TOMORROW X TOGETHER lands its sixth No. 1 on Billboard’s Top Album Sales chart, as minisode 3: TOMORROW opens atop the tally (dated April 20). The set sold 103,500 copies sold in the U.S. in the week ending April 11, according to Luminate. Also, the top 10 welcomes debuts from Conan Gray, The Black Keys, Vampire Weekend, Khruangbin and J. Cole.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
TOMORROW X TOGETHER’s minisode 3: TOMORROW enters with 103,500 copies sold. Of that sum, physical sales comprise 101,500 (all from CD sales), while digital downloads comprise 2,000. The album’s sales were supported by its availability across 17 collectible CD editions (including exclusive editions sold by Barnes & Noble, Target and the act’s webstore), all containing randomized paper merchandise (but with the same audio tracklist). It was also issued across multiple digital download variations, including five iterations that each contained a different voice memo as a bonus track, plus an edition that boasted bonus remixes.
Conan Gray notches his third top 10-charting effort on Top Album Sales as Found Heaven starts at No. 2 with 27,000 copies sold. It also matches his chart-high, as Kid Krow peaked at No. 2 in 2020. Vinyl sales powered more than half of the set’s first week (58%), with nearly 16,000 copies sold of the album across 10 vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target and Gray’s official webstore; the latter also offered a signed edition). The album also launches at No. 1 on the Vinyl Albums chart. Seven different iterations of the CD edition of the album were available (most with the same tracklist, just with different cover art) including one that was signed by the artist. Found Heaven was also issued as a standard digital download album, along with an alternative version, with different cover art, sold through the artist’s webstore.
Beyoncé’s Cowboy Carter falls to No. 3 after debuting at No. 1 a week earlier. The set sold 21,000 copies in its second week (down 88%). While Cowboy Carter’s CD and vinyl editions were available to purchase only via Beyoncé’s official webstore in the set’s first two weeks of release, those physical configurations became widely available to all retailers beginning on April 12. (The album has also been purchasable as a digital download, widely, since its release on March 29.)
The Black Keys’ Ohio Players debuts at No. 4 on Top Album Sales with 20,000 copies sold, marking the seventh top 10-charting effort for the band. The set was available in seven vinyl variants, a standard CD, standard cassette, standard digital download, and a deluxe boxed set containing branded merchandise (a T-shirt and sticker set) and a CD.
Vampire Weekend’s Only God Was Above Us bows at No. 5 on Top Album Sales, with 16,000 copies sold. It’s the act’s fourth top 10-charting effort and brings the group its first debut on the ranking since 2019’s Father of the Bride bowed at No. 1 (May 18, 2019 chart). The new album was available in four vinyl variants, a standard CD, standard download, and two deluxe boxed sets (each containing a branded T-shirt and a copy of the CD).
Khruangbin’s A La Sala steps in at No. 6 on Top Album Sales with 14,000 copies sold, garnering the act its fourth top 10-charting effort. 80% of the album’s first-week sales were from vinyl offerings, six in total. It was also issued as a standard CD, cassette and digital download.
J. Hope’s Hope On the Street, Vol. 1 falls 2-7 in its second week on the chart, with 9,000 sold (down 80%).
J. Cole’s Might Delete Later rounds out the six debuts in the top 10 on Top Album Sales, as the surprise release from the rapper bows at No. 8 with 9,000 sold (all from a standard digital download). It’s the seventh top 10-charting set for the artist.
Closing out the top 10 are a pair of former No. 1s from Taylor Swift, as Lover falls 3-9 (7,000; down 28%) and 1989 (Taylor’s Version) drops 4-10 (6,500; down 28%).
In the week ending April 11, there were 1.294 million albums sold in the U.S. (down 3.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 964,000 (down 3.3%) and digital albums comprised 329,000 (down 4.9%).
There were 525,000 CD albums sold in the week ending April 11 (up 1.4% week-over-week) and 433,000 vinyl albums sold (down 8.7%). Year-to-date CD album sales stand at 6.698 million (down 31.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 6.858 million (down 49.3%).
Overall year-to-date album sales total 18.177 million (down 36.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 13.626 million (down 41.9%) and digital album sales total 4.551 million (down 14.5%).
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Boho beachwear is back in season for spring and summer. If you’ve been looking for crochet bikinis, we’ve done some of the searching for you and rounded up some of the hottest crochet swimwear, cover-ups, dresses, skirts and tops that you can buy online — without breaking the bank. And most of the items can be worn on the beach or to Coachella, Stagecoach and other music festivals, concerts and tours.
Way to keep cool. The It’s Cool Now Crochet Bikini features triangle cups with adjustable straps, and it’s on sale at ASOS. The top and matching bottom ($51) are 54% off, but only select sizes are still in stock. Find more crochet bikinis from ASOS here.
Kick back poolside in this crochet cover up from Amazon. The sleeveless coverup has a split hem and is available in more than a dozen different colors. You can wear this knitted one-piece can be worn to a beach, pool party, cruise, music festival and more. Another cute and affordable options: Azure Allure Cut-Out coverup from Target ($29.99).
A little fringe for festival season. The Out from Under Festival Beach Pants feature a wide-leg, baggy design and lovely, crochet detailing. The pants and matching top ($49) are available in sizes ranging from XS-XL.
Not quite a bikini but definitely good for the beach and festival season, this crochet set features a halter neck low-cut crop top and elastic-waist fringe mini skirt. The set is available in sizes XS/S and S/M (it’s out of stock in size M/L.)
The Lovers and Friend Alexia Mini Dress can be worn solo or as a bikini coverup. The adorable dress has a trendy, center-bodice cutout and it ties in the front. It’s available in pink and blue, and in sizes XS-L.
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Taylor Swift’s Tortured Poets Department is just hours away from arriving on Friday (April 19), and the pop superstar is building the anticipation by teasing the lead single, “Fortnight,” featuring Post Malone.
Swift took to X to share a preview of the upcoming music video, featuring dramatic scenes of the duo searching through files, embracing on an empty road and throwing chairs, before the clip cuts to Swift looking into the camera with a smokey eye and her iconic red lip.
“At this hearing, I stand before my fellow members of The Tortured Poets Department with a summary of my findings,” the singer captioned the post, noting that the video will be arriving on Friday (April 19) at 8 p.m. ET.
At this hearing, I stand before my fellow members of The Tortured Poets Department with a summary of my findings. Album tonight. Fortnight music video tomorrow at 8pm et.https://t.co/BAtr2MpPIspic.twitter.com/hWsrsXSQuW
Earlier in the day, Swift took to Instagram to confirm that “Fortnight” would serve as the lead single for TTPD. “The first single from The Tortured Poets Department is…………. Fortnight featuring [Post Malone],” Swift wrote in the caption of a post that appears to be the single’s cover art. “I’ve been such a huge fan of Post because of the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever. I got to witness that magic come to life firsthand when we worked together on Fortnight.”
“Fortnight” is one of two collaborations on The Tortured Poets Department. Grammy-nominated alt-rock act Florence + the Machine appears on the album’s eighth track, “Florida!!!” The new single also marks the first collaboration between Swift and Malone.
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TikTok has returned to the bargaining table with Universal Music Group (UMG), but a fast-tracked Congressional bill that could result in the platform being sold, or, as a last result, banned in the United States may reach President Joe Biden’s desk before those negotiations are finished.
A source familiar with the talks says Bytedance — the Chinese company that owns TikTok — has returned to the bargaining table with UMG after the label group pulled its music from the social media platform at the end of January citing its refusal to address three “critical” issues: “appropriate compensation for our artists and songwriters,” “protecting human artists from the harmful effects of AI” and “online safety for TikTok’s users.”
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It’s unclear whether any progress has resulted — neither UMG nor TikTok will comment — but ByteDance currently faces a more urgent, existential issue now that the Speaker of the House of Representatives has attached what’s being called the TikTok national security bill to the foreign aid package for Ukraine and Israel that is expected to move quickly through Congress. The House may vote on it as early this weekend and the Senate is expected to act quickly. If it passes in both houses, President Biden has promised to sign it immediately.
Officially titled The Protecting Americans From Foreign Adversary Controlled Applications Act, the proposed legislation was drawn up after White House national security and intelligence leaders briefed House lawmakers on the potential dangers that TikTok, which is used by 170 million Americans, poses to the nation.
What the TikTok National Security Bill Does
If Biden signs the bill into law, ByteDance will have approximately a year from its enactment — the original bill gave it just 90 days — to sell TikTok to a buyer in a country that the United States does not consider a foreign adversary. If ByteDance, which has ties to the Chinese Communist Party and is subject to its government, refuses to divest itself of TikTok or does not meet the deadline, then the app could be banned from being downloaded or used in the United States.
Rick Lane, TikTok Coalition.org leader and child safety advocate, says the TikTok bill “is moving forward very quickly. The language between the House and Senate is so close — they are millimeters apart, and I think agreements are being made to bring them together. Unless something drastic happens, I don’t see this bill’s momentum slowing down, no matter who’s on the other side. That is why adding it to the foreign aid bill makes sense.”
At a time when Congress is mired in ideological infighting, particularly among Republicans, the House of Representatives moved with remarkable speed to mark up and pass the bill and send it to the Senate.
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Despite a deluge of calls and messages from TikTok users protesting the legislation, the House passed it, 352 votes to 65, on March 13 — less than a week after national security and intelligence officials held a classified briefing for an executive session of the House Energy and Commerce Committee. A music industry source familiar with activity on Capitol Hill tells Billboard that, before the briefing started, “members and staffers devices were taken away, and the committee room’s AV systems and the like were removed.” Following the morning briefing, the committee marked up the bill that afternoon and voted unanimously to advance it to the full House of Representatives.
A classified intelligence briefing was also held in the Senate and prompted similar remarks of concern. Republican senator from Missouri Eric Schmitt told Axios that the Chinese-controlled platform’s “ability to spy is shocking.”
“We don’t know exactly what was briefed,” says the music industry source. “But what is absolutely crystal clear is that whatever has been presented to Congress members by the intelligence community is clearly driving this. You don’t see — particularly Congress members — reacting with that kind of dispatch and unanimity.”
A ‘Once-in-a-Lifetime’ Alarm
“This is really a once-in-a-lifetime kind of alarm,” the source adds. “People who have been around the Hill for decades don’t remember there ever being this level of concern.”
An unclassified 2024 Annual Threat Assessment issued by the Office of the Director of National Intelligence (ODNI) in February may offer a glimpse of these security concerns. The assessment reported that “China is demonstrating a higher degree of sophistication in its influence activity, including experimenting with generative AI. TikTok accounts run by a [People’s Republic of China] propaganda arm reportedly targeted candidates from both political parties during the U.S. midterm election cycle in 2022.”
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In response, a TikTok spokesperson referred Billboard to its written response to the ODNI, dated March 15, which asserts that the social media platform “regularly takes action against deceptive behavior, including covert influence networks throughout the world, and has been transparent in reporting them publicly. TikTok has protected our platform through more than 150 elections globally,” the response continues, “and is continuing to work with electoral commissions, experts, and fact-checkers to safeguard our community during this historic election year.”
In addition to the intelligence briefings, Billboard obtained a slide presentation that one Capitol Hill source says has been shown to staffers for over 40 senators. The presentation cobbles together previously published articles, analyses and reports about TikTok’s alleged dissemination of disinformation and propaganda to much of the same demographic that uses the app for music discovery. (According to a 2024 Pew Research Center report, 56% of U.S. adults 18 to 34 use the platform and 52% of the users in this age group have posted a video to the platform.)
‘TikTok Is a News Organization‘
As one tech policy expert says, “TikTok is a news organization. Trends are indicating that up to 40% of adults 18-to-29 will be getting their news from TikTok in 2024. It’s their CNN or Fox News or MSNBC.”
One of the first slides, titled “TikTok Has Rapidly Evolved From an Entertainment to a News Platform, Enormously Expanding Its Influence on The U.S. Population,” includes a graph built from Pew Research Center data that shows 43% of TikTok users regularly got their news from the platform in 2023, nearly double the 22% that did so in 2020. Only X (59%) and Facebook (54%) were higher. And nearly a third of that 43% were adults under 30 years of age.
Although music’s role in TikTok’s alleged dispersal of disinformation is not examined in the presentation, the tech policy expert says it’s definitely a factor. A 2023 report released by the rights management startup Pex in February revealed that 85% of TikTok videos contain music, more than YouTube (84%), Instagram (58%) and Facebook (49%), and the tech policy expert says that music played on the platform often functions as an emotional gateway to propaganda.
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“The power of music is what draws people to social interaction,” the source says. “They’re taking music that gets people excited and, for instance, following them with horrific videos — and the interaction of those data points creates this powerful tool to affect policy.” The expert adds that TikTok’s algorithm enables the platform to essentially tailor its approach to each user. “It’s no longer just one size fits all; the ability now is to take visual cues, music and sound and target each individual with what sets them off — and they can do that on a massive scale.
“The argument in favor of TikTok is that Meta and Alphabet are collecting data from even more people, but they are not based in an adversarial country,” the expert continues. “There’s another key difference as well. TikTok sends you videos that they think you are interested in no matter what. Most young people want to be influencers. In order to be an influencer on TikTok, you have to follow what’s trending, so your video is blasted to more people. You tag along with feeds. In the policy realm, if they want to influence public policy, your view is going to be whatever direction that feed is going in.”
A TikTok spokesperson responds: “There is absolutely no evidence to these assertions. We have clear rules prohibiting deceptive behaviors.”
‘They Deserve It’
The music industry’s view of the proceedings in Washington is mixed. The perspective of artists and songwriters is arguably best expressed by David Lowery, the artist rights activist and frontman for the bands Cracker and Camper Van Beethoven, who also was one of more than 200 creators that, in early April, signed an open letter to tech platforms urging them to stop using AI “to infringe upon and devalue the rights of human artists.”
“The rates TikTok pays artists are extremely low, and it has a history — at least with me — of using my catalog with no licenses,” Lowery says. “I just checked to make sure and there are plenty of songs that I wrote on TikTok, and I have no idea how they have a license for those songs.”
As a result, Lowery says that while “I’m kind of neutral as to whether TikTok needs to be sold to a U.S. owner, the bill pleases me in a general way because I feel that they’ve gotten away with abusing artists for so long that they deserve it. I realize the bill doesn’t punish them for doing that,” he continues, “but that’s why a lot of musicians feel they really deserve it.”
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The consensus among label executives is that TikTok is not going anywhere, but were the app banned in the United States, they wouldn’t spill many tears. In early April, Billboard reported that two months after UMG pulled its music from TikTok, its market share and chart appearances had not been greatly affected. And though numerous UMG artists have devised workarounds to maintain a presence on TikTok, one senior label executive says, “When you’re looking at the competitive set for TikTok, you see a migration to YouTube, Instagram and Snap. And those platforms see a real opportunity, so they’re starting to lean in. The absence of TikTok would just mean migration to other platforms and, frankly, because those platforms monetize better, even if you lose a significant chunk of your audience, you’re still going to make more money.”
$8.7 Million For Lobbyists
Capitol Hill sources say ByteDance has enlisted a small army of lobbyists to keep TikTok on U.S. mobile devices. In 2023, ByteDance spent $8.7 million on lobbyists, according to the nonprofit government transparency organization OpenSecrets. That’s almost double the $4.9 million it dropped in 2022, although a TikTok spokesperson attributes the year-to-year increase to “a unique, one-time higher expenditure in the third quarter of 2023 that reflects the vesting of Restricted Stock Units related to the launch of our U.S. buyback program.” (Data for 2024 lobbyist expenditures were not available at publication time.)
That 2023 outlay was the fourth-highest amount spent on lobbyists by a tech company that year, behind Meta ($19.3 million); Amazon.com (nearly $19.3 million) and Alphabet (almost $12.4 million). In 2019, ByteDance spent less than $1 million on lobbyists.
Lobbyists hired by ByteDance include Rosemary Gutierrez, the former deputy chief of staff for Democratic Senator Maria Cantwell of Washington, who chairs the Senate Commerce Committee — which will review the TikTok legislation before a floor vote is taken — and Kellyanne Conway, former senior counselor to President Donald Trump. Conway is reportedly considering joining Trump’s reelection campaign, but last month, Politico reported that she was working for the conservative Club for Growth to lobby on TikTok’s behalf.
One of the Club for Growth’s biggest donors is billionaire Jeffrey Yass, who owns 15% of ByteDance, which is reportedly worth roughly $40 billion. Yass’ trading firm, Susquehanna International Group, is also the largest institutional shareholder — 2% — of Digital World Acquisition Corporation, which merged with Trump Media & Technology Group, the parent company of the former president’s Truth Social app, and took it public in late March. (The New York Times reported that it’s unclear if Susquehanna still owned the shares at the time of the IPO.)
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Given Yass’ support of Trump, it’s not shocking that, after attempting to ban TikTok during his time in office, Trump has said on social media and in interviews that though he still considers TikTok a national security risk, he has reconsidered banning the platform. One reason he has cited is that such a move would benefit Meta and its social media app Facebook. Trump has made no secret of his enmity for Meta’s chairman/CEO Mark Zuckerberg and Facebook, which banned him in 2021. (Trump was reinstated in 2023.)
The Taylor Factor
The news last week that Taylor Swift had restored her Taylor’s Version songs to TikTok in the run-up to the April 19 release of her new album The Tortured Poets Department led to speculation that the superstar singer-songwriter — who has often spoken out for artists’ rights — could be weaponized by TikTok in its standoff with UMG. In Washington, however, TikTok Coalition leader Lane says, “Taylor Swift being or not being on TikTok has never come up in any meeting I’ve been in on Capitol Hill.” He sees Swift’s return to the app as “a business decision” that’s no different than President Biden’s and Congress members’ presence on the app, or even UMG’s continued talks with TikTok. “It doesn’t diminish the strong bipartisan/bicameral support within Congress and the White House that TikTok is a clear and present danger to the U.S. national security and needs to be divested from ByteDance,” he says.
Trump’s sway over the GOP has some on Capitol Hill predicting that passage of the TikTok National Security bill in concert with the foreign aid package is not a slam dunk. “It’s hard to say how it’s going to play on the Republican side,” says the music industry source familiar with the Capitol Hill proceedings. “Because while they’re feeling pressure from the former President on one hand to oppose the bill, they are also feeling heat from their constituents to support it.”
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Just three months after he last commanded Billboard’s Latin Airplay chart, Bad Bunny is back in charge as his single “Perro Negro,” with Feid, jumps 2-1 to rule the April 20-dated ranking. It’s Bad Bunny’s 25th No. 1 and Feid’s sixth.
On the overall Latin Airplay ranking, “Perro Negro” moves ahead of Eladio Carrión’s “TQMQA,” after accruing 9 million audience impressions in the U.S., a 5% gain, in the week ending April 11, according to Luminate. As “Perro Negro” trades places with “TQMQA,” the latter falls to No. 2, after one week in charge, with 8.8 million impressions, that’s an 8% dip from the previous week.
“Perro Negro” earns the gold medal for its first week and joins 13 other songs that hit No. 1 in 2024. Notably, only three out of those rulers secured two weeks or more atop (including Maluma and Carin León’s “Según Quién” which ruled for four weeks between 2023-24) while the other 10 rulers passed on the crown after only one week in charge. Here’s the updated look at those 2024 champs:
Title, Artist, Weeks at No. 1 “Según Quién,” Maluma & Carin León, four “Bubalu,” Feid & Rema, two “Monaco,” Bad Bunny, one “Harley Quinn,” Fuerza Regida & Marshmello, one “La Diabla,” Xavi, two “Borracho y Loco,” Yandel & Myke Towers, one “La Falda,” Myke Towers, one “Qlona,” Karol G & Peso Pluma, one “Por El Contrario,” Becky G with Leonardo Aguilar & Angela Aguilar, one “No Es Normal,” Venesti, Nacho & Maffio, one “Baccarat,” Ozuna, one “Puntería,” Shakira & Cardi B, one “TQMQA,” Eladio Carrión, one “Perro Negro,” Bad Bunny & Feid
“Perro Negro” becomes the fourth song from Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana to hit No. 1 on Latin Airplay, following one-week rulers “Where She Goes” (August 2023), “Un Preview” (Dec. 2023) and “Monaco” (Jan. 27-dated list).
Benito’s Latin Airplay chart run began with the No. 1-peaking “Mayores,” with Becky G, on the Feb. 17, 2018-dated survey. He’s placed at least two No. 1s every year since then, for a total of 25 career rulers out of 47 entries on the ranking. Bad Bunny has the fifth-most No. 1s on Latin Airplay, with J Balvin in the lead with 36 leaders.
Notably, Bad Bunny boasts his longest-leading No. 1s on Latin Airplay through two collabs with acts outside of his core Latin rhythm genre: “Mia,” featuring rapper Drake, and “Un X100to,” with regional Mexican Grupo Frontera, both for six weeks in charge in 2018-19 and 2023, respectively.
Feid, meanwhile, boasts his sixth No. 1 on the radio ranking.
Elsewhere, “Perro Negro” rebounds 6-5 on the multi-metric Hot Latin Songs, which combines airplay, streams, and downloads, following two weeks at its No. 2 high beginning last November. The song dips 10-11 on Latin Streaming Songs despite a 1% gain in streaming, to 4.8 million during the tracking period.
On Tuesday morning (April 16), GloRilla was reportedly arrested on suspicion of DUI in Georgia.
According to TMZ, which first reported the arrest, the rapper (real name: Gloria Hallelujah Woods) was arrested on suspicion of driving under the influence, consuming/possessing an open alcoholic beverage container and a separate traffic charge in Suwanee, Georgia, a suburb about a half-hour outside Atlanta.
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In the police report obtained by TMZ, the officer says he smelled marijuana and alcohol from the car during a traffic stop just after 4 a.m. ET Tuesday and that GloRilla admitted to drinking that evening, though she said she was good to drive. Another detail from the report, according to TMZ, is that GloRilla’s breast was exposed at some point during the exchange and officers had to inform the rapper.
The Memphis rapper was taken into jail just after 6 a.m. ET on Tuesday and released on bond hours later, TMZ reports.
Billboard has reached out to the Suwanee Police Department and a rep for GloRilla for confirmation of the arrest and further comment.
Though GloRilla was very active on her socials Wednesday (April 17) — mostly promoting her new song “Wanna Be,” featuring Megan Thee Stallion, from Glo’s new Ehhthang Ehhthang mixtape — she has yet to address the arrest news. Glo will join Meg on the Hot Girl Summer Tour, which kicks off next month in Minneapolis.
Glo has also been in the headlines for her heated back-and-forth with City Girls rapper JT after name-dropping her in the lyrics of the Ehhthang Ehhthang track “Aite.” In an interview with Billboard News on the 2024 CMT Music Awards red carpet last week, GloRilla brushed off the drama. “Everything just always everything,” she said when asked about JT. “At the end of the day, that day gon’ motherf—in’ end. Everything is everything. That day gotta end.”
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