Ye (formerly Kanye West)’s two-night homecoming at Soldier Field served as a love letter to Chicago. Friday’s (Sept. 4) spectacle celebrated West’s legacy, influence and family tree touching three different decades.

The show was a star-studded affair, bringing 15 guests into the fold for a loaded, 60-track setlist that spanned about three hours. While past tours have been filled with rants and streams of consciousness, Ye kept the talking in between tracks to a minimum Friday night, running through hit after hit and inviting a range of collaborators to share the globe-shaped stage with him.

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After a destructive few years filled with antisemitic rants and outbursts, Ye has largely walked a straight path since taking out a full-page ad in The Wall Street Journal in January apologizing for his actions.

The damage has left him taking an unconventional route when it comes to touring, as he’s partnered with independent touring company IKON Presents for select stadium dates throughout 2026, which will continue with shows in Dallas, Houston and Phoenix later this year.

More than 70,000 fans laced up their Yeezys and donned tour merchandise over the past two days in Chicago, showing many are willing to overlook Ye’s controversial past — including his superstar friends that joined him on stage.

From The College Dropout toBully, there was something for every generation of Ye fan. Day ones celebrated a reunion with those instrumental to the early success of Yeezy, like GLC, Consequence, Really Doe and Twista, while others moshed to appearances from the Cactus Jack family, such as Travis Scott and Don Toliver, both of whom have been open about Ye’s impact on their own careers.

It’s impossible to predict what the future holds for an artist as mercurial as West, but it’s clear there’s a path for him back into America’s mainstream, even if some choose to continue to ignore him in plain sight.

Find the seven best moments from night two of Ye’s Chicago shows below.

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It was a two-night homecoming for Ye (formerly Kanye West). Yeezy set the bar high on Thursday night (Sept. 3) at Soldier Field, then threw his own festival in Chicago on Friday (Sept. 4), bringing out a staggering 15 guests for a setlist spanning 60 songs.

The nearly three-hour set served as a love letter to his hometown, while touching on every era of his career from The College Dropout through 2026’s Bully. Ye has proven to be the ultimate collaborator throughout his career, and he assembled an Avengers lineup for a sold-out 70,000-person crowd at Soldier Field.

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At times it felt like a family reunion, with Ye reconnecting with Really Doe and GLC, who were West’s The Go Gettas groupmates in the mid-’90s, as well as Consequence, Lupe Fiasco, CyHi, Common and Twista, the latter of whom can still rap at hyper-speed with ease at 52.

Rick Ross pulled up for his show-stopping verse on “Devil in a New Dress,” which marked the first time they performed the My Beautiful Dark Twisted Fantasy standout in a decade, while Cactus Jack family Travis Scott and Don Toliver brought the energy with their guest appearances.

The main event surprise was a heartfelt Kid Cudi reunion, as he joined Ye on the global stage for “Father Stretch My Hands, Pt. 1,” “Ghost Town,” and even stuck around to perform his “Pursuit of Happiness” anthem. “I told y’all I had some surprises,” Ye quipped.

Over the past two decades, Cudi and Ye’s friendship has experienced the highest of highs and lowest of lows, but the Kids See Ghosts collaborators are back on good terms following an apology from Ye earlier this year. “Tn was just another epic night on a list with many other epic nights w my big bro love u Chicago,” Cudi wrote on X after the show.

West’s antisemitic rants and antics during years past have made traditional touring in the U.S. trickier for Ye, who has been able to book spot stadium dates throughout 2026, which have been selling out to capacity crowds.

Ye has teamed up with touring company IKON Presents to put on the U.S. shows, which will continue on Halloween in Houston and then he’ll head to Dallas and Arizona in November.

Find all of Ye’s guests from his Chicago homecoming below.

@Cambamscam

Fifteen years after the historic night when Jenni Rivera became the first female regional Mexican music artist to sell out the Staples Center in Los Angeles, the recording of that iconic performance is now available in its entirety on digital platforms. Titled Mírame Desde Staples Center (Watch Me From Staples Center), it was released Thursday night (Sept. 3), on its actual anniversary.

The live album, released under Virgin Music Group, captures Rivera delivering one of the most emblematic performances of her career. With a 45-song setlist, the three-hour concert also highlighted the versatility of the singer also knows as “Diva de la Banda,” with masterful performances of banda, mariachi and norteño music.

“I remember that day. She mentioned to me that she felt a little nervous, and that it was a feeling that never really went away — that she always felt it. And for me, it was surprising to hear that she, as an artist, felt nervous because she never showed it. She never said it. And I remember thinking, ‘Wow, those nerves never stopped her,’” Jacqie Rivera, Jenni’s daughter and CEO of Jenni Rivera Enterprises, tells Billboard exclusively.

“I feel proud of her as a woman, as a mother, and as an artist — of how much of a fighter she was, how she always believed in herself and in what God had planned for her,” she continues. “It was a great accomplishment, but even more meaningful is the mark she left behind and the example she set. What she went through continues to inspire me.”

The concert also featured special guest appearances by two renowned artists: Mexican singer Alejandra Guzmán, performing the songs “A Escondidas” and “Hacer el Amor con Otro,” and Puerto Rican singer Olga Tañón, in the classic “Basta Ya.”

“Jenni Rivera performing at the Staples Center is a historic moment for regional Mexican music and one of the moments that truly showcases Jenni Rivera at the height of her artistry,” Victor Gonzalez, EVP & President, LATAM, US Latin & Spain, Virgin Music Group, said in statement shared with Billboard. “It is Mexican identity in the U.S. at its fullest expression. It is a privilege for VMG to contribute to building Jenni Rivera’s legacy.”

Mírame Desde Staples Center is available on digital platforms starting at 11:00 p.m. ET / 8:00 p.m. PT.

Jenni Rivera was the most successful woman in regional Mexican music and on Billboard’s Latin charts. She placed over 30 songs on Regional Mexican Airplay, 15 of which reached the top 10. On the Hot Latin Songs ranking, she had a total of 25 entries, two of which made it to the top 10: “Ahora Que Estuviste Lejos” and “La Misma Gran Señora.”

At the peak of her career, she tragically passed away in a plane crash in 2012 at the age of 43.

Listen to Mírame Desde Staples Center below:

Premios Juventud made its European debut Thursday night (Sept. 3), bringing the youth-focused Latin music awards to the Starlite Auditorium in Marbella, Spain. The 23rd edition marked the first time the show had been staged outside the Americas, turning the Costa del Sol into a meeting point for Latin music’s biggest names and Spanish pop’s homegrown stars.

Under the theme “Conéctate al Vibe,” the ceremony capped the inaugural PJ Fest, a weeklong TelevisaUnivision initiative that stretched from Miami to Houston, Los Angeles and Marbella. The night also honored Antonio Banderas, Marc Anthony, Yandel and La Oreja de Van Gogh as Agents of Change, while early winners included Shakira and Burna Boy, whose World Cup song “Dai Dai” won OMG Collaboration, and Carín León and Alejandro Fernández, who won My Favorite Track for “Me Está Doliendo.”

But the historic setting was only part of the story. The stage delivered cross-generational, cross-Atlantic linkups at every turn: Farruko, Juan Magán and DJ Rous kicked off the festivities with “Marbella Nights,” the event’s new anthem, before Greeicy joined Farru onstage for their Latin Airplay No. 1 EDM collab “Yapaque,” also featuring Steve Aoki. Quevedo then celebrated his Canary Islands roots with Elvis Crespo and Las Cuatro during a medley of “Columbia,” “Al Golpito” and “La Graciosa.”

Elsewhere, a stacked roster including Ángela Aguilar, Camilo, Christian Nodal, Eladio Carrión, Elena Rose, Marc Anthony, Morat, Natanael Cano, Wisin, Xavi and Yandel showcased the breadth of Latin music on one international stage. Check out the full winner’s list here.

From reggaetón reimagined with orchestral flourish to nostalgia-fueled Spanish pop and arena-ready salsa, these were the five performances that made Premios Juventud’s first trip to Europe count.

John Rich believes Jelly Roll knew the potential consequences that would come with getting candid about politics, including the possibility that some of his own fans might stop listening.

The Big & Rich singer discussed Jelly Roll’s recent guest-hosting stint on Jimmy Kimmel Live! during an episode of The Benny Show, arguing that the country star likely knew the repercussions of his comments. Furthermore, Rich said that what the country singer said could clash with the assumptions some listeners had made about him.

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“He knows how this works,” Rich stated. “He knows who the audience is.”

As previously reported by Billboard, Jelly Roll served as a guest host on Jimmy Kimmel Live! last week. He addressed the reaction to jokes he made about President Donald Trump and the public speculation surrounding his political beliefs. The “Need a Favor” singer said that while he leans left on certain issues, he considers himself “pretty down the middle” politically.

For Rich, the fact that Jelly Roll spoke openly despite the potential backlash was evidence that the singer meant what he said.

“When you make statements that are that hardcore and, to a large extent, counteractive to the presentation you’ve been making, you do understand in country music that half or more of your audience may disown you,” Rich said, adding that some listeners could “stop listening” altogether.

Rich pointed to authenticity as a trait of country music, invoking artists including Johnny Cash, Merle Haggard, Loretta Lynn and Dolly Parton as performers whose perspectives became part of their identities. He also connected Jelly Roll’s decision to his own experiences speaking publicly about politics, which Rich said had resulted in professional consequences for him.

Still, Rich said Jelly Roll’s situation was distinct because some fans may have been caught off guard by what the singer had to say.

“Jelly Roll knew the same thing concerning his audience,” Rich said. “Yet, he did it anyway. So to me, what that says is this guy is really who he says he is.”

Jelly Roll himself pushed back against the idea that his stint behind Kimmel’s desk should define him politically. “Hosting Jimmy Kimmel’s show doesn’t mean I have all of Jimmy Kimmel’s politics,” he said during his final night as guest host, later emphasizing his Christian faith, country background and life as a farmer and bow hunter.

He also spoke about the irony of how quickly public perceptions had changed. “Before this week everybody thought I was MAGA,” Jelly Roll said. “And now they think I’m some sort of liberal snowflake.”

Rich suggested that the backlash may have less to do with Jelly Roll expressing a specific set of beliefs than the disconnect between those beliefs and what some listeners thought they already knew about him.

“He should have been talking that way from the very beginning,” Rich said. “and he probably wouldn’t have this problem.”

Watch the full interview with John Rich below.

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KATSEYE fans are bringing the “Flame” to the Wildworld tour, one lightstick at a time. The band kicked off their tour in Dublin, Ireland, on Sept. 1, 2026, before bringing the tour to the U.K. The group will continue across Europe before heading to North America, with their first show scheduled for Oct. 13 in Miami, Florida.

For fans attending these shows, the official KATSEYE lightstick is an essential concert accessory. So far, the group has released just one official lightstick, which debuted in 2025 and includes a lightstick, strap, dust bag, six official photocards and an oh-so helpful instruction manual. Known as the Eyelighter, the lightstick features a hexagonal star design inspired by each KATSEYE member and can sync with specific songs during live concerts and synchronized events.

Buy Katseye concert lightsicks online

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The KATSEYE official lightstick combines a clear globe featuring the group’s signature cat-eye-inspired emblem with a sleek white handle. It offers color-changing effects, Bluetooth connectivity and concert synchronization, making it a fun way for fans to actually be part of the show.

Some venues may play instructions on the big screen before the show starts to help fans set up their light sticks. However, it’s best to set everything up in advance in the app before you leave for the show.

  • Connect the lightstick to the app: Download the official KATSEYE lightstick app and connect your phone to the lightstick via Bluetooth.
  • Set up concert sync: Enter your concert date and event details in the app.
  • Update the lightstick: If you plan to follow KATSEYE on tour for multiple shows, you’ll need to update the lightstick through the app every time with each concert’s details. Make sure the batteries aren’t low before starting a new update, then select “Check Firmware Version” from the app’s main menu.

The Premios Juventud ceremony has officially concluded in Marbella, Spain, but was broadcast on a delay across the U.S. on Thursday (Sept. 3).

The first winners were announced earlier in the day on social media. Among them, Shakira and Burna Boy took home the OMG collaboration award for “Dai Dai,” the official song of the 2026 World Cup, which has topped Billboard’s global charts for weeks.

Additionally, Cazzu won the award for best cumbia song for “Con Otra,” which hit No. 1 on the Billboard Hot 100 Argentina chart, while Carín León and Alejandro Fernández shared the My Favorite Track honor for their hit “Me Está Doliendo,” which reached No. 1 on the Latin Airplay and Regional Mexican Airplay charts.

Shakira, who did not attend the ceremony, was among the most-awarded artists of the night, taking home three trophies — including Premios Juventud female artist and best pop song for another notable collaboration, “Bésame” with Alejandro Sanz. Aitana, Alejandro Fernández, Romeo Santos and Prince Royce received the same number of awards; the latter two swept the tropical category thanks to their joint album Better Late Than Never and their hits “Dardos” and “Lokita por Mí.”

Other winners included Bad Bunny, who took home the honors Premios Juventud male artist and tour of the year; Karol G, who won album of the year for Tropicoqueta and best urban rhythmic song for “Verano Rosa” (with Feid); Santos Bravos, named favorite group or duo of the year and winner in the new generation – male artist; and Bizarrap, named producer of the year.

For the first time, Premios Juventud took place in Europe, at the Starlite Auditorium in Marbella, Spain, following previous editions in Miami, Puerto Rico and Panama. Under the theme “Conéctate al Vibe” (“Connect to the Vibe”), this year’s ceremony coincided with the inauguration of the PJ Fest, a weeklong event that included activations for creators and live concerts in Houston, Miami and Los Angeles, before culminating with the live gala in Spain.

During the ceremony, Marc Anthony and Yandel were recognized as “Agents of Change,” an award highlighting their social, artistic and cultural impact. Meanwhile, atists such as Quevedo made their Premios Juventud debut with a medley of hits including “Columbia,” “Al Golpito” and “La Graciosa” alongside Elvis Crespo. Among others, Farruko and Greeicy also took the stage to perform their EDM hit “Yapaque,” ​​which reached No. 1 on the Latin Airplay chart in July.

The 2026 Premios Juventud — which celebrate the artists and young changemakers making an impact in music, social media and community service — are being broadcast on Univision, UNIMÁS, Galavisión and ViX.

Below is the full list of winners.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Consider this MUNA’s latest extracurricular: starring in UGG’s back-to-school campaign. The indie-pop trio has teamed up with UGG for the footwear brand’s latest fall push, a partnership that feels particularly fitting for a band whose music and visual identity are rooted in self-expression. UGG chose the indie-pop trio because of their emotionally honest songwriting and distinct visual point of view, while MUNA was drawn to the partnership because the people behind it understood how to represent the band without compromising their identity.

The collaboration also builds on UGG’s work with the arts and LGBTQ+ organizations including Queer|Art, which supports LGBTQ+ artists, and Chicxs Rockerxs South East Los Angeles, which uses music, mentorship and social justice programs to support youth. “We appreciate the long-standing partnerships UGG has with important organizations,” the band said in a press release. “They are putting the arts at the center of their back-to-school campaign and encouraging younger folks to embrace whatever makes them feel most like themselves.”

On Tuesday night, UGG celebrated the partnership by throwing MUNA an intimate back-to-tour party in Los Angeles, where I caught up with Katie Gavin and Josette Maskin to talk about the brand collaboration, queer fashion and what they’re wearing when they hit the road. The band kicks off their Gets So Hot tour on Sept. 17, following the release of their latest album, Dancing on the Wall, which came out in May. And while the band has plenty to say about the “dark ’90s” vibes for the tour, there’s one thing they agree on: UGGs are the first thing they’re putting on when they get off stage.

MUNA x UGG back-to-school campaign shop online

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The back-to-school collection includes footwear for adults, kids and toddlers, along with clothing designed for the school season. The assortment features UGG staples like slip-ons, a new take on the classic mini boots, sneakers, plus cozy cardigans and retro-inspired letterman jackets.

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For MUNA, agreeing to work with a major brand came down to whether the partnership would actually let them be themselves. “We immediately felt safe,” Maskin said. “And we knew that they weren’t gonna make us do anything that didn’t feel like it was true to MUNA.” There was another, considerably simpler reason to say yes: “We f*cking love UGGs.”

MUNA x UGG collab shop shoes online

UGG

The back-to-school campaign also allowed MUNA to look back at their own college days, where Gavin, Maskin and McPherson met while attending USC. Maskin remembers Gavin wearing high-heeled sneakers, saying, “She was so punk rock,” while Gavin said she loved her green undercut.

For Maskin, looking back on their college style also means reflecting on a time when they were still figuring out how they wanted to express themselves through clothes. “I do feel like some of the things that I wore was because I just felt kind of like a sense of shame,” they said. “Even though I still wore masculine stuff, I just feel like I didn’t feel at home in myself in clothes. And that took a long time — to be able to realize I can express myself and be safe in clothes. Which is the hardest thing to craft, especially when you’re that age.” Their advice? “You just gotta not give a f*ck.”

MUNA x UGG back-to-school campaign shop online

Ugg

Now that MUNA is getting ready to take Dancing On The Wall on the road, the band’s fashion is once again becoming part of the world they’re building around their music. “Style is really connected to our creative self-expression,” Gavin said. “The way I dress changes a ton based on what creative project we’re working on. It’s almost a way of getting into character.”

The trio is leaning into a dark ’90s-inspired aesthetic for their upcoming tour, taking cues from the era’s leather-heavy, rock-inspired styles. However, there’s one staple they’re not going without. As Maskin put it: “I’m ending in UGGs at the end of the night.”

Shop the full back-to-school collection at UGG.

Buy tickets to MUNA’s upcoming Gets So Hot tour.

Sophie Dunne is an e-commerce writer at Penske Media Corporation, writing across Billboard, The Hollywood Reporter, Rolling Stone, WWD, and Footwear News. Originally from Ireland and based in Los Angeles, she previously worked at Static Media as a writer and editor, covering entertainment, lifestyle, fashion, and travel. Her bylines have appeared in Women’s Health, The List, Women.com, Islands, Grunge, WebMD, and more. Before beginning her writing career in 2019, Sophie lived in Dubai for four years working as an Emirates cabin crew member. Having traveled to 71 countries with the airline, she began writing for an LA-based publication as a travel writer during her final year. Sophie has a degree in Humanities from Carlow College, St. Patrick’s (now South East Technological University) in her native Ireland. She studied English, history, philosophy, and psychology. Sophie mostly reports on entertainment merchandise and celebrity brand partnerships.

Colin Kaepernick has finally responded to Jay-Z bringing him up during a freestyle on the first night of his Yankee Stadium residency back in July.

During a sit-down on Dateline NBC’s Before & After With Lester Holt airing Sept. 7, the former NFL quarterback spoke on his initial reaction to being name-dropped by the legendary rapper. “First and foremost, what it speaks to is power of people,” Kaepernick told Holt. “The backlash that [Jay-Z] received for partnering with the NFL and going counter to people’s interests in 2019 was a major problem for him, so much so that he’s still bringing it up in 2026.”

He added, “People are now realizing, ‘Why are you so comfortable stepping into these positions that are counter to the positions that people on the ground actually want?’ And to me, I view that as speaking to a guilty conscience and trying to reposition or reframe the conversation.”

Jay used the freestyle in question to address critics of his exclusive Reasonable Doubt vinyl partnership with Target, as civil rights groups have been boycotting the store over lack of DEI initiatives.

“They run out of characters, had to bring back up Kap again,” the legendary rapper spit in regards to the backlash he’s received online. “Buddy took a check, I ain’t even mad at him, but along with that check you gotta sign a non-disparagement. I’m the one they can’t control, y’all better be glad it’s him. Half a billion back to the community, that’s just good math for him. I don’t listen to Twitter activists, they type and I laugh at them. It’s really no comparison, y’all check my stats again. I’m bringin’ folks back to they family, laws get passed ’cause him.”

NBC is also reporting that Kaepernick’s upcoming memoir The Perilous Fight will not be sold at Target stores.

Billboard has reached out to Jay-Z’s reps for comment.

SOCAN is taking legal action against Suno.

The Canadian music rights organization has filed a legal claim against the AI music generation app, claiming that it has unlawfully infringed on its members’ work. SOCAN is asking the court to “require Suno to comply with copyright law, stop making infringing outputs available” and “respect the rights of music creators and publishers whenever their works are used.”

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SOCAN has put forward a subset of 150 AI outputs generated by Suno that largely or fully infringe on material from its member rightsholders, dating back to Suno’s introduction to the Canadian market in 2023.

“Suno launched its service in Canada [in December 2023] without having contacted us, without seeking consent from SOCAN, and any discussions we’ve had after that launch have not proved fruitful,” Andrea Kokonis, chief legal officer and general counsel of SOCAN, tells Billboard Canada. “We want to ensure that our members are paid when their songs are used, and we do want to send a clear signal to AI services that there are consequences when they use music without permission.”

Along with the lawsuit, SOCAN has launched a special website showcasing a number of Suno outputs side-by-side with the songs they are allegedly infringing on. Those include major hits like Tom Cochrane’s “Life is a Highway,” Avril Lavigne’s “Sk8er Boi” and even post-hardcore band Alexisonfire’s “Passing Out In America.” Listen here.

“Creators were never asked, never informed, and never given the chance to say no,” the site reads.

Kokonis explains that the lawsuit’s goal is to double down on existing copyright protection, showing that the laws that protect songwriters, composers, and music publishers apply equally in the AI era as they have before. She adds that given the direct competition between outputs generated by Suno and the music created by human artists, it is important for songwriters to be fairly compensated.

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“SOCAN has a responsibility to act when the rights of music creators and publishers are put at risk. The evidence shows that the Suno platform has generated and streamed outputs that copy works in our repertoire, and that cannot go unchallenged,” says Jennifer Brown, CEO of SOCAN. “Innovation can’t come at the expense of human creativity. The future of music must belong to the people who make it.”

SOCAN has continuously voiced its defense of copyrighted work and artists’ intellectual property during the rise of AI, notably by leading a nationwide campaign against unlicensed AI music, which was supported by artists like Sarah McLachlan and Mac DeMarco, and speaking at the House of Commons to highlight the importance of defending copyrighted human material. Simultaneously, the company has embraced AI as a tool, recently partnering with Musical AI as a technology partner to help identify AI-generated outputs and properly attribute credit to songwriters and composers when their work is used by AI.

“We do want the message to be clear, songwriters and composers are not afraid of AI,” Kokonis explains. “In fact, music creators are often early adopters of any new technology. In the case of songwriters and composers, many are already using AI as a creative tool and exploring its possibilities, but they need to be paid when their songs are used.”

Suno is under legal fire by numerous labels and companies around the world, a snowball effect that has picked up over the past week. On Monday (Aug. 31), Mexican music label and publisher Gerencia 360 Music sued Suno for also allegedly ripping off songs from its own database to make AI-generated songs, followed by a group of artists led by acclaimed singer-songwriter Jason Isbell, who sued on Tuesday (Sept. 1). American publishing company Round Hill Music is also seeking up to $1 billion in damages from Suno and Anthropic in a new lawsuit filed last week on similar claims, while Universal and Sony were granted permission to add allegations of stream ripping to their blockbuster lawsuit.

The landmark lawsuit in Canada follows major legal action from labels in the U.S., as well as SOCAN’s sister societies overseas. In late 2025, Suno signed a licensing deal with Warner Music Group (WMG) after initially being sued by the label in late 2024 as part of a $500 million joint copyright lawsuit with Universal Music Group (UMG) and Sony, who are still battling Suno in court. Last month, the German court ruled in favour of the rights representation society GEMA, which sued Suno for directly infringing on the copyrights of recorded material within its database, including hits like “Rasputin” by Boney M.

This story was originally published by Billboard Canada.


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