A former management executive claims in a new lawsuit that N.O.R.E. sexually assaulted her during an album promotion event in 1999.

Carmen Bryan, a former finance officer at Def Jam affiliate Rush Management who shares a child with Nas, filed civil claims against N.O.R.E. (born Victor James Santiago Jr.) on Wednesday (Sept. 9). The lawsuit, obtained by Billboard, seeks unspecified financial damages for “severe emotional distress.”

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Bryan, who ran in the same circles as N.O.R.E. in the 1990s, alleges the rapper assaulted her at a Manhattan nightclub while he was doing pre-release promotion for his sophomore album Melvin Flynt Da Hustler in May 1999. According to the lawsuit, N.O.R.E. grabbed Bryan while “visibly intoxicated” and “committed an act of non-consensual digital penetration.”

“Ms. Bryan made clear verbal objections and repeatedly pleaded for Santiago to stop,” reads the legal complaint. “Santiago ignored her objections and pleas. Santiago physically overpowered Ms. Bryan.”

Afterward, N.O.R.E. allegedly recognized Bryan crying outside the club and apologized, saying, “Carm, I didn’t know it was you. You’re always doing something different with your hair.” Bryan says he repeated a similar apology a few weeks later at a barbecue that she and Nas hosted for their daughter’s birthday.

Bryan claims she disclosed the assault the day after it occurred to Jay-Z, a “trusted confidant.” She says Jay-Z “reacted strongly and threatened to confront” N.O.R.E., but Bryan asked him not to because she didn’t want to escalate the situation. She ultimately opted not to report the assault.

“She struggled agonizingly between the urgent need to address the violation of her bodily autonomy and the intense, culturally ingrained pressure to avoid bringing legal or public harm to a successful Black male,” read the lawsuit. “In an environment that routinely demanded absolute loyalty to the artist over the safety of women, advocating for her own basic human rights felt akin to a direct betrayal of the culture itself.”

Bryan alleges that she suppressed the trauma of the incident for years. That changed in 2023, when her memories were triggered by R&B singer Cassandra “Cassie” Ventura’s explosive sexual misconduct lawsuit against Sean “Diddy” Combs. Bryan says she could not eat or sleep after the news broke and ultimately decided to pursue legal action of her own.

Now, Bryan is suing N.O.R.E. under New York City’s Gender-Motivated Violence Protection Act, which opened a limited window to bring sexual assault claims that would otherwise be barred by the statute of limitations.

Bryan’s attorneys, Marjorie Mesidor and Heather Palmore, said in a statement shared with Billboard, “For far too long, the music and nightlife industries have normalized sexual violence, treating non-consensual contact and physical domination as an occupational hazard or ‘par for the course’ — as if enduring abuse is somehow what women signed up for when entering these spaces.”

“No woman signs up to be assaulted,” added Mesidor and Palmore. “The assertion that an assault is excusable — or simply did not happen — because a perpetrator failed to recognize his victim strips women of their fundamental humanity. Ms. Bryan is coming forward not only to demand accountability for the lasting trauma and public humiliation inflicted upon her, but to challenge the culture of entitlement that treats women’s bodies as collateral damage.”

Reps for N.O.R.E. did not immediately return a request for comment. A rep for Jay-Z, who is not accused of any wrongdoing, also did not return an inquiry.


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Harry Styles has confirmed that 2027 dates for his Together, Together world tour are on the way.

In an emailed note to fans sent Wednesday night (Sept. 9), Styles thanked all the fans who have already joined him at dates in Amsterdam, London, São Paulo, Mexico City and his current residency at New York’s Madison Square Garden. “When we decided to do the 2026 tour I knew it would be special but what you turned it into was far beyond what I could have imagined,” he wrote.

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He said he wanted his most loyal fans to be the first to know that 2027 dates are coming on Thursday — and that they will mark the “final cities” that Together, Together will hit.

“Tomorrow’s announcement will be the final cities of Together, Together,” he wrote. “After that, I don’t know what comes next for me, but I know that I’m excited to find out.”

Once Styles wraps up his current MSG residency on Halloween (Oct. 31), he’ll have two stops in Australia — six shows across Melbourne and Sydney — for 2026 before hitting the yet-undisclosed locations next year.

Find Styles’ full note to fans below:

Hello.

When we decided to do the 2026 tour I knew it would be special but what you turned it into was far beyond what I could have imagined. I love playing music, I love being with all of you and being a part of the love and joy you all create together every night. That’s why I wanted you to be the first to know we will be adding 2027 dates, which honestly, at first I found daunting. Being an artist is the only life I’ve ever known really, I have been doing this since I was 16 years old, and I feel like the luckiest person in the world to still be sharing these moments with you.

Tomorrow’s announcement will be the final cities of Together, Together. After that, I don’t know what comes next for me, but I know that I’m excited to find out.

I can’t wait for us to keep dancing with all our friends, I hope to see you there. Thank you for coming out to see us, and for all the love and support you’ve given me over the years.

All my love,

-H

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Kacey Musgraves is officially on the road for her Middle of Nowhere tour this fall, bringing her seventh studio album to cities across the U.S.

The musician kicked off her Middle of Nowhere 2026 tour on Aug. 21 in Chicago at United Center before continuing with stops in Boston, Baltimore, Kansas City, Phoenix and Los Angeles. The U.S. leg will conclude in Seattle at Climate Pledge Arena on Oct. 27. Tickets to Musgraves’ remaining 2026 tour dates are still available online, including through Ticketmaster.

Musgraves scored the highest debut of her career with Middle of Nowhere, which debuted at No. 3 on the Billboard 200 with 100,000 units in its first week. The album surpassed her 2024 release Deeper Well, which opened with 97,000 units. The tour features tracks from Middle of Nowhere, including “Dry Spell,” “Coyote” and “Loneliest Girl,” plus a particularly eye-catching stage prop: a giant disco ball shaped like human testicles that made its debut during the tour’s opening night in Chicago.

The sparkly set piece has since become one of the tour’s most talked-about moments, with Musgraves joking about it during her Sept. 1 show at Madison Square Garden. “My manager didn’t tell me no,” she quipped while performing “Rhinestoned.”

Below, we’ll be showing you where you can buy affordable tickets to Musgraves’ 2026 tour. We’ve also included promo codes to bump pricing down further.

Where to Buy Affordable Tickets to Kacey Musgraves’ Middle of Nowhere 2026 Tour

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

OFFICIAL TICKETING

Ticketmaster


General admission for Musgraves’ tour went on sale Friday, May 8, 2026, at 10:00 a.m. local time via Ticketmaster. The site has a slew of tickets still available post-general sale, with pricing going for as low as $50.55 at some venues. The ticketing service offers a fan guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking. However, these options are subject to certain exclusions.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

EDITOR’S PICK

StubHub


A great third-party option for buying Musgraves tickets is StubHub. With a quick look, we’ve seen tickets going for as low as $73. StubHub often has great deals on ticket sets, marking them down with deals for you and a friend up to 44% off.

For example, a set of tickets available for Musgraves’ Boston show retails for $130, down from $235. The site will mark specific venues with these deals, utilizing a “great value” badge so you won’t miss out on markdowns.

To help you plan your ticket-buying approach, StubHub will notify ticket buyers which venues are selling out fastest. The platform makes buying tickets easy with its “FanProtect Guarantee,” which protects purchases with authentic tickets and refund policies. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid, or the option of a cash refund.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

PROMO CODES

SeatGeek


More options for affordable ticketing to Musgraves’ tour can be found on SeatGeek. A quick click through the website reveals tickets for the singer’s tour going for as low as $60. To make ticketing even more affordable on SeatGeek, you can use promo code BILLBOARD10 at checkout to receive $10 off. The ticketing service features a buyer guarantee that ensures easy ticket purchases every time.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

EARN REWARDS

Vivid Seats


Another great option is Vivid Seats. At the time of publication, Musgraves‘ tickets are selling for as low as $59 at venues like the Barclays Center in Brooklyn, NY. The site has some of the lowest pricing we’ve seen on our search thus far, beyond Ticketmaster.

If you’re looking to make ticketing on Vivid Seats even more affordable, you can use our promo code BB30 to snag $30 off your purchase. The ticketing service offers a 100% buyer guarantee that vows your transaction will be secure, that your tickets will be delivered before your event, and that those tickets will be valid and authentic. 

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

PROMO CODE

TicketNetwork


TicketNetwork is yet another option we’ve found that has pretty affordable ticketing to Musgraves’ tour. Pricing starts at $63 at some venues, a steal when compared to pricing via other ticketing sites. When you search for tickets on TicketNetwork, you can use our code BILLBOARD300 to save $300 off orders of $1,000 or more, or code BILLBOARD150 to save $150 off orders of $500 or higher.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

LOWEST PRICING

Gametime


Gametime is a third-party site with really great pricing on Musgraves’ tour. As we searched through the site, we found pricing starting in the $60 range for venues in Milwaukee, Brooklyn and Chicago to make shopping for the perfect ticket even easier, Gametime will notify you when certain venues and dates are discounted. You’ll see indicators on your search that will tell you which venues are in high demand, a helpful tool for preplanning your attack plan when purchasing tickets.

When purchasing tickets through Gametime, the ticketing site guarantees that buyers are protected in the event that their concert is unexpectedly canceled. Tickets will arrive on time at the most affordable price. If you do happen to find lower pricing elsewhere, Gametime will hook users up with 110% of the difference.

Kacey Musgraves Middle of Nowhere Tour 2026 Tour Dates

  • Sept. 11: Fiserv Forum in Milwaukee, WI (Buy tickets online at StubHub)
  • Sept. 12: Enterprise Center in St. Louis, MO (Buy tickets online at StubHub)
  • Sept. 22: Target Center in Minneapolis, MN (Buy tickets online at StubHub)
  • Sept. 23: T-Mobile Center in Kansas City, MO (Buy tickets online at StubHub)
  • Sept. 25: Bourbon & Beyond in Louisville, KY (Buy tickets online at StubHub)
  • Sept. 27: Bridgestone Arena in Nashville, TN (Buy tickets online at StubHub)
  • Sept. 28: Bridgestone Arena in Nashville, TN (Buy tickets online at StubHub)
  • Sept. 30: State Farm Arena in Atlanta, GA (Buy tickets online at StubHub)
  • Oct. 2: Spectrum Center in Charlotte, NC (Buy tickets online at StubHub)
  • Oct. 5: Toyota Center in Houston, TX (Buy tickets online at StubHub)
  • Oct. 7: Moody Center in Austin, TX (Buy tickets online at StubHub)
  • Oct. 8: Moody Center in Austin, TX (Buy tickets online at StubHub)
  • Oct. 10: American Airlines Center in Dallas, TX (Buy tickets online at StubHub)
  • Oct. 11: American Airlines Center in Dallas, TX (Buy tickets online at StubHub)
  • Oct. 13: Ball Arena in Denver, CO (Buy tickets online at StubHub)
  • Oct. 15: Delta Center in Salt Lake City, UT (Buy tickets online at StubHub)
  • Oct. 17: Mortgage Matchup Center in Phoenix, AZ (Buy tickets online at StubHub)
  • Oct. 18: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 19: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 20: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 23: Oakland Arena in Oakland, CA (Buy tickets online at StubHub)
  • Oct. 26: Climate Pledge Arena in Seattle, WA (Buy tickets online at StubHub)
  • Oct. 27: Climate Pledge Arena in Seattle, WA (Buy tickets online at StubHub)


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Alex Warren’s second full-length studio album WILDCHILD makes a chart-topping bow on a pair of Billboard charts, as the set arrives at No. 1 on Top Album Sales and Vinyl Albums (dated Sept. 12) — his first leader on both rankings. The set also enters at No. 2 on the overall Billboard 200 and at No. 9 on Indie Store Album Sales. On the Billboard 200, it marks the singer-songwriter’s second top 10 and highest-charted set, and it’s his first entry on the Indie Store Album Sales ranking.

The new album is the follow-up to Warren’s first full-length, You’ll Be Alright, Kid, which hit No. 5 on the Billboard 200, No. 7 on Top Album Sales and No. 5 on Vinyl Albums. That set contained the smash Billboard Hot 100 No. 1 hit single “Ordinary.”

WILDCHILD arrives with 75,000 equivalent album units earned in its first week (ending Sept. 3) according to Luminate — his best week ever by units. Of that sum, album sales comprise 55,000 (his best sales week). The remainder of the set’s first week sum was driven by streaming activity and track purchases.

The new album’s first-week sales were bolstered by its availability across 13 vinyl variants (two of them signed), five CD variants (two signed), three download editions (two with bonus tracks) and a cassette.

WILDCHILD was preceded by three charted songs on the Billboard Hot 100: “Passenger” (No. 100 in June), “Fine Place To Die” (No. 87 in May) and the radio-promoted single “Fever Dream” (No. 21 in March).

WILDCHILD leads a busy top 10 on the Sept. 12-dated Top Album Sales chart, where the latest releases from The Warning, Billy Strings, Sara Bareilles, Mastodon and Prince also arrive.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on pure album sales (physical and digital download purchases combined). The chart’s history dates to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s hard to believe that Dolly Parton thought of herself as unattractive, telling Radio Times magazine in 2014 that she was “not a natural beauty” and “I look like hell” sans makeup. But these photos certainly contradict her internal monologue.

Following the musician’s death on Aug. 25, fine-art photography gallery Sonic Editions resurfaced rare images from across Parton’s career, from the 1970s when “Jolene” and “I Will Always Love You” had already helped make her a country superstar, to her 2014 Glastonbury performance. Many of the photos offer an intimate look into her life, like Parton joking with passersby on the streets of New York and candid moments during her 1978 Playboy shoot in Los Angeles.

The high-quality prints come in unframed options that begin at $99 for the smallest 4×11-inch size, while framed versions start at $189. Each image is offered in five sizes, with black or white framing available, and the largest framed photo, 37×26-inch, costs $999.

Dolly Parton NYC rare picture shop online

1976

Dolly Parton in New York City


David Gahr photographed Parton in New York in Sept. 1976, during a pivotal period in her career. That year brought the premiere of her variety show Dolly and another major country success with the All I Can Do album, which included tracks “All I Can Do” and “Hey, Lucky Lady.”

Dolly Parton rare photo 1976 shop online

1976

Dolly Parton in 1976


Photographed in New York City in Sept. 1976, Dolly Parton was expanding her career beyond country music, and this trip helped introduce her distinctive personality and star power to a broader mainstream audience.

Dolly Parton NYC rare picture shop online

1976

Dolly Parton in New York City


During her Sept. 1976 trip to New York City, Parton was photographed in several candid shots joking with locals on the streets.

Dolly Parton rare photos shop online

1977

Parton in Battle Creek


This portrait was taken on March 13, 1977, before Parton performed in Battle Creek, Michigan. She was touring heavily that year and traveling with the more rock-oriented Gypsy Fever Band. Around the same time, she released “Light of a Clear Blue Morning” and “Applejack.”

Dolly Parton Playboy photoshoot-rare photo shop online

1978

Dolly Parton, Playboy Photoshoot


Harry Langdon photographed Parton in Los Angeles for the portrait session associated with her famous October 1978 Playboy appearance. Parton posed in the signature bunny costume for the shoot and later discussed her decision to appear on the cover, saying she had initially worried about how some fans would react.

Dolly Parton Glastonbury rare photo shop online

2014

Dolly at Glastonbury


Parton made her Glastonbury debut on the Pyramid Stage on June 29, 2014, performing during the festival’s third day. Her set became one of the weekend’s defining moments, drawing an enormous crowd and featuring favorites including “Jolene,” “9 to 5,” “Coat of Many Colors” and “I Will Always Love You.”

Since Parton’s death, online searches for merchandise and memorabilia have climbed as fans look for ways to celebrate her life and legacy, and among the most personal tributes are these rare photographs.

Sonic Editions also has an extensive archive of music photography beyond Parton. Fans can find prints celebrating artists including Madonna, Aretha Franklin, Bob Dylan, The Beatles and Nirvana. The company specializes in limited-edition fine-art photography designed to bring pieces of history into your home. Free shipping for orders over $200.

Over the weekend, Sabrina Carpenter and Bad Bunny both picked up their first Emmy Awards — Carpenter as a producer and performer on Disney+’s The Muppet Show special and Benito as a producer and performer at his 2026 Super Bowl halftime show.

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And these multi-talented pop stars are just getting started. On the new Billboard Pop Shop Podcast, Katie & Keith are talking about whether the Emmy and Grammy winners could add an Oscar or Tony next for the coveted EGOT honor. Listen below for our full conversation about the most likely paths they could take to get there.

Also on the show, we’ve got chart news on how Rod Wave notches his fourth No. 1 album on the Billboard 200 with the chart-topping arrival of Don’t Look Down, how Alex Warren captures his highest-charting album ever with the No. 2 bow of WILDCHILD, and how Ella Langley is now one week away from tying Mariah Carey’s all-time record for the most weeks at No. 1 on the Billboard Hot 100 with “Choosin’ Texas.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Caroline Bienstock, who previously served as president/CEO of Carlin Music, passed away in New York on Sept. 1 after a protracted illness. She was 68.

Bienstock was a longtime, stalwart indie music publisher, right up to the sale of Carlin Music for about $250 million to Round Hill Music in 2017. For years, the company was headquartered in the Brill Building and, like the famed location, it was home to many songs in the classic American Songbook, including such tunes as “What A Wonderful World” and “Sea of Love.” Carlin was also the music publisher for classic hits by Frank Sinatra, Billie Holiday, Stephen Sondheim, AC/DC and James Brown, among others. The company’s catalog included “Spanish Harlem,” “Happy Together,” “Nashville Cats,” “Viva Las Vegas,” “When the Saints Go Marching In,” “Save the Last Dance for Me,” “Monster Mash,” “Good Lovin” and “Total Eclipse of the Heart.”

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In 2016, Billboard reported that Carlin, which had offices in Nashville, London, Paris and New York, had 8,500 songwriters in its royalty system and more than 80,000 titles in its catalog.

Born in 1958, Bienstock was the daughter of two music industry legends. Her mother Mariam was an executive and co-founder of Atlantic Records, and her father, Freddie, bought out the owners of the publishing company he had worked for and renamed it Carlin Music in 1966. The company moniker was derived from the name of his then-8-year-old daughter Caroline. He called it Carlin after he realized he couldn’t call the company Caroline Music because Radio Caroline had the rights to the name, according to a story Billboard published in 1994. After graduating from Yale College and earning a law degree from Boston University, Caroline received an MBA from the Wharton School, according to the 2016 Billboard story. 

Bienstock first practiced law and worked at Goldman Sachs before joining the Carlin in the late 1980s. Her father was initially resistant to the idea of her joining the family business, she told Billboard in 2016. But eventually he relented, and by 1993, she had risen to the position of CFO and COO. By 1998, she was president of the company. Along the way, she told Billboard that Carlin Music’s growth strategy “is to expand into new territories by buying catalogs in them.”

“As the person who is managing these assets for the benefit of the family,” she told Billboard in 2016, “I have to make the best possible decisions that aren’t based on nostalgia or sentiment.”

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Like her parents before, Bienstock made a name for herself as an industry leader. Beyond her responsibilities helming Carlin Music, she served at one time or another on the boards of the NMPA (National Music Publishers Association), ASCAP (American Society of Composers, Authors and Publishers), AIMP (American Independent Music Publishers) and the Songwriters Hall of Fame. The latter group awarded her the Abe Olman Publisher Award in 2017.

In 2016, Bienstock told Billboard, “I remember attending  an industry event with [my father] where somebody approached and said, ‘Oh, Freddy Bienstock. Are you Caroline Bienstock’s father?’ To him, that was just amazing because, of course, he was the music publishing legend and I was just his daughter.”

Bienstock is survived by her husband Douglas Rodrigues, her children and children-in-law, her grandchildren and her brother Robert Beinstock, who was also an executive at Carlin Music. In lieu of flowers, the family asks that donations be made to the ALS Association and/or Target ALS, in honor of Caroline’s life and legacy.


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When Country Splash Cabo co-founder Robert Fried first talked to Billboard about launching the destination festival in Cabo San Lucas, he said, “One of the core concepts [is] to be the opposite of a major field festival. The intent is to be up close and personal where you can see your favorite country artists from 100 feet away instead of watching on an LED screen.” 

Mission accomplished.

The first (hopefully) annual event took place Sept. 4-6. Country Splash bought out the 350-room/suite Paradisus Cabo San Lucas, an all-inclusive luxury beachfront resort, as well as made deals with surrounding hotels to create a peak destination musical experience.  

With headliners Tucker Wetmore, Jon Pardi and Riley Green, the poolside festival also featured an undercard that included such developing talent as Jacob Hackworth, Blake Whiten, Zach John King and Lauren Watkins. Rounding out the bill were Dasha, LoCash and Cameron Whitcomb, who were among the best received acts of the event.

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The live acts started right after sundown. The temperature was still sweltering — it was 88 degrees with 67% humidity at 9:15 p.m. Saturday night — but at least it no longer felt like 106 degrees as it had earlier in the day, in the blistering sun. The heat had main character energy in virtually every act’s set: At one point, Dasha declared, “I’ve never had so much sweat drop down my body before.”

Fried built the event around intimacy and capped attendance at 3,000 people this year (potentially expanding to 5,000 attendees for future years), making it about half the size of Luke Bryan’s Crash My Playa in Cancun. Despite having to the navigate around the massive pool (as if that’s a negative), it never felt overcrowded, and there was always ease of movement between the stage, the vendor stands and bars. The only thing occasionally blocking sightlines were the palm trees. There was even a wellness element that included a yoga class with Diplo on Saturday.

The festival is among the growing number of music events highlighting American country music in Mexico, catering to tourists and Mexicans alike as the genre’s popularity swells in the country. Country Splash may be the most luxe offering: All-inclusive suites at the Paradisus went for as high as $10,000 for four nights, but there were also one-day general admission passes available for as low as $199, according to the event’s website.

Here are the highlights from the inaugural year.


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Macklemore is facing backlash from a pro-Israel organization after making an onstage plea to “Free Palestine.”

The 43-year-old rapper made the public plea while opening for Ed Sheeran at New Jersey’s MetLife Stadium on Friday (Sept. 4) as part of the British superstar’s Loop Tour.

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“A big part of the reason why I wanted to do this tour in the first place is so I could stand up in stadiums like this and say two words that are very near and dear to my heart: Free Palestine,” Macklemore told the crowd. “I said, ‘Free Palestine!’ I want those words to be loud and clear, so that people all the way in Gaza to the occupied West Bank know that we have not forgotten about them.”

During his set, the Grammy-winning rapper also performed his protest song “Hind’s Hall.”

Macklemore said he believes “every single human being that walks this earth deserves” to “know safety and peace before they know the sound of violence, to know the sound of laughter on a playground before planes and bombs, for parents to be able to say bye to their kids in the morning and not have to wonder if this is going to be the last time they kiss their child goodbye.”

The “Thrift Shop” hitmaker concluded his remarks by reflecting on his own fears and his decision to speak out.

“And if I let that fear I felt on the plane yesterday stop me from speaking my heart in order to keep my own comfort and the audience’s comfort, that is the day I no longer continue to be on stage,” he said. “So, I say ‘Free Palestine!’ I say, free America, free Cuba to the Congo to Sudan to Iran, and all the people in America who have to live in fear because of this terrorist organization ICE.”

Macklemore’s politically charged speech drew the attention of the Israeli-American Council (IAC), which represents more than 150,000 Israeli Americans. The organization has since launched a petition calling for the rapper to be removed from Sheeran’s remaining tour dates.

Macklemore is currently scheduled to open eight U.S. stadium shows between mid-September and early November, according to Sheeran’s website.

“This was an Ed Sheeran concert – not a political rally, not a protest, and not an activist event,” the IAC’s petition reads. “The issue is not whether Macklemore has the right to hold political views. The question is where the line should be drawn when an opening act uses a global concert platform to advance a one-sided political agenda. This becomes even more troubling when the message relies on selective imagery, biased messaging, and disputed claims presented to a massive audience as fact, without context or complexity.”

The organization is also calling “on tour leadership to clarify whether Macklemore’s political speech, visual content, and performance of ‘Hind’s Hall’ were approved in advance, and to establish clear boundaries for the use of the tour stage to promote political messaging.”

Macklemore has been vocal in his support for Palestinians amid the Israel-Hamas war. In May 2024, he released “Hind’s Hall” in support of Gaza and pro-Palestinian student protests, criticizing U.S. support for Israel. He said all streaming proceeds from the song would go to United Nations Relief and Works Agency (UNRWA).


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“Click,” JISOO’s latest solo single, tops this week’s new music poll.

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Listeners voted in a poll published Friday (Sept. 4) on Billboard, choosing the BLACKPINK star’s new song as their favorite new music — with the track narrowly taking the lead over a new solo release (“SaWaDiKa”) from another BLACKPINK star, LISA. Both songs were up against hot new releases from Miley, Adéla, Beyoncé feat. Pharrell and more, all of which arrived this week.

“Click,” bringing in more than 50% of the vote, ultimately rose to the top.

“Click” made its debut Friday (Sept. 4) alongside a cinematic, Joseph Kahn-directed music video starring a cyborg JISOO: She’s in an abandoned theme park, where she crosses paths with a suitor and a robotic teddy bear, the CLICK Bear — who helps the singer bring life to her deserted surroundings. The bear represents the presence of the JISOO’s fans, and her connection with them.

“Counting the reasons that we shouldn’t/ Mess up this thing, be more than friends/ But when you hold me like this/ And kiss away our differences/ There’s no explanation for it/ It’s just the way our bodies click/ Your lips, my lips, click/ We were made to fit/ Your hands, my hips, click/ We were made to fit,” JISOO sings on the pop track.

The release of “Click” follows JISOO’s 2025 debut mini album, AMORTAGE, and her most recent single, the Zayn collab “EYES CLOSED.”

Just behind “Click” on the poll is LISA’s solo song “SaWaDiKa,” with nearly 45% of the vote. Miley’s “Bass Persuades,” Adéla’s PRIMA and Beyoncé’s “CAN I WATCH YOU” feat. Pharrell were next on the ranking.

See the final results of this week’s poll below.


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