Welcome to another edition of Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. While you’re here, we also have a weekly interview series spotlighting a single executive and a regularly updated gallery honoring many of the industry figures we’ve lost throughout the year.

Warner Music welcomed seasoned artist manager and marketer Oscar Scivier as its Hong Kong-based senior director of A&R for Asia. The label said Scivier will work closely with regional management on developing A&R strategies, plus support WMG’s over-arching vision to introduce local artists to global audiences. Scivier was most recently head of music at Digital Arts and Sciences, which followed a five-year run at First Access Entertainment, where he A&R’d Rita Ora, Madison Beer, DJ Regard and others. He also made earlier stops at Ultra Music, working with Steve Aoki, Kygo, OMI and Benny Benassi, and Three Six Zero, where he day-to-day’d Deadmau5 and Michael Woods. “Adding Oscar to our worldwide A&R team strengthens our ability to swiftly seize artist development opportunities and reaffirms WMG’s commitment to providing the best platform for the most impactful and popular talent,” said Kabiru Bello, vp of global A&R at Warner Recorded Music. “His wide-ranging experience as a producer, label manager and artist manager will make him a superb addition to our company’s leading team of A&R executives.”

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Stern Management secured the services of industry veteran Marisa Jeffries in the newly created role of general manager. She’ll work closely with the company’s roster, which includes The Black Angels, Phosphorescent, Metric, Finn Wolfhard and others. Jeffries was most recently U.S. lead of label partnerships at TikTok, where she nailed down opportunities for the likes of Taylor Swift, Rosalia, Steve Lacy and Omar Apollo — quality work that earned her a spot on Billboard‘s Women in Music list in 2023. Earlier in her career, Jeffries drove marketing strategy for Sony Music’s catalog division and prior to TikTok she spent five-plus years working label relations at SoundCloud. “I have been constantly inspired by Marisa and her community of colleagues and friends who break artists in new and inventive ways,” said Stern Management founder Nick Stern. “Her superpower has always been drawing out the best in people and building long-lasting partnerships founded on trust, excitement and a love for doing cool things.”

Universal Music Sweden tapped Mattias Caliste to lead the newly launched Def Jam Recordings Sweden. The label’s opening roster includes Asme x Sarettii, Sebastian Stakset and Zikai. His team will include Hamid Jamshidi, Hermon Alemseghed and Mathilda Sachs, plus UMG’s regional and global network. Caliste is a former member of Swedish hip-hop group Fjärde Världen (Fourth World) and was most recently in charge of Virgin Music Sweden, where he worked with artists including 23 and Asme. “Def Jam raised me!” Caliste said. “I grew up on artists like Public Enemy, EPMD, LL Cool J, Redman & Method Man, Warren G and many others who all released some of their most outstanding albums under Def Jam. The label has a legacy that is incredibly important for hip hop as both a genre and a subculture.”

Stern Management secured the services of industry veteran Marisa Jeffries in the newly created role of general manager. She’ll work closely with the company’s roster, which includes The Black Angels, Phosphorescent, Metric, Finn Wolfhard and others. Jeffries was most recently U.S. lead of label partnerships at TikTok, where she nailed down opportunities for the likes of Taylor Swift, Rosalia, Steve Lacy and Omar Apollo — quality work that earned her a spot on Billboard‘s Women in Music list in 2023. Earlier in her career, Jeffries drove marketing strategy for Sony Music’s catalog division and prior to TikTok she spent five-plus years working label relations at SoundCloud. “I have been constantly inspired by Marisa and her community of colleagues and friends who break artists in new and inventive ways,” said Stern Management founder Nick Stern. “Her superpower has always been drawing out the best in people and building long-lasting partnerships founded on trust, excitement and a love for doing cool things.”

Jake Owen and Keith Gale launched Good Company Entertainment Records, a label and artist services appendage of their management company of the same name (sans the ‘Records’ part). GCE Records aims to provide marketing services, digital and creative tools, global distribution and management services for new and established artists, including first signing Styles. “GCE Records is an alternative model to introduce artists and new music,” explained Gale. “Providing key services similar to that of the traditional record label, but dissimilar to the label structure in various facets, our artist partners and their teams have the creative freedoms to remain true to their unique brand of music that sets them apart.”

Chris Walters is now chief financial officer of Gateway Studios & Production Services, a St. Louis-based live events company that provides lighting, audio and high-tech video services for artists and festivals including Phish, Greta Van Fleet, Governors Ball, Professional Bull Riders and more. The “Studios” part of the company’s name refers to the massive, 330,000 square-foot tour and live event rehearsal campus it is currently building in STL’s Chesterfield Valley area. When online, the facility will house five separate studio spaces where events and tours destined for small theaters, stadiums and everything in between can be produced and rehearsed from soup to nuts before hitting the road. Walters has been at Gateway since 2021, following a six-year run at Emerson Automation Solutions.

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Top Drawer Merch elevated Robbie McPhail to vp of sales. As part of his new role, McPhail will take lead on sales strategies for both e-commerce and in-person festival/tour merchandising, plus oversee logistics, inventory and shipping matters. McPhail joined Los Angeles-based TDM in 2016, working on-site operations at festivals such as Cali Vibes, Portola, Invisible Friends and dozens more. “His experience behind the booth gives him a unique perspective on which sales strategies are successful and which initiatives need to be implemented in the future,” the company said.

Brett Kaminsky was made partner at Felcher & Freifeld LLP, where the Cardozo School of Law grad has posted up for nearly 11 years. Most recently a senior associate, Kaminsky handles a broad swath of legal matters for F&F’s recording artists, songwriters, producers, managers and entertainment executives, including contract negotiations, licensing and branding matters and performance agreements.

Charlotte-based live events management and production company Midwood Entertainment has Joel Grubb as talent buyer and event producer. Grubb previously served as a promoter at Rival Entertainment in Atlanta, managing outdoor and special events at venues including Sweetland Amphitheatre and Chandler Park Music Festival, and contributing to booking shows at Rival’s venues including Eddie’s Attic and The Earl. In his new role, Grubb will oversee booking for a variety of venues, festivals, concert series, and special events across the southeast and beyond. Grubb also played a key role in developing/curating the indie rock festival Highball. –Jessica Nicholson

Agua Caliente Casinos hired Nick Sitar as the chain’s new director of entertainment. Based in Rancho Mirage, Calif. and reporting to Saverio Scheri, COO, Sitar is tasked with booking artists at all three of ACC’s properties in California. Prior to joining the company, he served as regional director of entertainment programming at Caesars Entertainment, where he handled bookings at all of the company’s non-Vegas properties.

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ICYMI:


Christoph Behm
Christoph Behm
Christoph Behm was named the new CEO of Sony Music Germany, Switzerland and Austria (GSA), replacing Patrick Mushatsi-Kareba, who is exiting the company at the end of August … Jonathan Roberts will spearhead UTA‘s new Christian music division … and former Billboard editorial director Bill Werde will lead Syracuse University‘s new master’s degree in music business as part of the school’s prestigious Bandier Program for Recording and Entertainment Industries.

Last Week’s Turntable: Warner Chappell Promotes Zach Bryan’s A&R Guy

Shaboozey dominates Billboard’s Country Airplay chart (dated Aug. 31) for a fifth week with “A Bar Song (Tipsy).” The song drew 29.8 million audience impressions (down 2%) Aug. 16-22, according to Luminate.

The track by the Virginian (born Collins Obinna Chibueze) is only the sixth country career-establishing No. 1 at the format to reign for five or more weeks (counting acts’ first Country Airplay entries as a lead artist or their initial songs promoted to country radio). It joins the elite company of Carrie Underwood’s “Jesus, Take the Wheel” (six weeks, 2006); Gretchen Wilson’s “Redneck Woman” (five, 2004); Uncle Kracker’s “When the Sun Goes Down” (with Kenny Chesney; five, 2004); Blake Shelton’s “Austin” (five, 2001); and Billy Ray Cyrus’ “Achy Breaky Heart” (five, 1992).

“A Bar Song (Tipsy),” on American Dogwood/EMPIRE, with country radio promotion by Magnolia Music, concurrently hits No. 1 on the Adult Pop Airplay chart. As it also led Pop Airplay for two weeks, it becomes just the second song ever to top Country Airplay, Pop Airplay and Adult Pop Airplay (dating to the lists’ 1990s inceptions) – with both having reigned since June. It follows Post Malone’s Morgan Wallen-featuring “I Had Some Help,” which led Country Airplay for four weeks in June-July; Pop Airplay for two weeks this month; and Adult Pop Airplay for one week, also this month.

‘She’s’ Top Three

Plus, Drew Baldridge’s “She’s Somebody’s Daughter (Reimagined)” hits a new Country Airplay best, rising 5-3 (27.9 million, up 13%). The track, which the singer-songwriter and KKGO Los Angeles air talent co-penned (it updates his 2019 original), marks another new record high for a self-released single. One other such song has reached the top 10: Aaron Watson’s “Outta Style,” which hit No. 10 in December 2017.

Taylor Swift gave shout-outs to two of her friends Friday (Aug. 23), praising both Sabrina Carpenter‘s new album Short n’ Sweet as well as Zoë Kravitz‘s film Blink Twice on Instagram Stories.

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Of her former Eras tour mate, the pop superstar wrote: “Short. Sweet. Has made an extraordinary album.”

Sharing a photo of her posing with Carpenter at a Kansas City Chiefs game in October, Swift also gave followers a call to action. “Go support our girl!!” she wrote.

The “Espresso” singer dropped her sixth studio album Friday, featuring the Billboard Hot 100-topping hit “Please Please Please” and new single “Taste,” for which she also offered a music video costarring Jenna Ortega. The project comes more than five months after Carpenter concluded her run as Swift’s opener on the Eras Tour’s Latin American, Asian and Australian dates.

Reposting Swift’s praise on her own Story, the Girl Meets World alum simply wrote, “:’) ily.”

Also on Instagram, the “Anti-Hero” artist raved about Blink Twice, Kravitz’s directorial debut starring the Batman star’s fiancé, actor Channing Tatum. “This film is incredible,” Swift wrote, sharing the psychological thriller’s poster. “Thrilling, twisted, wickedly funny, and visually stunning. The performances are phenomenal.”

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“Zoe Kravitz conceptualized this, wrote it, obsessed over every detail, and directed it with such a clear and bold vision,” Swift continued of her friend. “I’m so blown away by what she’s accomplished here and I can’t wait to watch everyone discover this film and this brilliant filmmaker.”

The 14-time Grammy winner’s post comes a few days after Tatum shared a sweet video of his and Kravitz’s date night at one of Swift’s Wembley Eras Tour shows. “The love is real and @taylorswift13 is an absolute force!” he captioned the clip, which showed him kissing the actress on the cheek as she danced along to “Shake It Off.”

Swift and Kravitz have been close friends for years, and even collaborated on the former’s Midnights track “Lavender Haze.” In 2022, the Divergent alum told GQ that she and the “Karma” artist were in each other’s quarantine pods, with Swift telling the publication: “Zoë’s sense of self is what makes her such an exciting artist, and such an incredible friend. She has this very honest inner compass, and the result is art and life without compromising who she is.”

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Start your engines: Tillys just launched an exclusive NASCAR merch line including a Pit Stop jacket that’s not only bold in color, but features NASCAR-approved patches and graphics in addition to windproof materials. Everything else from the collaboration will give you nostalgia, as the collection spotlights vintage-inspired graphic T-shirts and loungewear that’ll have you racing to fill your cart.

The collection went live on Aug. 16 and showcases a range of T-shirts, pullovers, sweatshirts and sweatpants that will keep you comfy and streetwear-ready on and off the racetrack. Prices range from $35 to $125, with sizes S-XXL offered. These pieces are available only on Tillys, including the graphics, which you won’t see anywhere else.

With the Coke Zero 400 getting ready to premiere on Saturday (Aug. 24), this collection comes just in time to stock you up on fashion-forward styles. And, for fans of the Daytona 500, there are some retro-themed T-shirts available that spotlight the major racing event.

Sizes are already selling out, which means you probably won’t want to sleep on it too long before snagging this NASCAR merch.

Below, ShopBillboard put together our favorite picks from the Tillys x NASCAR collection to help inspire your shopping spree.

models wearing green nascar t-shirt with jeans

TILLYS x NASCAR Stock Car Mens Boxy Tee

Embrace the vintage look with this soft green T-shirt. The style features a faded base color for a more worn in appearance as well as comes in an oversized fit that’ll give you a more relaxed vibe.


models wearing black nascar pullover with pants from tillys

TILLYS x NASCAR Racing Mens Crewneck Sweatshirt

Bring your love for racing to your closet with this basic pullover. The front features NASCAR’s iconic logo and a high crewneck that’ll keep you warm and comfy as you cheer on your favorite driver.


model wearing black NASCAR graphic t-shirt with camo pants

TILLYS x NASCAR Great American Race Mens Boxy Tee

The Daytona 500 gets a moment with this graphic T-shirt. When you slip it on, you’ll notice it comes with an oversized fit for a more casual, relaxed feel and will pair easily with joggers, jeans and even biker shorts.


model wearing off-white NASCAR hoodie with jeans

TILLYS x NASCAR Since 1948 Mens Hoodie

Bundle up in a simple NASCAR sweatshirt that has a soft interior material that’ll help lock heat in. The built-in hood is also ideal for blocking out wind when the temps dip while the front pocket will let you store your phone, wallet and keys.


model wearing nascar red and blue jacket from tillys with brown pants

TILLYS x NASCAR Pit Stop Mens Jacket

Make a statement with this bold NASCAR jacket that’ll have you channeling the classic pit-crew style. The jacket comes with embroidered graphics including the official NASCAR logo in addition to speedway patterns along the sleeves for added style. Its windproof shell will also help keep you warm during chillier days.


Professional racing isn’t the only area that the clothing brand launches collections with — the clothing company has also delved into other sports and entertainment collaborations including MBA, NBA, Cobra Kai and the hit movie Deadpool & Wolverine.

For more product recommendations, check out ShopBillboard‘s roundups of the best celebrity sneaker collaborations, date night outfits and Abercrombie’s NFL collection.

If there’s one thing Mötley Crüe mastered in their hair metal heyday it was fighting for the right to party. But on the veteran band’s new single, they steal a page from another famously hard-partying crew from the 1980s: the Beastie Boys.

The originally snot-nosed rap trio quickly transformed into more evolved, socially conscious musos by the early 1990s, while the Crüe, well, they keep on Crüe’in. On Friday (August 23) the group announced the upcoming release of a three-song EP, Cancelled (Oct. 4), which in addition to their recently released original rocker “Dogs of War,” features a guitar-heavy cover of the Beasties’ 1986 Billboard Hot 100 No. 7 hit “Fight For Your Right.”

Other than the title, it’s an improbable left turn for the Vince Neil-fronted band, though a release announcing the EP noted that the group’s take on “Fight” has become a live fan favorite since it was first rolled out during a secret 2023 club show for 450 fans at the Underworld in London.

Produced by the band’s longtime studio consigliere Bob Rock, the Crüe’d take is pretty much what you’d expect from the group that also features original members drummer Tommy Lee and bassist Nikki Sixx and former Rob Zombie/Marilyn Manson guitarist John 5, who replaced original guitarist Mick Mars after his retirement in 2022. Packed with squealing guitars, pounding drums and Neil’s yowls over the chorus’s shouty gang vocals, the lyrics about smoking, drinking, parental complaints about long hair and raging all night somehow seems on message for the now-sixtysomething members who once made unadulterated debauchery their calling card.

The band’s debut release on Big Machine Rock marks the Crüe’s first new music since the one-off 2019 single “The Dirt (Est. 1981)” with Machine Gun Kelly. “It was really great getting in the studio and working on some tracks together,” they said in a joint statement announcing the EP, which will also feature the title track. “What started out as a couple demo ideas turned into this EP produced by Bob Rock. We look forward to getting back into the studio again soon and writing more new music, as well.”

Listen to Mötley Crüe’s “Fight For Your Right” cover below.

OutKast has filed a trademark infringement lawsuit against an electronic dance music duo called ATLiens – the same name as one of the iconic hip hop duo’s best-known songs.

In a lawsuit lodged Tuesday in Georgia federal court, lawyers for Big Boi (Antwan Patton) and André 3000 (André Benjamin) argue that the name (a combo of “aliens” and their hometown of Atlanta) is a novel linguistic term – and that the rival group is confusing music fans by using it.

“The word ATLiens was invented by OutKast. Before OutKast created it, it was not used in the cultural lexicon and did not exist,” the group wrote. “Defendant’s use of the ATLiens mark is likely to cause confusion, to cause mistake, or to deceive the public.”

Released in 1996, ATLiens is OutKast’s second studio album, featuring the same-name song as one of the singles from the LP. The album spent 33 weeks on the Billboard 200, while the song itself reached No. 35 on the Hot 100 and spent 17 weeks on the chart.

The track, well-received at the time, is “one of OutKast’s most well-known and well-regarded songs,” the lawsuit claims, and the duo “continues to perform ‘ATLiens’ at nearly all (if not every single one) of its full-length live performances.”

According to the group’s lawyers, the rival ATLiens started using their name in 2012 and later registered the name as a trademark. In the suit, Outkast appears to claim that they did not know about the other dance group until recently.

In accusing the EDM duo of infringement, OutKast says the two names are “identical” and used for largely the same thing – musical duos from Atlanta who perform in “related musical genres.” The lawsuit even claims that, thanks to the rival group’s stage costumes, fans might literally think they’re Big Boi and André 3000.

“The duo comprising defendant performs with masks on, thereby concealing their identities such that consumers will mistakenly believe that the members of Defendant are one and the same with – or at least somehow connected to – plaintiff,” lawyers for OutKast write.

OutKast says it attempted to “negotiate an amicable resolution to the dispute” but that ATLiens has continued to use the name in confusing ways – like a poster for an upcoming show in Atlanta that allegedly riffs on a similar poster used by OutKast.

“Management for OutKast has already received communications from third-parties querying whether OutKast was affiliated with defendant’s upcoming show,” the group’s lawyers write.

Reps for ATLiens did not immediately return a request for comment.

In technical terms, the case was filed by High Schoolers LLC, a holding company owned by Big Boi and André 3000 that controls OutKast’s trademarks.

Just a few hours after the release of her new album Short & Sweet, Sabrina Carpenter dropped the music video to “Taste” Friday (Aug. 23) — but there’s nothing sweet about the Death Becomes Her-inspired bloodbath that ensues in the visual, unless you count the unlikely friendship she forms at the end.

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The video opens with Carpenter singing a creepy lullaby: “Rock-a-bye baby, snug in your bed/ Right now you are sleeping, and soon you’ll be dead.”

She then sneaks into her ex-boyfriend’s house to hack his new girlfriend — played by Jenna Ortega — to bits with a machete, before realizing that the Wednesday actress had set up a decoy in the bed. Ortega jumps out from hiding and starts shooting Carpenter with a rifle, sending her falling out the second-story window, with the singer impaled on the fence below.

Such begins a gory cat fight between the two ladies who keep coming back from the dead — à la the 1992 Oscar-winning film starring Meryl Streep and Goldie Hawn — involving weaponized hospital defibrillators, voodoo dolls and Ortega chopping off Carpenter’s arm after the latter bursts in on the former and her nameless beau in the shower. It all culminates with the “Nonsense” singer and Beetlejuice Beetlejuice star having a steamy makeout sesh by the pool, before Ortega mistakenly murders their shared boy toy with a chainsaw.

“I heard you’re back together and if that’s true/ You’ll just have to taste me when he’s kissin’ you,” Carpenter sings. “If you want forever, I bet you do/ Just know you’ll taste me too.”

At the funeral for their late love, the girls realize they’re better off as friends than as enemies. “Very insecure,” Ortega complains of her lover-turned-murder-victim, to which Carpenter responds, cackling, “Very insecure! You kill me.”

The Dave Meyers-directed project marks the third music video in Carpenter’s Short & Sweet era, following visuals for smash hit “Espresso” and Billboard Hot 100 chart-topper “Please Please Please,” which starred her boyfriend, actor Barry Keoghan. The new album marks the musician’s sixth studio album, following 2022’s Emails I Can’t Send, which reached No. 23 on the Billboard 200.

Watch the “Taste” music video above.

Lady Gaga and Bruno Mars have won a combined 28 Grammy Awards – 13 for her, 15 for him – so it doesn’t take a genius to know that their newly-released collaboration, “Die With a Smile,” is a strong contender for Grammy nods. The song was released on Aug. 16, two weeks before the close of eligibility for the 67th annual Grammy Awards.

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The instant smash has a good chance of nominations for record of the year, song of the year and best pop duo/group performance.

Both artists have been nominated multiple times for record of the year for previous collaborations. Mars has been nominated three times for collaborations – as a featured artist on B.o.B.’s “Nothin’ on You” and Mark Ronson’s “Uptown Funk!” and as the co-lead artist with Anderson .Paak on Silk Sonic’s “Leave the Door Open.” If he is nominated again for “Die With a Smile,” he’ll break out of a tie with Jay-Z and Rihanna as the artist with the most record of the year nods as part of a collab.

Gaga has been nominated for record of the year with two previous collabs – “Shallow” with Bradley Cooper and “I Get a Kick Out of You” with Tony Bennett. Counting all singles, not just collabs, this would be Mars’ seventh record of the year nod; Gaga’s fourth.

The Grammy nominations will be announced on Nov. 8. The 67th annual Grammy Awards will be presented on Feb. 2, 2025 at Crypto.com Arena in Los Angeles.

Gaga and Mars co-wrote and co-produced “Die With a Smile” with Dernst “D’Mile” Emile II and Andrew Watt. James Fauntleroy was an additional co-writer.

Mars has one of the best batting averages of any artist in Grammy history. He has won 15 awards from just 31 nominations. Adele at one point had won 15 awards from just 18 nominations, but her batting average came down to earth a bit when she won just one award from seven nominations in 2023. (Her current standing – 16 awards from 25 nods – is still pretty great!)

Gaga has won 13 awards from 36 nominations.

While it’s too early to predict who is going to win in the marquee categories, if “Die With a Smile” does win record of the year, Mars would set a big Grammy record: the first artist to win record of the year four times. He’d break out of a tie with Paul Simon, who has won three times (counting two Simon & Garfunkel classics).

Mars won the award in 2016 as a featured artist on Ronson’s “Uptown Funk!,” in 2018 for the solo smash “24K Magic” and along with Anderson .Paak in 2022 for Silk Sonic’s “Leave the Door Open.”

If it wins song of the year, Mars and D’Mile would become the first three-time winners in that category. They are currently in a tie with Henry Mancini & Johnny Mercer, Billie Eilish & Finneas O’Connell, Adele, Brody Brown, James Horner, Will Jennings and the members of U2, with two wins each.

Mars previously won song of the year for co-writing “That’s What I Like” and “Leave the Door Open.” D’Mile previously won for co-writing H.E.R.’s “I Can’t Breathe” and “Leave the Door Open.”

If “Die With a Smile” wins record or song of the year, it would be Gaga’s first win in a so-called Big Four category (album, record or song of the year plus best new artist).

If the collab wins best pop duo/group performance, it would be Gaga’s record-setting third win in that category, following wins for pairings with Cooper (“Shallow”) and Ariana Grande (“Rain on Me”). Gaga is currently tied with SZA with two wins each in the category (which was introduced at the 2012 ceremony).

Gaga and Mars share another Grammy common bond: Neither was nominated for best new artist, despite both getting off to hot career starts. In both cases it’s because they blew up so fast that they ran afoul of Grammy eligibility rules in that category.

Gaga was entered in the best new artist competition for the awards that were presented in 2009, but she wasn’t nominated. She was nominated that year for best dance recording for “Just Dance,” her Hot 100-topping collab with Colby O’Donis. That nomination precluded her from getting a second shot at best new artist the following year (which is the norm in that category for artists whose breakthroughs don’t neatly fall into one Grammy eligibility year).

Mars was never even entered for best new artist. He received seven nominations at the awards that were presented in 2011, winning best pop vocal performance, male for his Hot 100-topping “Just the Way You Are.” But because his first full-length album hadn’t been released by the close of that eligibility year – it was released four days later, on Oct. 4, 2010 – he wasn’t eligible for best new artist that year. And he wasn’t allowed in the category the following year because he was, by that point, a Grammy winner. (That’s what you call a Grammy Catch-22.)

The failure of both artists to be nominated for best new artist hasn’t seemed to unduly slow their career momentum.

“Die With a Smile” is expected to challenge for a debut inside the top 10 on next week’s Billboard Hot 100. The chart will be unveiled on Monday (Aug. 26).

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.

This week, Sabrina Carpenter releases her new full-but-not-too-full-length, Lainey Wilson captures two years’ worth of career hubbub on her latest LP, Coldplay leads a global All-Star prayer circle and much more.

Sabrina Carpenter, Short n’ Sweet

The wait is over: Sabrina Carpenter’s Short n’ Sweet is here, on the backs of the consecutive smashes “Espresso” and “Please Please Please,” with 10 additional pop confections. Those range from the delectable obvious third single “Taste” to the rollicking acoustic betrayal of “Coincidence” to the frisky soft ’80s pop-funk of “Bed Chem.” For fans hoping for a coherent mix of the hooky confidence and slinky seductiveness of Carpenter’s latest singles with the clever detail and revealing lyrics of Emails I Can’t Send should have no complaints about Short n’ Sweet — outside of the brevity, anyway.

Lainey Wilson, Whirlwind

“Whirlwind” is the too-appropriate title to summarize Lainey Wilson’s career since 2022 breakthrough LP Bell Bottom Country, with the past two years being a blur of hits, gigs, cameos and accolades for the always-rising singer-songwriter. The mania has most recently led to her fourth studio album, in which she sounds more self-assured than ever on tracks like the strutting victory lap “Country’s Cool Again,” the Jerry Reed-inspired kiss-off “Ring Finger” and the rip-roaring lead single “Hang Tight Honey.” But she allows she probably won’t be able to do it forever, pleading “I can’t keep trying to keep up with Jones” on the album’s George Jones-referencing opening track.

Coldplay, Little Simz, Burna Boy, Elyana & TINI, “We Pray”

Few would expect Chris Martin & Co. to lead off a New Music Friday single featuring an All-Star global cast of singers and rappers — but Coldplay have extended their pop-rock superstardom into its third decade largely due to their willingness to embrace younger artists and new sounds. So it’s not exactly shocking — and decently rousing — to hear Martin belting “We’ll be singing, Baraye!” over a booming Max Martin-co-produced beat as voices from around the world support him in hoping for simpler and safer times. “We Pray” will be featured on the band’s upcoming Mood Music album, due in October.

Central Cee, “Billion Streams Freestyle” & “Bolide Noir”

“Said that my b–ch was gay, got a billion streams,” U.K. rapper Central Cee boasts about his breakthrough hit “Doja” apparently passing the 10-digit mark in online plays. The hitmaking MC, whose takeover continues to make its way across the pond, releases two new songs this week to celebrate his achievement, both the gleeful “Freestyle” and the more downbeat “Bolide Noir,” featuring Paris rapper JRK 19, in which a bleary-eyed Cench raps, “When you’ve been through all the things that I have/ Everything else is a walk in the park.” Another rewarding release from one of the decade’s most exciting new rappers.

Mk.gee, “Lonely Fight”

In a year of major pop breakthroughs, bubbling up below the surface has been singer/songwriter Mk.gee, whose acclaimed debut album of emotional, intimate guitar ballads Two Star & The Dream Police has already earned him a fairly devoted cult following. That album only came out half a year ago, but the artist born Mike Gordon is already back with a new song: the gorgeous “Lonely Fight,” another transmission of aching guitar and warm fretless bass tied together by Gordon’s evocative but open-ended crooning. If you haven’t gotten on the bandwagon yet, be sure to hop on before LP2.

New Radicals, “Murder on the Dancefloor” & “Lost Stars”

The New Radicals hadn’t released any new music since their cult classic 1998 debut LP Maybe You’ve Been Brainwashed Too spawned one of the most enduring pop-rock gems of its era, the recently DNC-featured “You Get What You Give.” Last night, however, they debuted two quasi-new songs, along with an open letter to Kamala Harris’ “super fan” husband Doug Emhoff, and a stated hope “to rally the cause of democracy and encourage all artists to get out the vote.” The “quasi” is due to both of the songs being covers of originals already penned by frontman Gregg Alexander — Sophie Ellis-Bextor’s Saltburn-revived “Murder on the Dancefloor” and “Lost Stars” from the 2013 film Begin Again — so not quite enough to raise hopes for any kind of full Brainwashed sequel, but long-Radicalized fans will still undoubtedly be very grateful for the new releases.

The heavy metal Prince of Darkness is just an old softie after all. While he’s made a reputation for singing dark songs about dark subjects for more than half a century, deep down Ozzy Osbourne is a sweet-hearted mushball. Especially when it comes to his beloved fur baby Rocky.

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The hard rock icon had a heavy heart this week as he announced the death of his 15-year-old best pal Pomeranian. “Two days ago I lost my good friend Rocky who has been at my side for 15 years,” Osbourne tweeted on Thursday (August 22) alongside a pic of the adorable little guy snuggled in his arms. “I’ll see you on the other side my friend. I love you always.”

Osbourne’s Insta post about the sad news drew touching messages of support from Barbaranne Wylde, wife of Ozzy’s longtime guitarist Zakk Wylde, who wrote, “Oh Sweet Boy Rocky. So Sorry @ozzyosbourne Love You.” Peta also weighed in, writing, “We are so deeply sorry for your loss of sweet Rocky. May your 15 years of special memories and adventures together bring you comfort through the pain. Sending love from all of us at PETA.”

Other friends offering their condolences included actor Danny Trejo, Wilson Phillips singer Carnie Wilson and Kathy Rhoads D’Argenzio, sister of Ozzy’s beloved late pal and co-songwriter, guitarist Randy Rhoads.

Osbourne, 75, who has been laid low by a series of health issues over the past few years that have prevented him from touring and performing live, is slated to be inducted into the Rock and Roll Hall of Fame as a solo artist on Oct. 19 in Cleveland. Though he isn’t likely to perform for his second induction — Black Sabbath was enshrined in 2006 — he said in a recent statement that he plans to attend the ceremony.

“I’m really looking forward to attending the induction ceremony in Cleveland this October,” Ozzy said. “More importantly, I am so blessed to have had such an incredible career with amazing fans who have stuck by me through thick and thin over the years.” 

Check out Ozzy and Rocky below.