic Unlimited, Label: Edisonic Records)

“Finding Your Way Home,” Red Camel Collective (Songwriters: Heather Berry Mabe/Joseph Scott Patrick, Producer: Red Camel Collective/Stephen Burwell, Label: Pinecastle Records)

Album of the year

Can’t Outrun the Blues, Trey Hensley (Producer: Brent Maher, Label: Pinecastle Records)

All Will Be Well, Sister Sadie (Producer: Deanie Richardson, Label: Mountain Home Music Company)

All God’s Children, East Nash Grass (Producers: Jake Stargel/East Nash Grass, Label: Mountain Fever Records)

Della Jane’s Heart, Appalachian Road Show (Producer: Appalachian Road Show, Label: Billy Blue Records)

Songs That Sing Me, Becky Buller (Producer: Stephen Mougin, Label: Dark Shadow Recording)

Gospel recording of the year

“I Will Someday,” NewFound Road (Songwriters: Ronnie Bowman/Garnet Bowman/Chris Stapleton/Morgane Stapleton, Producer: Tim Shelton, Label: Billy Blue Records)

“Where the Soul Never Dies,” Bobby Osborne & C.J. Lewandowski (Songwriter: William M. Golden, Producer: C.J. Lewandowski, Label: Turnberry Records)

“Some Day,” Blue Highway (Songwriters: Olive Stockton/Tim Stafford, Producer: Blue Highway/Dan Boner, Label: Rounder Records)

“You Don’t Knock,” Darin & Brooke Aldridge with John Cowan (Songwriters: Cedar Walton/Wesley Westbrooks, Producer: Mark Fain/Darin Aldridge, Label: Billy Blue Records)

“Two Old Church Pews,” Danny Paisley (Songwriters: Mark “Brink” Brinkman/Daryl Mosley, Producer: Greg Cole, Label: Pinecastle Records)

Instrumental recording of the year

“Grandfather’s Clock,” Bryan Sutton and Sierra Hull (Songwriter: Henry Clay Work arr. Bryan Sutton/Sierra Hull, Producer: Bryan Sutton, Label: Mountain Home Music Company)

“Big Daddy Rabbit,” Michael Cleveland & Flamekeeper (feat. Nathan Livers) (Songwriter: Nathan Livers, Producer: Michael Cleveland, Label: Yeah, Man Records

“Cacklin’ Hen,” Deanie Richardson and Kimber Ludiker (Songwriter: Traditional, Producer: Deanie Richardson, Label: Mountain Home Music Company)

“Let’s Get Out of Here,” Steve Martin and Alison Brown (Songwriters: Alison Brown/Steve Martin, Producers: Alison Brown/Garry West, Label: Compass Records)

“Tom & Jerry,” Andy Leftwich (Songwriter: Traditional, Producer: Andy Leftwich, Label: Mountain Home Music Company)

New artist of the year

Jaelee Roberts

Mason Via

Carson Peters & Iron Mountain

Vickie Vaughn

Daniel Grindstaff & The Uptown Troubadours

Collaborative recording of the year

“Broken Angels,” The Grascals and Dolly Parton (Songwriters: Dolly Parton/Jamie Johnson, Producer: Kent Wells, Label: Billy Blue Records)

“Gentle on My Mind,” Tony Trischka and Billy Strings (Songwriter: John Hartford, Producer: Tony Trischka/Lawson White, Label: Down the Road Records)

“New Cluck Old Hen,” Steve Martin and Alison Brown (feat. Della Mae) (Songwriters: Arr. Steve Martin/Alison Brown, Producers: Alison Brown/Garry West, Label: Compass Records)

“The Devil Went Down to Deep Gap,” Bryan Sutton with Billy Strings (Songwriters: Tom Crain/Charlie Daniels/Taz DiGregorio/Fred Edwards/Charlie Hayward/James W. Marshall adapted by Bryan Sutton/Billy Strings, Producer: Bryan Sutton, Label: Mountain Home Music Company)

“Just a Holler Over,” Sister Sadie and The Po’ Ramblin’ Boys (Songwriters: Robin Macy/Deanie Richardson, Producer: Sister Sadie/C.J. Lewandowski, Label: Mountain Home Music Company)

Male vocalist of the year

Dan Tyminski

Russell Moore

Greg Blake

Del McCoury

Trey Hensley

Female vocalist of the year

Alison Krauss

Jaelee Roberts

Heather Berry Mabe

Sierra Hull

AJ Lee

Banjo player of the year

Kristin Scott Benson

Gena Britt

Ron Block

Alison Brown

Tony Trischka

Bass player of the year

Mike Bub

Vickie Vaughn

Missy Raines

Barry Bales

Alan Bartram

Fiddle player of the year

Michael Cleveland

Jason Carter

Bronwyn Keith-Hynes

Deanie Richardson

Andy Leftwich

Resophonic guitar player of the year

Justin Moses

Jerry Douglas

Rob Ickes

Andy Hall

Matt Leadbetter

Guitar player of the year

Trey Hensley

Billy Strings

Bryan Sutton

Cody Kilby

Molly Tuttle

Mandolin player of the year

Sierra Hull

Ronnie McCoury

Jesse Brock

Sam Bush

Alan Bibey

Music video of the year

“Broken Angels,” The Grascals and Dolly Parton (Videographer: Natalie Simmons, Producer: Olly Rowland)

“The Devil Went Down to Deep Gap,” Bryan Sutton with Billy Strings (Animator: Pat Bradley, SpringShoe Animation, Producer: Josh Serrato)

“Ralph’s Banjo Special,” Kristin Scott Benson, Gena Britt, & Alison Brown (Videographer: Joseph Spence, Producer: Alison Brown)

“New Cluck Old Hen,” Steve Martin, Alison Brown (feat. Della Mae) (Videographer: Drew Levin, Producer: Alison Rose Gregory/Scott Roberts)

“Let the Circle Be Broken,” Sister Sadie (Videographer: David Rossow, Producer: Joshua Britt/Neilson Hubbard)

2026 IBMA Industry Award Nominees

Writer of the year

Paul Burch

John Curtis Goad

Derek Halsey

Garret K. Woodward

Gary Reid

Songwriter of the year

Mark “Brink” Brinkman

Chris Jones

Rick Lang

Tim Stafford

Photographer of the year

Ashli Linkous

Laci Mack

Scott Simontacchi

Jay Strausser

Madison Thorn

Broadcaster of the year

Orin Friesen, Truckers Radio USA

Barb Heller, NCPR

Matt Hutchinson, Bluegrass Jam Along podcast

Michelle Lee, Michelle Lee On Air

Peter Thompson, KALW and Bluegrass Country Radio

Graphic designer of the year

Audrey Fletcher

Robert Hakalski

Grace van’t Hof

Carla Wehby

Remy Zimmerman

Sound engineer of the year

Scott Barnett

Elliot Beckley

Key Chang

Matt Coles

Cameron Reichert

Event of the year

Annapolis Baygrass Music Festival, Annapolis, Maryland

Bluegrass in La Roche at 20, La Roche-sur-Foron, France

Bluegrass Spartanburg, Spartanburg, S.C.

CBA 50th Anniversary Father’s Day Bluegrass Festival, Grass Valley, Calif.

Marysville Winter Bluegrass Series, Marysville, Ohio

Liner notes of the year

Safe Sensible & Sane – Alison Brown and Steve Martin; Liner notes by: Alison Brown and Steve Martin

Kentucky Troubadour – The Rebel Collection – Don Rigsby; Liner notes by: Daniel Mullins

Keep On Keepin’ On – Bobby Osborne, C.J. Lewandowski & Friends; Liner notes by: Daniel Mullins and C.J. Lewandowski

The Rich-R-Tone/Folk Star Story – Appalachia on Record 1946-1954; Liner notes by: Ted Olson and Matteo Ringressi

Carroll Best – The Best of the Best – Carroll Best; Liner notes by: Ted Olson

2026 IBMA Momentum Awards Nominees

Band of the year

The Creekers

ShadowGrass

Remedy Tree

The Cody Sisters

Under the Rocks

Industry involvement

Sarah Larsen

Melanie Wilson

Payton Burdette

Helen Ludé

Rebekah Speer

Instrumentalist of the year (2 awards)

Steven Moore

Lilly Anne Svrlinga

G Rockwell

Luciya Sullivan

Jean-Baptiste (JB) Cardineau

Noah Gobel

Nathan Beaumont

Vocalist of the year

Adam Miller

Lydia Hamby

Morgan Brake

Akulina Shamanov

Ellie Hakanson

Mentor of the year

Louisa Branscomb

Becky Buller

Pammy Davis Lassiter

Deanie Richardson

Jim Pankey


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Lil Durk has been acquitted of all charges accusing him of orchestrating a murder-for-hire conspiracy that targeted Quando Rondo and ultimately killed the rival rapper’s cousin.

A jury in Los Angeles federal court deliberated for three days before finding the Chicago drill star (Durk Banks) not guilty on Friday (Sept. 11) of murder-for-hire, stalking and conspiracy counts that could have subjected him to life in prison, Billboard confirmed. Durk’s alleged co-conspirators, David “Browneyez” Lindsey and Deandre “OTF Dede” Wilson, were convicted of stalking and conspiracy but acquitted of murder-for-hire as well. They’ll be sentenced at a later date.

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Durk remains in custody, since he still faces an additional racketeering charge that accuses him of operating his OTF label as a violent gang. Judge Michael W. Fitzgerald excluded that new count from the original trial and scolded prosecutors for tacking it on at the last minute. A second trial is currently scheduled for Oct. 5.

Durk’s attorney, Drew Findling, said the defense team is “so elated and proud” while speaking outside the courthouse following the verdict. “22 months ago, Durk and I made an agreement that we would make history with the greatest verdict in this country, and it happened today,” said Findling. “Durk is not guilty of all charges.”

“So now we work to get pull the shackles off,” added Findling. “The shackles must come off, and he must walk free so that he can come home to his beautiful family and to the world that loves him.”

A rep for the prosecution did return a request for comment.

Prosecutors claimed during a two-week trial that Durk ordered his Only the Family (OTF) crew to murder Rondo in retaliation for the 2020 killing of his close friend and collaborator King Von. Rondo was shot at a Los Angeles gas station in 2022 and survived, but his cousin Saviay’a Robinson, also known as Lul Pab, was killed in the crossfire.

The case rested largely on testimony from three alleged participants in the plot who pled guilty and became government cooperators: Kacey “OTF Jam” Hester, Keith “Flacka” Jones, and Kavon “Vonnie” Grant. The trio told jurors that Durk planned for a group of shooters to travel from Chicago to Los Angeles in 2022 and offered cash rewards for the attack, though no payments were ever completed.

The jury also heard some of Durk’s music during the trial, including his top 40 hits “Who Want Smoke??”, “Ahhh Ha” and “Pissed Me Off.” Prosecutors argued that Durk telegraphed the Rondo murder plot in these tracks, such as in the “Ahhh Ha” lyrics, “Don’t respond to s–t with Von/ I’m like, ‘f–k it, you trippin’, go get your gun’/ They droppin’ locations, I’m gettin’ it done/ F–k tweetin’, we slidin’, the feds are comin’.”

Durk has consistently maintained that he had nothing to do with the shooting. His lawyers argued throughout the trial that the cooperating witnesses were lying and that Vonnie, who had access to Durk’s credit cards as his personal assistant, was the real mastermind of the plot.

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Defense attorneys said Vonnie and the other cooperators falsely pinned the blame on Durk because the famous rapper was a “big fish” that they could hand over to prosecutors and, in exchange, get shorter prison sentences of their own. They leaned hard into attacking Vonnie’s credibility, playing recordings of jailhouse phone calls where he said the trial would be his “time to shine” and “perform.”

Durk’s team also strongly urged the jury not to give any weight to his lyrics, saying his music is artistic expression tailored towards commercial appeal and does not reflect any literal plans or admissions. The use of rap lyrics in criminal trials is a controversial practice that’s been banned by many states but remains legal in federal prosecutions.

Durk’s trial has captivated the hip-hop world, drawing droves of fans sporting in “Free Durk” t-shirts. Even fellow artists like Ye (formerly Kanye West) and mgk have shown up to court to lend support to Durk.

The Chicago native, who rose to fame in his hometown’s drill scene before signing with Def Jam and later Alamo Records, was at the peak of his career when he was arrested in 2024 while attempting to get on a flight to Dubai. He had just two years prior achieved his first his first solo No. 1 album on the Billboard 200, 7220. His follow-up, Almost Healed, debuted at No. 3 on the chart in 2023.

This story was updated on Sept. 11 at 9:40 p.m. ET to add a statement from Durk’s lawyer.


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Calgary has its sights set on becoming Canada’s next major music hub.

That’s the ambition Alberta Premier Danielle Smith laid out following a recent trip to Nashville, where she met with Tennessee chamber of commerce and tourism industry leaders to learn more about the growth of Music City. Smith sees Nashville as a model Calgary could follow, arguing that the foundations that helped turn the Tennessee city into a music powerhouse already exist at home.

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“There are a number of changes that they made 25 years ago in order to become what they are today,” Smith said in a recent news conference. “I want to find out a little bit about what that is and see if we can develop some excellent partnerships with the music industry so that we can do a transfer of talent and transfer of expertise.”

Calgary’s music industry continues to grow yearly with major events like the Calgary Stampede and Cowboys Music Festival, which draw around 1.4 million and 165,000 fans respectively, and Smith believes that its estimated $2.3 billion value can reach Nashville’s own $28.3 billion impact by taking the right steps.

Calgary is already scaling its musical infrastructure, notably with the addition of Scotia Place, a new arena and home for the Calgary Flames, which is currently being built and set to open in fall 2027, and will also host concerts. The province is also looking to expand on existing infrastructure, with Stampede Park aiming to become a year-round entertainment destination as part of its 20-year plan, which aligns with the premier’s vision for the province.

Read more here. — Stefano Rebuli

The Beaches Score Their First Gold-Certified Single in the U.S. With ‘Blame Brett’: ‘Beyond Humbled’

The Beaches have secured their first-ever gold-certified single in the U.S.

The Toronto rock act’s song “Blame Brett” received a gold certification from the Recording Industry Association of America (RIAA). While the 2023 track officially went gold back in April this year, it wasn’t until over the weekend that the band — comprised of sisters Jordan and Kylie Miller, Leandra Earl and Eliza Enman-McDaniel — shared the news on social media.

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“Thank you everyone, we’ll forever be blaming Brett,” read the caption, accompanied by a video of Earl holding up the band’s RIAA plaque.

Released on their sophomore album, 2023’s Blame My Ex, “Blame Brett” has served as a breakthrough moment for the band. The punchy breakup song became a fan favourite and evidently reached listeners beyond their home country.

Much of its success is credited to a viral moment on TikTok, which helped the group land some major radio placements in the U.S.— their first charting song in the country.

On the Rock & Alternative Airplay chart, it reached No. 27, remaining on the ranking for 20 weeks, while it peaked at No. 17 on the Alternative Airplay chart, spending 23 weeks there. On Pop Airplay, “Blame Brett” reached No. 33 with 10 weeks on the chart. Over three years later, the track is reaching another major music industry milestone.

Not to mention, its success brought The Beaches to bigger venues and higher placements on festival lineups.

Read more here. — Stefano Rebuli

Vancouver’s Reliant Music Signs Global Distribution Deal With Warner Music Group’s ADA Benelux

Vancouver-based A&R and song management company Reliant Music has embarked on a global partnership with ADA Benelux, the Western Europe distribution and artist services initiative of Warner Music Group.

Known for producing dance music tracks Reliant’s global distribution deal will focus on expanding its international presence in a region where the genre is quite popular.

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ADA Benelux is WMG’s independent distribution division for the Benelux region, including Belgium, the Netherlands and Luxembourg — the major music label expanded into the Western European market in 2020.

Recently, Reliant has worked with major acts like Armin van Buuren, Timmy Trumpet, Hardwell, Nicky Romero and Fedde Le Grand, among others.

Founded in 2012, Reliant creates “fire toplines for global DJs and electronic music artists,” per their website. Headquartered on the Canadian west coast, the company has a second office in Toronto, and A&R is led by John Dexter and Adrian Lock across North America. To foster local growth, the company newly opened a creative hub at Vancouver’s Armoury Studios.

Nearly a decade after its launch, Reliant expanded to Europe in 2021, hiring Mischa Daniëls, who leads A&R in Europe. Currently, they have two Europeans offices in Amsterdam and Berlin.

Read more here. — Heather Taylor-Singh


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Rick Springfield is recalling an experience from his teenage years that has stayed with him for nearly six decades.

During a recent appearance on The Joe Rogan Experience, the Australian singer/songwriter, now 77, revisited the time he traveled to Vietnam at 17 to perform for U.S. troops. While staying at a Navy encampment near Da Nang in 1968, Springfield says the base came under attack and he ended up helping fire mortars from a defensive position.

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At the time, Springfield said he was too young to fully understand the gravity of what was happening around him. The next day, he was told that one of the mortars that he had fired had killed a Viet Cong fighter.

Decades later, the memory is still difficult for him to process.

“I think it’s still there,” Springfield told Rogan, explaining that he struggles with the knowledge that he was involved in the death of another person, even though it happened during wartime and he had little understanding of what he was doing at the time. “It’s hard for me to face that I was responsible for the end of a life.”

Springfield also remembered the soldiers he encountered as being deeply conflicted about the war. Many, he said, questioned why they were in Vietnam and what they were doing there.

The experience is one Springfield also detailed in his 2010 memoir, Late, Late at Night. He wrote that despite the distance of time, the memory still “sends a shiver” down his spine.

The Vietnam trip came more than a decade before Springfield would become a household name. In 1981, he broke through with Working Class Dog, his fourth studio album, which spawned his signature hit “Jessie’s Girl.” The song topped the Billboard Hot 100 for two weeks in September 1981 and remains his lone No. 1 on the chart. That same year, he first played the role of Dr. Noah Drake on General Hospital and he acted on the long-running soap opera through 2014.

Watch the full podcast with Springfield and Rogan below.

Jill Scott reflects on nearly 30 years of music, her 2026 R&B Hall of Fame honor, and the lessons that shaped her career — from touring with The Roots to building a live-instrumentation legacy.

In this Billboard panel, Scott also opens up about her new album ‘To Whom This May Concern,’ the gratitude behind her rollout, and why longevity still matters most.

Billboard staff writer Kyle Dennis sits down with the inimitable Jill Scott to talk: being named an R&B Hall of Fame inductee (2026), The Roots, “You Got Me,” and what she learned on the road, why she prioritizes live instrumentation and musicianship, her new era: To Whom This May Concern + “Pressure” hitting No. 1 (Adult R&B Airplay) and touring realities in the 2020s, community shows, and “paying it forward.”

Jill Scott
Most of the time when artists are going on tour with another artist, the label or management or something pay the artist to take, their, the younger artist with them or their newer artist with them. I paid everybody because I remember what it was like to get paid. The Roots did that. They paid me.

Kyle Denis
Wow.

Jill Scott
I got $500 a night to sing a hook.

Kyle Denis
Come on. [laughs]

Jill Scott
At the time, it was more money than I had ever made per night. You know, my whole check would be the $500, and then after taxes, like, 278. You know, so I’d get that. But I wanted to continue that, and I’m really proud of it.

Kyle Denis
My name is Kyle Dennis. I’m a staff writer at Billboard, and I’m here with the inimitable Miss Jill Scott.

Jill Scott
Inimitable! [cheers] Very nice, very nice. Hello.

Kyle Denis
How you feeling?

Jill Scott
I feel good. I’m rushing a lot, but [laughs] I’m OK.

Kyle Denis
We’re gonna take some time to breathe, slow down, and reflect-

Jill Scott
Okay

Kyle Denis
. . . on almost 30 years of R&B greatness. You are-

Jill Scott
Thank you

Kyle Denis
. . . our R&B Hall of Fame inductee for 2026.

Watch the full video above!

Bruce Springsteen is not backing down. He knew his Land of Hope and Dreams Tour wouldn’t be for everyone, and he was perfectly willing to accept that.

In a new interview with Rolling Stone, the rock icon opened up about the political message behind his recent Land of Hope and Dreams Tour, his decision to release the accompanying concert film in installments and why he has no regrets about the potential of receiving backlash or alienating fans over his views.

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“I’m old now and I do what I want to do,” Springsteen told Rolling Stone. “This was the show I wanted to make, the story I wanted to tell.”

That philosophy was at the center of the 20-date U.S. run, which kicked off March 31 in Minneapolis and wrapped May 30 in Philadelphia. The tour followed Springsteen’s January release of “Streets in Minneapolis,” which was a protest song written in response to the death of Reneé Good and Alex Pretti during confrontation with federal immigration authorities.

The resulting shows leaned heavily into Springsteen’s politically charged catalog. The set included his classic hit “Born in the U.S.A.,” “Death to My Hometown,” “Long Walk Home” and “Youngstown,” while Edwin Starr‘s “War” opened the concert and Bob Dylan‘s “Chimes of Freedom” closed it. Springsteen also gave a speech criticizing the Trump administration before jamming right in to the music.

For Springsteen, the point wasn’t to persuade anyone. Instead, he said the tour somewhat allowed him to bring decades of music into conversation with the current political climate.

“It was the state of the nation for 2026,” he explained.

That also meant confronting the complicated history of “Born in the U.S.A.,” a song Springsteen said he had rarely performed in the U.S. in recent years because of the way its message has been misunderstood. Placed between “War” and “Death to My Hometown,” he felt the song could be re-contextualized for the moment.

And he knows that approach won’t please everyone.

When asked about the possibility of losing fans who support Donald Trump, Springsteen essentially shrugged. He said he has spent his career making the records and shows he wants to make, then finding the audience for them.

“I’m sure there were people, and I’ve read things where people were vehement about the content of the show,” he said. “And that’s just the way the chips fall.”

Springsteen also weighed in on upcoming midterm elections, saying he hopes Democrats can regain control of the House and Senate. He’ll make at least one more political-adjacent appearance before the midterms, joining Tom Morellos for a show in Washington, D.C. next month.

Meanwhile, Springsteen is bringing the Land of Hope and Dreams tour to screens. The first seven songs from the Philadelphia performance are already streaming on YouTube as Bruce Springsteen and the E Street Band: Land of Hope and Dreams American Tour (Philadelphia Freedom Cut), with the remaining concert set to come in additional installments.

As for what comes next musically for Springsteen, he says he has two albums in the works — including one completed record and another he hopes to finish and release first. He’s also open to more touring, although he doesn’t envision returning to the massive 140-show E Street Band runs of the past.

Watch the Bruce Springsteen and the E Street Band: Land of Hope and Dreams American Tour (Philadelphia Freedom Cut) below.

Alison Krauss & Union Station have canceled upcoming dates on the group’s Arcadia Tour, after lead vocalist Krauss has been put on vocal rest.

A social media post on Sept. 10 read, “It is with great regret that Alison Krauss and Union Station have announced the cancellation of our upcoming tour dates. After consulting with medical professionals, Alison has been advised to take a period of vocal rest to ensure a full and healthy recovery.”

The post added, “This decision was not made lightly as we are deeply committed to our fans. However, prioritizing health and vocal integrity are imperative at this time…we hope to make it back to these cities in the near future.”

More than a dozen shows are impacted by the cancellations, beginning with a show that had been scheduled for Sept. 11 in Davenport, Iowa. Also impacted were three shows slated for Nashville’s Ryman Auditorium on Sept. 18-20, as well as shows in Illinois, Indiana, Kentucky, Missouri, Texas, Oklahoma, Arizona, Nevada and California through early October.

Tickets for all canceled shows will be fully refunded and attendees are encouraged to reach out to their point of purchase with any questions.

Last year, Alison Krauss & Union Station released Arcadia, marking their first album in nearly 14 years.

The group is up for entertainer of the year at the upcoming IBMA Bluegrass Music Awards in October, and also up for vocal group of the year, while Krauss is up for female vocalist of the year. The group’s Barry Bales is up for bass player of the year, Jerry Douglas is up for resophonic guitar player of the year, Ron Block is up for banjo player of the year and Russell Moore is up for male vocalist of the year.

See the announcement below:

Music legend Dionne Warwick, actress Lynda Carter (star of TV’s Wonder Woman) and Nicola “Coco” Verses, founder of jewelry house VERSÉ, will be honored at the 2026 Angel Ball, the signature fundraiser of Gabrielle’s Angel Foundation for Cancer Research. The ball, hosted by songwriter Denise Rich and her daughters Daniella Rich Kilstock and Ilona Rich Schachter, will be held on Monday, Oct. 19 at Cipriani Wall Street in New York City. 

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The black-tie fête is held annually in memory of Denise’s daughter, Gabrielle Rich Aouad, who died at the age of 27 from acute myelogenous leukemia (AML).

Grammy-nominated singer Deborah Cox will emcee the event, which will feature a performance by two-time Grammy-winning reggae star Shaggy, along with special appearances by Star Jones, Dr. Stephen D. Nimer and more.

“Raising money for cancer research is more important than ever and we are thrilled to celebrate three outstanding honorees who continue to champion our cause,” Denise Rich said in a statement. “Since 1996, Gabrielle’s Angel Foundation has funded over $47 million in research grants to the best and brightest early career cancer scientists whose research focuses on finding better treatments, preventions and cures for patients with leukemia, lymphoma and related blood cancers. Because of their support and dedication, we are truly saving lives.”

Warwick, 85, has had 12 top 10 hits on the Billboard Hot 100, including a pair of No. 1 hits: “Then Came You,” a 1974 collaboration with The Spinners, and “That’s What Friends Are For,” a 1985 collab with Elton John, Stevie Wonder and Gladys Knight. A five-time Grammy winner, Warwick has received several major career accolades in recent years – a lifetime achievement award from the Recording Academy in 2019, the Kennedy Center Honors in 2023 and the award for musical excellence from the Rock & Roll Hall of Fame (2024).

Since 1996, Gabrielle’s Angel Foundation has funded over $47 million in research grants to cancer scientists whose research focuses on finding better treatments, preventions and cures for patients with leukemia, lymphoma and related blood cancers. For more information, visit their website.

The Roots accept the Hip Hop Hall of Fame Award from Billboard’s Senior Director of R&B/Hip-Hop Carl Lamarre at Billboard’s R&B Hip-Hop Power Players 2026.

David Ali accepts the Executive of the Year Award from Billboard Executive Director of R&B/Hip-Hop Gail Mitchell at Billboard’s R&B/Hip-Hop Power Players 2026.