The excitement over the music of iconic Mexican singer-songwriter Juan Gabriel overflowed on Sunday (Sept. 22) in Mexico City’s Zócalo. More than 70,000 people gathered at the country’s main public square, according to figures from the capital’s government, for the screening of Mis 40 en Bellas Artes.

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Although what they witnessed was a recording of his 2013 concert at Mexico’s most important cultural venue, the audience seemed to be in front of the “Divo de Juárez” himself, chanting and dancing to the songs of that special performance, with which the late artist celebrated his four decades of artistic career.

“Querida,” “Caray,” “Siempre En Mi Mente,” “¿Por Qué Me Haces Llorar?” and, the hit that launched him to international fame, “El Noa Noa” were played at the Zócalo, where young people arrived, many of who perhaps never went to a Juan Gabriel concert, but who keep his artistic legacy very much alive.

According to Mexico City’s Ministry of Culture, the screening of the concert celebrates a decade since the release of this material recorded in Bellas Artes with the International Orchestra of the Arts, as well as the 20th anniversary of the concert given by Juan Gabriel in Mexico City’s Zócalo in March 2004, as part of the Noche de Primavera Festival.

In front of a giant screen, fans of all ages, people in wheelchairs and several impersonators arrived hours before at the Zócalo to look for the best spot. The fan club Las Viudas de Juan Gabriel placed a banner of the late artist and a dozen members dressed in pink t-shirts and hats were enthusiastic about the recognition of the singer.

On social media, users also expressed happiness about being part of this massive event. “I love you Juan Gabriel, we all forgot it was a video [we were watching],” wrote on X a user identified as @MelanieMishell_. “He is a genius. An artist who transcends time and generations. Juan Gabriel is immortal,” added @diosdadoooooooooooo on the same platform.

The screening of Mis 40 en Bellas Artes at the Zócalo took place after hundreds of people were locked out of the Cineteca Nacional on Sept. 13 during a screening there, forcing the organizers to cancel another screening scheduled for the following day (Sept. 14).

Organizers estimated that some 6,000 people had arrived at the Cineteca Nacional to participate in the event. Videos on social media showed a large number of attendees who remained outside the venue, dancing and singing at the top of their lungs to the songs included in the concert — published by Virgin Music — regardless of the rain that covered much of the city that afternoon.

Arnel Pineda is letting the fans decide his fate.

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The Journey singer took to Facebook on Sunday (Sept. 22) to respond to criticism surrounding his performance at Rock in Rio earlier this month, sharing a video in which the vocalist appeared to be struggling with his ear monitors, which led to his inability to hit a few of the notes in “Don’t Stop Believin’.”

“No one more than me in this world feels so devastated about this,” he wrote. it’s really amazing how 1 thousand right things you have done will be forgotten just cause of THIS..and of all the place, its in Rock In Rio… mentally and emotionally, I’ve suffered already, and I’m still suffering ..but I’ll be OK….”

Pineda then offered to leave the band if fans want him out, requesting them to comment “Stay” or “Go” on the post as a vote. “If GO reaches 1million…I’m stepping out for good..are you game folks?” he said.

See the post here.

The vast majority of the comments voice support for Pineda, who joined Journey in 2007. The band’s guitarist Neal Schon also uplifted Pineda in a Facebook comment about the criticism. “Arnel dont listen to these blogs. They are all bought. You’ve kicked a–!” he wrote, according to Ultimate Classic Rock.

Ice Spice has reached an agreement to end a copyright lawsuit over allegations that her recent hit “In Ha Mood” was copied from a Brooklyn rapper’s earlier track.

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The case, filed earlier this year by a rapper named D.Chamberz (Duval Chamberlain), claimed that Ice Spice’s song – which spent 16 weeks on the Hot 100 in 2023 – was “strikingly similar” to his own 2021 track “In That Mood.”

But in a motion filed in federal court Friday, attorneys for both sides said they had agreed to resolve the lawsuit. Specific terms of the deal were not disclosed in court filings, and neither side immediately returned requests for comment.

Released early last year following Ice Spice’s 2022 breakout, “In Ha Mood” reached No. 58 on the Hot 100 and No. 18 on the US Hot R&B/Hip Hop Songs chart. It was later included on her debut EP Like..?, and she performed the song during her October appearance as the musical guest on Saturday Night Live.

In a lawsuit filed in January, D.Chamberz claimed that the two songs share so many similarities that the overlaps “cannot be purely coincidental.” He said the similar elements “go [to] the core of each work,” and are so obvious that they’ve already been spotted by listeners.

“By every method of analysis, ‘In Ha Mood’ is a forgery,” D.Chamberz’s attorneys wrote at the time. “Any proper comparative analysis of the beat, lyrics, hook, rhythmic structure, metrical placement, and narrative context will demonstrate that ‘In Ha Mood’ was copied.”

The lawsuit claimed the earlier song received “significant airplay” on New York City radio stations, including Hot 97 and Power 105.1, giving Ice Spice and others behind her track a chance to hear it.

In addition to naming Ice Spice (Isis Naija Gaston) as a defendant, the lawsuit also names her frequent producer, RiotUSA (Ephrem Lopez, Jr.), as well as Universal Music Group, Capitol Records and 10K Projects.

In April, the defendants formally denied the lawsuit’s allegations, but the case remained in the earliest stages when Friday’s agreement was reached.

Blake Shelton has a new label home, signing with BBR Music Group/BMG Nashville.

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Oklahoma native Shelton, who has earned 28 No. 1 Billboard Country Airplay hits during his career, is currently in the top 10 on the Country Airplay chart with his Post Malone collaboration “Pour Me a Drink.” During the course of his career, Shelton has not only earned accolades include five CMA Awards wins for male vocalist of the year, as well as a win for CMA entertainer of the year, but he’s also known as a multi-media personality, thanks to his 23 seasons serving as a coach on NBC’s Emmy-winning talent competition The Voice.

Currently his concerts for 2025 include his Live in Las Vegas residency at The Colosseum at Caesars Palace, as well as his Friends and Heroes Tour, which launches Feb. 27 in Lexington, Ky. The tour will also feature Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts

“Blake is one of the biggest personalities and presences in media,” Jon Loba, president of Frontline Recordings, Americas, BMG, said in a release. “America first got to know him through incredible, timeless songs and live shows and then fell in love with him and his sense of humor through TV. We are so excited he’s joining the BMG Global family and cannot wait to share his incredible new music with the world. He’s been laser-focused on delivering some of the best of his career and it shows. We have been dancing through the office, literally not just figuratively, since we heard the first couple songs he played for us!”

“A huge thanks to Jon, Peter, JoJamie, Katie, and the BMG family for being as excited as me about this new chapter we will write together,” Shelton added. “I felt their passion and love for music when I met with them, and I knew I was home. I am READY TO GO!”

Shelton joins BBR Music Group/BMG Nashville following over two decades at Warner Music Nashville. BBR Music Group/BMG Nashville is home to artists including Jelly Roll, Jason Aldean and reigning CMA entertainer of the year Lainey Wilson.

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Disney and Harry Styles’ Pleasing brand are partnering for a limited collection celebrating Fantasia. The collection, announced on Monday (Sept. 23) via Women’s Wear Daily, will feature three nail polish sets and 15 apparel pieces including hoodies, crewnecks, button-down shirts, T-shirts and sweatpants priced from $25 to $289.

The collection will also include Pleasing’s Big Lip HA Moisture Balm in a new Buttercream flavor, in addition to skincare products, 15 tote bags, towels, journals, socks and other accessories branded with characters from the Disney movie.

“From very early on, Fantasia was always in the front of our minds at Pleasing,” Harry Lambert, Pleasing’s creative director told WWD. “The aesthetics, the mood, the bold illustrations, the colors and, ultimately, the epic world that Disney has created, were very much a world that resonated with Pleasing. Fantasia feels very similar in terms of its overall aesthetic and musical influence — it just felt right for us.”

Disney’s Fantasia x Pleasing collection launches Oct. 4 at Pleasing.com and DisneyStore.com

Disney lovers will get a chance to shop the drop early at Disney stores in Houston, New York City and Lake Buena Vista, Fla., on Sept. 28 and on Sept. 29 in the U.K.

“Our 30-piece collection is available starting Saturday, September 28th, at two Pleasing pop-up experiences in Disney Springs and Houston, Texas,” reads a message on the brand’s Instagram account on Monday. “Plus, find a curated assortment at select Disney Stores around the world. On Friday, October 4th, shop the collection wherever you are on Pleasing.com and Disneystore.com.”

Fantasia is one of 100 classic, animated films featured in Disney’s Legacy Animated Film blu-ray box set released last year.

Gracie Abrams sold out three nights at the Greek Theatre in L.A., and she’s giving Billboard a personal, behind-the-scenes look at the must-haves in her dressing room, how she prepared for the tour, the relationships she has with her team and more!

Buy your tickets here!

Gracie Abrams:
Hey, Billboard, I’m Gracie Abrams. Welcome to my tour stop at the Greek in L.A. This is our third night. We’re stoked. This is a matcha because everyone keeps telling me to stop drinking Celsius because I was doing, like, three a day during rehearsals. And I know that that’s really not good for your heart, probably not good for your soul, so matcha, love it. Yeah.

These are our signs, and this is how we know where things are on tour. It’s like following the yellow brick road or something.

Welcome to my dressing room. Important part of the dressing room, in my opinion, is the makeshift bed with the heating pad. I feel like there’s a heating pad in every space that I occupy on tour. I keep my guitar back here before shows because I like to practice. If you can believe it, we have this book that has all of the looks for tour that me and Spencer Singer, who’s my stylist, and one of the great hearts and souls that we have in this world. We got, like, very organized about it this time. So there’s, like, all these different looks with … I’ll, like, block my face out, because I look like, actually, a true zombie in these pictures. But, you know, lots of details like, I love, I’m a very visual person, and so having everything organized in a book is like the dream of my life pretty much. 

Two independent music festivals that had hoped to generate approximately $70,000 in revenue by quietly scalping their VIP tickets through the since-shuttered ticketing company Lyte now each face more than $300,000 in losses, court records show.

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The festivals are represented in two lawsuits — one filed by organizers of Chicago’s North Coast Music Festival in New York court and the other, Ohio’s Lost Lands Festival in Los Angeles court. The suits provide the first insights into the collapse of Lyte, which suddenly ceased operating earlier this month.

The sudden closure of the company, without any warning to its hundreds of clients, revealed that Lyte CEO Ant Taylor, a Princeton graduate and former media executive, had quietly shifted the business into large-scale ticket scalping in recent years. Lyte was marketed to the public as a fan-to-fan ticket exchange, but documents from recent lawsuits show that Lyte’s main source of revenue came from working directly with promoters to scalp hundreds of thousands of dollars’ worth of VIP tickets for their events to Lyte, which would then resell those tickets at large markups, splitting the upside between the promoter and itself.

According to one court document, of the 3,064 tickets listed on Lyte for the North Coast Music Festival in Chicago (Aug. 30-Sept. 1) only 89 tickets came from fan listings. Lyte would use those fan listings to drive traffic to an additional 2,975 tickets posted directly on Lyte by the event’s promoters, with a collective face value of approximately $287,750.

Lyte was able to scalp those tickets on its own marketplace and generate $426,912 in revenue — a price lift of nearly 48%, or approximately $139,162 total — which it would then split 50-50 with the promoters. North Coast Music Festival’s cut of the action was to be $69,581, which represents a 24% increase in revenue over their original allocation.

But none of the above mentioned revenue was paid to the dance-centric NCMF festival and the festival was also never paid back for the $287,750 in revenue from tickets it listed on Lyte.

The team behind Lost Lands Music Festival, which takes place each September in Legend Valley, Ohio says its owed $330,000 for the tickets it sold on Lyte, plus the upside it generated from the markups. According to the Lost Land’s lawsuit (filed under its corporate name of APEX Management), Lyte paid APEX a $100,000 advanced fee for using the ticketing platform, which APEX repaid by early September.

Much of Lost Land’s lawsuit is heavily redacted, although the suit does provide some clues about the timeline surrounding Lyte’s collapse.

According to a court filing, APEX’s consultant for Lost Lands, concert giant AEG Presents, had learned that Taylor had resigned as Lyte’s CEO on Sept. 12, and “that Lyte had ceased virtually all of its business operations and laid off virtually all of its employees,” attorney Eric Levinrad writes in a recent court filing.

The lawsuits states that two days later, officials with AEG made contact with Lyte’s CFO Lisa Bashi and learned “she could not commit to the timing of any payment or even that there would be a payment,” for money owed to Lost Lands. “Ms. Bashi further stated that this was an unfortunate scenario, and that defendant was hiring an outside company to help consult on how to wind down operations (Id.), making it clear that Defendant had become insolvent.”

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On Sept. 18, an LA Superior Court judge overseeing the Lost Lands case approved the festival organizers’ request for a writ of attachment, allowing organizers to seize Lyte’s property before a judgment is entered, ensuring that Lyte’s assets are available to pay Lost Lands the $330,000 it is owed.

The failed payments come with significant risk for festivals, managing director of APEX Event Management Brett Abel said in a declaration filed in LA court, writing, “APEX will have to urgently find alternative sources of revenue to pay the vendors and artists who will be working at the festival, to make up for its planned share of the secondary market ticket sales,” increasing the risk that APEX would “suffer a loss from the festival rather than break even or to make some profit.”

Pusha T is a big fan of Kendrick Lamar.

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During a panel at Revolt World in Atlanta, the Virginia MC spoke highly of his fellow rapper after being asked what he thought about Lamar’s impact on rap music. “It’s amazing,” he said. “I’m sure people have said and have told him his whole career, ‘Oh, my God. You rap good. You’re great, but you rap too much. You need to make a song like this. You need to do that.’ It’s amazing to watch him be exactly who he is, be the lyric king.” He added, “And people who never even listen to lyrics are reciting his freestyles, his battles, his songs. It’s great to watch. And it’s great for what it is we do in lyric-driven hip-hop. It’s great to see.”

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This isn’t the first time Pusha has praised the Compton rapper’s lyricism. During a June interview with Vulture, he and his brother and Clipse bandmate No Malice called Lamar’s Drake diss song “Euphoria” an “incredible display of battle raps” and “a master class” after Pusha was asked about the line, “F— all that pushin’ P, let me see you push a T.”

More recently, when Lamar announced that he would be headlining the Super Bowl halftime show, Kendrick hit Drake with a little jab, saying, “You know there’s only one opportunity to win a championship. No round twos,” in reference to his rival seemingly alluding to another round on his finsta account. Push, of course, agreed and posted the quote on his Instagram Story with the caption: “This is true…”

Pusha and Kendrick have only collaborated once, on 2013’s “Nosetalgia.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Sweater weather is here! If you’re looking for something new to refresh your collection, consider adding this Lululemon Scuba Oversized Funnel Neck Half Zip sweatshirt. With the chilly weather setting in, finding a go-to stylish and comfortable piece for all occasions is a must. Whether you are looking for cozy layers to stay warm or heading out for a causal outing, this pull-on oversized top is for you.

The brand describes this half-zip as lightweight, breathable and soft. Its high-neck style is sure to keep you warm, providing an extra layer of insulation against the chilly weather. You can easily pair these with the leggings or jeans of your choice. One Lululemon customer said it’s “soft” and “easy to put on.”

You can get this Lululemon Scuba Oversized Funnel in two different colors: Pow Pink Tone and Heathered Bone. If you get yours in pink, it’s available in sizes XS to XXL. For those looking to add this funnel sweatshirt in the color heathered bone, it’s currently available only in medium or large — so hurry before it sells out.

Lululemon $99 Oversized Half-Zip Is 'Soft' and 'Perfect for Fall'

Lululemon Scuba Oversized Funnel-Neck Half Zip

$99 $118 16% off

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With fall season in full swing, this is a great piece for layering, ensuring you stay warm and stylish all season long. Another Lululemon customer said, “A very cozy and comfortable top, perfect for fall.”

Overall, Lululemon customers love its soft and cozy design, making it the ultimate go-to for chilly days. Plus, it also features a Kangaroo pocket to keep your hands warm or carry small items.

For more product recommendations, check out these Long-Sleeved Shirts Under $20, these 5 Fall Bags Under $30, and these top 10 QVC fall fashion finds to add to your shopping list.

The Clio Music Awards is approaching a major benchmark as the deadline nears for entries in the annual celebration of music marketing, brand collaborations and music in advertising.

On Monday, September 23, it was announced that Clio Music will extend its deadline for entries through October 11, three weeks after its initial marker of September 20. The forthcoming award program is scheduled for the evening of January 30, 2025. As it has in the past, the affair falls during Grammy Week in Los Angeles, with a jury of notable music industry names from record labels, touring, publishing, streaming and more. Among this year’s Jury Chair representatives include Amaechi Uzoigwe (Run the Jewels Inc; Portfolio A), Camille Hackney (Atlantic Records), Michelle An (Interscope Geffen A&M), Frank Harkins (Music Legacy Recordings), Darin Wolf (Live Nation), Tom Eaton SVP (Universal Music Publishing Group), Jean Scofield (Mophonics) and Evelin Garcia (The Walt Disney Studios – The Hive).

The forthcoming program comes with something new as six mediums have been added to the mix, including Live Music, Design Craft, Digital & Social Media Craft, Merchandise & Premiums, Use of Music in Advertising Craft, and Use of Music Innovation. As of this year, mediums are now grouped into three areas, including music marketing, branded content and brand collaborations and the use of music in ads and trailers/teasers.

Additionally, two new juries have been added seeing entries face off in Live Music and in Use of Music in Advertising Craft. Click here for more on the Clio Music Awards, including mediums, categories, key dates and entry fees.

Outside of the Clio Music Awards, the entity has announced their Clio Music Salon Series in Culver City for September 24. The two-part session will feature a presentation dubbed “Step into the Music: The Future of Immersive Live Entertainment,” where attendees will hear from a panel of creative leaders taking music to the next level with “innovations in stage, sound and sight.” Among the speakers include Butch Allen (VP, Global Business Development), Tait Anders Rahm (Co-Founder, Raw Cereal), Daniel Jean (Producer, Moment Factory) and Kerstin Hovland (Creative Director and Co-Founder of Electronic Countermeasures). 

The second session is a conversation titled “The (R)evolution of the Music Video in The Digital Age,” which will be moderated by Michael Kauffman (Executive Director of Clio Music) and hone in on the powerful resurgence of the music video. The panelists include Michelle An (President, Head of Visual Creative, Interscope Geffen A&M), Hannah Lux Davis (Director), Bryan Younce (EVP, Video Production, Sony Music Entertainment) and Warren Fu (Director). Each session will be followed by networking, drinks and light bites.