All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

WWE takes the show to Deutschland with the Bash in Berlin this Saturday, (Aug. 31). The pay-per-view live event takes place at Uber Arena in Berlin, Germany, with a start time of 1 p.m. ET/10 a.m. PT.

Want to watch WWE Bash In Berlin 2024 online? This PPV event is available to stream on the WWE Network on Peacock for Premium or Premium Plus subscribers only.

If you don’t subscribe to the streaming service, you can get access with a Peacock monthly subscription, which starts at $7.99 per month for the ad-supported plan, or $13.99 for the ad-free plan.

Along with Bash In Berlin and the WWE Network, you can also watch original programming, such as Love Island USA, Bel-Air, The Traitors and others; hit movies, including Monkey Man, Abigail, The Holdovers, Oppenheimer and others; live sports from NBC Sports; live news from NBC News; and more than 50 streaming channels.

Check out the WWE Bash In Berlin 2024 match card below, and livestream the event here.

Match Card, 1 p.m. ET/10 a.m. PT

WWE Bash In Berlin 2024 is available to stream on Peacock on Saturday, Aug. 31, starting at 1 p.m. ET/10 a.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

It would not be an understatement to say that Emma Roberts has been training to play Britney Spears for more than half her life. In an interview with Cosmopolitan magazine, 33-year-old Space Cadet star was asked about recent headlines in which Spears’ longtime assistant, Felicia Culotta, pitched Roberts as the perfect actress to portray the pop superstar in the biopic adaptation of Brit’s best-selling The Woman In Me memoir.

“I was like, I love her assistant. I mean, it’s my true dream to play Britney Spears,” said Roberts of Culotta’s TMZ interview, in which she suggested that Emma’s child star roles on Nickelodeon shows such as Unfabulous were a good parallel to Brit’s younger years on The All-New Mickey Mouse Club. “It’s a rumor, but I hope maybe it’ll come true. I mean, I remember I locked myself in my room and listened to [2003’s] In the Zone and said, ‘I cannot leave this room until I memorize every word.’”

Spears’ tell-all debuted at the top of the New York Times best-seller list year year and following a bidding war Universal won the rights to adapt it into a film, with Wicked director Jon M. Chu attached to bring it to the big screen along with producer Marc Platt. At press time no casting or timeframe has been announced for the film, though Culotta had a few other casting suggestions, including Timothée Chalamet as Spears’ ex, Justin Timberlake, and Drew Barrymore playing the singer’s longtime assistant.

On X earlier this moth Spears revealed that she’s been working on a “secret project” with Platt. “Excited to share with my fans that I’ve been working on a secret project with #MarcPlatt. He’s always made my favorite movies … stay tuned,” she wrote.

“I mean, I sing Britney to my son in the bath all the time,” Roberts told Cosmo of her four-year-old son, Rhodes, with ex Garrett Hudland. “I’m always like, ‘God, he must think I’m so weird.’ That’s some millennial parenting.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s time to return to “a galaxy far, far away” with a new Star Wars video game from Lucasfilm Games and Ubisoft.

Priced at $69.99, Star Wars Outlaws is available for Sony PlayStation 5 and Xbox Series X at Target starting on Friday, Aug. 30.

And if you’re a Target Circle member, you can order now and get Star Wars Outlaws delivered straight to your home for free.

Not a member? Sign up for a free membership to take advantage of all that Target Circle has to offer, including access to “deal of the day” products, instant savings on select items, three months of Apple TV+ to watch hit originals, access to exclusive shopping events — such as Target’s Deal Days and early Black Friday deals — and other perks.

If you want to take it a step further, you can sign up for the Target Circle Card (with no annual fee), which offers an extra 5% discount on all purchases, two-day free shipping with no order minimums and more. Learn more about the Target Circle Card here.

In addition, Star Wars Outlaws is available at Walmart and Amazon.

‘Star Wars Outlaws’

Release date: Aug. 30

Buy Now at Target $69.99

Buy Now On Amazon

Buy Now at Walmart

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Star Wars Outlaws is set between The Empire Strikes Back and Return of the Jedi in the Star Wars timeline. It follows Kay Vess, a “cunning scoundrel” and her furry companion Nix, as the pair go on a life-changing quest in the criminal underbelly of the evil empire. However, she attracts the attention of the wrong people in pursuit of a new life.

Available for $69.99 at Target, Star Wars Outlaws comes out for PS5 and Xbox on Friday, Aug. 30. In the meantime, watch the story trailer for the game, below:

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

When Luminate reported the fastest-growing music genres in the first half of 2024 (through the week of May 30), contemporary Christian music (CCM)/gospel unexpectedly placed in the top five. When analyzing overall consumption — track-equivalent albums, stream-equivalent albums and on-demand audio — the genre grew 8.9%, more than twice the overall industry growth rate of 3.9% for the same period in 2023.

CCM/gospel’s rise is even stronger on Spotify. Representatives for the platform say the genre has grown 30% in the United States and more than 30% globally in the past year. Over the past five years, the genre has grown 50% stateside and 60% globally.

“This past March alone, the Christian and gospel genre had its biggest streaming month on Spotify ever,” says Maritza “Ritz” McCain, Spotify’s senior editor, Christian and gospel.

McCain also points to CCM/gospel’s global reach, noting that while the United States is the largest market for Christian music, global consumption is expanding in markets that include Brazil, Mexico, South Africa and the Philippines. She also cites promising growth in markets such as India, Indonesia and Germany.

According to Luminate, the top five CCM/gospel acts for 2024’s first half were Elevation Worship, Lauren Daigle, Phil Wickham, Hillsong Worship and Brandon Lake. Elevation Worship’s song “Praise,” featuring Lake, Chris Brown — a different Chris Brown from the “Run It” singer — and Chandler Moore, is the biggest CCM hit of 2024 thus far, having spent 24 weeks atop Billboard’s Hot Christian Songs chart.

Cole Flynn, head of marketing at Elevation Worship Records, attributes “six or seven” different factors that have contributed to the shift. For one, the consumption and promotion of CCM by a new generation of social media-savvy fans on those platforms is attracting new listeners.

“This whole generation has grown up with Spotify and Apple Music, and with the ability to access any kind of music they want to hear at any point in time,” says Leigh Holt of Hsquared Management, which manages Daigle and Riley Clemmons. “The barriers have been broken. There are more people who can say, ‘These are the ways I want to express my faith.’”

According to Luminate Insights, the share of listeners who are millennials and younger grew from 39% of overall genre listenership in 2022 to 45% in 2024. Additionally, the number of hours that CCM/gospel fans spent with music each month increased from 47.9 hours to 56.8 so far in 2024 — a 19% increase.

“Worship music does skew younger, agewise and listenerwise,” Flynn says. “People in their 20s and 30s are listening to Elevation Worship, whereas a typical Christian radio audience might be a little older.” He adds that this evolution has necessitated changes in marketing strategies for Elevation Worship, as it has with other CCM/gospel artists. “We’ve released music a little earlier, teased it out a little earlier, tried to get the music in people’s minds and on their phones earlier and give away a little more of the master content than we would have five years ago.”

A new crop of young talent — who are also social media natives — includes 29-year-old Forrest Frank, 21-year-old Josiah Queen and 24-year-old Seph Schlueter. Frank’s “Good Day” and Schlueter’s “Counting My Blessings” each reached No. 2 on the Hot Christian Songs chart, with the former making its way into the upper echelons of Spotify’s Viral 50 chart this year. And Queen’s “The Prodigal” was in the top 15 on the Christian Airplay chart. All three are nominees for new artist of the year at the Gospel Music Association’s Dove Awards in October.

Queen’s debut album, also named The Prodigal, and Frank’s Child of God both debuted at No. 1 on the Top Christian Albums chart in July and August, respectively, and the latter ascended to No. 28 on the Billboard 200.

Like artists in other genres, many top sellers in CCM/ gospel make social media key to their marketing plans. Daigle, 32, has over 5 million monthly Spotify listeners, and videos of concert moments, shared on TikTok, earn millions of views. Elevation Worship has over 1.9 million TikTok followers, and one March TikTok post of its hit “Praise” has garnered more than 19 million views. Brandon Lake, 34, who has over 4 million monthly Spotify listeners, has attracted 4.3 million views since posting a TikTok video in July that used his song “That’s Who I Praise.” And Frank racked up over 9 million views with a video that uses his “Good Day.”

“Content is still king,” Holt says. “The artists who are winning are the artists who are the most authentic on social media. Even with Elevation Worship, their content is very ‘man on the street,’ very accessible to everyone. I feel like that has a lot to do with the growth, as well as fans having insight into artists’ lives. Forrest Frank is great on social media, and Josiah Queen is really fun — he kind of teaches a master class a bit on that. They’ve figured out social media in a very organic way.”

Unlike most genres, CCM/gospel is built around a central message rather than a particular sound, allowing for a greater range of musical styles, including the pop of for King & Country and Frank; Queen’s rustic, singer-songwriter style; Tauren Wells’ pop/R&B vibe; and Lecrae’s rap.

“The expansion of what Christian and gospel music sounds like has helped grow the listenership and, in turn, the consumption of the genre,” McCain says. “Artists like Lauren Daigle, NF and Montell Fish started with a Christian listener base and have grown to see success in broader audiences.” She adds that the inclusion of Christian/gospel artists on non-faith-based playlists such as R&B Weekly, Shine and Fresh Folk has also helped to expand the genre’s reach.

Also bolstering CCM/gospel’s presence are a number of recent collaborations with secular artists, including for King & Country with Timbaland, TobyMac with Sheryl Crow, Lecrae with John Legend, Anne Wilson with Lainey Wilson, Zach Williams with Dolly Parton and CeCe Winans with Carrie Underwood.

“It’s way easier to become a fan of one person and transfer that fandom to another, especially with great collaborations,” Holt says. “For King & Country has always kind of led the way in the Christian space, and that really brings different spotlights to the genre.”

As streaming consumption and social media promotion of CCM/gospel music have increased, so has the number of contemporary Christian radio stations in the United States. According to stationratings.com, the number of U.S. stations carrying the contemporary Christian format rose by 22 from July 2023 to July 2024. 

Titan Christian radio chains K-LOVE and Air1, which are owned by the non-profit Educational Media Foundation (EMF) have more than 1,000 broadcast signals. So far this year, the company has added more than a dozen signals to its fold.

“We’ve seen direct correlations of [streaming] consumption mirror the amount of audience we’re getting at radio,” Flynn says of Elevation Worship. “At the top of the radio chart, their song ‘Praise’ gets an audience of 10 million a week — that’s a massive difference. Let’s say radio doesn’t drive direct streams, which is an argument these days. It does drive massive awareness. There’s an intangible with church listeners, worship leaders, people putting it in Sunday morning [church services] set lists that exponentially grow that reach beyond radio, but that might have been the first place they heard it. So [radio]’s a huge help for us when we’re trying to get a song out there.”

“The songs coming out of our community continue to impact our audience, not only across all digital platforms but on terrestrial radio to over 30 million weekly listeners,” Gospel Music Association president Jackie Patillo said in a statement provided to Billboard. “People are hungry for a message that encourages and inspires.”

Growth in streaming, social media and radio reach ultimately impact artists’ touring. Elevation Worship sold out its spring Elevation Nights ’24 Tour before it began, averaging 11,600 tickets sold each night. Meanwhile, Holt says Daigle’s Kaleidoscope Tour has also seen growth in ticket sales.

“It’s a very different market now for ticket buying, post-pandemic, with multiple tours out. There’s a lot of competition,” Holt says. “But our ticket sales have grown this year, and we are back to our pre-pandemic numbers, which has been exciting to see.”