The long wait is over: The Cure have released their new song in over 16 years and confirmed the release date for their upcoming 14th album.

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“Alone” will appear on the upcoming LP Songs From a Lost World, which is set to be released Nov 1, 2024 via Polydor/Fiction. Listen to the track below.

The track appeared as the opening song on the band’s Shows of a Lost World global tour throughout 2022 and 2023. The album has been long in the making, with its original release dates mooted for 2019. The album’s tracklist will be revealed in the coming weeks on the band’s social media channels.

Speaking about the song, frontman Robert Smith said that “Alone” was “the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus.”

He added: “I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ‘being alone’, always in the back of my mind this nagging feeling that I already knew what the opening line should be… as soon as we finished recording I remembered the poem Dregs by the English poet Ernest Dowson. That was the moment when I knew the song – and the album – were real.”

Songs From a Lost World was produced by Smith and Paul Corkett, who co-produced The Cure’s 2000 album Bloodflowers. The album features contributions from Smith, Simon Gallup (bass), Jason Cooper (drums), Reeves Gabriel (guitar) and Roger O’Donnell (keyboards). The latter recently announced he’d been diagnosed with rare and “aggressive” blood cancer a year ago, but added that “I’m fine and the prognosis is amazing”.

In recent weeks the band had been teasing the release of Songs From a Lost World to fans via mystery postcards and puzzles. Smith has been revealing details of the LP for many years, and speaking to the Los Angeles Times in 2019, he blamed himself for some of the delays. “I keep going back over and redoing them, which is silly. At some point, I have to say that’s it. It’s very much on the darker side of the spectrum,” Smith added.

“I lost my mother and my father and my brother recently, and obviously it had an effect on me. It’s not relentlessly doom and gloom. It has soundscapes on it, like Disintegration, I suppose. I was trying to create a big palette, a big wash of sound.”

Rapper Tierra Whack and Venezualan phenom Danny Ocean have each partnered with outdoor clothing company Cotopaxi to support causes close to their hearts.

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As part of the just-announced campaigns, Whack will work with the brand to support the Philadelphia-based music education non-profit Fam Frequency, with Cotopaxi also donating gear to the organization. As part of the initiative, the Philadelphia-born Whack will also visit schools around the city to talk about the importance of education.

“I got to surprise a young artist in the studio, which was so special,” Whack tells Billboard of working with FamFrequency. “Just seeing her face light up reminded me why I do what I do. I’m here to share my journey and my experiences. I also want to show these young creatives that it’s possible to turn your art into a career, and that you can do it while staying true to yourself.”

Ocean, meanwhile, is using the partnership to draw attention to the global refugee crisis, which is particularly meaningful to him given the current situation in his home country of Venezuela.

“There’s been an autocratic dictatorship there for 25 years which has robbed and depleted all resources which should go towards helping the Venezuelan people, and they’ve created a historic refugee crisis since everyone has to flee to have any hope for a future,” Ocean says in a statement. “I appreciate that Cotopaxi understands the seriousness of this issue for me and is willing to amplify and help.”

“It’s not just about the music or the fame,” Whack adds in regard to artists using their position to support good causes. “We’ve got a voice and a platform that can reach people in ways most can’t. I feel like it’s our duty to use that for something positive, to uplift, to educate, to inspire. If I can do something good with my platform, why wouldn’t I?

Based in Salt Lake City, Cotopaxi donates 1% of its revenue to support communities experiencing poverty, which the company says has benefited 4.25 million people to date. The company focuses on making products as ethical, sustainable and durable as possible while also having a positive social, environmental and economic impact. As of now, 96% of their products are made with leftover deadstock, recycled or certified responsible materials, with the company anticipating that this number will reach 100% in the next few months.

Additionally, Cotopaxi has partnered with the Global Citizen Festival, happening this Saturday (Sept. 28) in New York City’s Central Park and featuring performances by Post Malone, Doja Cat, LISA, Rauw Alejandro and Jelly Roll. These initiatives mark the company’s first forays into music.

Kylie Minogue’s red-hot moment isn’t cooling off anytime soon.

Australia’s “princess of pop” started her week in Singapore, where she performed for the crowds gathered for the Formula 1 Grand Prix, and fulfilled a lifelong dream when she waved the chequered flag.

Then, on Thursday, Kylie’s name was called out — five times — when the nominations for the 2024 ARIA Awards were announced. Only Royel Otis (with eight) and Dom Dolla (six) collected more nods.

Next month, the Melbourne-raised pop veteran releases Tension II, Kylie’s 17th studio album and the sequel to her 2023 hit Tension, which led the national charts in the United Kingdom and Australia, and peaked at No. 21 on the Billboard 200.

Tension II is scheduled to arrive Oct. 18, and is led by “Lights Camera Action,” the lead single due out this Friday, Sept. 27.

There’s no slowing down for Kylie who, in the early months of 2025, embarks on a global tour.

Choosing which songs to stack in her setlist is a “juggling act,” she tells ABC Breakfast in her homeland. It’s “the hardest part of every tour.”

Of course, Kylie will deliver “the biggest hits and leave some space for some oddities. Not just the same old songs you’ve heard time and time again on tours,” she admits.

The global success of Tension hit “Padam Padam” was both “mind-blowing” and “life-changing,” says Kylie. “I didn’t set out to do that. I just consistently worked and consistently try and keep achieving.”

Tension II has “a similar vibe” to its predecessor, Minogue confesses, and features “a few random collaborations which I’ve really enjoyed,” with The Blessed Madonna, Orville Peck, Bebe Rexha, Tove Lo, and fellow Aussie Sia among them. “You feel like some of the pressure’s off you when you share the load.”

Kylie can apparently do no wrong. Earlier in the year, she scooped the Global Icon Award at the BRIT Awards, becoming just the second woman to win it following Taylor Swift in 2021, and went on to win the Billboard Women in Music Icon Award.

Kylie landed a Grammy Award (best pop dance recording) for “Padam Padam,” completed her inaugural Las Vegas Residency, and signed with United Talent Agency (UTA) for live representation in the U.S. and Canada and acting roles worldwide.

The Tension Tour 2025 is scheduled to kick off Feb. 15 at RAC Arena in Perth, Australia, following by pan-Asian dates in March, and a trek through the U.K. and Europe in May.

With eight nominations, Royel Otis is all set to reign at the 2024 ARIA Awards.

The Sydney-formed indie act bags nods for Album Of The Year, Best Group, Best Independent Release, Best Rock Album, Best Australian Live Act and more, following the release of their debut full-length album, Pratts & Pain, which peaked at No. 2 on the ARIA Chart.

Royel Otis has been in sparkling form heading into the ARIAs. Led by Royel Maddell and Otis Pavlovic, and developed by Ourness, the music company behind Genesis Owusu, Royel Otis has made their chart debut on the Billboard Hot 100, with a cover of The Cranberries’ “Linger” reaching No. 94, and impacted Billboard’s Alternative Airplay chart with another cover, hitting No.2 with their rendition of Sophie Ellis-Bextor’s “Murder On The Dancefloor,” which they covered for triple j’s Like A Version.

They’ve accumulated 9 million followers on Spotify, and more than 318 million combined streams on the platform in the past year. Royel Otis wrapped a tour of the U.K. and Europe last month, and their currently stateside on a trek that runs until Oct. 22.

At the ARIAs, EDM star Dom Dolla is close behind with six nominations, while Angie McMahon and Kylie Minogue score five nods each.

Amy Shark, 3%, RÜFÜS DU SOL, The Kid LAROI, Tones And I and Troye Sivan each land four chances, while Confidence Man, FISHER, Mildlife, Miss Kaninna, SPEED and Troy Cassar-Daley are each finalists in three categories.

Awards in 29 categories will be presented Nov. 20 during a ceremony at Sydney’s Hordern Pavilion. On the night, Missy Higgins will be inducted into the ARIA Hall of Fame.

“This year,” comments ARIA CEO Annabelle Herd, “we get to celebrate a deep list of household names in Australian music that span all genres, highlighting the huge shift in positive momentum that the Australian music industry experienced this year. It’s a time to acknowledge those who are achieving amazing things, and spotlight those who are about to, to ensure we continue this momentum forward into 2025.”

The Australian recording industry’s flagship awards night will air live on Stan, with a special broadcast on free-to-air Channel 9. Also, performances and moments will stream globally at the official ARIA YouTube channel.

The ARIA Awards is supported by the NSW Government through its tourism and events agency, Destination NSW, and partnered by YouTube.

Visit aria.com.au for the full list of nominations.

The music of Sophie lives on through her self-titled final album, which surprised dropped late Wednesday.

Released through Future Classic and Transgressive, the posthumous SOPHIE collection is stacked with collaborations with close friends, and houses previously-released cuts “Reason Why” (featuring Kim Petras & BC Kingdom), “Berlin Nightmare” featuring Evita Manji, “One More Time” ft. Popstar, “Exhilarate” ft. Bibi Bourelly, and “My Forever” ft. Cecile Believe.

Hannah Diamond worked with Sophie on the album track “Always and Forever,” recorded in London during the 2020 lockdown. “It ended up being the last ever day that I saw her in person,” Diamond remarks.

Sophie, an important figure in underground pop and dance music, died the following year, at the age of 34.

“Our beautiful Sophie passed away this morning after a terrible accident,” read a statement at the time, issued by Future Classic. “True to her spirituality she had climbed up to watch the full moon and accidentally slipped and fell.”

Born and raised in Glasgow, Scotland, Sophie Xeon inherited an interest in dance and electronic music from their father, and started recording their own music at a young age. In the early ’10s, they struck up an association with a few artists on the PC Music label, soon to be at the experimental pop vanguard, and released their debut single “Nothing More to Say” in 2013.

Over the next decade, Sophie appeared on and helmed a slew of recordings, including 2017’s “It’s Okay to Cry,” ultimately named by Billboard as one of the best songs of the year.

Following Sophie’s passing, pop cult favorite Rina Sawayama remembered the late artist as “the sweetest – an icon and a visionary,” adding, “the world and our community has lost a beautiful soul.”

SOPHIE is released as a double vinyl, with each side representing a different section of the album. The wax comes in standard black as well as translucent neon pink, clear, and silver and is available to order here.

Stream SOPHIE in full below.

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John Legend is tapping into interior design. The 45-year-old singer partnered with Rove Concepts on a furniture collection that blends his design taste with Rove’s sleek aesthetic.

Inspired by Legend’s creative reach across music, film and theater, the Journeys Collection combines plush textures with wood finishes and rounded edges made from sustainable materials and available in calming, earthy tones such as tan, clay and sage green.

“I remember when this was just a concept, no pun intended,” Legend joked during the launch party at the Rove Concepts showroom in Los Angeles on Monday (Sept. 23). “It’s so cool to dream up beautiful spaces for people to live, work and create in.”

Legend added that the collection is a “nice coming together of Rove Concepts and my aesthetic. I love what we’ve done.”  

The centerpiece of the collection is an oversized, comfortable sectional made from corduroy velvet and silkstone. Available tan, gray, clay and evergreen, the Kaye Sectional L-Shaped Sofa retails for $2,999 for Rove members and $3,999 for non-members.

Other standouts from the Journeys Collection include the Curva Lounge Chair ($932), Beja Rug ($665), Orb Coffee Table ($732) and Orb Side Table ($319). Members save 25% off pieces in the collection.

Rove’s membership program is $200 annually and offers 25% off sitewide for a year, 10% back in vouchers, VIP access to sales, a complimentary design consultation and a dedicated concierge for orders.

The Journeys Collection is available in Rove Concepts stores in Los Angeles, Miami and San Diego, Calif. in addition to Vancouver, B.C. and Toronto.

See more on the collection in the video below.

Kelly Clarkson is part of the Pink Pony Club!

The superstar covered Chappell Roan’s “Coffee” for her latest Kellyoke installment during her talk show on Wednesday (Sept. 26). “If I didn’t love you, it would be fine/ I’ll meet you for coffee, only for coffee/ Nowhere else is safe, every place leads back to your place,” Clarkson mused the melancholy lyrics backed by her instrumentalists, My Band Y’all.

Roan has skyrocketed to fame in the months since she dropped her debut album The Rise and Fall of a Midwest Princess last year. After a series of headline-making performances — including at Coachella and Gov Ball 2024 — the 14-track project earned a new peak of No. 5 on the Billboard 200 last month.

The album features the track “Coffee” as well as breakout hits “HOT TO GO!,” “Red Wine Supernova,” “Casual” and “Pink Pony Club.”

“It feels like I was right all along,” Roan recently told Jimmy Fallon of her musical rise during an appearance on his late-night talk show. “I feel kind of like, I made it already when people showed up to my concert a few years ago … everything else has been a cherry on top.”

Watch Kelly Clarkson perform Chappell Roan’s “Coffee” below.

A number of staffers at CMT, the Nashville-based country music and lifestyle programming network, have been let go as part of a broad swath of staff cuts taking place at Paramount Global.

Billboard has learned that among the music and talent team leaving are Stacey Cato (director of music and talent), Quinn Brown (vp of production), Ray Sells (senior director of production), Jennifer DeVault (senior producer), Jordan Walker (senior manager of music and talent), Abbi Roth (senior manager of music and talent) and Bryana Cielo (executive assistant), as well as Heather Graffagnino, vp of production management.

Among those remaining are Margaret Comeaux (senior vp of music and events production), Donna Duncan (vp of music and talent), Melissa Goldberg (vp of digital and social), Yasmin Mohammed (producer) and David Bennett (creative director).

Sources say that Paramount will continue to support CMT and is positioning the outlet for the future, but what that looks like is unclear.

This week, Paramount Global began a second round of staff cuts, as it continues its aim of reducing its U.S. workforce by 15%, seemingly in preparation for the company’s planned merger with Skydance Media. In a memo to staffers on Monday (Sept. 24), Paramount’s co-CEOs George Cheeks, Chris McCarthy and Brian Robbins stated, “Like the entire media industry, we are working to accelerate streaming profitability while at the same time adjusting to the evolving landscape in our traditional businesses. In order to set Paramount up for continued success, we are taking these actions. Days like today are never easy. It is difficult to say goodbye to valued colleagues, and to those departing, we are incredibly grateful for your countless contributions.”

The cuts come as the company, like many legacy media companies, is seeing a decline in linear television viewership and advertising, and consumers continue to move toward streaming video and digital.

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In June, Paramount cut nearly all the content roles across its CMT, MTV, Comedy Central and TV Land websites, while storied news site MTVnews.com was taken down. During a town hall on June 25, McCarthy noted that Paramount’s revenue had grown by 13% between 2018 and 2023, while the company’s operating income before depreciation and amortization (OIBDA) has fallen 61% during that same time frame. Thus, they are aiming at cutting $500 million in costs.

Country radio trade publication Country Aircheck first reported a number of the layoffs.

Reps for Paramount Global had not responded to Billboard‘s request for confirmation by press time.

Macklemore has released a statement after leading a “f— America” chant at Seattle’s Palestine Will Live Forever Festival over the weekend.

Macklemore performed his new song at the event, “Hind’s Hall 2,” the sequel to his May song of the same name whose proceeds are given to the United Nations Relief and Words Agency (UNRWA), which provides assistance to Palestinian refugees. “Straight up, say it, I’m not gonna stop you,” told the crowd in a fan video from the show. “I’m not gonna stop you… yeah, f–k America.”

On Tuesday (Sept. 24), the rapper was dropped from Las Vegas’ Neon City Festival lineup.

In his statement, released on Wednesday, Macklemore explains his mindset leading up to the performance. “My thoughts and feelings are not always expressed perfectly or politely. Sometimes I slip up and get caught in the moment. Saturday night was one of those times,” he began his lengthy statement posted to social media.

“Unfortunately, the historic event in my hometown that brought thousands of people together to raise awareness and money for the people of Palestine has become overshadowed by two words,” he continued, noting that he hasn’t been “OK” in the months since the Israel-Hamas war has broken out. ” I have been in utter disbelief with how our government is showing up at this moment in history. I don’t think I’m alone,” he wrote, “Some days I don’t know how to love something that is hurting others so much. I don’t think I’m alone.”

He continued, “And some days I wake up, see another couple billion dollars given to Israel, or another refugee encampment destroyed, or a father holding a limb from his martyred child, or another speech from a politician justifying the right of Israel to ‘defend itself’ while denying Palestinians the right to exist, and I say to myself…. ‘F— America.’ I don’t think I’m alone.”

Macklemore concluded his statement, “I’ve slipped in front of the world before. I’m sure I’ll do it again. But they will not silence my voice, and they will not close my heart. I’ve lost endorsements, I’ve lost shows, I’ve lost business ties. I am still here, unwavering in my support for a Free Palestine. I care about humanity and this earth too much to turn back now. My intent always comes back to the pursuit of peace, love, equality and liberation for all. And that isn’t radical, it’s human. I don’t think I’m alone.”

See Macklemore’s powerful statement in full below.

Nicky Jam sits down to share five personal things you didn’t know about him. Keep watching to see what they are!

Nicky Jam:

Hi, I’m Nicky Jam, and this is five things you don’t know about me. One of the things, I’m claustrophobic. So claustrophobic that even when I record a song, I gotta go out and come back again, I get panic attacks. Sufro insomnio. I’m a passionate person. I’m very passionate, very passionate, even to argue. Everything, I’m passionate, so that’s four. And five, I’m very sensitive. I cry when I see movies and moments that nobody would cry, I would cry. Literally, like you will see me crying in movies and stuff like that. So there you go, five things.