This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists including Luck Ra, Nicki Nicole, Elsa y Elmar, Jhayco and more.

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Sebastián Yatra returns with his new ballad “Los Domingos,” marking his first solo release since early 2023. This romantic acoustic pop song captures the initial stages of a relationship: “Fate put us face to face/ I waited for you, and I waited long enough/ And now I do, I just need a yes, and just like that/ I’d start with a love song,” he croons in Spanish. The music video further complements this theme, creatively depicting the Colombian performer riding a motorcycle to meet a special someone, blending fantasy and optimism perfectly.

Another release this week is Christian Nodal’s seven-track Pa’l Cora EP. 01, with four new songs, including his collaboration with upcoming Cumbia pop singer Estevie on “Un Besito Más.” The track is an upbeat Tex-Mex-styled tune about the conflicting emotions of wanting to move on while still being drawn to a lover from the past.

Mexican-American star Becky G is back with another corridos tumbados on “Cómo Diablos” which paves the way for an upcoming album Encuentros, due out October 10. The heartbreak single packs a punch with her unfiltered delivery, while blending traditional Mexican musical elements with a fiery passion. “Baby, what was it?/ Why the hell did you leave?/ If I gave you more than you asked for/ Explain to me/ How the hell did you do it/ To be happy when I’m still sad,” she sings in Spanish with gut-wrenching emotion.

Other new releases this week include Andrea Bocelli and Karol G’s “Vivo Por Ella,” Elsa y Elmar’s “Drogada de Emociones,” Jhayco’s “Grecia,” and more. Who should win the poll this week? Give these new releases a spin and vote on them below.

El Alfa will soon hit the road for his 2024 U.S. trek “El Mejor Del Planeta,” which translates to “the best on the planet.” 

The 16-city stint, presented by Loud and Live, kicks off Sept. 12 at Mesa, Arizona, and wraps Dec. 8 in Fairfax, Virginia. In between, he will make pit stops in Chicago, Atlanta and Miami, to name a few. 

“Making dembow, putting people to dance and having fun, we’re the best at that,” El Alfa tells Billboard. “At a show level, El Alfa has no comparison. Whoever goes to one of my concerts, repeats. It’s a lot of fun. When El Alfa is at an arena, the arena moves a lot because of everyone jumping at the same time. It’s an unforgettable experience.” 

Ahead of his U.S. tour, the Dominican artist is enjoying the viral success his single “Este” is having—a catchy dembow with playful lyrics about “this or that.” 

“It’s hard for urban music to have success right now […] I had gone about 12 months without having a strong hit like I do now,” he admits. “I’m enjoying the process and seeing how the industry is changing. I’m completely happy.” 

With hits such as “Este,” “4K,” “Singapur,” and “La Mamá de la Mamá,” El Alfa has managed to become one of the most successful Latin artists on TikTok, but he assures he releases music without an actual budget or strategy plan. It’s all been organic. “I just do music so that everyone else can dance. I do things from the heart,” he notes. 

Currently, the artist born Enmanuel Herrera is making the rounds with “Pararara” in collaboration with Chimbala. He also teased future collabs with artists from Mexico and Argentina, because “nowadays what is working is the freshness and genuineness with which a song is made,” he notes.

El Alfa Tour Flyer
El Alfa

Maren Morris went through a scary time period after she called out Morgan Wallen three years ago, especially where her young son was concerned.

In a new interview on the Work in Progress podcast posted Thursday (Aug. 29), the 34-year-old musician opened up about the backlash she received immediately after slamming the “Last Night” singer for using a racial slur in 2021. “I mean, the death threat portion for me as a young mother was obviously scary,” Morris told host Sophia Bush. “And it wasn’t death threats against me. It was against my son, too. So it’s like, ‘Oh, wow. Now we’re involving the kids, the ones that you cared so much about.’”

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Morris’ son Hayes — whom she shares with her ex-husband, songwriter Ryan Hurd — was less than a year old when a video of Wallen using the N-word began circulating. The “Cut!” singer joined Kelsea Ballerini, Mickey Guyton and more country stars in admonishing the behavior by tweeting: “We all know it wasn’t his first time using that word. We keep them rich and protected at all costs with no recourse.”

“You’re like, ‘How are people this pissed over the criticism of cruelty?’” Morris reflected of the negative responses her tweet received on Work in Progress. “I think it’s because they’re not only defending the person that said this, but they’re taking it personally as if I’m criticizing them, which I think says a lot more about their interpretation of criticism — and what that content was — than me as a person calling out someone using the N word, or even transphobia s–t I’ve criticized in the past.”

For his part, Wallen apologized one week after the video went viral. “The video you saw was me on hour 72 of 72 of a bender, and that’s not something I’m proud of,” he said in a video statement. “I accepted some invitations from some amazing Black organizations, some executives and leaders, to engage in some very real and honest conversations.”

As for Morris? She stands by what she said. “I don’t regret it, I don’t apologize,” she added on the podcast. “I feel the exact same way as I did that day … Don’t be racist. Don’t be transphobic. Don’t be homophobic.”

Listen to Morris’ conversation on Work in Progress below.

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Calling all Old Navy shoppers! With Labor Day weekend just around the corner, now’s a great time to refresh your wardrobe with unbeatable savings. Old Navy is rolling out discounts of up to 60% off on select jeans, tops, skirts, and more, making it easier to shop all your favorite fall-inspired outfits.

The transition into fall can be challenging, especially when it comes to putting together a wardrobe that is both stylish and practical. But don’t fret: To make it easier for you, we’ve put together a list of the top 15 deals from Old Navy that you’ll want to add to revamp your wardrobe this season. From jean jackets to maxi skirts, you’ll be able to dress up or down with any outfit of your choice. Whether you’re looking to update your everyday basics or snag a statement piece that will turn heads, this sale is your chance to take home high-quality pieces, while saving big.

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Stevie Wonder wants us to come together. The legendary artist dropped a new track on Friday (Aug. 30), fittingly titled, “Can We Fix Our Nation’s Broken Heart?”

The track features a strong call for unity over an acoustic guitar as he demands in the hook: “Can we fix our nation’s broken heart?/ Are we brave enough to try?”

While the song is not political in its lyrics, the track’s release is timely with the presidential elections coming up in November. Wonder took the stage on the third night of the Democratic National Convention earlier this month, sharing some powerful remarks for the audience before performing “Higher Ground,” off his 1973 album, Innervisions. “This is a moment to tell your children where you were and what you did,” he declared. “When we stand between history’s pain and tomorrows promises we must choose courage complacency.”

Throughout his career, Wonder has always stood up for injustices through song, most recently in 2020. He released two songs, “Where Is Our Love Song?” and “Can’t Put It in the Hands of Fate.” “I keep thinking about how we can make the world better,” he told Billboard at the time. “I’m in this place where the more I’m seeing things like people dying in this pandemic, killings amid Black Lives Matter, social media negativity, anger … the more I’m a believer that respect is an action word and so is love. I also have a song with PJ Morton, “Where Did All Your Happy Go,” for his next album. It’s about not letting anybody steal your happiness or take your joy away. The driving force for me has to always be the goodness in our hearts.”

Listen to Stevie Wonder’s “Can We Fix Our Nation’s Broken Heart?” below.

The former USSR might not be considered a musical hotbed, but a new compilation of rare music from the Soviet Union lifts the veil on the vibrant, dance-focused scene that existed there in the 1980s.

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Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Crimean Tatar Jazz from 1980s Soviet Central Asia, offers 15 ’80s-era songs from the region, with the project made after deadstock vinyl was discovered at a Soviet-era vinyl plant in Uzbekistan capital of Tashkent.

This rarely heard music — including loads of funk and Moroder-adjacent disco — is out digitally this week and will be available in physical formats on Sept. 24, via Ostinato Records.

The music contained on the compilation came to life as a function of world events. In 1941, Stalin ordered a mass evacuation as the Nazis invaded the USSR, with 16 million people boarding trains to Central Asia. Many of them landed in Tashkent, with this group including the engineers who, four years later, would found the Tashkent Gramplastinok factory.

The 15-track compilation is forged primarily of vinyl discovered at this plant, with groups from all over Soviet Central Asia — Tajikistan, Kazakhstan, the Crimean Peninsula and beyond — traveling to Tashkent to record music.

By the mid-’70s, the Soviet disco scene was in full swing, with Latvian DJ Hardijs Lediņš writing a widely read manifesto urging, the album’s liner notes recount, that “greater professionalism amongst musicians was necessary because ‘like mushrooms after the rain, like the rain after a hot day, that’s how discos are springing up today.’ Lediņš echoed the sentiment of many young people who believed these clubs should play more than music imported from the West, where disco was exploded after being born in the clubs of New York City.

“Recognizing the futility of banning disco clubs outright,” the liner notes explain, “the authorities, ever mindful of ideological control, opened dance spaces exclusively through Komsomols (state youth leagues), requiring partygoers to sit through a one-hour lecture on the Soviet worldview before the music dropped”

The U.S.-born genre became so popular in the USSR that by 1976, the Latvian capital of Riga hosted the first week-long USSR-wide disco festival, with artists flying in from across the region to perform. “Almost 200 disco clubs were soon registered with the local Komsomol in Moscow and 300 in Riga,” the liner notes continue, “and eventually, according to data pieced together during our research, about 20,000 public discos were attended by 30 million people a year across all 15 republics in the union.

With discos raking in money, “Dances were now allowing black market trading to fester. ‘Western clothes and other hard-to-get items—vinyl, jeans, foreign cigarettes—were literally being sold under the table. Discos had become a space for early alternative culture, as well as private commerce.’”

Meanwhile, a so-called “disco mafia” emerged in many Soviet cities including Tashkent, with these entities controlling “a lucrative business model with multiple revenue streams. Propaganda and ideology officials began accepting bribes to turn away from clubs indulging in ‘bourgeois’ extravagance or music viewed as ideologically adversarial.

“But the impact of this music went beyond just entertainment or cultural showcases,” the notes conclude. “From the opening of these clubs in the 1960s onwards, the political ranks drew from what historian Sergei Zhuk called ‘The Deep Purple Generation.’ Disco and rock in the Soviet Union played a not insignificant role in the USSR’s unraveling, steering youth leagues and, in turn, future leadership towards attitudes far removed from Soviet gospel.”

The Soviet Union was dissolved in 1991, with Synthesizing the Silk Roads offering a relic from this perhaps unlikely moment in music history.

Donald Trump is a lot of things, but he’s definitely not a stranger to cease-and-desists.

Over the course of the former POTUS’ political career, he’s managed to tick off a slew of musicians whose songs he’s used at events and in campaign materials, allegedly without receiving permission. In the span of just two weeks in August 2024, for instance, Beyoncé, Foo Fighters and Jack White all expressed their dismay at Trump’s team appearing to use their work without authorization — but it’s a tale as old as the billionaire’s initial presidential run in 2016, when he first became a lightning rod for disgruntled artists.

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After spending the following four years in the White House, he ran for the role of commander in chief once again, but lost to President Joe Biden in 2020. Another four years later, he launched his third campaign, making for 12 years total of collecting slaps on the wrist from unhappy hitmakers. That’s not to say he isn’t duly supported by other musicians, though. Jason Aldean, Ye, Kid Rock and Sexyy Red are just a few big names who’ve endorsed Trump; however, his 2024 Democratic opponent Kamala Harris has also received an outpouring of support from the music industry’s leaders.

Whether they’ve made public statements of condemnation, threatened to take legal action or followed through with a lawsuit — or maybe even all of the above — many musicians have objected to Trump’s use of their work since he first rose to power. Keep reading to see a comprehensive list below, in alphabetical order:

There’s a party going down in Brooklyn Friday (Sept. 6). Billboard‘s Hip-Hop Live concert series is coming to Bushwick venue Xanadu for a show headlined by Teezo Touchdown, with performances from BossMan Dlow, “Texas” rapper BigXthaPlug and DJ Miss Milan.

Those still in need of tickets are in luck, as Billboard and the Billboard Unfiltered team is giving fans the chance to enter a sweepstakes on X to win a pair of tix to the show.

It’s very easy: All you have to do is reply to the official sweepstakes post on Billboard Hip-Hop’s X account with your favorite BossMan Dlow or Teezo Touchdown song. Doing that any time from now until Sept. 4 at 11:59 p.m. ET will give you an official contest entry. There is only one entry allowed per person.

One winner will be notified on Sept. 5, and they will have the chance to claim their two tickets to the show. If the winner does not reply to Billboard within 24 hours, another will be selected. To enter, you must be a legal U.S. citizen and at least 18 years old.

No purchase necessary. Void where prohibited. For those who don’t win, tickets are still on sale for the Xanadu roller rink show here for $32.

The winner may be required to provide a completed W-9 or W-8 form. Each winner agrees to Billboard’s use of their name, photograph, likeness, voice, biographical information, statements and address, and any information provided by Billboard for advertising and/or publicity purposes worldwide in all forms of media now known or hereafter developed, in perpetuity, without further compensation or authorization, to the extent permitted by law.

“I credit hip-hop as the foundation of my art, so I am honored and excited to perform in the birthstate at such a [prestigious] ceremony,” Teezo said in a statement.

BigXthaPlug was announced as an addition to the lineup on Aug. 28, when Billboard revealed he’s also Amazon Music and Rotation’s next Breakthrough Artist.

“BigXthaPlug has been one of the most exciting new voices in hip-hop, with an outsized sound that’s as big as his personality,” Alexis Cueva, artist relations for Amazon Music, told Billboard. “We’ve already seen our customers respond to his incredible music on Amazon Music, and as our next Breakthrough Artist, we’re excited to help BigX connect with even more fans.”

It all goes down Sept. 6 at Brooklyn’s Xanadu, with the show slated to start at 8 p.m. ET.

Hip-Hop LIVE
Hip-Hop LIVE

With two concurrent viral hits right now, “Ohnana” and “UWAIE,” Kapo is having a moment.

Far from an overnight success, the Colombian newcomer has been hustling in the music industry for 15 years. In fact, his first approach to music was at the age of 12, with música popular (Colombia’s version of regional Mexican music). 

“I lived at a gas station in a small town called El Cabuyal, where that’s the only type of music that was heard,” he tells Billboard. “I sang at the small stores and parking lots near the truck stop, that’s how I debuted, and people would give me coins. I wanted to become a global artist.”

At 13, Kapo recorded his first urban song, “Yo Tengo Un Sueño” (I have a dream), which became popular among his school friends. He pursued a brief career in mass communication, but always with the itch to follow his dream as a singer. At 16, he sold his motorcycle, and with the money he moved to the capital, Bogotá, invested in a music video, and in a promo tour. 

The first person to support him was an artist from Cali called Big Daddy “El Negro,” who would take him to his shows to sing and connected him with other artist and producers in the industry. In search of extra income, Kapo participated on the reality show Yo Me Llamo, where he would imitate Puerto Rican rapper Cosculluela. For two years, he was also the background vocalist for Dominican-born, Panamanian-based artist Mr. Saik. 

In 2019, he inked a record deal with La Industria, Inc.,—home to Nicky Jam and Manuel Turizo, to name a few—and released songs such as “Pelinegra” with Nánpa Basico and “Bulevar” with Esteban Rojas and Pirlo, which gained traction locally. Still, Kapo was behind his global hit. 

“I realized that I didn’t have to do what worked, but what moved me,” he notes. “I made romantic music all my life, but I kept it to myself. I have a very bohemian vein, an old soul. My mother always spoke to me about very beautiful things. She is a very humble lady, her vocabulary is not very advanced because she always worked in a restaurant, but she raised her son and her son looked for alternatives to succeed with the correct morals and principles.” 

He analyzed the music industry, other artists, the songs that made him known locally — and realized that there was a lack of feel-good, reflective, romantic music. He changed the way he dressed and talked, he focused on his health, read books, and took yoga classes. But it was one precise trip to Jamaica, and a heartbreak, that changed his fate. 

“Ohnana,” released this June, was born during a music camp where he was joined by dancehall artist Lion Fiyah and Colombian hitmaker Gangsta. “After I visited the Bob Marley museum, I worked on the song, I was in a vibe, and in another tune with my vocal tones. ‘Ohnana’ means ‘trust everything will be fine.’”

And the suave Afrobeat with poetic lyrics earned Kapo his first global hit — one that he manifested for 15 years. “Ohnana” peaks at No. 21 on the Hot Latin Songs chart this week, and rises to a new peak on the Billboard Global 200, at No. 60. Plus rises to its No. 30 high on Global Excl. U.S.

Simultaneously, his recent single “UWAIE” — which means “I’m in love with you” in his very own “Kapito Language,” and is an ode to the women in his life — debuts at No. 35 on Hot Latin Songs and at No. 138 on Global 200 and at No. 81 on Global Excl. U.S. The song also counts over 1 million video creations on TikTok at the time of publishing. 

“I started to declare everything. I started to talk positively to myself. I started to love myself, and not go where all the sheep go,” he concludes. 

Below, learn more about this month’s Billboard Latin Artist on the Rise:

Name: Juan David Loaiza Sepúlveda

Age: 27

Recommended Song: “UWAIE”

Major Accomplishment: “Loving what I do and expanding what I do in music to nourish my life and my family. My mother is calm and can count on a son who is moving forward and giving love to the world. More than having hit songs, my mother feels comfortable that I can trust in me and not doubt my creativity. My voice is imperfect musically but in the end it transmits and reaches people. That is what makes me happiest, that through my gift I was able to support my family and connect with people in the best way possible… by being myself.”

What’s Next: “The ‘Ohnana’ remix and a salsa version of the song are coming. I would also like to do an English version with artists from Africa, but that’s a project I have in mind. I’m going to be on the remix of Greeicy’s ‘A Veces a Besos,’ and I’m going to release music with Maluma and J Balvin, but also a song of mine called ‘Sonrie’ (smile) that reflects everything I’m feeling at this moment.”

Billboard Canada Women of the Year is coming up on September 7, and the Woman of the Year has been named: Charlotte Cardin. 

The Montreal artist is the first Canadian artist to win the prestigious award, joining prior Billboard Women of the Year including Taylor Swift, Beyoncé, Madonna, Billie Eilish, SZA and Karol G.

Since releasing her second full-length album 99 Nights a year ago, the singer-songwriter has had two EP releases, multiple chart hits, and an international breakthrough that’s brought her from the NBA All-Star game to a gala singing for U.S. President Joe Biden. Now, amidst a world tour that’s brought her all over North America and Europe, she’s entered a new phase of her career — an undeniably global one.

She talks about it all in a new digital cover story for Billboard Canada.

“Being able to export my music makes me feel so good,“ she says. “It’s even the thing that makes me the happiest. Ever since I was little I wanted to make [music] my career, and it makes me even happier to know that it can do good for other people.”

When it was released, 99 Nights stayed on the Billboard Canadian Albums chart for 31 weeks. In March, her infectious pop single “Confetti” debuted on the U.S. Billboard Adult Pop Airplay chart, remaining there for 16 weeks. It was one of many singles to also chart on the Billboard Canadian Hot 100. 

While she primarily sings in English, with her personal-yet-relatable pop music, Cardin is a rare Francophone Quebec artist — taking a path forged by Celine Dion and travelled by artists like Coeur de pirate — to break through in English-speaking Canada and America. 

The Woman of the Year award will bring her from her Europe tour to Toronto for Billboard Canada Women in Music on September 7, where she will accept the award and sing a special piano-led performance at the ceremony. 

She’ll keep good company, joining one of the most successful Canadian artists of all time Alanis Morissette, who will accept the Icon Award.

Other honorees include Jessie Reyez (Trailblazer Award), Jully Black (Impact Award), The Beaches (Group of the Year), LU KALA (Rising Star), Allison Russell (Breakthrough Artist of the Year) and more. 

There will also be a number of big performances, including from award winners Jully Black, LU KALA, charting Montreal dance-pop artist Rêve, Polaris Prize winning rapper Haviah Mighty and many more. – Richard Trapunski

Two Long-Running Canadian Acts Go Indie

Call it the Seven Year Itch perhaps? After that long on Sony Nashville, critically-acclaimed award-winning Canadian country star Tenille Townes has left her label in favor of forging ahead as an independent artist. 

As reported earlier in Billboard, Townes broke the news via an Instagram post on Monday (Aug. 26). It reads, in part: “My Nashville record label and I have parted ways. This is not a sob story, but a story of opportunity. We had a really good run and this is a big shift for me. We haven’t been seeing eye to eye on my music and my path and it’s creatively been a struggle waiting on green lights inside a corporate system that doesn’t make a lot of sense anymore.

“I want the freedom to write and record a song and be able to get it to you guys, and making this decision means I can do that as I take back ownership of what I create. And that feels liberating and if I’m honest it also feels terrifying.”

She has long been established as one of Canada’s elite country artists, winning 17 Canadian Country Music Association (CCMA) Awards and two Juno Awards for Best Country Album. Townes has Canadian tour dates in Atlantic Canada and Ontario, Oct. 9-26 and will perform at Rogers Place in Edmonton for the 42nd annual CCMA Awards 2024 CCMA Awards on Sept. 14.

Townes is the second prominent Canadian act to take the leap from major label to independent status in as many weeks. Saskatoon rockers The Sheepdogs recently split from Warner Music Canada and bought back their catalogue, launching their own label Right On Records, distributed through The Orchard worldwide.

They marked the occasion with the release of a surprise new five-track EP, Paradise Alone. For the ‘70s rock throwback band, who gained prominence after winning a contest to appear on the cover of Rolling Stone in 2012, it represents a turning point. 

“We’ve been a band for 20 years, and pretty comfortable with who we are and how we do things. We’ve lasted this long by staying true to ourselves, doing things our way, and not chasing trends,” said bassist Ryan Gullen in a statement, noting that the band already handles their own management, marketing and production. “Acquiring our catalogue and starting our own label is about taking things to the next level. We want to be in the driver’s seat, doing things our way, and maybe even helping other artists do the same. With so much constantly changing, we’re focused on staying true to our approach.” – Kerry Doole