Jason Derulo re-lived one of the scariest moments of his life during a chat with old friend Paris Hilton on her I Am Paris podcast this week. The 34-year-old “Spicy Margarita” singer told Hilton that he thought the 2013 tour rehearsal accident in which he broke his neck might be the end of it all.

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“That s–t’s crazy,” Derulo said, explaining that he was working with a trainer at the time to prepare for his upcoming world tour their prep went serious awry. “He was like, ‘today we’re gonna work on endurance, so I’ll need you to do these back tucks, back-to-back-to-back,’” the singer said his trainer told him.

“He had me doing like 50 back tucks back-to-back-to-back, which is another one of the worst ideas that somebody’s ever had,” Derulo said of the maneuver that is a backflip in which the performer starts from a standing position and flings their body backwards, landing on their hands and then springing off them to land back on their feet facing the same direction. “So I slipped during one of the back tucks and I landed on my head, breaking my C2 vertebrae.”

As soon as the accident occurred, Derulo described hearing, “a big crack, and I was just like, ‘Holy s–t, is this it? Is this how it all ends?’ And all the thoughts that you could imagine are going through my head at the time.” He also recalled thinking at the time that his mother was outside the gym waiting for him in the car and that he didn’t want to scare her with the news. After laying on the ground for five minutes, he said he gathered himself and walked to the car holding his neck.

“And then I’m like, ‘Mom, I think I hurt myself a little bit’ — like with that bright kind of voice,” he said he told her. “‘I think I hurt myself a little bit inside, we should probably go to the hospital just to check it out.’” The ride to the hospital was rough, with Derulo describing every bump in the road as feeling like “hell on Earth. I’m just dying in that passenger seat, but I don’t wanna let her know that.”

At the hospital, Derulo was X-rayed and the doctor arrived with good and bad news. The good news, the doc said, was that Derulo had suffered what’s called a “hangman’s break,” which is the same break that happens when someone his hung from a rope. “‘And you’re still alive. This could’ve ended up way crazier, paralyzed or worse,’” the doctor told him. “That’s the good news, that you’re still here with us, and you can move all your limbs. The bad news is you’re gonna be out for seven months.”

Derulo described going from having total control over his life to not having “any kind of control at all,” down to an inability to tie his shoes or take a shower by himself. “That was the first time in my life where I felt like I just had no control,” he said. The injury required seven months of intense rehab, including a 45 minute walk every morning, followed by “hours and hours” in the studio writing and recording his 2013 Talk Dirty (aka Tattoos) album.

The other major blow for Derulo was the cancellation of his tour, which he knew would be a let-down for his fans. “I know how much this means to people, people save their money, their hard-earned money, and they wanna be part of this experience. All of a sudden all of that s–t was down the drain,” he said.

Derulo released his fifth studio album, Nu King, in February.

Listen to Derulo on I Am Paris below (talk about the accident begins at the 5:15 mark).

Vanessa Hudgens and her husband professional baseball player Cole Tucker welcomed their first child together this week. And while the former High School Musical and Los Angeles Angels outfielder/shortstop were overjoyed by their baby bundle, in an Instagram Story on Thursday (July 4) Hudgens lamented that their special day was ruined by the prying eyes of the paparazzi.

“We’re disappointed that our family’s privacy was disrespected and exploited during this very special time due to the greed of a long lens camera feeding the media,” Hudgens wrote in the Story, adding, “Mom dad and baby are happy and healthy.”

At press time Hudgens, 35, and Tucker, 28, who married in Mexico last December, had not revealed the baby’s name or gender. The singer appeared to be referring to photos published on TMZ on Wednesday in which Hudgens was seen leaving a Santa Monica hospital in a wheelchair while holding the baby.

Hudgens debuted her baby bump on the red carpet at this year’s Oscars in March.

Last month, a fellow member of the Wildcat family, Zac Efron, sent good vibes to Hudgens, and another HSM alum, Ashley Tisdale, as both women awaited the birth of their children. “Oh they’re going to be the best moms ever,” he told Access Hollywood at the red carpet of the premiere of his new rom-com, A Family Affair. “Those girls, are you kidding me? Oh my gosh. Yeah, we’re going to have some fun family reunions coming up.”

Both women announced their pregnancies in March, just two months before Hudgens took the crown as the winner of season 11 of The Masked Singer following a flawless run in the Goldfish costume.

Ed Sheeran is bringing his Mathematics tour to Europe next year again. Only this time, the singer announced on Friday (July 5), the shows will represent the final concerts on what will end up being a three-year global trek. Sheeran revealed a string of shows that are slated to kick off on May 3 at the Civitas Metropolitano in Madrid, followed by gigs in Rome, Hamburg, Oslo, Zurich, Antwerp, Stockholm and Copenhagen before winding down on Sept. 9 with a gig at the Merkur Spiel-Arena in Dusseldorf.

The tour in support of Sheeran’s fifth and sixth studio albums, = (equals) and (subtract) represents the latest leg of the outing that kicked off in April 2022 in Dublin and criss-crossed Europe through September of that year. The run then picked up again in early February 2023 in New Zealand and Australia before moving on to the U.S. in April of that year, with Sheeran playing across North America through an October 28 show at Allegiant Stadium in Paradise, Nevada. The dates continued in January of this year in Bahrain, followed by an Asian leg and then another brief swing through the U.S. before decamping to Europe once again for shows stretching from June through September.

“In 2025, Mathematics Tour comes to an end ! Gonna be hitting most of the other places we haven’t been to yet, but the first dates to go up will be the rest of Europe, more to follow, but European dates on sale July 10th (Rome July 12th), see you next year,” Sheeran wrote on Instagram in announcing the dates and seeming to tease news of more shows to be announced later. “It was time to Stop, but then we can press Play…”

Sheerios can order tickets on Sheeran’s official website beginning on July 10.

Check out the announcement and the dates below.

It took 11 weeks, but Shaboozey is finally the king of Australia’s singles chart as “A Bar Song (Tipsy)” (via Empire) lifts 2-1.

That’s the U.S. artist’s first leader in the land Down Under. The track, which interpolates J-Kwon’s “Tipsy,” which reached No. 5 in 2004, enjoys a boost after Shaboozey performed it with the American rapper Sunday at the BET Awards.

Sabrina Carpenter’s reign ends as the U.S. singer and actor’s former leaders “Espresso” (up 3-1) and “Please Please Please” (down 1-3, both via Island/Universal) complete the podium.

The top debut on the latest ARIA Singles Chart, published Friday, July 5, belong to The Kid Laroi with “Girls” (Columbia/Sony), new at No. 21. That’s the Sydney-raised singer and rapper’s 20th appearance on the ARIA Top 50, according to the trade body, a tally that includes two No. 1 singles: “Without You” and “Stay” with Justin Bieber. Meanwhile, LAROI’s “Nights Like This” improves 48-26 on the current frame, a new peak.

Over on the ARIA Albums Chart, Taylor Swift enters a fifth non-consecutive week at No. 1 with The Tortured Poets Department (Universal), up 3-1.

Swift has led the way as female artists have dominated the ARIA Chart this year, ruling for 24 out of 27 weeks. TayTay has led for 15 of those cycles with 1989 (Taylor’s Version), Midnights, Lover and The Tortured Poets Department.

Also new to the ARIA Chart this week are collections by Omar Apollo (God Said No at No. 11), Imagine Dragons (Loom at No. 17), Camila Cabello (C, XOXO at No. 29), and Grammy-nominated, Melbourne neo-soul band Hiatus Kaiyote (Love Heart Cheat Code at No. 40).

After 14 years, a new political dawn in the United Kingdom as Keir Starmer’s Labour Party storms to victory in the general election. And the end of the Tories’ long reign.

Labour won in a predictable landslide, paving the way for Starmer to become the next prime minister.

The U.K. music industry, through its various trade bodies, has welcomed the incoming, center-left government, with a resounding message: let’s get to work.

“Our industry faces serious challenges and needs urgent attention to recover from years of neglect through the cost of living crisis and the pandemic,” comments Michael Kill, CEO of the Night Time Industries Association (NTIA).

The sector must now “rebuild trust with the new government, after years of feeling misunderstood and undervalued, we must work towards changing the narrative around the value of the night time economy, secure stronger representation at all levels, and create a more integrated regulatory system.”

Kill continues, “We must also address tax disparity, reform business rates, protect independent operators, and align VAT with European standards.”

UK Music CEO Tom Kiehl calls on the new leader to use his “resounding mandate for change” to boost jobs, growth and opportunity in the sector.

The nation’s music industry contributes almost £7 billion annually to the U.K. economy and supports 210,000 jobs, according to the London-based umbrella organization, which represents all sectors of the United Kingdom’s music industry.

Right now, explains Kiehl, the music business faces “a number of challenges, but also opportunities. A strong relationship between UK Music and the new Government will be essential to navigating what the rest of this decade brings.” 

UK Music developed and published a 10-prong pre-election “manifesto” for the next government, which includes objectives to boost music exports, protect music spaces, improve music education and encourage responsible AI use.

“As the collective voice of the music industry, UK Music already has strong links with Sir Keir’s top team,” he adds. “Our plan is to continue to build on those relationships and work across the political spectrum, including the many newly elected MPs, to deliver real change and further growth for our world-leading sector.” 

Coldplay has reportedly settled a lawsuit with their former manager Dave Holmes, concluding a legal battle that has been ongoing for several years.

The lawsuit, which involved allegations of unpaid fees and breach of contract, has apparently been resolved for a sum reported to be in the multiple millions of pounds.

Holmes initially sued Coldplay in 2022, claiming that the band owed him significant amounts of money for his management services. Holmes sought over $12 million in damages, alleging that he was not compensated for his contributions to the band’s success. The exact details of the settlement remain confidential, but it is understood that the settlement amount is substantial.

The dispute between Coldplay and Holmes has been a topic of interest in the music industry, with both parties reportedly eager to resolve the matter out of court. Holmes, who managed Coldplay for over 20 years, was instrumental in guiding the band through some of their most successful years. However, tensions apparently arose over financial disagreements, leading to the eventual lawsuit.

In the lead-up to the settlement, both Coldplay and Holmes have reportedly kept negotiations under wraps, with neither side commenting publicly on the case. The resolution of the lawsuit now allows both parties to move forward without the shadow of legal disputes.

The legal issues began after Coldplay and Holmes parted ways in 2021. Holmes claimed that he had a contract entitling him to a share of the band’s earnings and that Coldplay had breached this agreement. The band’s representatives argued that Holmes had been adequately compensated for his services and that the claims were unfounded.

Despite the legal wrangling, Coldplay has continued to thrive, working on new music and planning future tours, including extending their Music Of The Spheres World Tour to Australia and New Zealand later this year.

A new album, Moon Music, is due out Oct. 4. In the U.K., Coldplay’s chart story is immaculate. Each of their nine albums have gone to No. 1 on the Official U.K. Albums Chart, dating back to 2000 debut Parachutes.

Playboi Carti’s new album has been four years in the making, according to the rapper’s producer Cardo, who recently shared insights about the project’s intense creative process.

In an interview with Lucid Monday, filmed during SXSW earlier this year, Cardo confirmed his involvement in the highly anticipated follow-up to Whole Lotta Red and described working on the album as “crazy” and “fun.”

“I’m going to Atlanta to finish up Carti’s s–t. It’s been crazy — in a good way. It’s been crazy fun, just being able to wake up and he decides to drop a song you produced. It’s weird,” Cardo said. “I’ve known Carti since 2016, but me and him have been working on this new album for a good four years.”

Back in April, Cardo also spoke to Billboard about working with the “Sky” hitmaker.

“That’s my little brother, man. Just being around him, the young one, you know, and gaining some kind of different kind of energy and inspiration from what he’s doing, seeing what levels he’s going on, it kind of gives me an idea of what levels I should just keep going,” he said.

“That’s how we’re creating all these fun records, breaking all these barriers that people made up.”

I Am Music, Carti’s forthcoming album, has generated excitement for quite some time now. Back in February, Carti joined streamer Adin Ross on his Kick channel, where he teased what fans can expect from the album.

“Mindblowing,” Carti described the record when asked by Ross. “My best. My very best — it’s actually insane.”

Earlier this year, Carti began the album’s rollout with a series of singles, including the Kanye West-produced “2024,” “Backr00ms” featuring Travis Scott, and “H00dByAir.” The tracks led many fans to believe that I Am Music was imminent, but Carti has since taken a step back from the spotlight, even going as far as to cancel his Antagonist Tour.

Despite this, Carti has had a notable year thanks to several high-profile collaborations.

In March, he scored his first-ever No. 1 on the Billboard Hot 100 with “Carnival,” a track by Kanye West and Ty Dolla $ign featuring Carti and Rich The Kid. Another major collaboration, “Type Shit,” featuring Future, Metro Boomin, and Travis Scott from the We Don’t Trust You album, peaked at No. 2 and earned a gold plaque.

Pop superstar Justin Timberlake and golf legend Tiger Woods are expanding their entertainment empire across the Atlantic, setting their sights on the historic town of St Andrews, Scotland.

The duo’s latest venture will see the transformation of the beloved New Picture House Cinema into a high-end T-Squared Social location.

Following the success of their New York City flagship, Timberlake and Woods’ latest upscale sports bar project will feature state-of-the-art sports simulators, duckpin bowling and darts while also preserving two original cinema screens – a nod to the venue’s rich history.

Fife Council has given the project the green light, praising its potential to revitalize the area. The renovation is expected to create 40 to 45 new jobs, providing a significant boost to the local economy. According to the documents, the plans will allow locals to “experience a broader range of cinema, dining and entertainment” and will be “crucial in helping to secure a cinema offering going forward.”

According to the project’s terms of approval, work needs to commence within the next three years.

For Timberlake, the St Andrews location holds special significance. The “Mirrors” singer is no stranger to the legendary links, having competed in the Alfred Dunhill Links Championship in 2019.

Christopher Anand, CEO of Nexus Luxury Collection, the real estate venture behind T-Squared Social, stated, “We’re committed to honoring the theatre’s legacy while creating a modern entertainment destination.”

The announcement comes at a challenging time for Timberlake, who recently faced legal trouble with a DWI arrest in Sag Harbor, New York, on June 18.

The singer addressed the incident three days later during a concert in Chicago on June 21, telling the crowd, “It’s been a tough week. I know I’m hard to love sometimes, but you keep loving me right back. We’ve been together through ups and downs, lefts and rights … but you’re here, and I’m here, and nothing can change this moment right now.”

During his June 29 performance in Boston, the singer seemed to address his arrest with a touch of humor. “So, uh, is there anyone here tonight that is driving?” Timberlake asked the cheering crowd in a fan-captured clip posted on TikTok. “No, I’m just kidding,” he quickly added.

JT’s lawyer Edward Burke Jr. has stated that he will “vigorously” defend the star against the allegations. “He will have a lot to say at the appropriate time,” Burke said in a statement.

Following his July 4 headlining debut at London’s BST Hyde Park, which also featured performances from Riley Green, Ella Langley and Ernest, Morgan Wallen has released the fan-anticipated ballad “Lies, Lies, Lies,” via Big Loud/Mercury/Republic.

Written by ACM songwriter of the year winner Jessie Jo Dillon alongside Josh Miller, Daniel Ross and two-time Grammy winner Chris Tompkins, with production from Joey Moi, the ballad was originally recorded at London’s Studio Two at Abbey Road Studios in December 2023, just following his sold-out O2 London show on Dec. 3. The recording of “Lies, Lies, Lies” was part of his seven-song Abbey Road Sessions, with the digital series releasing on March 3, 2024. The release also commemorated the one-year anniversary of Wallen’s third studio album One Thing at a Time.

“Playing the O2 in London last fall and getting to record at Abbey Road, where so much iconic music has been made, was legendary for me and my band. We will never forget it,” 11-time 2023 Billboard Music Awards winner said in a statement when the Abbey Road Sessions project was released. “I’m so excited to release these Abbey Road Sessions for my fans on the one-year anniversary of One Thing At A Time. They make all this possible.”

Other songs on the Abbey Road Sessions included “Sunrise,” “Everything I Love,” “I Deserve a Drink” and a version of Nothing But Thieves’ “Graveyard Whistling.”

Meanwhile, Wallen’s collaboration with Post Malone, “I Had Some Help,” has held the top spot on the Billboard Hot 100 chart for six weeks, and has helmed the pinnacle of the Hot Country Songs chart for seven weeks.

Listen to Wallen’s “Lies, Lies, Lies” below:

The most anticipated video of the year so far has finally dropped.

“Not Like Us,” Kendrick Lamar’s jubilant Drake diss track that topped the Billboard Hot 100 and has stayed on the chart for eight weeks, has enjoyed a legendary run. It’s been played in clubs and sports arenas, soundtracked children’s birthday parties, and inspired an…interesting opening number at this year’s BET Awards.

But, despite the song dominating airwaves for two months and Kendrick performing it multiple times at the end of his Juneteenth Concert, “The Pop Out,” fans still hoped the Pg. Lang captain would drop an official visual. Confirmation that a video was on the way came not long after the Amazon Prime-streamed show when Kendrick took to his hometown of Compton and brought the entire city out to be a part of the production.

And, after a series of a stills from the video leaked last night, Kendrick and Pg. Lang delivered the official video this evening. Directed by Kendrick and Dave Free (who also makes a quick cameo), the video matches the energy of the fun but blistering diss track with a number of Lamar’s lyrics brought to life. For example, there’s a scene where he beats an owl-shaped piñata with a stick, one where he gets slipped a bible that he tucks into his jacket, and another one where an enormous crowd in Compton dances and engulfs him as he proclaims that “the city is back up, it’s a must we outside.”

However, the highlight of the video comes towards the end of the nearly six-minute clip when Kendrick poses with his fiancé Whitney Alford and their two kids before all of them break into dance. It’s a clear refutation to the allegations made by Drake in his song “Family Matters” where he claimed, among other things, that Alford and Lamar were separated and that he did not regularly see his children.

It’s hard to imagine the song getting a second wind as it’s still dominating the cultural conversation, but this video may just extend its runway.

Watch the video below.