Benson Boone is not only a dynamic vocalist, but an equally powerful onstage performer. The 22-year-old singer has been blowing fans away during his performances with his wild, off-the-piano backflips.
The Freddie Mercury-esque stage presence has helped catapult Boone into pop stardom, following the release of his Billboard Hot 100 No. 2 hit, “Beautiful Things.”
“I think I knew after I heard the chorus with production that this could be a really big song,” he previously told Billboardof the enduring hit. “With teasing on social media, and with promoting your music, you never really know what’s gonna go. All I can do is try my best to push it. But I was really hoping this one would go, because I do love this song. And outside of any TikTok video, it just feels like a big change for me — a change in the right direction, that’s more like my other music that will be coming out.”
Following the success of his debut album, Fireworks & Rollerblades, Boone has recently expanded his world tour — which launched in the spring — with additional U.S. dates. He has one week left touring across the nation, before he heads to Europe, Asia, and Australia in 2025. Boone’s September 2024 shows in Australia and New Zealand have been rescheduled to January 2025 due to a scheduling conflict, with upgraded venues to meet demand.
With so many exciting opportunities to see Boone flip on stage in the coming months, we’ve compiled some epic photos of his high-flying backflips at recent shows. Check out the gallery below.
Brandon Lake earns his fourth leader on Billboard’s Hot Christian Songs chart as “That’s Who I Praise” ascends to No. 1 on the survey dated Oct. 19.
Lake, from Charleston, S.C., co-authored the single with Steven Furtick, Benjamin William Hastings, Zac Lawson and Micah Nichols, the lattermost of whom also produced it.
“To hear the news about the reach of this song just blows my mind of how good God is,” Lake tells Billboard. “For me, it’s not about records or status. It’s the fact that God is moving through this song. I hope this song reminds people of who our God is: A mountain moving, body raising, breaker of chains … ‘That’s who I praise.’”
Lake dethrones himself atop Hot Christian Songs, replacing Elevation Worship’s “Praise,” on which he and Chris Brown are featured. The track dips to No. 2 following a 31-week domination.
Such a handoff also happened on the March 16 chart when “Praise” first reigned, swapping out for Lake’s solo hit “Gratitude,” which had logged a 28-week stay at No. 1.
Lake’s other leader is also a feature with Elevation Worship, “Graves Into Gardens,” which dominated for two frames in April 2021.
“That’s Who I Praise” crowns Hot Christian Songs with 3.2 million official U.S streams and 1,000 sold Oct. 4-10, according to Luminate. On Christian Airplay, the track rises 11-7 with 3.9 million in reach (up 24%), marking Lake’s sixth top 10.
Layton & Brown Break ‘Through’
Speaking of Christian Airplay, Tasha Layton nets her third chart-topper as “Worship Through It,” featuring Chris Brown, rises 3-1 (5.8 million, up 14%).
Layton, from Pauline, S.C., co-penned the single, which follows her “How Far,” which led for two weeks in October 2022, and “Look What You’ve Done,” a one-week No. 1 in December 2021.
Brown adds his second Christian Airplay leader, after Elevation Worship’s “Praise,” on which he’s featured with Brandon Lake and Chandler Moore, began a 10-week command in May.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 20:15:022024-10-15 20:15:02Brandon Lake’s ‘That’s Who I Praise’ Tops Hot Christian Songs Chart: ‘God Is Moving Through This Song’
Four Latin creatives — Kike Baez (fashion designer), Omar Courtz (artist), Saiko (artist), and Yudy Arias (celebrity coach) — gathered at 2024 Billboard Latin Music Week on Tuesday (Oct. 15) to discuss how they are actively using their platforms to uplift and inspire their community and future generations with their art.
Below, check out memorable quotes from each speaker at the “Deja Tu Huella: Inspire Who’s Next” panel, moderated by Billboard Español’s Isabela Raygoza.
Omar Courtz: “Daddy Yankee gave me the opportunity to collaborate with him and he performed at my first massive concert. He has been a great inspiration to me since I was a kid. That’s how I leave my mark, because I want my fans to identify with me. It was important to have my idol with me so I could also inspire other artists like me.”
Yudy Arias: “As a family, we managed to come from scratch to achieve great things, we always work without expectations. Work with love because the most important moments have been with family. There are crazy moments in fame but that’s not all. Everything comes, everything goes and everything changes but family is always there and be happy with that.”
Saiko: “When I started making music, I didn’t have any goals. This year I released an album, I’ve done stadiums and at the end of the day, I know I’m a normal kid and maybe I can inspire other artists. I’m excited to be heard in Chile, Mexico, and other countries, but there’s nothing like being crowned and being a prophet in your own city… and for me that’s the greatest thing there is.”
Kike Baez: I remained very true to my beliefs. It was going to cost me twice as much, but I wanted to achieve it in Tijuana so that a kid like me could see that it was possible. For me, it is very important to inspire, create culture, and continue creating.
Over the past 35 years, Latin Music Week has become the one, steady foundation of Latin music in this country, becoming the single most important — and biggest — gathering of Latin artists and industry executives in the world. Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 19:48:442024-10-15 19:48:44Omar Courtz, Saiko & More Creatives ‘Leave Their Mark’ at Billboard Latin Music Week 2024
Fat Joe has lost nearly 200 pounds in recent years, and he’s shedding some light into how he transformed his body.
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Speaking to Us Weekly at the 2024 BET Hip Hop Awards, Joey Crack credited Ozempic along with dietary changes for his much slimmer figure.
“Ozempic says you may only have two pieces of your favorite stuff,” he said of maintaining his weight loss. “We just try to eat everything with the least carbs as possible. So we try to stay away from the bread, the pasta, the rice. That’s the smartest way to eat.”
Joe continued: “Like, this morning I ate breakfast, I had this toast. I cut the corner off, ate it and kept it moving. Normally I would’ve ate the whole thing. But you know, that’s what we do. We cut carbs and try to be smarter.”
Ozempic is typically a medication used to treat individuals diagnosed with Type 2 diabetes, but has also found success off label as an anti-obesity drug.
Fat Joe clarified to TMZthat he was diagnosed with diabetes as was a teenager, and that he used Ozempic along with exercise and proper dieting to achieve his weight loss goals.
Ozempic has been a topic of conversation around several Hollywood stars and their figures as some artists such as Ice Spice have shut down rumors of taking the diabetes drug.
Fat Joe will take the stage at the 2024 BET Hip Hop Awards and play host for the night when the award show airs on BET on Tuesday (Oct. 15) at 8 p.m. ET.
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Five figures from the música urbana and música mexicana landscape — including singer-songwriters, producers, and rappers — shared insights into their creative processes and the paths they have navigated within the music industry during Billboard Latin Music Week.
The panel How I Wrote That Song: The Urban and Música Mexicana Edition, presented by BMI, took place on Tuesday (Oct. 15), and was moderated by Jesús González, vp of creative, Latin at BMI. González was joined by corridos singer-songwriter Armenta, producer Caleb Calloway, Puerto Rican rapper/singer Álvaro Díaz, singer-songwriter Alexis Fierro “Chachito”and producer Albert Hype.
Below, find some of the best quotes from the panel:
Álvaro Díaz on his creative process: “Sayonara has really been a great blessing. I fell in love with the sound, especially in Puerto Rico. Pursuing projects that have their own identity, sounding like Álvaro Díaz and not like anyone else, is crucial. At the end of the day, the artists who stand out are those who dare. Things are always changing. I always prefer to be alone, I like to enter the studio and flow with what we are feeling. Having the privilege to work with someone like Yandel or someone like Rauw, who started from scratch with us, makes it more challenging to compose by oneself. The trick should always be to continuously learn, never assume you know everything.”
Caleb Calloway on his first album Hayabusa: “It’s exciting. It’s been a process. I’ve always looked up to many people in the industry, and having my own label The New Wave Group, we did it all ourselves. I always had the vision. Be yourself. With the money we have, we need to support these artists. She [Young Miko] is now a superstar (who Calloway produces for since her foundations). Having an identity takes time. Keep pitching, keep searching for your identity; it will take you to another level.”
Chachito on his beginnings to becoming a hitmaker: “At the age of 13 or 14, when I was a soccer player, I realized that I could write songs and decided to learn to play the guitar. It became my passion; day and night, I couldn’t put the guitar down. I work with Oscar Maydon, he gives me ideas and I execute them. What I enjoy the most is starting from scratch with artists and watching them grow. In my work routine, I have a formula: at night, I clear my mind and start writing titles. Out of about 30, I choose two. For me, the important thing is the experiences; for example, the first time I saw a bottle of Dom Pérignon in a club with the words ‘Lady Gaga’ on it inspired me to write ‘Lady Gaga’ [by Peso Pluma].”
Armenta on his creative process: “Since I was 11 years old, I have been immersed in corridos, Mexican music influenced by figures like Juan Gabriel, Joan Sebastian, and Los Tucanes [de Tijuana]. Transitioning to a songwriter meant adapting to global styles. It’s important to decide the space you want to be in; the intention of the melody, whether it’s sad or happy, is crucial, although studying musical theory can be a bit boring. But you need to understand it; major tones make a melody constitute 70% of a song’s impact. Catchy hooks are essential. You have to accept that you won’t always be the best, but life gives you talent and, with dedication and hard work, you can [stand out].”
Albert Hype on connecting regional and urbano music: “I started making beats in 2015 after playing in a bunch of punk bands. A lot of my style came from playing in rock bands, and now I’m doing the Latin scene, trying to incorporate rock into it. I met Ivan [Cornejo] at a Billboard [event]; he was already on my radar. The Mexican regional genre is massive now, reminiscent of reggaetón in 2019 when there was a massive renaissance. That’s what’s happening with regional; helping push that genre forward. I feel we’re bridging the gaps that used to exist between regional and urbano.”
Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 19:43:512024-10-15 19:43:51How Five Creatives Are ‘Bridging the Gaps’ Between Regional Mexican & Urbano at Billboard Latin Music Week 2024
Former Journey frontman Steve Perry signed to the late George Harrison‘s Dark Horse Records. The label will release his upcoming holiday album, The Season 3, on Nov. 8. “I am so pleased to announce that I have just signed with George Harrison’s label, Dark Horse Records,” said Perry in a statement. “I’ve so much music in me that has yet to be heard. To be able to work with a team of people who support and respect my creative expressions, is a dream come true.”
CAA signed singer-songwriter, actress, dancer and TV personality Nicole Scherzinger, who is set to make her Broadway debut as Norma Desmond in Sunset Boulevard on Sunday (Oct. 20). Scherzinger won the Laurence Olivier Award for Best Actress in a Musical for the play’s London run. She’s also set to reprise her role as Sina in Disney’s Moana 2, which is slated for release next month.
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British rapper-producer Jim Legxacy signed with XL Recordings and released a new single, “aggressive,” on Oct. 7. He’s slated to release a new mixtape, Black British Music (2024), next year.
Seth Shomes‘ Day After Day Productions signed Bobby Brown for exclusive global touring representation. Tour dates will be announced in the coming months. Brown is managed by Alicia Etheredge-Brown at AE Management.
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Electronic music duo Deep Dish (Ali “Dubfire” Shirazinia and Sharam Tayebi) signed with Purple Wall for management and CAA for touring. The duo, which recently signed with Armada Music and returned to the studio for the first time in a decade to reimagine some of their older songs, including “Flashdance” and “Say Hello,” is slated to hold residencies in both London and New York this winter.
Big Loud Texas, the label offshoot recently co-founded by Miranda Lambert and Jon Randall, signed country singer-songwriter Jake Worthington. To mark the occasion, Lambert and Worthington released the duet “Hello S—ty Day” late last month.
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Tyler Brown (former MD at Syco Music) and Harold Serero (former senior A&R at Ultra Music Publishing and Payday Records) launched Heatwave Records, which will focus on signing artists from emerging markets. The label’s first signings are Nigerian artists Fido (“Awolowo”) and Firstklaz (“Gen-Z Area”) and Ivory Coast artist døpelym (“Guala”).
WME signed singer-songwriter Adrien Nunez (“Low Road”). Managed by Dillon Goldberg at FNGRPRNT, Nunez is slated to support both Dasha and Avery Anna on their respective tours later this year.
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Music licensing company PPL signed Manchester, U.K.-based pop-soul singer-songwriter Lusaint (“Sweet Tooth”) for the collection of her international neighboring rights royalties. Lusaint recently released her debut EP, Self Sabotage.
Riser House Records signed cross-genre soul artist Stephen Day, who is set to release a two-pack of holiday songs: an original track, “It’s Christmas All Over,” and a rendition of “Pennies From Heaven.”
Universal Music Canada signed singer-songwriter Lindsay Ell, who will release a new EP, love myself, on Oct. 25. It’s preceded by lead single “Story I Tell Myself.”
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Bay Area hardcore band Scowl signed with Dead Oceans. The label released the group’s new single, “Special,” earlier this month.
Irish folk band Amble signed with Warner Records and released a new song, “The Commons,” the title track off a forthcoming EP slated for release on Nov. 1.
Deb Never signed with GIANT Music and released a new single, “Not In Love,” on Tuesday (Oct. 15). Her debut full-length album is due for release next year.
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Musical duo CocoRosie signed with Joyful Noise Recordings and will release the new single, “Least I Have You,” on Wednesday (Oct. 16).
Metal/hardcore band Biohazard signed with BLKIIBLK, a new heavy music imprint from Frontiers Label Group. The band is set to release a new album next year, marking its first full-length release in more than a decade. Biohazard is co-managed by Andy Gould and Paul Gargano.
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Gotee Records, co-founded by CCM hitmaker TobyMac, has signed indie pop singer/songwriter Lydi Lynn. The Portland native, who now resides in Nashville, will release her debut EP Desert Dream on Oct. 11 and is currently providing direct support for Jervis Campbell’s Magnolia Tour. Lynn is booked by Reliant Talent Agency’s Kevin Castleman. – Jessica Nicholson
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 19:30:492024-10-15 19:30:49Signed: Steve Perry Inks With George Harrison’s Dark Horse Records, Nicole Scherzinger Pacts With CAA
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Good news — Crocs has dropped a collection of official Wicked clogs that’ll finally have you decide whether you’re more of an Elphaba or Glinda. The cozy footwear brand released the exclusive shoes on Tuesday (Oct. 15), featuring two styles inspired by the Wicked stars for you to choose from.
Add a magical touch to your footwear rotation while expanding your Wicked merch collection when you throw on a pair of the Elphaba Clogs ($69.99) or platform Glinda Siren Crocs ($94.99). Each pair features intricate details inspired by the characters including exclusive Jibbitz charms you can only get with the Crocs. Since there are two pairs up for grabs, you and your bestie can channel your inner Glinda or Elphaba as you practice “What Is This Feeling” before the film’s premiere.
If you can’t bear to choose between the two, you can also snag a five pack of Wicked Jibbitz charms ($24.99) that feature the movie’s logo, flying monkey’s and the Emerald City for you to decorate your other Crocs with.
It’s common for Crocs collaborations to sell out quickly, which means you’ll want to snag a pair before they’re gone “For Good.” Keep reading to shop the Wicked Crocs collection below.
Have your defying gravity moment when you slip on the official Elphaba Crocs featuring a statement-making metallic green upper that’ll have you shining with every step. The adjustable heel strap comes with a textured black design inspired by the Wicked Witch’s billowing black cape.
Feel as though you’re floating in these cushy platform Crocs inspired by the pink-loving Glinda. Along the sole is a white shimmery bubble pattern while the upper has a bubblegum pink shade with a glittery design that’ll have you ready to belt out “Popular.”
In addition to Crocs, Wicked has been casting its spell on other brands, giving you ample opportunity to collect exclusive merch — especially as you prep your movie outfit. Some of the most recent collaborations include Bombas, Mattel and even Beis.
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Coldplay have become the first British band to simultaneously top the album charts on both sides of the Atlantic since 2016.
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The band’s 10th studio album Moon Music landed at No. 1 on theBillboard 200 and the Official Album Charts in the U.K. following its release on October 4.
By doing so, they are the first band to reach the summit since The 1975’s second album I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It did the same in February 2016.
It is the fifth time that Coldplay have achieved the feat, having done so in 2005 with X&Y, Viva La Vida (2008), Mylo Xyloto (2011) and Ghost Stories (2014). Moon Music makes them the British artist – solo or group – with the most No. 1 albums on the Billboard 200 this century.
In a statement, Coldplay’s manager Phil Harvey said: “In Moon Music, the band has made one of their very best albums and I’m really happy that it resonated with fans all around the world. Even after 26 years, Chris, Guy, Jonny and Will never cease to amaze me with their outstanding artistry and unceasing hard work. To achieve this success in the middle of a record-breaking stadium tour makes it all the more impressive.
“As well as my fantastic co-managers Mandi Frost and Arlene Moon and the band’s incredible team, I’d like to offer sincere thanks to Max Lousada, Julie Greenwald and her team at Atlantic, everyone at Parlophone, as well as our touring family at Live Nation, WME and SJM. We’re looking forward to a long album campaign – not least in the U.S., where the band will return next year for their third summer of sold-out stadium shows and where we look forward to working with Elliot Grainge and his new team.”
On the Billboard 200, dated Oct. 19, the band achieved 120,000 equivalent album units, 106,000 of which are in traditional album sales. It was the first No. 1 album on the Billboard 200 for the band in over 10 years, and became their 10th effort to reach the top 10.
The British act shifted 237,000 units in the U.K. to gain No. 1 on the Official Album Charts. Their opening week would prove the biggest opening week for a British act since Adele’s 30 was released in 2021.
The band are currently in the midst of their Music Of The Spheres global world tour, which was recently named by Billboard Boxscore as the biggest rock tour of all time having passed $1 billion at the box office.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 19:09:242024-10-15 19:09:24Coldplay Are the First British Band to Simultaneously Top U.S. and U.K. Album Charts Since 2016
Four of Colombia’s hottest acts of today joined forces at the 2024 Billboard Latin Music Week for The Explosion of Colombian Pop Music panel on Tuesday (Oct. 15).
In a panel presented by Imagen & Mercado and moderated by Alex Sensation, Luis Alfonso, Paola Jara, Pipe Bueno, and Yeison Jimenez talked about the rise of Colombia’s most exciting new music movement. Below, read everything you should know about the musical genre.
What Is Música Popular Colombiana?
“Outside our country, there is always confusion because popular music is of all genres except classical. In Colombia, it refers to heartbreak, lack of love, and it cuts veins. I dare say that it is the cousin of Mexican and ranchera music that began in the villages and bars, but little by little spread to the cities and the rest of the country.” — Paola Jara
Why Is It Exploding Now?
“The generational change. We’re adding more professionalism, more focus, more work. We have more resources too. We are in other leagues, in other times but with the same essence and gratitude for what the pioneers did. But today it’s another level. I was a fan of Pipe [Bueno], and I bought his music. Thanks to him, I decided to go for it. At that time, Pipe connected with the youth, and ultimately connected all of us, and from there came the new generation.” — Yieson Jimenez
Pioneer of the New Generation
“I grew up listening to popular music. I grew up loving this genre. When the time came to be a singer, popular music was the music that I felt in my blood and I was passionate about singing. When that dream began, popular music was the ugly duckling of genres, with little culture. At that time, many doors were knocked down for them to fall. This is due to the change in the genre in its exponents: how they dress, how they look … there is no longer a stereotype, and it became an aspirational genre.” — Pipe Bueno
What’s Needed for U.S. Explosion?
“A little more work, more noise. In Colombia there are tons of talents who come with a hunger to conquer the world and important musical material. We need more noise. For people to know about our music. Something I admire about reggaeton and urban music is that it is one of the biggest in the world because there is a lot of brotherhood between them. In Colombia that chip has already changed. There was a lot of ego, and today in popular music there is unity and strength. It is only necessary to light the match and for the bomb to go off.” — Luis Alfonso
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 18:58:072024-10-15 18:58:07Música Popular Invades Latin Music Week 2024: What Pipe Bueno, Yeison Jimenez, Luis Alfonso & Paola Jara Taught Us
It’s official: Shaboozey has made history. His country hit “A Bar Song (Tipsy)” has broken the new record for most weeks atop the Billboard Canadian Hot 100.
On the chart dated Oct. 19, 2024, the song claims the top spot at No. 1 for an unprecedented 20th week, surpassing a record previously set in 2019 by Lil Nas X’s Billy Ray Cyrus-featuring “Old Town Road.”
This is the first time a song has held the No. 1 spot for 20 weeks or more in the history of the Billboard Canadian Hot 100, which launched in 2007. “A Bar Song” first hit No. 1 in the week of May 11, 2024, and has actually spent 26 cumulative weeks on the chart. It was briefly knocked out of the top spot by Eminem’s “Houdini” and Morgan Wallen and Post Malone’s “I Had Some Help,” but has otherwise dominated from summer to fall.
With “A Bar Song (Tipsy)” setting the new record, here’s an updated leaderboard for most weeks at No. 1 on the Billboard Canadian Hot 100.
Most Weeks Spent at No. 1 on the Canadian Hot 100 Weeks, Title, Artist Billing, Peak Date
20, “A Bar Song (Tipsy),” Shaboozey, 5/11/2024 19, “Old Town Road,” Lil Nas X ft. Billy Ray Cyrus, 4/20/2019 18, “As It Was,” Harry Styles, 4/16/2022 16, “Despacito,” Luis Fonsi & Daddy Yankee ft. Justin Bieber, 5/27/2017 16, “Shape of You,” Ed Sheeran, 1/28/2017 16, “I Gotta Feeling,” The Black Eyed Peas, 7/4/2009 15, “Flowers,” Miley Cyrus, 1/28/2023 15, “Uptown Funk!,” Mark Ronson ft. Bruno Mars, 1/10/2015
Shaboozey’s “A Bar Song (Tipsy)” is also making history on the U.S. Billboard Hot 100, this week tying the record for the second-longest rookie reign at 14 weeks. But the Virginia artist’s song hit No. 1 in Canada first and has reigned for longer. He acknowledged that feat onstage at a headlining concert at Toronto’s Danforth Music Hall last month, when Billboard Canada presented him a plaque for his No. 1 hit. “Y’all did it first!” he said triumphantly to the Canadian crowd.
In a Billboardcover story, Shaboozey talks about the whirlwind last few months. He’s been making music for a decade, but had a major breakthrough this year after appearing as a guest star on Beyoncé’s culture-shifting Cowboy Carter. Beyoncé and Shaboozey subsequently made history as the first two Black artists to hit No. 1 on the Billboard Hot Country Songs chart consecutively with “Texas Hold ‘Em” and “A Bar Song (Tipsy),” but “A Bar Song” has surpassed the songs on Cowboy Carter for Canadian chart dominance.
Lil Nas X’s “Old Town Road” is also notably a country song from a Black artist who seamlessly shifts between sounds. Shaboozey’s “A Bar Song” quotes from J-Kwon’s 2004 rap hit “Tipsy” and unites listeners of different genres in its themes of drinking through everyday economic hardships, getting heavy airplay on a variety of different radio formats in Canada. To put this historic feat into perspective, 20 weeks would also set the record for most weeks at No. 1 on the U.S. Billboard Hot 100, where Lil Nas X currently still reigns with 19 weeks. On that chart, which has existed for 66 years compared to Canada’s 17 years, only five songs have occupied the No. 1 spot for more than 15 weeks.
It’s difficult to predict if any songs have the power to knock Shaboozey out of No. 1 on the Canadian Hot 100 in the near future. Post Malone and Morgan Wallen’s “I Had Some Help” continues to hold down the No. 2 spot and did briefly surpass Shaboozey this summer. Billie Eilish’s “Birds of a Feather” has stalled at No. 3 for a number of weeks, while Lady Gaga & Bruno Mars’ duet “Die With a Smile” has continued a slow climb into the top 5 and this week sits at No. 4. Sabrina Carpenter’s “Espresso” currently holds No. 5, and previously peaked at No. 3.
So how many weeks will Shaboozey hold the No. 1 spot on the Canadian Hot 100? Only time will tell.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-15 18:58:072024-10-15 18:58:07Shaboozey’s ‘A Bar Song (Tipsy)’ Breaks Record for Most Weeks at No. 1 on the Billboard Canadian Hot 100