When Alejandro Fernández takes the stage Sept. 14-15 at Las Vegas’ MGM Grand Garden Arena, it will mark his record 22nd year performing at one of the hottest music events in Sin City. But the event he has been playing for more than two decades isn’t a recurring casino or club residency — it’s Fiestas Patrias, the ever-growing weekend of programming celebrating El Grito de Dolores (when Father Miguel Hidalgo y Costilla’s call to arms ignited the Mexican War of Independence in 1810) and Mexican Independence Day, which are officially celebrated Sept. 15 and 16, respectively.

“Twenty-four years ago, I began what has become a tradition of celebrating Fiestas Patrias with the Latino community in Las Vegas,” the Mexican superstar tells Billboard. “I am proud to say it is now the biggest Mexican Independence Day celebration outside of Mexico and one of the most important single days of live Mexican music anywhere in the world.”

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Fiestas Patrias are celebrated throughout the United States and Mexico in big and small ways — but Las Vegas’ version has become the single biggest Fiestas Patrias weekend for live Mexican music anywhere, with thousands of visitors from around the globe, though mainly from Mexico. The Las Vegas Convention and Visitors Authority calls it “one of the largest sources of international visitation” for the city.

This year’s bookings include returning acts, such as Luis Miguel, Los Bukis (who currently have a residency at Dolby Live), Gloria Trevi, Banda MS, Grupo Firme and Emmanuel, and newcomers like Peso Pluma, Fuerza Regida, Ana Bárbara and Carín León, performing at venues throughout the city. And as in previous years, not all of them are Mexican: Urbano stars Nicky Jam and Arcángel, for example, will join Luis R Conriquez and Codiciado at the third annual Rumbazo festival, taking place at the Downtown Las Vegas Events Center Sept. 13-14 in partnership with Billboard.

But despite what it has become today, Las Vegas’ Fiestas Patrias origins weren’t particularly musical.

“In reality, it wasn’t born as a musical event but as a sporting event, when those big fights began, the great Mexican boxers,” says veteran tour promoter Henry Cárdenas, referring to the September 1992 match where Mexican Julio César Chávez famously beat Puerto Rican Héctor “Macho” Camacho for the WBC super lightweight belt. “Then they brought [musical] talent to join the party.”

This year, the boxing tradition continues with Mexican legend Canelo Álvarez putting his super middleweight titles on the line as he takes on Puerto Rican Edward Berlanga at the T-Mobile Arena on Sept. 14. But today music, not sports, is the driving force behind Las Vegas’ Fiestas Patrias celebration.

WBC Super Lightweight Champion Julio Cesar Chavez (R) lands a right on challenger Hector "Macho" Camacho in the first round of their 12 September 1992 fight in Las Vegas, NV.
WBC Super Lightweight Champion Julio César Chávez (R) lands a right on challenger Héctor “Macho” Camacho in the first round of their September 12, 1992, fight in Las Vegas, NV.

For Luis Medina, executive producer/CEO of Uno Productions and a former manager of Julio Iglesias, the city’s Fiestas Patrias tradition dates back even further, to the late ’80s, when the Spanish star began coming to Vegas twice a year to perform a series of shows at Caesars Palace.

“Julio was perhaps primarily the one who opened Las Vegas to Latinos,” Medina says. “Then came [Mexicans] José José, Juan Gabriel, Vicente Fernández, those classics. And that process began.”

Little by little, he recalls, Las Vegas became a Latin artistic hotspot — and the city’s hospitality industry took note. “Many hotels were surprised that they were being left behind because all these movements were happening, and they were still studying us with a magnifying glass,” Medina says. “They thought it was only with Luis Miguel or Julio Iglesias or Vicente Fernández” that audiences would show up.

Eventually, the demand led not only the biggest hotels to book Mexican and Latin talent but also smaller venues and nightclubs. “This effervescence was created as a result of all these processes, and Las Vegas began to grow,” Medina says. “Today, the millions of dollars that drive our business is impressive and allows Las Vegas to live off the Latin market in the month of September.”

Hundreds of thousands of Mexicans travel from south of the border to celebrate their independence in Vegas; even a decade ago, more than 300,000 Mexicans came by air alone for the 2013 festivities, according to a Las Vegas Convention and Visitors Authority report. And, Cárdenas adds, most of them have good purchasing power. “When you are coming to Las Vegas to celebrate from Mexico, there are other additional costs — the hotel, the tickets, the food, the good life, the partying. And that patron has distinguished himself because he is high class, and he comes prepared to celebrate … and attend at least three or four events that weekend,” he says.

“The people, culture and traditions of Mexico have made a significant impact on the city both on and off the Strip,” says Molly Castano, Las Vegas Convention and Visitors Authority president of public relations and communications, adding that “the celebrations that take place in honor of Fiestas Patrias are proof of that impact and connection.”

As for Alejandro Fernández, his Fiestas Patrias Vegas bookings have only grown: In 2022, his show went from one to two sold-out nights at the 17,000-capacity MGM Grand Garden Arena.

“He was the first artist that we worked with that wanted to create his special weekend in Las Vegas, and there’s nothing more mexicano than La Familia Fernández,” says Emily Simonitsch, senior vp of West Coast booking at Live Nation. “I think it’s impactful because he does the traditional celebration halfway through the show, celebrating the tradition of El Grito and Independencia with the flag and the bells and the dancers. So that’s what created it. That’s what El Grito is about.”

“This is a demonstration of the cultural influence and economic power of the Latino community in the U.S.,” Fernández adds. “I look forward to continuing the tradition for many years to come, representing my pride and love for Mexico, our people and our music.”

This story appears in Billboard‘s Rumbazo special issue, dated Sept. 14, 2024.

Chappell Roan told a photographer off at the 2024 MTV VMAs red carpet, and spoke about why she did it. Keep watching to see her reasoning.

Narrator:
Chappell Roan had a big night at the MTV VMAs and made a bold statement on the red carpet with a fiery exchange with a photographer. Chappell made her MTV VMA debut on Wednesday night, but things got crazy before the show even began, and it was all caught on video. While posing for photos on the red carpet, a photographer seemingly said, “shut the f–k up,” which prompted the star to turn around and deliver an unfiltered response. While it’s unclear whether the photographer was speaking to her or not, Chappell spoke about the incident during an interview with Entertainment Tonight

Chappell Roan:
I think for someone who gets a lot of anxiety around people yelling at you, the carpet is horrifying. And I need to, I yelled back. I yelled back! You don’t get to yell at me like that! 

Narrator:
Chappell has been vocal about her experience with fame and setting boundaries, and has received support from her peers in the industry. Noah Kahan took to Twitter to react to the red carpet incident, saying, “I’ll never forget leaving Clive Davis and the horrific s–t photographers and paparazzi or whatever were saying to me in front of my sweet mom, who couldn’t believe it was actually happening. Love this Chappell Roan way to stand up for yourself.”

The night, turned around for Chappell. She gave a show-stopping performance of her Hot 100 hit “Good Luck, Babe!” and took home Best New Artist. 

Keep watching for more!

A musical based on the play by Josefina López and HBO’s movie adaptation Real Women Have Curves will debut on Broadway in 2025.

Featuring music and lyrics written by Grammy Award-winning artist Joy Huerta of the Mexican pop duo Jesse & Joy, producers Barry Weissler, Fran Weissler, and Jack Noseworthy announced on Thursday (Sep. 12) that Real Women Have Curves: The Musical will also feature music by composer and lyricist Benjamin Velez, a book by Lisa Loomer, additional material by Nell Benjamin, music supervision by Nadia DiGiallonardo, and direction & choreography by Tony and Olivier Award winner Sergio Trujillo. 

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“I am thrilled to be a part of bringing Real Women Have Curves: The Musical to Broadway,” said Huerta in a press release. “Songwriting for theater is a new undertaking for me, and it’s been a thrill to collaborate with Sergio, Bejamin, Lisa, Nell, and the rest of this extremely talented team. Ana’s story is such a powerful and universal one that already holds so much cultural relevance, and we look forward to bringing it to new audiences in this musical format.”

The show will arrive on Broadway following its 2023 world premiere at American Repertory Theater (A.R.T) at Harvard University. Dates, cast and additional creative team will be announced at a later date. 

Set in East L.A. in 1987, Real Women Have Curves follows 18-year-old Ana García, a daughter of immigrants parents who struggles between her ambitions of going to college and the desires of her mother for her to get married, have children, and oversee the small, rundown family-owned textile factory. The 2002 movie, directed by Patricia Cardoso, put a young America Ferrera on the map with a stellar performance that garnered her a best debut performance nomination for the Independent Spirit Awards and a special jury prize for acting at the Sundance Film Festival.

Fans can get an exclusive first look at the show on Sunday, September 15 with a special live performance of the musical’s title track “Real Women Have Curves” by Florencia Cuenca Jennifer Sanchez, Elisa Galindez, and Aline Mayagoitia. The time and location will be announced on the show’s social media accounts.

Of all the pop stars in the world, who could rule the 2024 MTV Video Music Awards without being nominated for any awards or even setting foot on the premises? That would be Britney Spears, b—h.

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This year’s awards on Wednesday (Sept. 11) were chock full of small and large tributes to the 43-year-old pop icon, from references to Spears’ most legendary performances to subtle nods to her music videos and fashion. The most direct example was when host Megan Thee Stallion came out dressed in a recreation of the famous green bra and blue skirt the superstar wore at the same ceremony 23 years prior while performing “I’m a Slave 4 U,” complete with a yellow snake around her shoulders.

But while Brit was able to look totally cool and collected while singing with the 7-foot albino Burmese python on her shoulders in 2001, the Houston rapper was a lot less calm. “I don’t know this snake, this snake don’t know me,” Meg said nervously, instructing her crew to promptly get the reptile off of her. “Oh my god! I tried to hold it down for Britney.”

The “WAP” musician’s discomfort with the snake was even funnier considering the reptilian theme of her latest album Megan — which reached No. 3 on the Billboard 200 — and its hit singles “Hiss,” “Boa” and “Cobra.” It might make her feel better to know that secretly, Spears was also terrified of her nonhuman performance partner back in 2001, with the “Toxic” singer tweeting in 2023, “I still remember how scared I felt when I was handed this snake and took the stage !!!”

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At the same VMAs where Brit sang “I’m a Slave 4 U,” she also wore a sheer, lacy Dolce & Gabbana minidress on the red carpet. Twenty-three years later, another pop star wore almost the exact same look to the 2024 event: Tate McRae, who also addressed having fans compare her to Spears.

“I honestly take it as a compliment,” she told The Hollywood Reporter on the red carpet before the show. “I think she’s one of the most incredible performers of the 2000s. I remember watching her as a kid all the time.”

Spears’ impact was also evident in Sabrina Carpenter‘s performance later that night, with the latter playing an audio snippet of the former’s spacey “Oops!…I Did It Again” music video during the transition between her Billboard Hot 100-topping hit “Please Please Please” and new single “Taste.” Plus, Carpenter at one point pulled in a female dancer dressed like an alien for a sensual kiss, carrying on a tradition set by Spears’ culture-shocking smooch with Madonna on the VMAs stage in 2003.

See the ways Britney Spears was honored at the 2024 VMAs below.

Sure, summer is over, but Brat season is here to stay. On Thursday (Sept. 12), Charli XCX unveiled her new “Talk Talk” remix featuring her Sweat Tour co-star Troye Sivan.

On the amped-up new remix, Charli and Sivan take the original lyrics depicting the early stages of romance and imbue them with new, sexed-up verve. Where the original saw Charli commiserating over miscommunication in a relationship, the remix sees Sivan getting straight to the point: “‘Kay, here’s the plan/ I wanna fly you out to Amsterdam/ I got a good hotel to f–k you in,” he sings.

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The track also features a few spoken lines from Dua Lipa, who takes Charli’s request for someone to “Talk to me in Spanish/ Talk to me in French” to their literal conclusions. Opening the track, Dua invites Charli and Sivan to a party at her place in Spanish, before closing the song by saying she lost her phone at the soirée in French.

But in the words of Steve Jobs, Charli had “one more thing” for her fans. Shortly after dropping her latest remix, the “360” singer announced the long-awaited album of Brat remixes via Instagram. Titled Brat and It’s Completely Different But Also Still Brat, the new version of the album will be available everywhere starting Oct. 11.

Charli and Sivan are currently finishing up preparations for their much-anticipated co-headlining Sweat Tour, which kicks off this Saturday (Sept. 14) in Detroit. The new tour will see the pair travel all around North America before concluding its run in Seattle on Oct. 23. In a recent cover story with i-D, Charli gave fans a tease of what to expect: “The staging is f–king crazy. I mean, not to hype it up too much, but it’s great,” she said.

Listen to Charli XCX & Troye Sivan’s “Talk Talk” remix and see Charli’s Instagram post below.

Dua Lipa will spread her sunny perspective across the globe next year. The “Houdini” singer announced the dates for the 43-date world tour in support of her Radical Optimism album on Thursday (Sept. 12). Following a run of previously announced Asian shows in November and December of this year that are slated to kick off on Nov. 5 with a pair of gigs at Singapore Indoor Stadium, Dua will hit Indonesia, the Philippines, Japan, Taiwan, Malaysia, Thailand and Korea before gearing up for the 2025 run of gigs.

Next year’s tour is slated to launch on March 20 with a show at Rod Laver Arena in Melbourne, Australia and hit New Zealand before hopping to Europe for arena shows in Spain, France, Germany, the Czech Republic, the Netherlands, Italy, Belgium and England and then moving on to North America for a fall run.

After kicking off with a two-night stand in Toronto on Sept. 1-2, Dua will criss-cross the U.S. in September, then winding down with the second of two shows at Climate Pledge Arena in Seattle on Oct. 16. Fans can sign up now for an artist presale here, as well as a general onsale slated to kick off on Sept. 20.

The singer dropped a remix of her “Illusion” single featuring break-out Japanese hip-hop duo Creepy Nuts in July after the original version from Dua’s hit third studio album ran all the way up to No. 1 on Billboard’s Hot Dance/Electronic Songs chart.

Check out the full list of dates for Dua Lipa’s 2025 Radical Optimism world tour below.

Dua Lipa
Dua Lipa

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With fall season in full swing, it’s a great time to refresh your wardrobe, home decor and everyday essentials. Finding budget-friendly deals can be overwhelming. To make it easier for you, we’ve put together a list of the 10 best deals from Amazon’s Outlet, with discounts of up to 70% off so you can upgrade your space and style without breaking the bank.

Whether you’re looking for a new hair dryer, a purifying face mask, cozy autumn-inspired shirts or essentials like a coffee maker, desk lamps and fall-ready shoes, Amazon’s Outlet has deals that you don’t want to miss. You can find tennis dresses, comfortable T-shirts and tops in warm, fall-inspired colors from beige to brown. Add one or more of these pieces and stay on trend this season. From home goods to fashion, you’ll find high-quality items at incredible prices.

A standout piece from this list is the QiMH Battery Operated LED Lamp. This cordless lamp set is not only great for your desk, it can also be used as your living room night light or simply to elevate your space. Its aesthetically pleasing design also makes it a stylish yet simple decor item. One Amazon customer said, “These are super cute lights, and they work great. I love the three light intensity levels; the touch control is a nice feature.”

Keep scrolling and shop these top ten deals, ensuring a quick and effective wardrobe and home upgrade. Hurry: Go from Brat girl summer to autumn girl fall and add what you need before it’s too late.

Amazon Outlet's Top 10 Best Deals to Shop This Fall

Nicebay Hair Dryer Brush, Hot Tools Blow Dryer for Drying/Straightening/Curling/Voluming, Oval Hot Air Brush with 3 Attachments, Multi-temperature Setting

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Are you looking to upgrade your hair dryer? Consider adding this 3-in-1 hair tool to your cart. With this hair dryer, you can easily straighten, curl and style your hair. You can get it in four different colors: Black and Gold, Black and Rose Gold, Black and Yellow, or Grey and Gold. Keep in mind, the price varies based on the color you select. If you get yours in Black and Gold, you can get up to 71% off!


Amazon Outlet's Top 10 Best Deals to Shop This Fall

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If you are looking for a fall-inspired top to add to your wardrobe, consider adding this oversized casual T-shirt to your cart. It offers both style and comfort for any occasion. This is one you’ll want to get in different colors.


Amazon Outlet's Top 10 Best Deals to Shop This Fall

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Upgrade your espresso and cappuccino machine and add this one to your cart. Its stainless steel frothing pitcher gives it a sleek look, making a great addition to any kitchen. One Amazon customer said, “The machine features a powerful steam wand and milk frothing pitcher, allowing you to create creamy cappuccinos and lattes with ease.”


Amazon Outlet's Top 10 Best Deals to Shop This Fall

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Are you looking for a tote bag that can carry everything you need for work or school? Consider adding this one to your cart. Not only does it include multiple pockets, but it can also be worn as a crossbody bag. You can get it in five different colors: Beige, Black, Blue, Army Green and Pink.


Amazon Outlet's Top 10 Best Deals to Shop This Fall

QiMH Battery Operated LED Table Lamp, 2 Pack 5000mAh Cordless Desk Lamp with 3 Level Brightness Touch Control, Mini Rechargeable Night Light for Living Room, Bedroom, Outdoor bar (Gold)

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Elevate your space with these two aesthetically pleasing LED lamps. You can use these as desk lamps, night lights, or to add a simple yet elegant touch to your room. These lamps are completely cordless which makes it easy to move around and place them wherever you like.


Amazon Outlet's Top 10 Best Deals to Shop This Fall

GLAM UP Clean Bubbling Carbonated Clay Mask for Face Purifying- Blackhead Remover, Peel Off, Pore Clearing, Deep Cleansing, Detoxing Bubble Clay Mask, Vegan 135ml (4.56 Fl Oz)

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Are you obsessed with skincare? If so, consider adding this Glam Up Clean Bubbling Clay Mask to your skincare routine. According to the brand, this clay mask may serve as a purifying blackhead remover, a peel off, and a pore cleaner. One Amazon customer said, “This is a really good charcoal mask, it leaves your skin with a nice clean feeling.”


Amazon Outlet's Top 10 Best Deals to Shop This Fall

Ovruns Women’s Tennis Dress Built-in Bra & Shorts Athletic Dress with Pockets

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Looking for an athletic dress with pockets? This Overuns Tennis Dress features a built-in bra and shorts with pockets. With its pull on design, it’s easy to put on and take off when on the go. You can get this one in a variety of different colors. Keep in mind, prices vary based on the color you select.


Amazon Outlet's Top 10 Best Deals to Shop This Fall

Frank Mully Womens Flat Shoes Classic Pointed Toe Flats Knitted Dress Shoes Soft Flats for Woman Comfortable Dressy Brown Mesh

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Amazon Outlet's Top 10 Best Deals to Shop This Fall

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Amazon Outlet's Top 10 Best Deals to Shop This Fall

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This long-sleeved shoulder top is a great addition to your autumn-inspired wardrobe. With its off the shoulder style and Y2K fit, you’ll be ready for a night out.


For more product recommendations, check out these Long-Sleeved Shirts Under $20, these Amazon skincare and beauty finds, and this Levi’s Trucker Jacket to add to your shopping list.

As the electronic music world continues to grapple with how to get producers credit when their tracks are played by other, usually more famous, DJs, a new campaign is attempting to fix the issue on social media.

Launching today (Sept. 12) and backed by the Association For Electronic Music (AFEM), the Respect the Creators campaign is aiming to get lesser known DJs credit on social media by having DJs, promoters and other platforms.

The campaign offers simple instructions, asking DJs that when they “post a video of a gig or a mix and the music isn’t yours, tag the artists, and list the full names of the tracks in the most visible part of your post.” Online platforms are asked to “include track lists for all sets, visible directly below the video or audio,” while promoters are asked to credit the music featured in all their promotional materials for events when posting to Facebook, Instagram, Tiktok and other social media platforms.

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The campaign advises that social media is crucial to music discovery, with the proper music attribution having the possibility of highlighting lesser known artists and helping them thrive. In a speech at the annual dance conference IMS Ibiza this past May, Dutch artist Frank Nitzinsky noted research that’s informed this campaign, which shows that on average, only 3% of a DJ’s set is music that they have produced themselves, while up to 90% of DJ performance content shared on Instagram does not credit the music being played in the video.

In a statement, AFEM COO Finlay Johnson says that while the campaign “may seem like a straightforward initiative, encouraging people to share and credit new music addresses significant challenges in the discoverability of emerging artists. It also serves as a reminder for individuals to consider their metadata, which can directly enhance income through royalty collection. While white label and dubplate culture should be celebrated, the use of generic ‘original audio’ tags on social media does little to support artists. We encourage everyone to acknowledge and promote the team behind a record’s production and release.”

Respect the Creators is supported by AFEM, along with a number of organizations including Dutch collecting society Buma/Stemra, along with several venues and artists like Richie Hawtin.

“I thought supporting the community and the musicians who make the musical structure that our scene (and DJs) stand on was simply common decency (and sense),” Hawtin says in a statement. “So why do we see so many social media posts from DJs, promoters and festivals that completely fail to tag the music being played in the clips? It’s disrespectful and only takes further advantage of the musicians who are already struggling for recognition and a fair share of the economic pie of our ‘beautiful’ culture.”

The campaign follows the recent closure of Aslice, a platform with which DJs could donate a portion of their set fee to the artists whose music they played during the performance. The proper crediting and royalty payouts for artists in the electronic scene is a pernicious issue, as DJ sets are often made up of hundreds of songs by a wide variety of artists, many of whom never get credit for the use of their work.

Hawtin recently expressed his displeasure with the closure on social media, saying that “Aslice was working, and the only problem was that not enough DJs, especially the successful ones, agreed to sign up and share back into the music eco-system that they have built their careers on. Aslice did not fail, the famous, most followed DJ’s of our scene failed us all.”

In April, “Gata Only,” a sly reggaetón number about flirting online, gave Chilean newcomers FloyyMenor and Cris MJ their first No. 1 on a Billboard chart. It dominated Hot Latin Songs for 14 consecutive weeks — but even beyond that impressive achievement, “Gata Only” was historic. The last time a Chilean artist had hit No. 1 on the chart was in 1991, when singer-songwriter Myriam Hernández’s “Te Pareces Tanto a Él” ruled for four weeks.

“Gata Only” also entered the Billboard Hot 100, Latin Airplay and both Billboard Global charts — and, in the process, put Chile’s thriving urban movement on the map. “The song touched different angles,” says Adrian Mainou, artist marketing manager of Latin/U.S. at UnitedMasters, which released the song. “It had a very cool impact on the culture, where the lyrics talk about something that’s relatable to the younger generation, and it was catchy on TikTok. For us on the marketing side, it was about taking the record outside of Chile.”

Taking advantage of the song’s organic local growth, Mainou began working with a Chilean press team and engaging influencers in countries such as Argentina, Ecuador and Mexico to use the song in lip-syncing and dance challenges on TikTok. It worked: “Gata Only” has been used in over 4 million videos on the platform, and that spurred superstars Ozuna and Anitta to jump on a remix. “Chile felt proud,” Mainou says. “It translated from just being a big song to a cultural representation.”

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In the ’90s and early ’00s, Chile’s music scene leaned more alternative, as artists like Mon Laferte, La Ley, Álex Anwandter and rapper Ana Tijoux all had presences on the Billboard charts. Then, in 2004, Puerto Rico’s booming reggaetón scene infiltrated the South American country — but although local artists began to create their own reggaetón music, it took more than a decade for Chile’s urban movement to really gain momentum.

“Everything changed in 2019,” explains Josue Ibañez, who with his brother Oscar is co-CEO of Chile-based label Wild Company. (Both are also A&R executives with Rimas Publishing.) “There are various artists who made the change, like Marcianeke, who made Chilean music start to be heard in clubs, but in a massive way. He got Chileans to start dancing to the music of their own artists, because previously we consumed a lot of music from outside like Puerto Rico and Colombia.”

Oscar Ibañez (who is also a producer under the name David Wild) adds, “If you ask any Chilean artist, they will tell you that our Daddy Yankee, our OG, is Pablo Chill-E. At the same time, we had Paloma Mami, and we started to take big steps outward. That was when the big record labels started to want to invest in Chile.”

Pablo and Paloma both entered the Billboard charts, the former on Hot Latin Songs with 2020’s Bad Bunny and Duki collaboration, “Hablamos Mañana,” the latter on Top Latin Albums with Sueños de Dalí and on Latin Pop Airplay with the Ricky Martin-assisted “Que Rico Fuera,” both released in 2021.

Since, Chilean reggaetón tracks have increasingly appeared on the charts, including Cris MJ’s “Una Noche en Medellín” (2022), Polimá Westcoast & Pailita’s “Ultra Solo” (2022) and Jere Klein’s “Ando” (2024).

“I feel like we created our own sound,” Oscar Ibañez says. “We gave our own reggaetón an identity that we didn’t have before. What we did at first was replicate a sound that was playing elsewhere; it was very neutral. Our ‘Chilenismo’ wasn’t applied to it. We gave reggaetón music a more Chilean twist with our idioms, our phrases, and it often happens that almost nobody understands what we say, but that same cadence became the DNA of Chilean music. Just by the accent, you know when it’s a Chilean artist.”

And even as the movement has grown beyond Chile, it has done so in large part because of the faithful and loyal audience for its music within the country itself. “The key to Chile today is self-consumption,” Josue Ibañez explains. “We have a lot of fans. I think it was the fandom that made us get onstage and out into the world. That has been the most beautiful thing of all, that our culture through music has been able to expand internationally.”

“It used to be very difficult for that to happen,” Cris MJ says. “So now the fact that Chileans themselves are supporting us is good for the movement. They trust us, the talent. It was hard, but it was achieved. Personally, I’m dedicating myself to creating music that can be heard outside of Chile.”

Now, with the global success of “Gata Only,” Chile is on the wider music industry’s radar. Earlier this year, Rimas Publishing expanded its services to the country, where through a strategic agreement with Wild Company it will provide A&R services, artist development, musical composition creation and more.

“Chile is a market that has impressed us a lot. The growth has been exponential,” Rimas Publishing managing director Emilio Morales says. “It is a phenomenon like what’s happening in Brazil, where they are very proud of their national artists. In Chile, the support for their artists has a lot to do with education and culture. It’s a market where numbers and consumption are very significant.”

“One of our dreams is for Chile to become a musical powerhouse,” Oscar Ibañez says. “We want to educate the industry in Chile so that music is a blessing and not a problem. I believe in giving Chilean culture a healthy and educated music industry.”


Chile’s New Urban Leaders

Meet some of the artists driving the country’s burgeoning music movement.

Urbano Chileno
Clockwise from left: Jere Klein, Pablo Chill-E, Marcianeke, Polimá Westcoast

Cris MJ and FloyyMenor

Though both started as solo acts, Cris MJ and FloyyMenor achieved their greatest chart success thus far collaborating on “Gata Only,” which reached No. 1 on Billboard’s Hot Latin Songs chart, spending 14 consecutive weeks there.

Jere Klein

Known for his distinct, high-pitched voice, Klein made his first Billboard chart appearance in January with “Ando” on the Billboard Global 200 and Billboard Global Excl. U.S. lists; his second entry came on Global Excl. U.S. in February, “Princesita De…” with Chilean acts Nickoog CLK, Lucky Brown and El Bai.

Pablo Chill-E

Another Chilean urban pioneer, the trap artist born Pablo Acevedo has his own label, Shishigang Records. In March 2020, he secured his first entry on Hot Latin Songs, joining Bad Bunny and Duki on “Hablamos Mañana,” which debuted and peaked at No. 22.

Marcianeke

Though he doesn’t have a U.S. chart history, the trap and reggaetón artist revolutionized the urban movement in Chile. Known for his raspy vocals, he was the first Chilean urban act to perform at local nightclubs back in 2019 — which encouraged the country’s listeners to begin embracing their own urban artists.

Polimá Westcoast

The artist with a trap-meets-rock-star attitude got to No. 9 on the Billboard Global Excl. U.S. chart in 2022 with “Ultra Solo” featuring Chilean act Pailita; that same year, Feid, De la Ghetto and Paloma Mami jumped on the remix. He’s now collaborated with J Balvin and Quevedo and in 2023 signed a global deal with Sony Music U.S. Latin.

This story appears in Billboard‘s Rumbazo special issue, dated Sept. 14, 2024.

Billboard Latin Music Week is returning to Miami Beach on Oct. 14-18, with confirmed superstars including Gloria Estefan, Alejandro Sanz and Peso Pluma, among many others. For tickets and more details, visit Billboardlatinmusicweek.com.

Suffice it to say that Wednesday night’s (Sept. 11) 2024 MTV VMAs was a lot. The 40th anniversary celebration of the former music video channel’s signature awards ceremony handed out around two Moonpersons per hour during its 190-minute run time, but you might have not noticed since it also packed in 16 star-studded performances that paid homage to the network’s past, present and future.

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So, of course, now it’s time to rewind and answer the most important question of all: which performances were your favorite?

Perhaps you’re a traditionalist who loves the comfort food of MTV’s iconic stars of the pre-YouTube era, in which case the show-opening medley from a wig-wearing Eminem might have been your thing, or perhaps hip-hop legend LL Cool J’s homage to Def Jam and his own four-decade career? If that’s your vibe, always-shirtless Lenny Kravitz may end up at the top of your list, and surely Katy Perry’s dance-heavy visual extravaganza celebrating her biggest hits before the bestowing of her Video Vanguard award is in the mix.

Among the other sets to choose from are BLACKPINK member LISA’s run through her solo songs “New Woman” and “Rockstar” and a trio of stage-burning performances from Latin icons Karol G, Rauw Alejandro and Anitta, which brought killer choreography and some Broadway dazzle to the proceedings. Speaking of razzle, Benson Boone rocked a glittery jumpsuit while jumping off his piano for a backflipping set that drew gasps.

Camilla Cabello smashed her laptop and got some ex-revenge during an intense “Godspeed,” while former flame Shawn Mendes did a super moody slow burn with his new song “Nobody Knows.” Host Megan Thee Stallion proved she’s a true double-threat with a high-energy medley, and if you didn’t rewind Chappell Roan’s Gaga-esque medieval masterpiece re-imagining of “Good Luck, Babe!” or Sabrina Carpenter’s out-of-this-world medley of recent hits, well maybe you need to check the tape for our rundown of all the performances.

Billboard already made its picks for the night’s best performances, so now it’s your turn. Which 2024 VMAs performance was your favorite? Vote below!