Kris Kristofferson, a Rhodes scholar with a deft writing style and rough charisma who became a country music superstar and A-list Hollywood actor, has died.

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Kristofferson died at his home in Maui, Hawaii, on Saturday (Sept. 28), spokeswoman Ebie McFarland said in an email. He was 88.

McFarland said Kristofferson died peacefully, surrounded by his family. No cause was given. He was 88.

Starting in the late 1960s, the Brownsville, Texas, native wrote such classics as “Sunday Mornin’ Comin’ Down,” “Help Me Make It Through the Night,” “For the Good Times” and “Me and Bobby McGee.” Kristofferson was a singer himself, but many of his songs were best known as performed by others, whether Ray Price crooning “For the Good Times” or Janis Joplin belting out “Me and Bobby McGee.”

He also starred opposite Ellen Burstyn in director Martin Scorsese’s 1974 film Alice Doesn’t Live Here Anymore, starred opposite Barbra Streisand in the 1976 A Star Is Born and acted alongside Wesley Snipes in Marvel’s Blade in 1998.

Kristofferson, who could recite William Blake from memory, wove intricate folk music lyrics about loneliness and tender romance into popular country music. With his long hair and bell-bottomed slacks and counterculture songs influenced by Bob Dylan, he represented a new breed of country songwriters along with such peers as Willie Nelson, John Prine and Tom T. Hall.

“There’s no better songwriter alive than Kris Kristofferson,” Nelson said during a November 2009 award ceremony for Kristofferson held by BMI. “Everything he writes is a standard and we’re all just going to have to live with that.”

As an actor, he played the leading man opposite Barbara Streisand and Ellen Burstyn, but also had a fondness for shoot-out Westerns and cowboy dramas.

He was a Golden Gloves boxer and football player in college, received a master’s degree in English from Merton College at the University of Oxford in England and turned down an appointment to teach at the U.S. Military Academy at West Point, New York, to pursue songwriting in Nashville. Hoping to break into the industry, he worked as a part-time janitor at Columbia Records’ Music Row studio in 1966 when Dylan recorded tracks for the seminal Blonde on Blonde double album.

At times, the legend of Kristofferson was larger than real life. Cash liked to tell a mostly exaggerated story of how Kristofferson, a former U.S. Army pilot, landed a helicopter on Cash’s lawn to give him a tape of “Sunday Mornin’ Comin’ Down” with a beer in one hand. Over the years in interviews, Kristofferson said that with all respect to Cash, while he did land a helicopter at Cash’s house, the Man in Black wasn’t even home at the time, the demo tape was a song that no one ever actually cut — and he certainly couldn’t fly a helicopter holding a beer.

In a 2006 interview with The Associated Press, he said he might not have had a career without Cash.

“Shaking his hand when I was still in the Army backstage at the Grand Ole Opry was the moment I’d decided I’d come back,” Kristofferson said. “It was electric. He kind of took me under his wing before he cut any of my songs. He cut my first record that was record of the year. He put me on stage the first time.”

One of his most recorded songs, “Me and Bobby McGee,” was written based on a recommendation from Monument Records founder Fred Foster. Foster had a song title in his head called “Me and Bobby McKee,” named after a female secretary in his building. Kristofferson said in an interview in the magazine, Performing Songwriter that he was inspired to write the lyrics about a man and woman on the road together after watching the Frederico Fellini film La Strada.

Joplin, who had a close relationship with Kristofferson, changed the lyrics to make Bobby McGee a man and cut her version just days before she died in 1970 from a drug overdose. The recording became a posthumous No. 1 hit for Joplin.

Hits that Kristofferson recorded include “Why Me,” “Loving Her Was Easier (Than Anything I’ll Ever Do),” “Watch Closely Now,” “Desperados Waiting for a Train,” “A Song I’d Like to Sing” and “Jesus Was a Capricorn.”

In 1973, he married fellow songwriter Rita Coolidge and together they had a successful duet career that earned them two Grammy awards. They divorced in 1980.

He retired from performing and recording in 2021, making only occasional guest appearances on stage.

The music streaming service Spotify was down temporarily on Sunday (Sept. 29), leaving thousands of listeners without access to tunes and podcasts earlier in the day.

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More than 40,000 people reported outages with the music platform on downdetector.com, a website that allows users to report problems with popular apps and services. The highest amount of reported outages came in just after 12 p.m. ET. As of 5 p.m. ET, the number of outages reported on the website dropped to 351.

Spotify wrote on X Sunday afternoon, “We’re aware of some issues right now and are checking them out!”

Responding to the post, Spotify users complained about the outage disrupting workout routines and plans to stream a playlist at a child’s birthday party.

About an hour later, the streaming service posted that everything was looking much better. The app appeared to be working normally.

Millions of people use Spotify, which was the largest streaming service in 2023. The music platform reports having more than 626 million users, with 246 million subscribers.

According to MusicWatch, Billboard recently reported, Spotify ranks behind only Amazon Prime in terms of subscriber passion. When the economy gets rough, Spotify users are relatively unlikely to cancel their plans.   

Last week, Spotify announced The Weeknd has the most songs — a total of 18 — to hit 1 billion streams on Spotify, as of Sept. 24.

The Weeknd broke a 17-song tie with Drake with the title track of his fourth studio album, After Hours. Meawhile, the set’s Billboard Hot 100 No. 1 “Blinding Lights” was revealed to be the most streamed song on Spotify, with nearly 4.5 billion streams.

Congratulations are in order for Frances Bean Cobain and her husband, Riley Hawk, who have welcomed their first child together.

The daughter of late Nirvana frontman Kurt Cobain revealed through Instagram on Saturday (Sept. 28) that she and the son of skateboarding legend Tony Hawk are now proud parents to a baby boy.

“Ronin Walker Cobain Hawk,” Frances, 32, captioned adorable black-and-white photos of the newborn, revealing he was born on Sept. 17. “Welcome to the world most beautiful son. We love you more than anything.”

In the first photo, the tiny baby is seen holding his mother’s hand, while another shows proud dad Riley, 31, cradling his son in a soft blanket.

The couple’s friends and family flooded the comments section of France’s post, sharing messages of well-wishes and congratulations. New grandfather Tony Hawk joked, “My favorite grandson!” and Harper Grohl, the daughter of the Kurt’s former bandmate Dave Grohl, replied with heart and teary-eyed emojis.

The comments section also included touching notes from famous musicians, including R.E.M.’s Michael Stipe, Sonic Youth’s Kim Gordon and Dresden Dolls’ Amanda Palmer, among others.

“With all the love and energy in the whole world,” commented Stipe, who is France’s godfather. Gordon added, “Huge congratulations!” And Palmer wrote, Oh my god!!! MAZEL TOV to all of you and everyone over there. I am so incredible happy to see this universe-stitching news. All the love to you.”

Frances and Riley’s romance was first revealed through social media in 2022, and the couple married about a year later in an intimate ceremony officiated by R.E.M.’s Stipe.

See France Bean Cobain’s baby announcement on Instagram here.

Future notches his 11th No. 1 album on the Billboard 200 chart — and third in 2024 — as Mixtape Pluto debuts atop the list dated Oct. 5. The long-teased set’s Sept. 20 release date was announced on Sept. 11. Mixtape Pluto earned 129,000 equivalent album units in the U.S. in the week ending Sept. 26, according to Luminate, largely driven by streaming activity.

Future scored two No. 1s earlier in 2024 with his two co-billed sets with Metro Boomin: We Don’t Trust You (a debut atop the April 6 chart) and We Still Don’t Trust You (also debuting at No. 1, April 27). The last act to notch three new No. 1 albums faster than Future — who has earned his three latest in a span of just six months — was the Glee Cast, which notched three chart-topping soundtracks in less than two months in 2010. If one discounted the Glee titles, as they were soundtracks and not traditional artist-driven albums, the last act to notch three new No. 1s as fast as Future was The Beatles in 1965-66. The Fab Four collected its fifth, sixth and seventh No. 1 albums also in a span of six months, as Beatles VI hit No. 1 on the July 10, 1965 chart, followed by the Help! soundtrack on Sept. 11 and then Rubber Soul on Jan. 8, 1966. (Since the Billboard 200 began publishing on a regular, weekly basis in March of 1956, no other solo artist has accumulated three new No. 1s as fast as Future.)

With an 11th No. 1 on the Billboard 200, Future ties Eminem, Bruce Springsteen, Barbra Streisand and Ye (formerly Kanye West) for the fifth-most No. 1s on the Billboard 200, dating to March 1956. Ahead of them are The Beatles (a record 19 No. 1s), Jay-Z and Taylor Swift (each with 14) and Drake (13).

Also in the top 10 of the latest Billboard 200 chart, Chappell Roan scores her best week yet in terms of units and album sales, as The Rise and Fall of a Midwest Princess returns to its peak of No. 2 in the wake of promotion surrounding its first anniversary. Plus, Katy Perry lands her sixth top 10 with the arrival of 143, and Lil Tecca nabs his fourth top 10-charting set with the debut of Plan A.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 5, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 1). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Mixtape Pluto’s first-week equivalent album units of 129,000, SEA units comprise 118,500 (equaling 156.62 million on-demand official streams of the 17 songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums), album sales comprise 10,000 and TEA units comprise 500. The album was available to purchase either as a standard 11-song album (via download, CD and vinyl) or as an expanded 17-song album (download).

Chappell Roan’s The Rise and Fall of a Midwest Princess rises 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. The set earned 105,000 equivalent album units in the tracking week (up 64%) — it’s biggest week yet by units earned. Of that sum, album sales comprise a career weekly-best 56,000 (up 328%; it’s also the top-selling album of the week, reaching No. 1 on Top Album Sales for the first time). The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22. Of the album’s sales, vinyl comprises 50,000 — easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.

Sabrina Carpenter’s former No. 1 Short n’ Sweet slips 2-3 on the Billboard 200 with 100,000 equivalent album units earned (down 7%); Post Malone’s chart-topping F-1 Trillion is a non-mover at No. 4 (53,000; down 12%), and Morgan Wallen’s former leader One Thing at a Time is steady at No. 5 (53,000; up 2%).

Katy Perry lands her sixth top 10-charting effort on the Billboard 200 as her new studio album 143 debuts at No. 6. The set earned 48,000 equivalent album units in the tracking week ending Sept. 26. Of that sum, album sales comprise 37,500 (her best sales week since 2017), SEA units comprise 10,000 (equaling 13.11 million streams of the album’s songs) and TEA units comprise 500. The album’s first-week sales were bolstered by its availability across eight vinyl variants (including a signed edition), four CD variants (including a signed edition), a cassette tape and multiple digital download variants (including two exclusive to her webstore, each with bonus tracks).

The album was preceded by a trio of songs, including its first single, “Woman’s World,’ which reached the top 30 on the Pop Airplay, Adult Pop Airplay and Adult Contemporary radio charts.

Taylor Swift’s chart-topping The Tortured Poets Department falls 6-7 on the latest Billboard 200 (47,000 equivalent album units; down 9%), while Billie Eilish’s Hit Me Hard and Soft is steady at No. 8 (45,000; up 2%).

Lil Tecca captures his fourth top 10-charting set on the Billboard 200 as Plan A arrives at No. 9 with 42,000 equivalent album units earned — his biggest week by units since 2019. Of that sum, SEA units comprise 28,500 (equaling 40.45 million on-demand official streams of the set’s songs), album sales comprise 13,500 (his best sales week ever) and TEA units comprise a negligible sum. The set’s sales were aided by its availability in two CD variants (including a signed edition) and multiple digital download variants (including three exclusive to the artist’s webstore, two of which included bonus tracks).

The album was preceded by a pair of charting songs on Hot R&B/Hip-Hop Songs: “Number 2” (peaking at No. 45) and “Bad Time” (No. 25).

Closing out the top 10 of the new Billboard 200 is Noah Kahan’s Stick Season, falling 9-10 with 38,000 equivalent album units earned (down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Brat summer isn’t over just yet.

During the season 50 premiere of Saturday Night Live on Sept. 28, cast member Bowen Yang hilariously portrayed British pop star Charli XCX in a political-themed talk show featuring her current tourmate Troye Sivan (played by SNL‘s Sarah Sherman) as the DJ.

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The nearly five-minute sketch opened with Yang’s Charli introducing her Talk Talk Show, a nod to one of the singer’s song titles, and moving into a segment called “brat or nat,” in which she ran through a handful of recent news topics, including Hunter Biden’s laptop (deemed “brat”) and Mark Robinson’s search history (“nat”).

Yang’s Charli — who sported a black wig, dark sunglasses and stylish dress — then welcomed her guests: club legend Susanne Bartsch (played by SNL host Jean Smart), CNN anchor Kaitlan Collins (Chloe Fineman) and Rep. Jasmine Crockett (Ego Nwodim).

“Have you ever done ketamine?” Yang’s Charli asked to Fineman’s Collins, who responded with frustration over not being asked current political events.

The talk show’s background was appropriately colored the same lime green as the cover of Charli XCX’s latest album, Brat, which reached No. 3 on the Billboard 200 chart in late June. The singer is currently on the road with her Sweat Tour, which visits U.S. arenas through the end of October.

Saturday’s SNL season premiere also featured musical guest Jelly Roll, making his debut on the long-running NBC sketch comedy show. The country star performed “Liar” and “Winning Streak,” which will appear on his upcoming album, Beautifully Broken, set for release on Oct. 11.

The next SNL on Oct. 5 will see comedian Nate Bargatze returning as host for a second straight season with Coldplay back as musical guest for an eighth time on the long-running show. The Chris Martin-fronted band first performed on the show in 2001, and their most recent appearance was in 2023.

Watch SNL‘s “Charli XCX Talk Show” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

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Nike is ready to re-enter the 36 Chambers. More than two decades after first releasing the Wu-Tang “Killa Bees” Nike Dunk high-top sneakers, Wu-Tang fans are buzzing about a new collaboration between the sneaker giant and hip-hop group.

Fans can land exclusive access to the shop Nike x Wu-Tang release through Spotify. A limited number of sneakers will be available for Wu-Tang’s top listeners via Spotify Fans First. The exclusive release launched on Saturday (Sept. 28) at 9 p.m. ET (midnight, Sunday on the East Coast) and ends on Oct. 4 at 2 pm ET/11 a.m. PT, or until supplies last.

If you make the cut, you’ll receive an email from RZA that reads, “The Nike x Wu-Tang collab is back from the lab and could end up on your feet. As you walk the sidewalks or skateboard down the concrete streets. Or maybe you’ll put them on the shelf and keep ‘em for self. Whatever path you choose, you can’t lose, because you’ll be first to burst on the scene. This is a gift from Nike, Wu, and the Spotify team as a token of thanks to you, for all of your streams.”

Spotify’s Fans First rewards program offers artists’ top fans access to limited-edition merch, presale tickets and more.

According to Footwear News, the Nike x Wu-Tang Dunks dropped in limited supply on the SNKR app at midnight (ET) on Saturday. The collab sold out, but Nike will reportedly re-release the shoe in October.

Wu-Tang fans have been waiting months for the release. Over the summer, Nike shared what looks like a sneak peek of the Wu-Tang Clan collaboration, via the Nike Sportswear Instagram account.

The post, featuring black and yellow high-top Nike Dunks covered in bees, was shared on the Wu-Tang Clan’s social media accounts and has received over 1,000 comments and more than 70,000 likes.

The Wu-Tang x Nike Dunk High was expected to arrive sometime this fall for the 25th anniversary of the shoe, Complex previously reported.

Nike released just 36 pairs of the original Wu-Tang “Killa Bees” Nike Dunk High back in 1999. The original Wu-Tang Clan high-top Dunks are available on eBay for a whopping $45,000 while the new Wu-Tang sneaker has already landed on resale sites for as much as $500.

While fans await the re-release, the classic Nike Dunk Low are trendy for fall, and being that we’re in a new season, it’s time to shop for fresh kicks. The Nike Dunk Low is available for $115 and the Nike Dunk High retails for $130. Shop bestsellers at Nike.com.

In other Wu-Tang Clan news, the group resumed the Wu-Tang Clan The Saga Continues residency at The Theater at Virgin Hotels Las Vegas on Friday and Saturday.

Doja Cat delivered a powerful message at this year’s Global Citizen Festival.

During her headlining set on Saturday (Sept. 28), the superstar rapper paused to speak out against injustices happening around the world.

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“Right now, millions of men, women and children in Gaza, Ukraine, Sudan, the Congo and all across the world, are suffering. In times like this, it is important to remember that we have the power to bring change, love light and hope to those who need it most,” Doja told the crow gathered on the Great Lawn in New York’s Central Park.

“I join forces with Global Citizen to help people in areas of conflict and crisis, and I know so many of you join me in taking action to earn your tickets to be here tonight. But we can’t stop now,” she continued. “Please keep using your voice to help those fleeing violence get the food, shelter and education they need and very, very much deserve. There is a beauty in strength in all of you who are watching this, and who choose to be here tonight. This is our time to put it into what matters most, and that is life.”

The festival, hosted by Global Citizen Ambassador Hugh Jackman, also featured performances by co-headliners Post Malone, Jelly Roll and Rauw Alejandro. Global Citizen is the world’s leading organization seeking to end extreme poverty. Similar to past years, the fest once again offered fans free tickets, which were earned by taking action on the Global Citizen app or on the organization’s site here in an effort to defeat poverty, defend the planet and demand equity. 

In addition to live performances, Saturday’s concert also included appearances from UN Messenger of Peace, Jane Goodall Institute founder and legendary primatologist Jane Goodall, and Coldplay singer Chris Martin, who served as the event’s curator.

Jelly Roll brought a pair of new tracks during his musical guest debut on the season 50 premiere of Saturday Night Live.

The 39-year-old country singer and rapper brought positive energy to Studio 8H on Sept. 28, performing new songs “Liar” and “Winning Streak,” both of which will appear on his upcoming album, Beautifully Broken, set for release on Oct. 11.

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Jelly’s first performance featured an introduction from host Jean Smart, who brought out her Hacks co-star Hannah Einbender to assist. Donning a gray denim jacket with a black shirt and dark pants, the country star showed off his impressive vocals with “Liar,” a bold song about confronting addiction and the emptiness of materialism. He previously debuted the single at the ACM Awards in May.

For his second SNL performance, Jelly — whose real name is Jason Bradley DeFord — lifted the audience with a powerfully delivery of “Winning Streak,” which he’s previously described as a track about attending an Alcoholics Anonymous (AA) meeting. Similar to his first performance, the artist surrounded himself with his band and singers on each side of him.

The next SNL on Oct. 5 will see comedian Nate Bargatze returning as host for a second straight season with Coldplay back as musical guest for an eighth time on the long-running show. The Chris Martin-fronted band first performed on the show in 2001, and their most recent appearance was in 2023.

Watch Jelly Roll’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

While Chappell Roan has been very serious about her pleas to fans to respect her personal space, Saturday Night Live found a way to make light of the situation on this weekend’s season 50 premiere by likening the red-hot pop star to Moo Deng, the 2-month-old pygmy hippo living at a zoo in Thailand.

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On Saturday night’s Weekend Update, Bowen Yang portrayed the viral hippo, who confided in Colin Jost about how hard it was to have the world’s attention on her and have zoogoers throwing bananas and shellfish at her.

“The response has been overwhelming, but it has come to the point that I have to set some boundaries,” Yang said, going on to paraphrase Roan’s words. “Reminder: Women owe you nothing. When I’m in my enclosure, tripping over stuff, biting my trainer’s knee, I am at work. That is the project. Do not yell my name or expect a photo just because I’m your parasocial bestie or because you appreciate my talent.”

In August, the “Good Luck, Babe!” singer made headlines for speaking out against toxic fan behavior, detailing experiences with stalking and crossed boundaries that she’s faced over the past few months. “I’ve been in too many nonconsensual physical and social interactions and I just need to lay it out and remind you, women don’t owe you sh–,” she wrote at the time in an Instagram post. “I chose this career path because because I love music and art and honoring my inner child, I do not accept harassment of any kind because I chose this path, nor do I deserve it.”

Yang as Moo Deng went on to joke: “Before me, the only hippos in media were either Yang’s Moo Deng went on to joke: “Before me, the only hippos in media were either Hungry, Hungry or Jada Pinkett in Madagascar. But now, I’m your favorite hippo’s favorite hippo.”

When Jost suggested that Yang’s Moo Deng sounded a lot like Chappell Roan, the Weekend Update host asked if she even knew who Roan was. “I’m 10 weeks old, Colin. Of course I know Chappell Roan,” Yang said. “And by the way, leave her alone! Let her take as much time as she needs for her mental health.”

On Friday, Roan dropped out of her scheduled performances at the All Things Go festival in both New York and Maryland, writing in a message on her Instagram Story, “I apologize to people who have been waiting to see me in NYC & DC this weekend at All Things Go, but I am unable to perform. Things have gotten overwhelming over the past few weeks and I am really feeling it. I feel pressures to prioritize a lot of things right now and I need a few days to prioritize my health. I want to be present when I perform and give the best shows possible.”

On SNL, Moo Deng also mirrored Roan’s comments about why she wouldn’t endorse a presidential candidate. “I know I’m only 10 weeks old, but this is very important to me so please listen: I will not be making an endorsement in this year’s election.” Roan recently said she would not be endorsing anyone in the U.S. presidential election, but then later clarified that she would be voting for Kamala Harris after fan backlash.

The Weekend Update segment wasn’t Yang’s only reference to Roan in Saturday’s episode: In a sketch later in the night, Yang referred to the classic show I Love Lucy as a “femininomenon,” borrowing the name of a Chappell Roan song.

Watch Yang as Moo Deng below:

LISA got on the floor to premiere a song called “Moonlit Floor” at Global Citizen Festival 2024 in New York City’s Central Park on Saturday night (Sept. 28).

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The BLACKPINK singer debuted her latest solo track ahead of its official release, set for Oct. 3, and clips from Global Citizen Fest’s livestream soon popped up on social media (as seen in the video below). As it turns out, “Moonlit Floor” is the song she’s been teasing on TikTok.

If you feel as though you’ve heard its heavenly hook somewhere before, let us name that song for you: Sixpence None the Richer‘s hit “Kiss Me,” which reached No. 2 on the Billboard Hot 100 in 1998. The single was on the group’s self-titled album, released in 1997.

“Green-eyed, French boy got me trippin’/ How your skin is always soft/ How your kisses always hit/ How you know just where to/ Green-eyed, French boy got me trippin’/ On that accent off your lips/ How your tongue do all those tricks?/ How you know just where to,” LISA sings, leading into the “Kiss Me”-interpolated chorus: “Kiss me under the Paris twilight/ Kiss me out on the moonlit floor” replacing Sixpence None the Richer’s original lyric, “Kiss me beneath the milky twilight/ Lead me out on the moonlit floor.”

“Moonlit Floor” follows the K-pop star’s recent rollout of solo singles that’s included “Rockstar” in June and “New Woman” with Rosalía in August.

This year has Sixpence None the Richer reuniting for new music — their Rosemary Hill EP, featuring “We Are Love” and “Julia,” arrives on Oct. 4 — and a 25th anniversary tour. The live show kicks off on Oct. 10 in Knoxville, Tennessee, and runs through December in the U.S. See the band’s current tour dates on their official website.

Watch a video clip of LISA’s “Moonlit Floor” from Global Citizen Fest below, then look back at Sixpence None the Richer’s “Kiss Me” music video.