Benj Pasek and Justin Paul won a Primetime Emmy for outstanding music and lyrics for a song they co-wrote for Only Murders in the Building on Sunday (Sept. 8), the second night of the Creative Arts Emmys. They are the 20th and 21st individuals to EGOT – to win at least one Emmy, Grammy, Oscar and Tony in competition.

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Pasek and Paul have set a new record for the fastest climb to an EGOT – a little less than seven years and seven months from the date of their first EGOT win. The old record was held by Robert Lopez, who took nine years and eight months from the time he collected his first EGOT award in June 2004 to the time he completed the journey in March 2014.

Pasek and Paul are the second pair to achieve the EGOT as a team. Andrew Lloyd Webber and Tim Rice won each of the four awards as a team – a Tony for best original score for Evita, a Grammy for best cast show album for Evita, an Oscar for best original song for “You Must Love Me” from Evita and an Emmy for outstanding variety special (live) for Jesus Christ Superstar Live in Concert.

In addition, Pasek, who is 39 years and three months old, is the second-youngest EGOT winner ever, trailing only Lopez, who was 39 and one week old when he achieved the feat in March 2014.

Pasek is the fourth individual who is publicly LGBTQ to achieve the EGOT, following actor Sir John Gielgud (1991), producer Scott Rudin (2012) and Sir Elton John (2024).

Pasek and Paul won their Primetime Emmy for co-writing the song “Which of the Pickwick Triplets Did It?” for Only Murders in the Building with another songwriting team, Marc Shaiman and Scott Wittman. While this was the first Emmy win for Pasek and Paul, and also for Wittman, Shaiman had won before. He won outstanding individual achievement in writing in a variety or music program for cowriting the 1992 Oscars, hosted by his longtime friend Billy Crystal.

Series star Steve Martin, who is nominated for a Primetime Emmy for outstanding lead actor in a comedy series, performed the tongue-twisting song.

Pasek and Paul won their first EGOT-qualifying award, an Oscar for best original song, in February 2017 for co-writing “City of Stars” from La La Land with composer Justin Hurwitz. They won a Tony for best original score that June for Dear Evan Hansen and won a second Tony in June 2022 for being among the platoon of producers of A Strange Loop, which was voted best musical. They won their first Grammy, best musical theater album, in January 2018 for Dear Evan Hansen and their second, best compilation soundtrack for visual media, in February 2019 for The Greatest Showman.

Sir Elton John was the most recent person to complete the EGOT before Pasek & Paul. He did so when he won a Primetime Emmy for Elton John Live: Farewell From Dodger Stadium at the ceremony in January (which was delayed for four months by union strikes). This is the fourth time that two or more people have become EGOTs in the same calendar year. Helen Hayes and Rita Moreno both became EGOTs in 1977. Mel Brooks and Mike Nichols both scored in 2001. Webber, Rice and Legend all completed their EGOT journeys in 2018.

In other music news from night 2 of the Creative Arts Emmys, Carlos Rafael Rivera won outstanding music composition for a limited or anthology series, movie or special (original dramatic score) for Lessons in Chemistry (Apple TV+). It’s his third Emmy. He won in the same category three years ago for The Queen’s Gambit and for outstanding main title theme music in 2018 for Godless.

Siddhartha Khosla won outstanding music composition for a series (original dramatic score) for Only Murders in the Building. It’s his first Emmy on his seventh nod.

Jeff Toyne won outstanding original main title theme music for Palm Royale (Apple TV+). It’s his first Emmy. He had a second nod this year, outstanding music composition for a series (original dramatic score).

Trygge Toven won outstanding music supervision for Fallout. It’s his first Emmy nod and win.

Jamie Lee Curtis won outstanding guest actress in a comedy for The Bear. It’s her first Primetime Emmy win. Her father, Tony Curtis, was nominated in 1980 for outstanding lead actor in a limited series or a special for his role in NBC’s Moviola.

Shōgun was the top winner across the two nights of the Creative Arts Emmys, with 14 awards. The Bear placed second, with seven awards, followed by Saturday Night Live (six), Jim Henson Idea Man (five), Blue Eye Samurai and The Oscars (four each).

Billy Joel: The 100th – Live At Madison Square Garden, Only Murders In The Building, Ripley and Welcome To Wrexham each won three awards. Baby Reindeer, The Crown, Girls State, How I Met Your Father, Love on the Spectrum, The Morning Show and Mr. & Mrs. Smith each won two.

Here’s a report on Night 1 of the Creative Arts Emmys.

Fonzi Thornton accepts the Icon Award on behalf of Luther Vandross accepts the Icon Award from Billboard’s Editorial Director Hannah Karp at Billboard’s R&B Hip-Hop Power Players 2024.

Hannah Karp:

For our first award, I want to salute an R&B icon, a late legend whose first six albums all reached number one on the Top R&B Hip Hop Albums Chart. He racked up eight number one albums over the course of his career, and he also co-produced Aretha Franklin’s seven week No. 1 R&B album ‘Jump To It,’ and he’s the subject of a wonderful new documentary that will stream wide next year. Of course, Luther Vandross is no longer with us, but I am so happy that we have his best friend, Fonzie Thornton, a singer and a board member of the Luther Vandross estate to accept the Icon Award for Luther tonight. Welcome Fonzi.

Fonzi Thornton:
How’s everybody this evening? It is such an honor for me to be here tonight and accept this prestigious award for Luther Vandross, who I have known since I was 14 years old. So I just want to congratulate Luther, his family, the Vandross estate, all of his singers, his musicians, his record company, thank you all for honoring my friend.

Lucky Daye accepts the Torchbearer award at Billboard’s R&B No.1s 2024 party.

Carl Lamarre:

What it do y’all, can I get a yeah are? Oh, I love that. I love that. I love that. So I’m here to present the next award to a brother of mine, a perennial king in love-making ballads and pillow talk confessions. Lucky Daye has become the new age blueprint in R&B. Women swoon, because when this brother croon it’s just smooth like butter. After his 2019 breakthrough with “Painted,” Lucky Daye put the world on notice and let them know that New Orleans isn’t just a home of Frank Ocean, but another R&B superstar capable of driving the genre forward. By aligning himself with D’Mile early in his career, Lucky became a risk taker, stretching the boundaries of his creativity, as proven by his new album ‘Algorithm.’ His versatility remains unmatched there, as he tap dances through various soundscapes with relative ease. Ultimately, the R&B gods rewarded him for his efforts, as he earned his first No. 1 on R&B Adult this year as a lead artist with “That’s You.” From songwriter to Grammy award winner, Lucky Daye is one of the reasons why R&B will continue to shine for years to come. So without further ado, Billboard would like to present this year’s Torchbearer award, to Lucky Daye.

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Tyla accepts the Global Impact award at Billboard’s R&B No.1s 2024 party. 

Heran Mamo:

My name is Heran Mamo. I am the Senior R&B, Hip-Hop and Afrobeats writer here at Billboard. Those who know me know that uplifting other African women gives me one of the greatest joys in this job. So I’m really honored to be presenting our next award this evening. For years, she dreamed of becoming Africa’s first pop star. Now she’s taken over the world with her signature Papiano sound, performing her pop infused take on her native South Africa’s Amapiano in the U.S., France, Portugal, Japan, South Korea and more. Last summer, she made a major splash with “Water,” earning her first Hot 100 Top 10 hit, spending eight weeks at No. 1 on mainstream R&B Hip Hop Airplay, spending 46 weeks and counting, at No. 1 on our US Afrobeats Songs chart, and winning the inaugural Best African Music Performance Grammy award earlier this year. She successfully transformed “Africa’s the world” from a motto to her mission. Please join me in a round of applause for Billboard’s Global Force Honoree, Tyla.

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Usher accepts the R&B Entertainer of the Year award at Billboard’s R&B No.1s 2024 party. 

Hannah Karp:

So it would not be a number one’s party without Usher. He is still breaking records as R&B’s biggest and brightest star three decades into his career, and after landing his 16th No. 1 on our R&B Hip Hop Airplay chart in November, he has way more number ones on that chart than any other artist in the charts 32 year history. Then as if that wasn’t enough, he wrapped up his game changing residency in Las Vegas in December, 100 sold out shows produced in partnership with the creative forces behind the box this very special venue that we’re in tonight, and in February, he headlined a little event called the Super Bowl Halftime Show, dazzling a record shattering 130 million viewers and catapulting his 2004 hit. “Yeah!” back to our Hot 100 Singles Chart. Ladies and gentlemen, please give it up for our Entertainer of the Year Usher.

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Victoria Monét accepts the Hitmaker Award at Billboard’s R&B No. 1s 2024 party. 

Damien Scott:

Thank you for coming out. We really appreciate it. It’s been a historical, amazing hip-hop week here at Billboard. I’m glad that we can have this R&B celebration. I’m Damien Scott. I’m the deputy editorial director at Billboard. I’ve been here for a year so far. It’s been an amazing, amazing ride. But tonight I’m here to talk about a very special person. When we named Jaguar II as one of the best albums of 2023, we said the album signaled Victoria Monét’s commercial breakthrough, and put her on the same page as all the superstars whose career she helped elevate in the years past. Because that’s what she does. She just makes everything better. Then she has kept it moving. Her mainstream arrival came when she won three Grammys, including one for best new artist, and she’s been on a roll since then. Her smash hit “On My Mama” was one of the only two songs to top the Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay charts in the last year. But all of that is only a small part of why we’re so proud to present her with the 2024 Hitmaker Award. Victoria Monét, please come down and accept this.

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When Benj Pasek and Justin Paul won a Primetime Emmy on night 2 of the Creative Arts Emmys on Sunday (Sept. 8, 2024), they became EGOTs, having won at least one Emmy, Grammy, Oscar and Tony in competition.

They won their Emmy for outstanding music and lyrics for a song they co-wrote for Only Murders in the Building. They co-wrote the song “Which of the Pickwick Triplets Did It?” with another songwriting team, Marc Shaiman and Scott Wittman.

Only 21 people have achieved EGOT status, which has become the ultimate mic-drop move in show business.

If the original idea of becoming an EGOT meant going to the very top in four distinct fields of entertainment, shortcuts have materialized to getting there, which has made the achievement more commonplace and less worthy of awe. The Tonys award producer credits far too liberallyWhoopi Goldberg and Jennifer Hudson won their Tony Awards for being among a platoon of producers of a winning Broadway show. Hudson was one of more than 40 producers on A Strange Loop. Her participation was announced the day before the show began previews in April 2022. It won the Tony two months later.

And not all EGOT awards are equally easy or hard to get. There are currently just 23 categories at the Oscars and 26 at the Tony Awards. Far more awards are handed out at the Grammys (94 categories this year) and the Primetime Emmys (a whopping 123 categories this year, spread out over three nights). And that doesn’t even count the various other Emmy shows, such as the Daytime Emmys and the Children’s and Family Emmys.

We mentioned earlier that the definition of EGOT is having won at least one Emmy, Grammy, Oscar and Tony in competition. There’s some debate about that. Six more individuals — Barbra StreisandLiza Minnelli, James Earl Jones, Harry BelafonteQuincy Jones and director/producer Frank Marshall — qualify if you count honorary or special awards. However, most EGOT experts don’t count non-competitive awards. The whole point is to have won the awards in competition.

Here’s a comprehensive rundown on the competitive winners’ road to EGOT. 

Taylor Swift and Travis Kelce were spectators at the men’s final of the U.S. Open tennis championships on Sunday (Sept. 8) in New York City, where the two were photographed attending several social events together over the weekend.

Swift and Kelce were spotted going on a pizza date in Brooklyn on Friday, and celebrating Karen Elson and Lee Foster’s wedding at Electric Lady Studios in Manhattan on Saturday, before making it to the tennis match at Arthur Ashe Stadium in Queens on Sunday. If this is some kind of whirlwind tour around the city, only two boroughs remain in their welcome to New York this week: the Bronx and Staten Island.

The U.S. Open account on Instagram shared various videos of the pop star and football player on site Sunday afternoon, with Swift seen in a classic red gingham sundress (Reformation, $248) and Kelce in a white shorts-polo-cardigan ensemble topped with a bucket hat (all Gucci).

The couple watched the match in a suite with Kelce’s teammate Patrick Mahomes and his wife Brittany.

At one point, Swift and Kelce were filmed in the middle of an animated sing-along to “I Believe in a Thing Called Love” by The Darkness playing over the stadium’s loudspeaker.

The Instagram account also jogged memories with a post referencing Swift’s earliest known appearance at the U.S. Open: 2002, around this time of year.

The then-aspiring singer — at just 12 years old (soon to be 13, with her birthday being in December) — got the opportunity to sing “America the Beautiful” at Arthur Ashe Stadium at the USTA Billie Jean King National Tennis Center, the complex where the U.S. Open is held.

Wearing a black, sleeveless dress and her long hair blow-dried straight, a young Swift — found in a clip that’s somewhat buried in a fan compilation video uploaded to YouTube over a decade ago — seemed aware of the art of commanding a crowd at what must have been one of her earliest stadium gigs. Even in her middle-school years, she didn’t shy away from taking a look around, or making eye contact with people watching from the stands.

At 12, with the slightest twang in her tone, Swift leaned on her early country influence for “America the Beautiful.” Her vocals have matured into something that’s all her own in her 30s, but that almost-teen’s performance is still unmistakably Swift.

“America, America, God shed his grace on thee,” she’s heard singing in the pre-fame clip.

Little did she know how many stadiums her name would headline, sell out and generate total ticket hysteria for within the next couple decades.

For September, and until Oct. 18, Swift’s on break from The Eras Tour, which will see a December finale. For now there’s no new Eras concert clips to pore over or ever-changing acoustic sets to anticipate.

Over the past several days the mind behind The Tortured Poets Department has been quite publicly out and about, which means fans have gotten a glimpse into her social calendar. Thursday night she showed up to support Kelce and the Chiefs at their Thursday game at Kansas City’s Arrowhead Stadium before the couple headed to New York to hang out for the weekend.

Their public appearances this week come after an alleged media plan leak from Kelce’s team earlier in the week — an outline of a supposed strategy in the event of the tight end’s breakup with Swift, whom he’s been linked to for the past year. Kelce’s public relations team, Full Scope, whose logo was put on the papers circulating online, stated the document was “entirely false and fabricated.” A spokesperson for the company said it was “not created, issued, or authorized by this agency” and Full Scope has “engaged our legal team to initiate proceedings against the individuals or entities responsible for the unlawful and injurious forgery of documents.” Swift’s reps did not issue a comment.

BLACKPINK member Jennie has signed to Columbia Records as a solo artist in partnership with her record label and entertainment company ODDATELIER, it was announced Sunday (Sept. 8). The singer is slated to release a new solo single in October.

The news follows last December’s revelation that all BLACKPINK members had split with their label, YG Entertainment, for their solo output, while extending their contract with the label for group activities.

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Last June, Jennie released “One of the Girls” alongside The Weeknd and Lily-Rose Depp, her co-stars on HBO’s The Idol. The track has since been streamed more than 1 billion times on Spotify alone and has been certified platinum by the RIAA; it also peaked at No. 18 on Billboard‘s Pop Airplay chart. She followed that up in October with “You & Me,” which debuted at No. 1 on the Billboard Global Excl. U.S. chart, making her the second member of BLACKPINK to hit No. 1 on the survey after Rosé’s “On the Ground.”

Earlier this year, Jennie dropped a pair of collaborative singles: “SPOT!” with ZICO and “Slow Motion” with Matt Champion. Her first solo single, the aptly-titled “SOLO,” was released in 2018 and went on to top Billboard‘s World Digital Song Sales chart.

Jennie was first introduced in 2016 as one-fourth of the K-pop girl group BLACKPINK, which in 2023 became the first Korean act ever to headline Coachella. The group has charted a total of nine songs on the Billboard Hot 100, with their highest-charting, “Ice Cream” with Selena Gomez, peaking at No. 13. With the release of the group’s second studio album, 2022’s Born Pink, BLACKPINK became only the third South Korean act ever to top the Billboard 200 after BTSProof and Stray KidsStray Kids Mini Album: Oddinary.

JC Chasez is ready to delve into the world of musical theater. The *NSYNC superstar revealed exclusively via Billboard on Sunday (Sept. 8) that he’s teaming up with Golden Globe-winning songwriter and composer Jimmy Harry for a musical theater concept album called Playing With Fire. The 16-track project is inspired by Mary Shelly’s seminal 1818 novel, Frankenstein, and blends electronic pop with classical music from the romantic era to create a fresh twist on a centuries-old story.

The reimagining of the classic story came together when Harry showed Chavez a theatrical adaptation of the story by his late mother, playwright Barbara Field. Chasez was immediately captivated by the story, and the duo worked together to create an album that represents a conversation between a dying Frankenstein and his creation, The Creature, at the grave of Frankenstein’s wife, Elizabeth. Through musical conversation and flashbacks, “the two grow to understand each other and the reasons for their actions that brutally affected each other’s lives. They eventually find sympathy, love, and forgiveness for each other,” per a press release.

In addition to writing the project, Chasez also lends his vocals to a number of tracks on Playing With Fire, alongside singers Cardamon Rozzi and Lily Elise. The album marks his first major musical project since his 2004 solo album, Schizophrenic.

“There are similarities [between writing a pop hit and musical theater songs] and there are some some very big differences,” the star previously told Billboard of his interest in musical theater. “When you’re writing a single for something, you’re just looking to write about what you’re feeling in the moment. When you’re working on a musical, there’s always a bigger picture and the story is always the driving force.”

He added, “It’s kind of like the last thing that I haven’t really dabbled in. I started in television, then I moved into music and I made a couple of films. Now, it feels like this is the last untapped thing. It’s nice to experience all sides of it.”

Playing With Fire is out via Center Stage Records on Oct. 25. See the full track list below.

  1. “This Is How the World Ends”
  2. “How Do You Sleep”
  3. “You Used to Touch Me”
  4. “Broken”
  5. “This is the Beginning”
  6. “One Over R Squared Part 1”
  7. “I Found Death at the University”
  8. “One Over R Squared Part 2”
  9. “The Animation”
  10. “Father”
  11. “No One Loves No One”
  12. “It’s Just a Dream”
  13. “Build Me Someone to Love”
  14. “Playing With Fire”
  15. “The Death of the Brides”
  16. “Don’t Go”