Macklemore‘s “f–k America!” chant has drawn condemnation from a trio of the Seattle-bred MC’s hometown sports franchises. According to Fox 13 Seattle, The MLB’s Seattle Mariners have joined the NHL’s Seattle Kraken and MLS’ Seattle Sounders FC in calling out the “Thrift Shop” rapper for controversial comments he made at last weekend’s Palestine Will Live Forever concert in the city.

“We are aware of the incident and agree with the other teams in town: Sports and music should connect, not divide us,” Mariners vice president of communication Tim Hevly reportedly said in a statement to the station. “We continue to monitor and research latest developments.”

Macklemore performed a new song at the event, “Hind’s Hall 2,” the sequel to his May song of the same name whose proceeds are meant to help the United Nations Relief and Words Agency (UNRWA), which provides assistance to Palestinian refugees. “Straight up, say it, I’m not gonna stop you,” Macklemore told the crowd in fan video from the show. “I’m not gonna stop you… yeah, f–k America.”

On Tuesday, Macklemore was dropped from the Las Vegas Neon City Festival lineup with no reason given for the scratch. In a lengthy statement on Wednesday, Macklemore — who has been a loud supporter of the Palestinian people in the midst of the yearlong war sparked by Hamas’ deadly Oct. 7 attack on Israel — explained his mindset at the show.

“Unfortunately, the historic event in my hometown that brought thousands of people together to raise awareness and money for the people of Palestine has become overshadowed by two words,” he said, adding that he hasn’t been “OK” in the months since the Israel-Hamas war broke out after the militant group’s murder of more than 1,200 Israelis and kidnapping of more than 250 others. ”I have been in utter disbelief with how our government is showing up at this moment in history. I don’t think I’m alone. Some days I don’t know how to love something that is hurting others so much. I don’t think I’m alone.”

In the wake of Hamas’ surprise attack almost a year ago, Israel has waged a relentless bombing campaign on Gaza that Palestinian health authorities say has killed more than 41,000 people and driven most of its two million-plus residents from their homes; Israel recently opened a second front in the war in Lebanon, where attacks on the Iranian proxy group Hezbollah this week have already killed more than 500 as the Pentagon fears a potential Israeli ground invasion that could lead to a devastating regional war.

Macklemore’s 2012 song “Can’t Hold Us” has been a staple of the seventh-inning stretch at Mariners games and the statement from Hevly comes after the Sounders and Kraken also distanced themselves from the rapper earlier this week; Macklemore and his wive, Tricia Davis, are among the minority co-owners of the Sounders and the Kraken.

“We believe that sports bring people together and unite us. We are aware of Macklemore’s increasingly divisive comments, and they do not reflect the values of our respective ownership groups, leagues, or organizations,” the Sounders and Kraken said in a joint statement on Monday. According to Fox 13, as the backlash over the comment continues to build, the Mariners, Kraken and Sounders are “evaluating their next steps regarding his involvement with their respective organizations.”

At press time a spokesperson for Macklemore had not returned Billboard‘s request for comment.

A week after its strong No. 2 debut on the TikTok Billboard Top 50 chart dated Sept. 21, BabyChiefDoit’s “Rollin’” is the ranking’s latest No. 1, lifting 2-1 on the tally dated Sept. 28.

The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Sept. 16-22. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Rollin’” reigns thanks largely to lip-synchs set to the song’s “Don’t slip, don’t trip, don’t fall/ Come to the crib and take off your drawers” lyric, as well as a dance.

In the latest Billboard chart tracking week ending Sept. 19, “Rollin’” earned 1.1 million official U.S. streams, a gain of 135%, according to Luminate. So far, the TikTok Billboard Top 50 is the only chart on which the song appears, and it became BabyChiefDoit’s first Billboard appearance overall upon its Sept. 21 bow.

Like many of the chart’s top-performing songs these days, some of the highest ranking TikTok uploads using “Rollin’” also set the song to footage from the Nickelodeon live action series Henry Danger, which aired between 2014-20. The song that originally sparked the trend of Henry Danger-related memes, Ashanti’s “Rain on Me,” concurrently remains at its No. 5 peak.

@juliaaraleigh

Our first video to now.. this makes me so emotional🥹😭

♬ Forever Young – Alphaville

Alphaville’s 1984 single “Forever Young” follows “Rollin’,” leaping 7-2 for a new peak after previously rising as high as No. 4. The song, which eventually rose as high as No. 65 on the Billboard Hot 100 four years after its release in 1988, has fluctuated on the TikTok Billboard Top 50 the past month; after debuting at No. 50 on the Aug. 3 survey, it initially broke into the top 10 the following week and then rose into the top five on the Sept. 7 list.

Trends involving “Forever Young” have ranged from one where one person lifts the other in the air and spins them around while water sprays down on top of them from a bottle, to general content about getting older and reminiscing about one’s younger days, to edits of content about fictional characters who passed on early in their respective universes.

IV of Spades’ “Come Inside of My Heart” ranks at No. 3, jumping into the top 10 after debuting at No. 13 on the Sept. 21 tally. The song was released as part of IV of Spades’ 2019 album CLAPCLAPCLAP! and has largely been used in general viral content rather than with a major throughline trend. The track concurrently jumps 63% to 215,000 streams in the week ending Sept. 19.

Jack Johnson’s “Upside Down,” which peaked at No. 38 on the Hot 100 in 2006, debuts at No. 4 on the latest TikTok Billboard Top 50. Written for that year’s film Curious George, Johnson’s fan favorite nabs a place on the survey with a two-person trend in which one person flips the other upside down – with varying results.

Now that the TikTok Billboard Top 50 has existed for a year, celebrating its first birthday two weeks ago, the chart is sure to see songs connected to or affiliated with certain times of the year make what could be an annual return. This week, it’s Earth, Wind & Fire’s “September,” which re-enters at No. 13.

“September,” which spikes in all music-related consumption every year due to its opening Sept. 21-related lyric (“do you remember/ the 21st night of September”), debuted at No. 3 on the TikTok Billboard Top 50 dated Sept. 30, 2023. It’s back for another round via dances, lip synchs, sketches and other uploads celebrating the track’s yearly bump in attention, 45 years after it peaked on the Hot 100 at No. 8 in February 1979.

As the TikTok Billboard Top 50 tracked the Sept. 16-22 period, overall gains for “September” on the rest of the Billboard charts will be known on the Oct. 5-dated tallies, which comprise the Sept. 20-26 tracking week.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

After a years-long hiatus, FORM Arcosanti is returning to Arizona on Oct. 4-6, with the festival today (Sept. 26) announcing that Beck is joining the lineup as a Friday night headliner. Esteemed duo Ho99o9 has also been added to the Friday night bill.

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Happening at the artist community of Arcosanti, two hours from Phoenix, the weekend’s lineup also includes heavy hitters like Kim Gordon, Thundercat, Skrillex, Floating Points, James Blake, Empress Of, Bonobo, Kevin Morby and many others. See set times for the weekend below.

Programming highlights include Friday’s late night shows, which will feature a four-hour b2b set from Four Tet and Floating Points from 10-2 a.m. On Saturday, Jamie xx will close out the dancefloor from 12-2a.m., and on Sunday, James Blake will give a sunset hour performance that will be immediately followed by a performance from Thundercat. Later that night, Skrillex will perform from 11-2 a.m.

“In such a crowded festival landscape it’s a privilege to do a show with so much support from the artists themselves,” Zach Tetreault, who founded the festival with his band Hundred Waters in 2014, tells Billboard. “At only 2,500 capacity we don’t have the budget of other festivals, but we do have the heart. That’s clearly resonating, which is so inspiring. This year’s program has some of my favorite artists across genres from earth-shattering poets Aja Monet and Mustafa; to the most powerful living songwriters like Jessica Pratt, Angel Olsen and Sir Chloe; to my favorite DJs on the planet, Four Tet, Skrillex and Jamie xx. I feel like FORM attendees will take an emotional journey each day that ends in the best party ever each night.

Along with the music, FORM will host daytime cultural programming that includes a discussion on global spiritual spaces and intentional communities, a talk on stopping state violence and protecting the freedom of reproductive decision making, a talk on decarbonizing the music industry, a discussion on the mythology of the afterlife, along with pool parties, nightly stargazing, a saxophone meditation session, a listening room presented by Discogs, an installation by land artist Jim Denevan and more.

“FORM celebrates those shaping the world we want to live in, despite the challenges,” cultural program curators Molly Hawkins and Kim Swift tell Billboard. “Through performance, discussion, social spaces, artworks, activities and partnerships, we explore different perspectives on how individual choices and creative acts can have positive and lasting impact on our world.”

FORM Arcosanti
FORM Arcosanti
FORM Arcosanti
FORM Arcosanti
FORM Arcosanti
FORM Arcosanti

A performance years in the making became dazzling reality in August at Burning Man, when DJ-producer Mita Gami played with conductor Meir Briskman and an orchestra assembled especially for the occasion.

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The hour-and 15-minute performance happened mid-week at Burning Man 2024 on the festival’s famed Mayan Warrior art car, a new version of which made its debut at the event this year after the original was destroyed in a fire in April 2023.

The Israeli conductor came up with the idea for the performance years ago and brought it to Gami, with the pair performing together since 2022 with an electronic/classical fusion show for which Briskman wrote and conducted the orchestral elements, with Gami producing and performing the electronic components.

For Burning Man, the orchestra was assembled after the pair put a call out to players, with 123 people applying to be in the orchestra and 37 of them ultimately selected to perform. On Instagram, Briskman wrote that the performance came together “after 3 years of work, 1467 phone calls, 4356 emails [and] 5942 WhatsApp messages”

“Our search to find classically trained players that were going to Burning Man began through posting via our instagram stories,” the pair tell Billboard in a joint statement. “The message rapidly spread, and we received an overwhelming number of responses. Despite the limited rehearsal time, we embraced the challenge and turned our dream into a magical reality, delivering a complex performance that flowed effortlessly.”

The performance was managed by Amal Medina, a members of Gami’s management team, a co-talent buyer for Los Angeles-based electronic events company Stranger Than and the talent buyer/events coordinator for Mayan Warrior. Medina helped manage the orchestra and handled logistics such as vetting the musicians, organizing rehearsals in San Francisco and at Burning Man and sourcing equipment and instruments and managing the orchestra. Tal Ohana of Stranger Than helped gather equipment and staging elements for the performance, The Mayan Warrior team worked on onsite and sound and lighting elements.

The performance was well-aligned with the goals of the new edition of Mayan Warrior, with the art car’s founder Pablo Gonzalez Vargas telling Billboard in 2023 that the team was planning to “slowly transition into a more diverse spectrum of musical and cultural performances. The goal over time is to have more live acts with real instruments that can provide new experiences.” 

Other performers on Mayan Warrior during Burning Man included Rüfüs du Sol, whose set is also up now.

Watch the Mita Gami & Meir Briskman Orchestra Set exclusively on Billboard.com below:

Sony Music Publishing Latin announced on Thursday (Sept. 26) the renewal of its global publishing deal with songwriter, producer, recording engineer and musician Edgar Barrera. According to the publisher, the agreement extends the company’s partnership with the Mexican-American hitmaker, which began in 2014.

The renewal comes just a week after Barrera, for the second year in a row, tops the Latin Grammys nominations with nine nods in total, including songwriter of the year and producer of the year.

“I am very grateful and excited to extend my relationship with Sony Music Publishing, to start a new chapter on a journey that started 10 years ago,” Barrera said in a statement. “Jorge and Jon have always supported all of my crazy ideas and given me a safe space to continue growing as a writer and music executive.”

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Billboard‘s 2023 Latin Groundbreaker honoree, the Texas-born artist has become one of Latin music’s most in demand producers and songwriters, penning songs for Karol G, Maluma, Shakira, Peso Pluma, Grupo Frontera and Selena Gomez, to name a few. In January 2021, he topped four genre charts — pop, rhythm, tropical and regional Mexican airplay — with four different songs, something no other Latin songwriter had done before. 

“Edgar is one of the most hardworking, versatile, talented, and smart songwriters I’ve had the pleasure to work with, period,” added Jorge Mejia, Sony Music Publishing president & CEO, Latin America and U.S. Latin. “Most importantly, over the years I’ve learned that for Edgar it’s not about the accolades or the records or barriers that he breaks time and again – it is about the music. With that mindset, I know Edgar is possibly just getting started. We are beyond honored to be part of his team and can’t wait to see what’s next.”

Edgar Barrera was represented in this negotiation by his long-time counsel Brian Alvarez.

The 35th anniversary of Billboard Latin Music Week, which will feature exclusive panels, conversations and performances by Latin music’s biggest stars, will take place Oct. 14-18 in Miami. Tickets are available now at BillboardLatinMusicWeek.com.

A new generation of artists are pushing the envelope in Arabic music, striving to explore new ground. Among them is Ayed, who humbly claims no desire to be a pioneer. Instead, he insists that his work merely carries forward the rich legacy established by the many artists who came before him. This young talent has achieved remarkable success in Khaleeji (Gulf) music while becoming the most-listened-to artist among his peer group. As of this publication, he holds the No. 1 position on the Top 50 Khaleeji Songs chart with his hit, “Lammah” (Hints), and ranks No. 9 on Billboard Arabia’s Artist 100. Despite these significant strides, he embodies the humility of the Khaleeji music legends that preceded him, utilizing modern production tools and techniques, which he credits for expanding the reach of his music.

When asked about his musical style, one that combines the rhythms and melodic structure of Khaleeji music but delivered through a sound that is very much Ayed, he says, “I don’t think I’ve done anything that different. It’s just a continuation of the music of my predecessors; I’ve followed in their footsteps. But let’s say we’re in the digital age now, and maybe that’s what has changed [regarding the sound]. But that aside, it’s the same kind of music.” Ayed aims to continue enriching the Khaleeji pop landscape, hoping to make a lasting contribution to its history. As a fan of the genre, nothing is stopping him from cementing his contributions to the genre as he strives for the excellence of the artists that inspire him be it Mohamed Abdu, Abdel Majid Abdallah, Rabeh Saqr or Rashed Al Majid.

The year 2024 has been remarkable for Ayed, who graces the cover of Billboard Arabia’s September issue. It started with a bang: he netted the “Male Musical Artist of the Year” at the 2024 Joy Awards, a ceremony organized by the General Entertainment Authority that honors achievements in the Arab artist community.

Following this accolade, Ayed collaborated with Khaled Al Muthafar, a Kuwaiti performing artist, in the song “A’lam al-U’shaq” (The World of Lovers). Initially composed for Al Muthafar’s play, “Al’uwl Min Nweih” (The First of its Kind), the duo recorded it together when Ayed heard the song. The song proved a hit, finding virality across social media platforms and climbing the ranks of Billboard Arabia’s Hot 100 and the Top 50 Khaleeji Songs chart.

“I expected the song to be successful, but I didn’t expect this overwhelming success all over the Arab world,” says Ayed. “We were meant to collaborate on a project long ago and thank God I was able to work with him on this project and I hope this is the start of many successes for us together.”

Hot on the heels of this success, “Lammah” (Hints) also went viral a month after its release, quickly climbing to the top of Billboard Arabia’s charts. As of this article, it has held the No. 1 position on the Top 50 Khaleej Songs chart for eight consecutive weeks. It has broken into the top 10 on Billboard Arabia’s Hot 100, prompting Ayed’s return to the top ten on Billboard Arabia’s 100 Artists chart. Ayed always believed in the song’s potential, and its performance on the charts has validated his assumption.

Ayed’s artistic journey began at a young age, with the 2015 launch of “Nasitini” (You Forgot Me) on Instagram. It was remastered and rearranged in January 2016, tallying upwards of 16 million views on YouTube at the time of publishing this article. The song remains close to Ayed’s heart, as he’ll rarely forgo an opportunity to mention it: “It’s special,” he says, “because it marked my beginning. I think your first song always has a special place, regardless of what else you make. It’ll never be a disappointment. If my work ever comes up, that song’s inevitably mentioned, too.”

Ayed continued to evolve his craft in the next eight years. This evolution can be traced through the EP Bel-Mout Ja (A Hard Time Coming), then the two LPs, Thaman Al-Alam (The Price of Pain) and Kol Al-Khata (All the Mistakes), as well as several singles like “Rdy” (transliteration for “Inferior”), a late 2023 release that achieved remarkable success and propelled Ayed to the top of the charts. “Rdy” landed him his debut on Billboard Arabia’s Hot 100, landing the No. 4 spot in the week of Dec. 11, 2023. “Rdy” sparked curiosity about the artist’s love life, prompting Ayed to reaffirm on social media at the time that he keeps his personal life separate from his professional one.

In an exclusive reveal to Billboard Arabia, Ayed says that he is preparing to release an album, “The album will feature songs that, God willing, you will enjoy,” says Ayed. “The composers are diverse, with noted composer Rakan taking the lion’s share, followed by Yasser Buali and Saham. Most lyricists involved are part of a new generation of talent.” The composers Rakan and Yasser Bou Ali have been key to Ayed’s journey, shaping his sense of sound over the years. They’ve allowed him to deliver the essence of the voice of the generation preceding him, like Abdul Majeed Abdullah and Rabeh Saqer, while allowing it to take on a contemporary and dynamic style. Their continued collaboration on Ayed’s upcoming album reflects his commitment to the partnerships he has established and his belief in repeating his successes by drawing on the talent that enabled it.

Ayed
Ayed

With Sean “Diddy” Combs sitting in jail on federal sex trafficking and racketeering charges, he faces an uncertain path ahead in the immediate future — with unresolved issues over his detainment and how quickly he’ll face trial.

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Combs, who was arrested and charged last week, stands accused of sweeping criminal wrongdoing, including physical abuse, forced labor, kidnapping, arson and bribery. If convicted on all the charges, he potentially faces a sentence of life in prison.

After Judge Andrew L. Carter denied him bail on the grounds that Combs posed a flight risk and might intimidate witnesses, the music mogul’s lead attorney Marc Agnifilo suggested he would appeal that ruling to a federal appeals court. But he has not yet filed that appeal, and such a challenge faces long odds.

Until then, Combs will likely remain at the Metropolitan Detention Center in Brooklyn — a federal correctional facility that has long been criticized for danger and dysfunction. In July, one of New York’s U.S. Congressmen called for an investigation, citing “chronic understaffing, perpetual solitary confinement and widespread violence.” Last month, a federal judge criticized “dangerous, barbaric conditions” at the facility.

In court filings, Agnifilo has called the MDC “horrific” and “not fit for pre-trial detention,” and he suggested at last week’s bail hearing that he would seek to have Combs transferred elsewhere. But Judge Carter told him that decisions on pre-trial jail placement were not within his purview, and in a court filing on Monday, Agnifilo declined to formally ask the judge for a change in jails.

How long will the embattled mogul be waiting at MDC? That depends on when his trial takes place, which is a harder thing to predict than you might think.

Anyone accused of a crime in the U.S. has a constitutional right to a speedy trial, which in federal cases means a jury trial must start within 70 days. Defendants often waive that right to give their attorneys more time to prepare a defense, since prosecutors usually have a head start. But Agnifilo declined to do so last week, saying he was “going to do everything I can to move his case as quickly as possible.”

“I’m going to try and minimize the amount of time he spends in very, very difficult and, I believe, inhumane housing conditions,” Agnifilo said at a press conference on Wednesday.

The demand for a speedy trial suggests that Diddy’s legal team believes there is more advantage to be gained from forcing prosecutors to quickly put their case before a jury, rather than spending more time preparing themselves or attacking the charges with pre-trial motions. The move could allow the government less time to find additional witnesses, and less time to sift through huge amounts of digital records and other evidence. “They’re going to have to accommodate me and him and give us a quick trial, and I’m going to be pushing for that,” Agnifilo said.

But prosecutors can, and very likely will, seek to slow down that timetable.

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Under speedy trial rules, the judge can “exclude” certain time from the 70-day timer for a wide variety of reasons. Already, Judge Carter has said in court orders that he will exclude several weeks of time — starting with the Sept. 18 bail hearing and running to the next hearing next month — “in the interest of justice.” The next court date is a status conference currently scheduled for Oct. 9.

Another cause for delay would be if prosecutors filed so-called superseding indictments — an updated version of the case against Diddy. Such a filing could simply add new charges against Diddy based on newly-discovered evidence or testimony, or it could add new defendants to the case — not an unlikely outcome in a case that repeatedly references unnamed co-conspirators in Diddy’s alleged criminal enterprise.

At a press conference announcing the charges, U.S. Attorney Damian Williams suggested that could be exactly what prosecutors are planning. “I can’t take anything off the table,” Williams said. “Anything is possible. Our investigation is very active and ongoing.”

Lady Gaga shook up expectations this week by announcing a Joker: Folie à Deux companion album, Harlequin, just days ahead of its Friday (Sept. 27) release, confirming that it’s an entirely separate project from her highly anticipated seventh studio LP arriving in February. 

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And on the red carpet for the Joker sequel’s London premiere Wednesday (Sept. 25), the superstar shared details about Harlequin‘s relationship to the film, in which she stars as Harley Quinn opposite Joaquin Phoenix’s Joker. “It’s a companion album for the film, so it has so much of the music that’s in Joker, as well as some original pieces that I wrote for the film,” she told the Associated Press at the event.  

“And one that’s for the album only, which is called ‘Happy Mistake,’” Gaga continued. “It’s all this really interesting, original production.” 

The interview comes just one day after the 13-time Grammy winner announced Harlequin after teasing the project through cryptic messages on Instagram and mysterious “LG 6.5” billboards in New York City and Los Angeles. On Tuesday (Sept. 24), she unveiled the companion album’s cover — a photo of her in Harley Quinn makeup, standing in the shower with a life jacket on — as well as its 13-song tracklist, featuring standards such as “Get Happy” and “Oh When the Saints.” 

As previously confirmed, Gaga also has a full studio album slated for early 2025, led by a single that’s expected to drop in October. The full-length will come nearly five years after she released Chromatica, which debuted at No. 1 on the Billboard 200.

“My studio album is coming out in February and my first single is coming out really soon,” she gushed to AP. “I’m excited about that too.”

Watch Gaga spill details about Harlequin below.

Don’t expect to see Lance Bass‘ name on the list of celebrities who’ve attended one of Sean “P. Diddy” Combs’ parties. The former *NSYNC singer and solo star told Andy Cohen on Watch What Happens Live on Wednesday night (Sept. 25) that after hearing something the disgraced Bad Boy mogul said when Diddy opened for *NSYNC on the group’s final tour in 2002 he had no interest in spending time with Combs.

“I never had time to go to a Diddy party,” said Bass, who added that he’d totally forgotten that Diddy had warmed up the stage for *NSYNC until the rapper/producer was arrested in New York on Sept. 16 and accused by prosecutors of operating a criminal enterprise centered on his “pervasive pattern of abuse toward women.” Diddy was been denied bail twice while awaiting trial on the three felony charges of sex trafficking and racketeering that could land him a life sentence.

“It’s kinda horrible, but never kinda liked him because the very last show in Orlando I overheard him talking to Justin [Timberlake] being like, ‘You need to drop these… effers! You need to go solo! And I was like, ‘I don’t like you anymore Diddy.’ I’m like, ‘at my own show? What the hell?’” said Bass.

Timberlake did, of course, go out on his own after *NSYNC went on hiatus in 2002 and has released six solo albums to date, including this year’s Everything I Thought It Was.

Diddy was hit with another civil sexual abuse lawsuit this week from Thalia Graves, who claimed that Combs and his head of security, Joseph Sherman, drugged and repeatedly sexually abused her at Diddy’s New York City studio in 2001 and filmed the attack, which they allegedly then showed to others. Combs, who has denied all the allegations, has been hit with at least nine other similar civil suits over the past year, with each one accusing him of sexual abuse and other wrongdoing.

The Diddy story was ironic because elsewhere in the interview, Bass was asked by a caller about rumors of a possible *NSYNC reunion tour. “I can finally say we’re in talks right now, we’re actually talking,” Bass said to wild applause about the possibility that he will once again hit the stage with Timberlake, JC Chasez, Joey Fatone and Chris Kirkpatrick.

He added that the renewed interest has been sparked by the beloved boy band’s studio reunion last year for the Trolls Band Together soundtrack song “Better Place” — and Timberlake’s EITIW album track “Paradise” — as well as the catalog bump for the band thanks to the inclusion of the *NSYNC classic “Bye Bye Bye” in the opening credits sequence of Deadpool & Wolverine.

“We’d be stupid not to do something… just hold your breath just a little longer,” Bass teased. “It’s gonna take a little time, but I think something’s coming.”

Watch Bass talk Diddy and potential *NSYNC reunion tour below.

Alejandro Fernández is setting the record straight over a “false” Latinos for Donald Trump ad that features a photo of his father, the late legendary Vicente Fernández, stamped on it. On Thursday (Sept. 26), the Mexican star slammed the advertisement on social media, while also reminding his millions of followers the values his father stood for.

“My father was not only the best representative of Mexican music and culture, but he was also a fervent defender of the dignity and rights of our countrymen around the world,” he wrote in Spanish.

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“Vicente Fernandez would never have supported a politician who denigrates Mexicans and mistreats migrants. During all the tours I did with my father, and the ones I continue to do now in the United States, we were able to confirm that our fellow countrymen are the lifeblood of this country,” he continued. “Mexicans who are characterized by being honest, hardworking and dignified human beings who are looking for better opportunities to help their families. People who do not deserve to be mistreated or discriminated against. We should not allow anyone to underestimate us by saying that we are criminals, murderers, rapists and thieves.”

During the 2016 presidential election, Trump kicked off his presidential bid by insulting Mexican immigrants, saying, “They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.”

Following his then and now infamous remarks about the Mexican community, a number of artists, including Vicente Fernández — who died in 2021 — expressed their support for presidential candidate Hillary Clinton, endorsing her through a corrido. Meanwhile, during the 2020 presidential election, Alejandro Fernández’s “Decepciones” soundtracked a Joe Biden ad that aired in Arizona.

This time around, the “Nube Viajera” singer isn’t directly endorsing a candidate, but asks that those eligible to vote in the upcoming Nov. 5 election do what’s right for them and their families. “It is not my intention to recommend or endorse any candidate or party, but on behalf of myself, my children and the memory of my father, we ask you to reason your vote and think about what is best for you, your families and the rest of the Mexicans and Latinos who, like you, have migrated in search of a better life.”

Read his post below: