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For the first time in 50 years, Beatles fans will get to go inside the making of band’s final album. Let It Be, the 1970 documentary helmed by Michael Lindsay- Hogg, arrives on Disney+ on Wednesday (May 8).

The documentary, restored by The Beatles: Get Back director Peter Jackson’s production company, shares rare footage of Paul McCartney, John Lennon, George Harrison and Ringo Starr from the recording studio to the Apple Corps’ rooftop in London where the Fab Five wrote and recorded Let It Be and performed live for the last time as group.

Let It Be was ready to go in October/November 1969, but it didn’t come out until April 1970,” Lindsay-Hogg recalled, according to Disney. “One month before its release, The Beatles officially broke up. And so the people went to see Let It Be with sadness in their hearts, thinking, ‘I’ll never see The Beatles together again. I will never have that joy again,’ and it very much darkened the perception of the film.”

“But, in fact, how often do you get to see artists of this stature working together to make what they hear in their heads into songs? And then you get to the roof, and you see their excitement, camaraderie, and sheer joy in playing together again as a group and know, as we do now, that it was the final time, and we view it with the full understanding of who they were and still are and a little poignancy. I was knocked out by what Peter [Jackson] was able to do with Get Back, using all the footage I’d shot 50 years previously.”

“I’m absolutely thrilled that Michael’s movie, Let It Be, has been restored and is finally being re-released after being unavailable for decades,” said Jackson. “I was so lucky to have access to Michael’s outtakes for Get Back, and I’ve always thought that ‘Let It Be’ is needed to complete the Get Back story.”

Read on for ways to join Disney+ and stream Let It Be.

How to Stream Let It Be on Disney+

Let It Be is a Disney+ Original streaming exclusively for subscribers. If you’re not a Disney+ subscriber, here’s a short rundown of how much it costs, and how to land a free subscription.

Disney+ plans start at $7.99/month for the Basic subscription and $11.99/month for Disney+ Premium (ad-free streaming).

Looking for a Disney+ deal? You have a few options, the easiest being a bundle plan, which saves you up to 37% off. Subscribe to the Disney+ Basic Duo plan with Hulu for $9.99/month, or the Trio plan with Hulu and ESPN+ for $14.99/month.

Disney+ no longer offers free trials, but you can go through a third party such as Verizon to get a free subscription. Currently, Verizon customers can score a free six-month subscription to Disney+ with select Unlimited phone plans.

Disney+ offers a huge collection of exclusive TV series, movies, documentaries, concert specials and sports. Let It Be leads a trio of music documentaries arriving on Disney+ this month including Queen Rock Montreal premiering on May 15, and The Beach Boys documentary on May 24.

Watch the trailer for Let It Be below.

It’s Wednesday, May 8th, and Drake & Kendrick Lamar’s beef is getting intense. On Tuesday morning, Drake’s security guard was shot at the rapper’s Toronto residence and his London OVO store was vandalized with the phrase “they not like us,” referencing Kendrick’s diss to Drake. On top of that, it looks like both rappers’ diss tracks are making their way to the Hot 100 next week. We give you All Access to 21 Savage’s American Dream Tour. Beyoncé posted an IG Reel showing that she was actually at Coachella a couple weeks back — how could we miss that? Meghan Trainor debuted a new music video for her new single “To the Moon,” from her upcoming album ‘Timeless.’ It looks like Rauw Alejandro covered up one of his tattoos that he got with now ex Rosalía. Craig David stopped by and explained ‘How It Went Down’ for his iconic single “7 Days” and more!

Tetris Kelly: 

Beyoncé’s stealthy surprise trip, Meghan Trainor’s out of this world video and Rauw Alejandro says bye to his ex. The Kendrick and Drake beef takes a wild turn. We take you inside 21 Savage’s show and Craig David breaks down one of his biggest hits. This Hump Day is packed with news, and it’s starting with a shocking update. The Kendrick and Drake beef is getting intense and now it’s beyond just diss tracks. Let’s break it down. After the back and forth diss tracks, a security guard working at Drake’s Toronto residence was shot early Tuesday morning. According to the Toronto Star, the security guard was transported to the hospital where he underwent surgery. No suspects have been named, but law enforcement says security footage captured a suspect’s car leaving the property. It’s not clear if Drake was at home at the time of the shooting and law enforcement have not said whether they think the shooting is linked to Drake and Kendrick’s feud. What does seem to be related to the feud is the vandalizing of Drake’s London OVO store. Someone spraypainted the front window with “they not like us,” possibly a reference to Kendrick’s song. While the rap beef has seemingly spurred some negative actions, it looks like some of their diss tracks could be heading for chart success. Four of the diss tracks have already appeared on the Hot 100 and three more — “Not Like Us,” “FAMILY MATTERS” and “meet the grahams” — which are all widely available 

Keep watching to learn more!

Marc Anthony adds a 15th top 10 to his Billboard Tropical Albums chart career as Muevense, his 11th studio album, starts at No. 4 on the ranking dated May 11. The 10-track set, released April 24 via Sony Music Latin, enters with 3,000 equivalent album units earned in the U.S. in the week ending May 2, according to Luminate.

Sales and streaming activity contribute to Muevense’s first week sum: albums sales comprise 1,500 units, while 1,500 units derive from streams, equaling 2.2 million official on-demand streams of the album’s songs. Track-equivalent album units comprise a negligible sum of the album’s first week.

On the Tropical Latin Albums chart units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

May is a month for celebration for Marc Anthony, who in addition to banking his 15th top 10 on Tropical Albums, launched his new Sirius XM channel, Muevense Radio, on May 1. Running for a limited time, through May 31, the channel features a best-of-playlist, plus music from his influences and favorite artists, and stories surrounding the breadth of his over three-decade tenure.

Muevense arrives on Tropical Albums two years and two months after Marc’s previous album Pa’lla Voy reached No. 3 in March 2022. Plus, the new album extends his span of 15 top 10s to 31 years, dating to his first week in the top 10 on Feb. 17, 1993, when Otra Nota debuted and peaked at No. 2.

Further, Muevense joins two other Marc Anthony albums on Tropical Albums: 3.0 and Sigo Siendo Yo. While the latter claims its 280th week on the tally, 3.0 banks its 509th week and extends its record for the set with the most weeks overall since Tropical Albums began in 1985.

Beyond its Tropical Albums arrival, Muevense, encompassing eight salsa tracks, one bachata, and one regional Mexican ballad with Pepe Aguilar, also opens at No. 50 on Top Latin Albums.

The set was preceded by three songs. “Ale Ale” flies 16-3 on Tropical Airplay with a robust 227% gain in audience impressions, to 4 million, earned in the U.S. during the same tracking week. The song likewise opens at No. 22 on Latin Airplay as the Hot Shot debut of the week. The song was premiered live at the Latin American Music Awards on April 25.

Back on Tropical Airplay, with the new visit to the upper tier, Marc collects his 57th top 10 entry, and extends second-most record among all acts behind Victor Manuelle who continues to lead with 65 top 10 career hits. The bachata “Punta Cana,” meanwhile, dips 4-6 due to a 34% dip in audience, to 2 million.

Lastly, over on Regional Mexican Airplay, thanks to his co-billed “Ojala Te Duela,” with Pepe Aguilar, the Puerto Rican scored his first entry ever on a regional Mexican chart in Nov. 2023.

Cardi B is defending herself after forgetting the name of Sensen Lii, the Chinese fashion designer who created the rapper’s jaw-dropping, black tulle look at the 2024 Met Gala on Monday night (May 6).

On the red carpet, when asked by Emma Chamberlain for Vogue who the creator of the look was, Cardi hesitated and forgot his name in the moment, noting instead: “They’re Asian and everything.”

Cardi then received online backlash for her comments, slammed by critics for being racially insensitive. Vogue‘s former managing director Gilbert Cheah also called out the “Bodak Yellow” rapper in a comment section on Instagram, writing, “For the record and recognition, and no thanks to Cardi B, the designer of her gown is Sensen Lii who’s Chinese. The gown took two months to make. I personally think it’s boring and not even on theme but she chose it and should have at least remembered his name and not just that he’s ‘Asian’ [eye roll emoji].”

In response, Cardi took to Instagram to defend herself, explaining that she “had a lot of things on” her mind and was “very scared” since she was being rushed to the front of the line at the Met Gala. “I kind of forgot how to pronounce the designer’s name because his name is a little bit complicated… my mind was just racing,” she recalled. 

Cardi said she wasn’t trying to “be offensive,” adding, “I feel like the designer and my stylist worked really hard for this theme, so for you to be kind of shady because she feel offended or whatever, it just proves why you’re the former director. You’re trying to offend me but you’re actually offending the people behind-the-scenes.”

Watch her full explanation via TMZ here.

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Myke Towers captures his highest-charting hit yet on Billboard’s Hot Latin Songs chart as “Adivino,” with Bad Bunny, debuts at No. 2 on the list dated May 11. It’s the 52nd chart hit for the former, and 11th to reach the top 10. For Bunny, the collab marks his record-extending 75th top 10 out of 170 total chart hits (again, a record).

“Adivino,” released April 25 on One World International/Warner Latina, traces its No. 2 debut on Hot Latin Songs almost entirely to streaming activity. The song logged 9.9 million official U.S. streams in the U.S. during the April 26-May 2 tracking week, according to Luminate. That sum yields an equal No. 2 start on Latin Streaming Songs, Towers’ highest debut, and it equals his highest charting song (“La Jeepeta,” with Nio Garcia, Anuel AA, Brray and Juanka).

As “Adivino” launches at No. 2 on Hot Latin Songs, which blends streaming data, airplay, and digital sales for its results, it pushes Xavi’s former No. 1 “La Diabla” from 2-3, following its 14-week domination which started in January. The track marked the second-longest run at No. 1 this decade (Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dominated for 19 consecutive weeks in 2023). Meanwhile, FloyyMenor and Cris MJ’s “Gata Only” remains at No. 1 four a fourth consecutive week.

By reaching No. 2, Towers outpaces his career-best, as he previous topped out at No. 3 on the multi-metric tally with both “La Jeepeta” (Nio Garcia, Anuel AA, Towers, Brray and Juanka), and “Caramelo” (Ozuna, Karol G and Towers), a week from each other in August 2020.

Benito, meanwhile, scores his first debut on the chart since the Oct. 28, 2023-dated list, when he landed 19 concurrent debuts alongside the release of his Nadie Sabe Lo Que Va a Pasar Mañana album, including the entire top 10, led by “Mónaco.” The track spent 10 weeks at No. 1 – the second-most of any No. 1 in 2023, trailing the 19 weeks of “Ella Baila Sola.”

Notably, as “Adivino” becomes the third song to debut at No. 2 or higher in 2024 –after two Peso Pluma songs– Bad Bunny extends his record for the most top 10s, with 75.

On the all-genre Billboard Hot 100, “Adivino” opens at No. 63, Towers’ highest-debut yet. Only one other Latin song ranks higher: FloyyMenor and Cris MJ’s “Gata Only” continues its winning streak, as it rallies 58-44 on the Hot 100 and continues at No. 1 on Hot Latin Songs for a fourth turn.

While streaming activity fuels the bulk of “Adivino’s” high start, sales assist its launch in the upper tier: the 1,000 downloads sold in the tracking week targeted for a No. 1 debut on Latin Digital Song Sales.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

After just two weeks in theaters, Abigail is dancing its ways onto digital platforms. The vampire horror film about a blood-thirsty ballerina arrived Tuesday (May 7) on VOD.

Melissa Barrera, Dan Stevens, Kathryn Newton, Alisha Wier, William Catlett, Kevin Durand, Angus Cloud and Giancarlo Esposito star in the horror flick, which follows a group of criminals who kidnap a 12-year-old girl in hopes of cashing in on a $50 million ransom. The abduction takes a gory turn when they find out the girl is a vampire and the daughter of an underworld leader.

Abigail is available to rent for $19.99 ($24.99 to buy) on Prime Video, Apple TV, Google Play and Vudu.

The movie premiered April 19 in theaters, and despite positive reviews and a large social media presence — the trailer racked up more than 4 million views on YouTube and viral threads are all over TikTokAbigail failed to scare up a large box-office debut, bringing in just $10 million on opening weekend and landing in second place behind the dystopian action thriller Civil War.

Abigail is directed by Scream VI‘s Matt Bettinelli-Olpin and Tyler Gillett. The film is produced by William Sherak, Paul Neinstein, James Vanderbilt, Tripp Vinson and Chad Villella. Ron Lynch and Macdara Kelleher are executive producers.

The movie also underwent a name change, the directors revealed in an interview with The Hollywood Reporter. “The first draft we got was called Abducting Abigail, and we later learned that an earlier draft we never saw had been called Dracula’s Daughter,” said Bettinelli-Olpin. “But we just were not fans of the Abducting Abigail title, and no disrespect to [co-writer] Stephen Shields, who we absolutely love and adore. So we just asked that it be called Abigail because we really liked that, and it stuck through production. In so many of the movies that we love where you kind of care about the villain, the villain is such a major part of the story, but they’re not one of the ‘main characters,’ like Alien, Jaws, Terminator, Predator. But the title character is still the villain or the monster, so we used that blueprint for Abigail.”

Watch the trailer for Abigail below.

The first of three live broadcasts of the 2024 Eurovision Song Contest yielded the initial results of the competition, with 10 countries out of 15 moving forward into the grand final on Saturday (May 11) and five countries going home.

Most notable among the 10 winning countries are Luxembourg, which returned to the pan-European competition this year after a 31-year absence, and Ireland, which holds the record for the most wins with Sweden at seven each.

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However, Ireland has failed to qualify for the grand final 11 times since the semifinals were introduced in 2005. Bambie Thug breaks that spell with “Doomsday Blue,” a self-described “electro-metal breakdown.” Thug (real name: Bambie Ray Robinson) is the first nonbinary artist to represent Ireland in Eurovision and will be the first Irish contestant in the competition since Ryan O’Shaugnessy placed 16th with “Together” in 2018.

Thug’s entry is expected to place high in the grand final rankings. If they end up in the top five, it will be Ireland’s biggest Eurovision success since Marc Roberts’ “Mysterious Ways,” which finished second to Katrina & the Waves winning U.K. entry “Love Shine a Light” in 1997.

Talia, an Israeli-born singer living in Luxembourg, will be the first person from that small European country — the only grand duchy (a country ruled by a monarch with the title of grand duke or duchess) remaining in the world — to sing in Eurovision since Modern Times placed 20th with “Donne-Moi Une Chance” in 1993.

The other eight countries that qualified for the grand final are Croatia, Cyprus, Finland, Lithuania, Portugal, Serbia, Slovenia and Ukraine. The five countries relegated out, by public vote during the live broadcast, are Australia, Azerbaijan, Iceland, Moldova and Poland.

The oddsmakers have Croatia heavily tipped to win; it would be that nation’s first victory in 30 attempts, although Riva, a band from Croatia, triumphed in 1990 when their country was still part of Yugoslavia.

A second semifinal will be broadcast live on Thursday (May 9). There will be 16 countries fighting for a spot in the grand final top 10 that night: Albania, Armenia, Austria, Belgium, Czechia, Denmark, Estonia, Georgia, Greece, Israel, Latvia, Malta, the Netherlands, Norway, San Marino and Switzerland.

Pre-qualified, and thus able to skip the semifinals, are the host country (Sweden) and the “Big Five” (France, Germany, Italy, Spain and the United Kingdom), so-named because they contribute the largest amounts to the production budget.

Semifinal No 2 of the 2024 Eurovision Song Contest will be live on Peacock in the U.S. on Thursday starting at 3 p.m. ET/noon PT. The grand final will also be live, on Saturday at the same times.