Cardi B has long been a wrestling fan, but has yet to step foot inside the ring. Perhaps that could be changing when WWE’s SummerSlam comes to New Jersey next year, because the WWE has enlisted her to help announce that 2025’s SummerSlam is headed to East Rutherford’s MetLife Stadium for the first-ever two-night event of its kind. The action’s all going down on Aug. 2 and Aug. 3, 2025.

Cardi stars in the ad alongside WWE superstar Bianca Belair while her spicy Billboard Hot 100 top 10 hit “Enough” provides the soundtrack.

“Here’s to the Streets.. and to my girl @BiancaBelairWWE !SummerSlam. 2Nights. MetLife Stadium. August 2nd and 3rd,” she wrote to Instagram on Thursday (Sept. 26).

The clip finds the Bronx native in the glam room giving her friend Bianca Belair a call to break the good news. “I got two words for you: SummerSlam,” she said. “MetLife.” The WWE Women’s Tag-Team Champion responded: “I’m pretty sure that’s one word.”

Cardi continued with her idea of the two-word trend: “Two nights.”

The Bardi Gang began theorizing that the Grammy-winning rapper could be involved in a match and speculated her long-awaited sophomore album would be out by the time SummerSlam rolls around.

“Love this! You gotta DDT someone at SummerSlam,” USA Network chimed in on her post.

A fan even had an idea for her finishing move, writing in the comments, “Cardi’s finisher should be called Ms. DANGEROUS… ns that would eat!”

The Biggest Event of the Summer is about to be bigger than ever before.

On August 2 & 3, we’re bringing you two nights of #SummerSlam @MetLifeStadium. Pre register now for your tickets: https://t.co/3GgNSuGxNW pic.twitter.com/IhKgxX3fZw

— Triple H (@TripleH) September 26, 2024

While she’s never made an appearance during a show, Cardi B has had her name thrown around inside the WWE universe. Back in 2021, WWE Hall of Fame diva Torrie Wilson gave her a shout-out during an episode of RAW. WWE legend Trish Stratus also lent her stamp of approval to Cardi on X. “Cardi knows,” she wrote.

To which an ecstatic Bardi replied: ““OMMMMMMMGGGGGG !!!!! Bitch I’m gagging !!!! I’m so hype !!!”

OMMMMMMMGGGGGG !!!!! Bitch I’m gagging !!!! I’m so hype !!! https://t.co/bnaarfG0Nc

— Cardi B (@iamcardib) January 5, 2021

The momentum didn’t stop there as former WWE Women’s Tag Team Champions Liv Morgan and Raquel Rodriguez professed their hopes of seeing “WAP” collaborators Cardi B and Megan Thee Stallion team up in the ring.

“I would love to see Cardi and Meg The Stallion,” the tandem offered in May 2023. “I think Meg would be incredible. They’ve also been so active with us on Twitter and just responded to different things. Those two would be interesting to see in the ring. Us versus Cardi and Meg. Make it happen.”

Watch the SummerSlam announcement clip below.

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For the sixth consecutive month, Zach Bryan has one of the 10 biggest tours in the world. For the second of the last three, he’s at No. 1. According to figures reported to Billboard Boxscore, Bryan grossed $93.2 million and sold 467,000 tickets from 13 shows around the U.S., returning to the top of Billboard’s monthly Top Tours chart.

When Bryan topped the list in June, Billboard noted that he was only the second country act to rule the tally since it launched in early 2019, following Morgan Wallen. Now, he’s the only artist in his genre to claim multiple months at No. 1. Bad Bunny and Elton John lead overall, each having topped seven monthly charts.

Bryan kicked off The Quittin’ Time Tour in March at a string of North American arenas. By the end of May and into June, he began sprinkling in stadium plays, multiplying his potential nightly audience by three or four and prompting his first monthly win. In August, stadiums made up the majority of his calendar — for 10 of his 13 shows. Those were spread across major markets such as Atlanta, Philadelphia and Minneapolis, leaving only Kansas City and Grand Forks, N.D., in arenas.

This transition from indoor basketball courts to outdoor football fields joins Bryan with fellow country superstars such as Luke Combs and Wallen as well as the biggest of the big beyond genre, like The Rolling Stones and Taylor Swift.

A double-header at Philly’s Lincoln Financial Field earned the biggest gross of Bryan’s career. The Aug. 6-7 stay earned $20.7 million and sold 103,000 tickets, followed immediately by another six-digit attendance total at Atlanta’s Mercedes-Benz Stadium on Aug. 10-11 ($17.8 million; 100,000 tickets).

Since beginning in Chicago on March 5, The Quittin’ Time Tour has grossed $318.1 million and sold 1.6 million tickets. Bryan will resume the trek with 18 shows in November and December. Most of his remaining 2024 dates bring him back to arenas, which means he could add another $60 million by year’s end, approaching the $400 million mark.

Bryan’s summer on top was briefly interrupted by Coldplay’s July victory. This month, Chris Martin & Co. dip to No. 2, with a gross of $86.4 million from 626,000 tickets sold. Though the band misses Bryan’s high mark by about 7%, its attendance total is tops for August.

As has been customary amid the Music of the Spheres World Tour, Coldplay’s August schedule was compact, including three shows in Munich, four in Vienna and two in Dublin. The extended run at Vienna’s Ernst Happen Stadion on Aug. 21-22 and 24-25 is both the highest grossing ($33 million) and bestselling engagement of the month (251,000 tickets).

As Billboard reported, The Music of the Spheres World Tour is already the highest grossing and bestselling rock tour in Boxscore history, with $1.06 billion and 9.6 million tickets sold through Sept. 2. Next on its record-breaking schedule is the 10 million ticket threshold, which will certainly clear during the Australia and New Zealand leg in October and November.

Metallica follows at No. 3 on August’s Top Tours chart with $74 million and 621,000 tickets. The latter figure barely misses Coldplay’s ticket sales, separated by just 5,000 tickets, or less than 1%. The hard-rock legends sport two appearances in the top 10 of Top Boxscores, at Nos. 8-9 with stints at Foxborough’s Gillette Stadium and Chicago’s Soldier Field, respectively.

At No. 4, P!nk is the lone woman in August’s top 10 at $55.6 million and 329,000 tickets, next followed by Jhene Aiko’s $16.3 million and 150,000 tickets. While gender representation can be marked by the whims of monthly schedules – there were five women on the charts for June and July, and September marks the launches of major treks by Sabrina Carpenter, Charli XCX and Billie Eilish – it’s startling to see women make up less than 7% of August’s top-30 pie.

Interrupting Coldplay’s sweep of Top Boxscores, Outside Lands Music and Arts Festival is No. 2. The San Francisco festival grossed $29.5 million and sold 184,000 tickets across its Aug. 9-11 run.

Outside Lands is joined by Montreal’s Osheaga Music & Arts Festival, which rounds out the chart’s top 10 with $14.7 million and 137,000 tickets sold. It’s one of a string of festivals, along with Ilesoniq and Lasso Montreal, that pushed Evenko to No. 5 on the month’s Top Promoters ranking.

On the venue rankings, it’s the fourth consecutive win for Sphere among rooms with a capacity of 15,001 or more (excluding stadiums). Again, Dead & Company ushered the immersive arena to its victory, which closed out its summer-long residency on Aug. 10.

The first time George Prajin took Peso Pluma shopping for a music video, they didn’t see eye to eye. “I wanted him to go John Varvatos rock’n’roll, and he wanted to go to Burberry,” Prajin recalls. Considering that the video would also feature regional Mexican artist Luis R Conriquez for their 2022 collaboration, “Siempre Pendientes,” “I was like, ‘I don’t know about that,’ ” he adds. But, as Prajin proudly admits of the all-plaid ensemble (complete with bucket hat) that Peso insisted upon (and which perfectly contrasted with the gritty desert setting), “He was right — and after that I learned not to go against him.”

That implicit trust now goes both ways — and Prajin, 52, has earned it. As the son of Antonino Z. Prajin — who owned Prajin One Stop, a music retailer and distributor that sold to over 3,000 stores across the United States and Mexico and had more than 20 warehouses throughout Southern California in its 1980s and ’90s heyday — the music business has always been in his blood. “Some people do what they love. Some people are born into a trade. I got the best of both worlds,” he says, speaking in a green room at the Honda Center in Anaheim, Calif., hours before a recent Peso Pluma show there.

After graduating from University of California, Los Angeles in the mid-’90s, Prajin founded the independent label Z Records, which scored early success with Jessie Morales (known as El Original de la Sierra), an Angeleno who loved West Coast rap and Mexican music and who ruled Billboard’s Top Latin Albums chart with his Homenaje a Chalino Sánchez in 2001. But when physical record sales plummeted, Prajin One Stop shuttered in the late 2000s — and so did Z Records. “It was hard to make money with music during that period of time,” he recalls. “And so, I got disillusioned. I got a little depressed — but I tried to stay very close to music.”

Prajin went on to earn a degree from Southwestern University School of Law, becoming a sports and entertainment attorney and establishing his own practice while producing music on the side — and retaining ownership of the Z Records catalog. But in 2008, thanks to his love of MMA (and friendship with fighter Tito Ortiz), he entered an entirely new world: the Ultimate Fighting Championship. Prajin spent the next decade-plus focused on representing UFC’s top talent as an agent and a manager, earning a reputation as a master negotiator. “It’s educating yourself on the deal and being two steps ahead — and knowing what you’re asking for is valid,” he says.

By 2019, Prajin — who had continued to do music business work even as he dove into the UFC world — and his practice were negotiating “massive deals” for record labels. At the same time, he noticed a catalog-driven uptick in Z Records’ revenue and, on the advice of his law partner, Anthony Lopez, reentered the industry, launching Prajin Parlay in 2021. “I was looking for something that had nothing to do with any of the clients I was representing, and I started going back into the ’90s,” he says. And so, with the new Prajin Parlay, he soon helped launch Época Pesada (a group of corrido giants who were then in their 40s) and revive the career of Lupillo Rivera.

Soon, Prajin was again focusing on music full time, and his first major signing (in partnership with Grand Records) was Mexican singer-songwriter (and future star) Junior H. But it was an early management signee who would define his storied career — and help him emerge as one of Latin music’s most powerful and admired executives.

When Prajin first met Peso Pluma (born Hassan Emilio Kabande Laija) in 2019, thanks to an introduction from his former client Morales, the then-unknown artist was walking around Prajin Parlay Studioz in Anaheim playing guitar. “I was really intrigued by him,” Prajin recalls with a far-off look in his eyes. Morales was trying to help the young artist find management to no avail; given that Prajin himself had just reentered the industry, he, too, initially passed.

Morales’ father, Herminio Morales, signed the future superstar, but soon became too ill to work. And so, by 2022, the offer was back on the table — and this time, Prajin said yes. (Herminio, who is healthy today, remains involved in Peso’s career.) “I [waited until I] felt like I could really put up my sleeves and do what I do best,” Prajin explains.

Apparently, that was developing a global groundbreaker who has repeatedly made Billboard chart history while helping to elevate música mexicana from “the genre that has always taken a back seat,” as Prajin puts it, to the forefront of the mainstream.

“I’m not going to take all the credit because [label] Rancho Humilde, Natanael Cano, Junior H and all these other artists brought something that first, second and third generations of Mexicans born in the United States were lacking,” Prajin says. “But Hassan took that road and connected it to the international highway.”

Prajin now admits that when he first met Peso he was a bit confused. “I couldn’t tell what type of artist he was,” he says. “I thought he was a rapper, or was he a rocker? [The last] thing I thought of was a corridos singer. When we first started talking, he told me he wanted to do reggaetón. He wanted to do everything.” (Prajin even had him record a Pink Floyd song “to see if he trusted me.”)

“I said, ‘I love that, that’s what I want, but I’ve been doing this for 20 years, and it’s tough,’ ” Prajin continues, noting how in the past he’d only had fleeting success with rappers recording over banda beats. But, critically, Peso didn’t want to blend anything; he wanted to own every clearly marked lane he explored.

Together, they made a plan “to focus on his core audience, regional Mexican, and really build that. And at the same time, reach out and get a feel of these other genres and take it from there.” And they’ve done just that. In 2022, Peso made his Hot Latin Songs debut with “El Belicón,” with Raúl Vega. The following year, he scored the most entries on the chart of any regional Mexican act — and his team-up with Eslabon Armado, “Ella Baila Sola,” became the first regional Mexican song to enter the top five on the Billboard Hot 100 (where Peso has now charted 31 songs).

Peso’s third album, 2023’s Génesis, scored the highest placement on the Billboard 200 for a música mexicana album ever, debuting at No. 3. This year’s Éxodo double album also debuted in the top five, and for its second half, Peso enlisted several nonregional heavy hitters including Cardi B, Quavo, Anitta and DJ Snake. In August, Peso scored one of his biggest features yet, replacing Bad Bunny on Ye and Ty Dolla $ign’s “Drunk,” off the new deluxe version of Vultures 2. (“He couldn’t believe it,” Prajin says, “because they’re so mysterious. They don’t even tell us until the song is released.”) Lately, Peso has been walking onstage to Black Sabbath; Prajin thinks he could do a rock album one day.

Their relationship has now expanded beyond just music to include Double P, Peso’s imprint through Prajin Parlay Records that launched in April 2023. (Prajin is the imprint’s co-founder and COO.) By December, Double P had signed a distribution deal with The Orchard, and in August, the label’s publishing division signed a global administration deal with Downtown.

Today, Double P’s roster boasts a tight-knit crew that shares talent — and Peso’s friendship. As CEO and head of A&R, Peso has strategically signed Mexican music acts Vega, Jasiel Nuñez, Tito Double P (Peso’s cousin and one of his co-writers) and Los Dareyes de la Sierra, among others.

“We’re building a team and going together, and that’s what I love about Hassan,” Prajin says. “Jasiel Nuñez was a friend. They made a deal — whoever makes it first is going to pull the other guy with him, and [Hassan] did that. He pulled him with him on tour. We’ve signed him. That’s their philosophy. We’re a real community.”

Plus, as Prajin says, having Peso as a partner helps him stay on top of his management game, too. “Because you really want to give the attention to Hassan, but then you don’t want to sign other artists and not give them the attention that they deserve… He’s always like, ‘Hey, make sure that everybody’s getting the attention that they need, too.’ ”

And as Prajin Parlay has proved over time, one rising tide can indeed lift all boats. In 2023, it finished atop the year-end Hot Latin Songs Publishers chart — Prajin proudly displays the trophy at his house next to his Grammy (honoring Génesis as best música mexicana album [including Tejano] at the 2024 awards). “One of the reasons why we won that publisher of the year award is [because of] Tito Double P,” Prajin says, crediting his songwriting savvy. “[He] then developed as an artist, and today, we released his first album.

“We’re providing those label services, and we’re doing it inclusive of the same management fee that any other manager would charge,” he continues. “A lot of people tell me that’s a crazy notion, but we’re not going to get rich or poor overnight.”

That same thought process led Prajin to restructure Peso’s five-year record and management deal just nine months in. Prajin had seen his early client Jessie Morales make a healthy living off music, only to end up “on hard luck,” and he never forgot it. “I always told myself, especially when I was practicing law, that if I had the chance to do this again, I would teach [artists] to not only be wary of how they spend their money, but to also build their own team. Have their own lawyer, have their own CPA. I want them to make sure that going forward, whatever they do in their lives, they’re going to make the right financial decisions. I fought hard for [Peso] to have his own [attorney in] Mexico. He has his own CPA. And then he has a person that audits the CPA.

“When I saw him making the kind of money that he was making… The artists should be the ones seeing the benefits, and that’s why we changed our deal,” Prajin continues. “I restructured it and made him a partner in Double P. It’s the right thing to do — and just one of the few times in life that something good turns into something great, because we’re killing it.”

Prajin, who is warm and attentive, says his father’s own “big heart” inspires him as an executive. “His kindness, his generosity, those are the things that have [helped me excel],” he says. “You could be a shark. But I don’t think those guys last too long. It’s all about networks. Right? I think a lot of the things that we accomplished were because I was able to pick up the phone and reach out to anyone. Everything comes full circle.”

And Prajin Parlay’s betting-inspired name tells its own full-circle story: Prajin has often said when something works, he doubles down. In the years to come, he says he’s “doubling down on everything” — beginning with Double P Records, saying the label is in the middle of completing a business transaction that will allow it to “really double down.”

“Double P Records and Prajin Parlay in five years are going to be a global brand,” he says, noting that in the next year or so he hopes to open offices and a recording studio in Madrid. He also has plans to grow the management roster and maybe even acquire other catalogs or companies. He’s also considering a sports division: “We’ve talked about it, yes,” Prajin says, adding that he and Peso are both fans of combat sports, and even share a boxing coach.

He admits that as a manager, what takes up most of his time each day is “trying to make everyone happy… I’m constantly trying to make sure everybody takes vacations, has their personal lives. You know, I’ve lived my life, I haven’t had any kids. I’ve devoted myself to my artists and to my athletes. And am I going to regret it down the road? I might. So I always tell people, ‘Think about yourself, too. This job isn’t your only focus.’ ”

Fortunately, Peso has been planning ahead for quite some time. The artist has long admired Jay-Z, and Prajin believes Peso is already following in the rapper’s footsteps to becoming a mogul himself. As for Prajin, he says his five-year plan looks a lot like an exit route, before laughing through a nervous smile: “No, I’m just kidding.”

He mentions how the other day, he and Peso were reminiscing when the artist told him, “You changed my life.”

“He changed my life as well,” Prajin says. “He’s allowed me to love music again, and also reach a lot of the goals I made for myself that I thought had passed.”

This story appears in the Sept. 28, 2024, issue of Billboard.

Whether it’s breakups or spicy wings, SZA isn’t letting anything bug her — for the most part.

On the latest episode of First We Feast’s Hot Ones posted Thursday (Sept. 26), the Grammy winner opened up about her music, career and relationships in between bites of spicy wings, all while wearing alien-like prosthetics and a pair of antennae. “I’m just tired of being not a bug,” she explained of her costume choice.

While talking to host Sean Evans about which songs make her the most emotional to perform, SZA replied, “‘Nobody Gets Me’ because my ex-fiancé hates me so much, and it’s so unfortunate.”

“Every time I sing it, it’s like, ‘Damn, what the f–k?’” she continued, adding that she also gets in her feels while singing Ctrl tracks “Normal Girl,” “20 Something” and “Drew Barrymore,” which she says reminds her of seeing “the boy you like … f–kin’ on some other girl” at a house party.

SZA has been open in the past about how her relationship with her ex has inspired her music, particularly “Nobody Gets Me.” “This particular song in entirety is a story about my ex-fiancé and how we went through all these arguments, and we broke up,” she told Hot 97 in December 2022. “I just felt like I was gonna be doomed to be in hell for the rest of my life because nobody understood me the way he did, and nobody motivated me the way he did.”

While speaking to Evans, who brought up when SZA told Billboard in 2023 that the success of her hit “Kill Bill” “pissed [her] off” because it was “super easy” to write, the R&B star opened up about how she finds the music industry confusing because of how unpredictable it can be. “I never know what’s happening,” she said on Hot Ones. “I be like, ‘I thought you liked this.’ Then they’re like, ‘No, stupid, we hate this.’”

“It’s abusive, but it’s also very fulfilling and validating,” she added. “The toxic [relationships] are the most fun.”

The interview comes ahead of SZA’s highly anticipated third album Lana, which will follow her critically acclaimed sophomore record SOS. The 2022 LP ruled at No. 1 on the Billboard 200 for 10 weeks, marking her first album to top the chart.

After sweating through increasingly spicy wings that led her to question Evans’ “sinister and insidious” intentions for the show, the “Snooze” singer gave a candid response when asked at the end of the episode to give fans a life update. “I’m going through a breakup, it’s hot as f–k,” she said.

Watch SZA on Hot Ones above.

Facing a federal criminal indictment, New York City Mayor Eric Adams has lawyered up by hiring a prominent litigator with extensive music industry experience, including representing Jay-Z and Megan Thee Stallion.

According to Bloomberg Law, Adams will be defended by Alex Spiro of the firm Quinn Emanuel – an attorney who’s risen to fame in recent years repping Elon Musk and other celebrity clients. Most recently, he won a manslaughter trial against Alec Baldwin over a shooting on the Rust movie set.

The case against Adams, unsealed on Thursday morning, features five federal charges related to bribery, wire fraud, conspiracy and soliciting campaign contributions from foreign nationals who were “seeking to gain influence over him.” The mayor has denied the allegations.

Spiro, one of Billboard’s Top Music Lawyers, is best known in the music industry for representing Jay-Z and his Roc Nation companies in a range of legal matters.

He handled the rapper’s years-long case over a cologne endorsement deal that went bad, eventually beating a demand for $67 million in damages and actually winning the superstar $7 million in unpaid royalties. Spiro also helped Jay-Z, Meek Mill and other stars pen an open letter in support of legislation that would ban prosecutors from using rap lyrics as evidence in criminal cases.

He’s currently working on complicated litigation over the looming auction of Damon Dash’s stake in Jay-Z’s Roc-A-Fella Records, filing a motion as recently as this week over the rights to the rapper’s iconic debut album Reasonable Doubt.

Another prominent music client for Spiro is Megan Thee Stallion. He repped her for years in contentious litigation against her former record label 1501 Certified Entertainment, in which she claimed she had been duped into signing an “unconscionable” record deal as a young artist.

Spiro is known as an uncompromising litigator who will aggressively defend his clients’ interests, including outside the courtroom. Amid the Megan Thee Stallion case, he told Billboard in a 2022 interview that her record deal amounted to “indentured servitude” for the superstar: “We’re going to very aggressively take depositions, seek accounting for all the money they sucked out of this, and end it once and for all,” Spiro said at the time.

He also represented Stallion in role as a victim and witness the trial of Tory Lanez, who was convicted in 2022 of shooting the star in the foot during a 2020 argument. When defense attorneys opened that trial by arguing that the case was really about “jealousy,” Spiro didn’t mince words in an interview with ABC News: “It’s obviously absurd and an attempt at distraction. [Tory Lanez] shot her and that’s what the case is about.”

In a widely circulated statement on the Adams indictment on Thursday, Spiro assumed that same aggressive posture for his new client: “Federal agents appeared this morning at Gracie Mansion in an effort to create a spectacle (again) and take Mayor Adams phone (again),” Spiro said, as reported by Bloomberg. “He has not been arrested and looks forward to his day in court.“

Other music industry clients for Spiro have included 21 Savage, who he repped following his 2019 detainment by U.S. immigration authorities; Bobby Shmurda, who he defended in his 2016 murder conspiracy case; and a memorabilia auction house called Gotta Have Rock and Roll, who he represented in a recent dispute with the Michael Jackson estate.