Tokimonsta has cancelled her upcoming tour and postponed the release of her forthcoming album due to, she writes, “an extremely urgent personal matter.”

The Los Angeles-based artist born Jennifer Lee announced the news on Monday (Sept. 23) in a statement shared to her Instagram. “I am pretty crushed to share this news with you, but I know in my heart that I won’t be able to give you the performance or energy that you all deserve,” she wrote in her statement. “You guys deserve me at my best and that’s not where I am right now.”

While a specific reason for the cancellation and postponement is not given, Tokimonsta continued in her statement that she is currently “safe and healthy, but at this time I need to direct all my energy to a family member who needs my support.”

Tokimonsta’s sixth studio album, Eternal Reverie, was meant to come out on her own Young Art Records label this November 22, with the now cancelled 28-date tour meant to have started this weekend with a performance at San Diego’s CRSSD festival.

In her statement, the artist added that she was struggling with shifting her plans. “I stay grounded knowing you will all hold space for me,” she said. “What I’m dealing with now feels more emotionally taxing and difficult than anything I’ve faced before, even more so than my journey through Moyamoya brain surgery. I hope you can understand how difficult this decision has been because I’ve never paused my music career before.”

In January of 2016, the producer underwent brain surgery for moyamoya, a rare disease caused by blocked arteries at the base of the brain. After the procedure, she needed to relearn how to do things like walking and making music.

Her statement concluded with a request for privacy and space. “I really hope that I’ll come out of this stronger and ready to connect with you all again,” she says.

Read Tokimonsta’s full statement below:

Christina Aguilera is celebrating 25 years since her breakthrough self-titled debut album, and she unveiled a special treat for fans on Monday (Sept. 23).

The pop superstar teamed up with Spotify for the platforms Spotify Anniversaries series, where she sat down in-studio to reimagine her iconic 1999 album that remains one of the early 2000s most seminal projects.

In the 26-minute session, Aguilera welcomes a number of guests, including MGK for a “Genie in a Bottle” guitar solo, reunites with producer Ron Fair and songwriter Heather Holly from the original album’s recording and Holly joins Aguilera for a performance of “Obvious,” a ballad they wrote together.

To wrap up the performance, Aguilera welcomes her fellow blonde pop star, Sabrina Carpenter, for a vocally impressive duet of “What a Girl Wants.”

“I’m freaking out,” Carpenter tells Aguilera, before explaining that her mother introduced her to the “Come on Over Baby” singer by showing her a video in which Aguilera was singing at just eight years old. “That was just the most inspiring thing to me ever as a young girl who wanted to sing but didn’t know I could do it at that age at all.”

She continued, “You were a child! I was like, ‘How is that coming out of that body?’ It was the main reason I started singing and wanted to become a singer.”

Watch Christina Aguilera’s entire Spotify Anniversaries session below, and listen on Spotify here.

On its second of four dates in Mexico City, Metallica surprised fans once more on Sunday (Sept. 22) by performing a cover of “La Negra Tomasa,” a reinterpretation by the band Caifanes of a song written by Cuban Guillermino Rodríguez that redefined the rock scene in Mexico during the 1980s

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Two days after firing up the crowd with the Norteño classic “La Chona” by Los Tucanes de Tijuana, bassist Robert Trujillo — who is of Mexican descent — and guitarist Kirk Hammett once again delivered a powerful performance of a Latin song to a cheering audience of 65,000 people who packed the Estadio GNP Seguros, according to figures from promoter Ocesa. Trujillo took on the vocals for the Caifanes hit, originally performed by band leader Saúl Hernández and included in the Mexican band’s self-titled album of 1988.

On Sept. 20, Trujillo, accompanied by Hammett, paid tribute to his Mexican roots by performing the famous northern music song “La Chona,” a performance that was celebrated by the crowd that gathered at the stadium, where Metallica is offering four shows as part of its M72 World Tour. It’s the band’s first visit to the country after a seven-year absence.

Metallica’s gesture was reciprocated by Los Tucanes de Tijuana with a message on their social media.

“Wow! What an honor, what great pride, and what a great gesture from the great group @metallica for having sung #LaChona live. Greetings, masters, we send you a big hug and a very special grouping to each and every one of you for making us feel even more proud of our Chona!” Los Tucanes wrote on Instagram. “We admire you very much and we loved that you sang La Chona at your show! Hopefully, we will soon have the honor and pleasure of meeting you personally!”

Metallica’s next shows at the Estadio GNP Seguros are scheduled for next Friday and Sunday (Sept. 27 and 29).

Metallica’s history with Mexico began three decades ago with the tour of its Black Album (1991), which included five dates at the Palacio de los Deportes in 1993. Since then, the band has maintained a very close relationship with the country, where it recorded the live DVD Orgullo, Pasión y Gloria (2009), which portrays three spectacular nights at the Foro Sol (today Estadio GNP Seguros) in June 2009.

Watch Metallica playing Caifanes’ “La Negra Tomasa” below.

Five-time Grammy winner Shania Twain has performed around the world, but she’s returning to where it all began in Nashville this week, as she hosts the upcoming second People’s Choice Country Awards, which will air Thursday night (Sept. 26) on NBC and Peacock, from Nashville’s Grand Ole Opry House.

“It’s a really full-circle experience for me,” Twain tells Billboard. “It takes me back to my own beginnings in Nashville and as a new recording artist there, and obviously the historic location is always appealing. I meet new artists, and I’m running into old friends, making new friends.”

In addition to a slate of nominees including Beyoncé, Kane Brown, Zach Bryan, Jelly Roll, Tim McGraw, Dolly Parton, Shaboozey, George Strait, Lainey Wilson and Bailey Zimmerman, other anticipated moments from the show will include Miranda Lambert being honored with the 2024 country icon award, while Brown will be celebrated as the 2024 country champion award honoree.

As much as Twain is guiding viewers through the awards ceremony, she says, “I’m here more as a fan than anything. It’s the artists that the people want to hear and see, so to me, that is everything. I’ll be smack dab in the middle of it all, so I’m super excited. I’m all access.”

Among those artists Twain herself anticipates seeing are a mix of newcomers and established artists.

“I’m excited to see Parker McCollum and I’ll be excited to catch up with Lady A — they are always fabulous to see live. I’m excited to see Kane Brown, Keith Urban, Miranda Lambert, and I’m particularly excited about seeing The War and Treaty and listening to them perform because they are such gorgeous vocalists. And Shaboozey just makes me happy whenever I watch one of his videos. It just brings me joy, so it’s just a lot of positive energy.”

Bryan leads this year’s nominees with 19 nominations, followed by Beyoncé with 17 nominations.

Beyoncé’s “Texas Hold ‘Em” topped Billboard’s Hot Country Songs chart for 10 weeks, while her album Cowboy Carter stayed at the pinnacle of the Top Country Albums chart for four weeks. In addition to being nominated at the 2024 People’s Choice Country Awards for the overall people’s artist of 2024, the female artist of 2024 and the album of 2024 (Cowboy Carter), among Beyoncé’s nominations are two entries in the female song of 2024 category (“16 Carriages” and “Texas Hold ‘Em”).

“The impact is undeniable,” Twain says of Cowboy Carter. “I think all successful recording artists make music for listeners, and these artists deserve an industry that in return, listens to the people’s choice, to what the people want to hear. That’s what’s happened with Beyoncé’s Cowboy Carter and the industry needs to respect what the listeners want, and what the listeners want is Beyoncé country. The people are hungry for more diversity in the genre. Beyoncé is part of broadening the spectrum. When I was growing up I was listening to folk country, alternative country and all kinds of country, and we’re getting back to that now again, and Beyoncé is part of that.”

In terms of her hosting duties, Twain says she’s taken inspiration from other artists who have hosted awards shows, such as Reba McEntire, who has hosted both the Country Music Association Awards and the Academy of Country Music Awards.

“Any of those big shows rely a lot on the spirit and the mood of the host, because the hosts are chosen, I think quite carefully, making sure people are relating and the host has experience. Reba is one of my favorite hosts. She’s speaking from experience and I think that commands respect and attention. She’s funny and smart, and is loved by all, and it’s a compliment to be asked to do something like [hosting an awards show]. So Reba is a good example for me.”

Of course, Twain isn’t just hosting the show — she’s also a nominee, as Shania Twain: Come On Over—The Las Vegas Residency- All The Hits!, earned her a nomination in the concert tour of 2024 category. Her residency is currently slated to run through early 2025.

Recently, Twain was also included in a trailer for the new medical drama series Doctor Odyssey. Twain says 2025 and beyond will be filled with a variety of creative pursuits.

“I’ll be very, very busy for the next few years. I’m doing more acting. I’ll be in the studio making a new album. I’m writing music for various things and there’s a musical in the works with my music, so lots of exciting things. I’ll be busy doing more of a variety of things than I’ve ever done before in my career, so that’ll keep me off the Vegas stage for a while.”

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Are you a fan of The Addams Family or Netflix’s hit television show Wednesday? Now you can channel your inner Wednesday with these spooky-themed Stomp Clogs inspired by Tim Burton’s Netflix adaptation of the iconic series. Whether you’re seeking a spooky addition to your wardrobe or a comfy slip-on style with a heel strap, these one-of-a-kind Crocs will have you feeling Halloween ready in no time.

These unisex Crocs features a cello charm and a Thing charm, inspired by the iconic severed hand from Wednesday. Crocs characterize these clogs as “the next big Thing with an exaggerated platform sole and glossy upper. A molded white collar detail and dome studded ankle strap make for a style that’s gothic and glamourous.” In addition to Thing and Wednesday’s black cello charms, you can also add Halloween-inspired amulets such as a Black Lace Bows, Spiderweb, 3D Pumpkin, Jack Skellington and more. The prices vary based on the charms you select.

You can find these Wednesday Stomp Clogs on Crocs, Zappos, Journeys and Victoria Secret.

Crocs 'Wednesday’ Stomp Clogs for Halloween: Where to Buy Online

Crocs ‘Wednesday’ Stomp Clogs

Elevate your collection with these Wednesday-themed slip-on stomp clogs. With its slip-on style and secure heel strap, you’ll be able to wear them comfortably wherever you go.


With its lightweight, flexible and 360-degree comfort plus, its designed heel strap to ensure a secure fit, you won’t want to take them off.

These slip-on clogs can be used for completing Halloween costumes, lounging or achieving a stylish gothic look. As Halloween approaches, you can quickly enhance your collection with these stylish clogs. Hurry and grab them before they’re gone! Remember, you can customize these clogs by adding your own personalized charms to make them uniquely yours.

For more Halloween-inspired product recommendations, check out this spooky roundup of the best merch inspired by Tim Burton’s Beetlejuice Beetlejuice, this 13-Foot LED Jack Skellington and these Harry Potter-inspired Squishmallows.

In an interview, Janet Jackson claimed Kamala Harris isn’t Black and predicted the aftermath of the election. Keep watching to see what she said.

Tetris Kelly:
Janet Jackson’s rep shut down an apology issued on her behalf after she mistakenly claims Vice President Kamala Harris is not Black. In an interview with The Guardian, a reporter brought up the U.S. election, saying to Janet that Kamala Harris could be the first Black female president of the United States, to which Ms. Jackson replied, “She’s not Black. That’s what I heard, that she’s Indian.” Continuing, “Her father’s white, that’s what I was told. I mean, I haven’t watched the news in a few days. I was told that they discovered her father was white.”

She didn’t let the reporter know where she heard this false information, but did say about the election, “either way it goes is going to be mayhem.”

After that interview, a man named Mo Elmasri issued an apology on her behalf, saying her comments on the vice president were “based on misinformation.” Janet’s rep stepped in and told People mag that Elmasri is not Janet’s manager, nor is he affiliated with her camp. The rep says Randy Jackson is Janet’s manager. Elmasri spoke to Variety saying, “I no longer work for her. I was fired by Janet and Randy after attempts to improve her image in front of public opinion and her fans, and this is something I do not deserve.” But sources close to Janet’s team told Variety Elmasri is not known to have been directly associated with the singer. 

Kesha is going independent. Today, the Grammy-winning artist announced a new deal with the independent label and artist services of Warner Music Group, ADA, via her newly launched label Kesha Records.

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“I am proud to announce this partnership for the distribution of my music through Kesha Records. My name has become synonymous with transparency, integrity, and safety, and I want to ensure that these values are upheld for myself and any future artists signed to my label,” Kesha said in a release. “Music has the power to connect the world, and I aspire for my work to be a beacon of light and goodness. I am excited to take control of my narrative and rewrite my story in the music business.”

The partnership will see ADA cover global distribution for Kesha’s future releases including her upcoming album due out in 2025, as well as the project’s current single, “Joyride,” which nabbed a top 10 spot on Billboard’s Hot Dance/Electronic Songs chart. ADA will also work in tandem with Crush Music, which manages Kesha, overseeing marketing and promotion for Kesha’s forthcoming album. This marks Kesha’s first distribution deal and gives her full creative control and ownership of her work.

“Since the start of her career, Kesha’s authenticity has distinguished her as a true artist whose vibrant self-expression resonates strongly with her fans,” said ADA president Cat Kreidich in a release. “We believe ADA is the ideal home for her, and we’re honored and committed to supporting Kesha as an independent artist while maintaining her creative integrity and unapologetic bold-spirit.”

Kesha’s latest hit, “Joyride,” recently surpassed 50 million streams across all platforms and landed on the Spotify U.S. and Global Viral charts upon release, according to ADA. The star also recently hit major milestones with updated RIAA certifications. “TiK ToK” is now 12x platinum and “Timber” has become her second Diamond-certified single in the U.S. Other hits like “Die Young,” “We R Who We R” and “Praying” have reached 6x and 5x platinum. These achievements push her total U.S. sales over 75 million, according to ADA.

Kesha’s discography also encompasses two No. 1 albums on the Billboard 200 and 10 top 10 singles on the Billboard Hot 100. Kesha’s third studio album Rainbow debuted at No. 1 on the Billboard 200 and went on to land a Grammy nomination for best pop solo album in 2017. The album’s lead single “Praying” spent 21 weeks on the Billboard Hot 100 and also earned a Grammy nomination for best pop solo performance. Since then, she’s released two critically-acclaimed projects, High Road and Gag Order.

Mary J. Blige is hitting the road next year, but before she does, the Yonkers, N.Y., native will have more new music to perform, as she’s slated to release her 15th studio album before 2024 ends.

The Queen of Hip-Hop Soul appeared on Sherri on Monday (Sept. 23), where she made the exclusive announcement regarding the For My Fans Tour, which will see support from R&B titans Ne-Yo and Mario.

“When it’s all said and done, it’s never all said and done, I owe my fans a gratitude I can’t put into words, so I put it into a show. The For My Fans Tour coming soon, see you there,” she wrote to Instagram.

Mary J. revealed on Sherri that the North American trek will kick off in January. “If you are a Mary J. Blige fan, this is for you,” she added. “Thank you.”

Fans are encouraged to sign up for the artist pre-sale on Ticketmaster running through Thursday night (Sept. 26), with the presale starting Oct. 1.

While specific dates and venues have not yet been announced, Blige will be making stops in Atlanta, Boston, Buffalo, Chicago, Denver, Detroit, Houston, Los Angeles, New York City, Newark, Tampa Bay, Toronto, Washington, D.C. and more.

Fans will have a couple of months to memorize the lyrics to Mary’s upcoming album with Gratitude, which she announced is slated to arrive before the holidays

“I have a new album coming in November. Nov. 15 it’s called Gratitude because that’s where I am,” she said. “Look at my life right now, I’m in a constant state of gratitude. I feel good, I have jobs and opportunities, I’m healthy, my family’s healthy, I got people around that care and love me and I have amazing fans.”

It’s going to be a celebratory fourth quarter of the year for Mary J. Blige, who will be honored on Oct. 19 when she’s inducted into the Rock and Roll Hall of Fame as part of the 2024 class.

Watch Mary J. Blige’s appearance on Sherri below.

No, ma’am. The stars of The View shared their thoughts about Janet Jackson‘s recent comments about Democratic presidential nominee Kamala Harris being “not Black” on the the Monday (Sept. 23) episode of the talk show, and they didn’t hold back.

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“I think Janet Jackson, like every other American — whether you’re a celebrity or not — has a right to endorse, support or not support whomever they want. She’s got every right to not like Kamala Harris if she doesn’t want to,” Ana Navarro began. “What she did was spread misinformation, and I think it’s very irresponsible when you have a platform the way Janet Jackson does to use that platform carelessly to spread misinformation based on a racist allegation by Donald Trump. It was Donald Trump who tried to say, ‘Kamala Harris just turned Black.’”

The political strategist and commentator then explained to viewers that the vice president’s parents are immigrants — Harris’ mom is South Asian from India, while her dad is a Black man from Jamaica. “Here’s a picture for all of you who need … for Miss Jackson, if you’re nasty,” Navarro said, holding up a photo of the VP as a toddler in her dad’s arms. “Here’s the damn picture!”

Alyssa Farah Griffin — who was the press secretory for former VP Mike Pence and served as White House communications director under Trump — then noted that nowadays, people tend to live in “information silos,” with social media algorithms often feeding users what they want to see rather than facts from a range of sources. “My guess is she’s not looking at great sources of media,” she said of the pop icon.

Journalist Sara Haines chimed in with a big concern as well in regards to sourcing facts. “This is the No. 1 most severe warning in the short term we have globally — misinformation and disinformation — the World Economic Forum said this is our greatest risk in the next few years, and it’s not just this country, it’s everywhere. You never single source a story,” she noted. “The other part of the story that bothers me is the whole identity issue. The fastest growing group in this country is multiracial individuals, not bi, multiracial individuals! So asking people ‘What are you?” — we need to be more open about people’s identity and what they identify as and have some grace.”

That was the perfect transition for Sunny Hostin, who identifies as biracial, pointing out that the best way to handle this is the way the VP has, which is to ignore it. Instead, Hostin said, it’s better to focus on what Harris has accomplished. “I think Kamala is breaking barriers just by being in the room regardless of whether Janet Jackson thinks she’s black or white or Indian,” said the lawyer and journalist, who also said she didn’t know whether the star got got what she said from misinformation or lack of information. “The very fact that [Harris] is in the room, deconstructs in my view, the societal norms that we’ve seen in the nearly 250 years of this country of what a presidential candidate looks like.”

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While some of the stars of The View had some tough words for Jackson, moderator Whoopi Goldberg offered the superstar some grace. “Janet Jackson is not a political animal. She’s a musician … and she’s mourning her brother,” the actress said, noting that the singer’s brother Tito died recently. “I sometimes have said stuff and I was wrong! … So sometimes, people get it wrong, and they’re WRONG. They made a mistake. It happens. … We all do it, so a little grace for the girl, all right?”

Jackson made her repeated the right-wing conspiracy theory about Harris being “not Black” during an interview with The Guardian published Sept. 21. “Her father’s white, that’s what I was told,” she said to the publication. “I mean, I haven’t watched the news in a few days. I was told that they discovered her father was white.”

Watch The View panel discusses Janet Jackson’s comments about Kamala Harris’ racial identity below.

Attorneys for Jay-Z are now sparring with lawyers for New York City over whether he can use copyright termination to retake control of his debut album Reasonable Doubt – a crucial question ahead of court-ordered auction of Roc-A-Fella Records co-founder Damon Dash’s one-third stake in the label.

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The city’s child services agency, which wants to collect the more than $193,000 that Dash owes in unpaid child support, warned a federal judge in court filings last week that Jay-Z was using “false” threats of an approaching termination to drive down the price of Dash’s stake in his company.

“Jay-Z’s statements to the press have poisoned the environment for the auction,” wrote Gerald Singleton, an attorney for the city. “Those statements are false and extremely damaging to the City’s interests in ensuring that the auction will generate sufficient funds to satisfy all existing child support arrearages and secure future child support payments.”

But on Monday, longtime Jay-Z lawyer Alex Spiro fired right back on behalf of Roc-A-Fella, saying neither the rapper nor his company had issued any such statements and that there was “no merit to NYC’s accusations.” But he also confirmed that Jay-Z was in fact seeking to use termination to take back the album, Reasonable Doubt, in 2031 – and that prospective buyers could make up their own minds about what that means.

“Potential bidders have every right to assess whether they believe the notice of termination would be effective in 2031,” Spiro told the judge.

As early as next month, the U.S. Marshals Service will sell off Dash’s 33.3% interest in Roc-A-Fella Inc., an entity whose only real asset is the sound recording copyright to Reasonable Doubt. Though the court-ordered auction was originally intended to pay off an $823,000 judgment in a civil lawsuit, New York City jumped into the case over Dash’s child support debt. The state of New York later did the same, claiming Dash owes more than $8.7 million in back taxes and penalties.

The owners of the other two-thirds of Roc-A-Fella — label co-founders Jay-Z (Shawn Carter) and Kareem “Biggs” Burke — have already attempted to stop the auction, including making changes to the company’s bylaws and intervening in the lawsuit. But a federal judge rejected such opposition in February, and the sale could take place as early as Oct. 21.

As the auction approaches, a minimum purchase price has been set at $3 million. But it has remained unclear what exactly a potential winner would be buying.

Streaming and other royalties from Reasonable Doubt would likely provide a buyer with a revenue stream; since its 1996 release, the album has racked up 2.2 million equivalent album units in the U.S., according to Luminate, including 21,500 units so far this year. But the eventual buyer also would be a minority owner in a company controlled by hostile partners, with little ability to perform typical due diligence on the asset they’re about to purchase.

Another key question mark for buyers – and the source of this week’s dispute with NYC – is just how long Roc-A-Fella will continue to own its only real asset.

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The termination right, a provision created by congress in the 1970s, empowers authors to reclaim ownership of copyrighted works decades after selling them away. If Jay is eligible for it, termination would allow him to win back the rights to his sound recording of Reasonable Doubt roughly 35 years after he released the album, meaning 2031.

But in their court filing on Friday, attorneys for New York City child services said Jay-Z was not, in fact, eligible for termination. They argued that he had created the album as so-called “work for hire” under a written contract with Roc-A-Fella – meaning the company had always been the legal owner of the copyright, and there were no rights to Jay to take back in the first place.

“He has claimed that he has a termination right under the Copyright Act and that the rights to Reasonable Doubt will revert to him in six years,” wrote Singleton, the NYC attorney. “In fact, he has no such termination right and RAF is entitled to the renewal term [and] will own the copyright rights until the year 2098.”

To address the problem, the city asked the judge to issue a definitive ruling on whether Jay-Z is eligible for termination – and to postpone the auction until he does so.

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But in his response Monday, Spiro argued that the city “has no right to seek such a ruling.” He said the demand was premature, since Jay-Z will not formally take back the album until 2031, and that a city agency had no legal standing to raise such questions in court.

“Put simply, this is not the appropriate time, forum, or case to litigate any issues relating to Jay-Z’s notice of termination,” Spiro wrote. “This Court should therefore reject NYC’s request for an impermissible advisory opinion as to the effectiveness of Jay-Z’s notice of termination.”