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You don’t need to slather tanning oil onto your skin to achieve a sun-kissed glow (or risk serious skin damage if you’re not following up with the best sunscreen). These days, it’s never been easier to go faux — at least with your tan. Case in point: beauty brand Coco & Eve has a self-tanning kit that’s not only TikTok viral, but on sale for 26% off for a limited time.

The brand has become famous on TikTok for its at-home products that help deliver a natural looking tan without needing to bake under the sun. It’s become so popular, that the retailer as well as Ulta and Amazon have struggled to keep the tanning kit in stock, but Coco & Eve has the Sunny Honey Bali Bronzing Set on its own site discounted down to just $55.

Keep reading to learn more about the product and how to use it properly.

Is Coco & Eve a Good Self Tanner?

TikTokers can’t stop raving over the self tanner, not only for its formula that “smells so good,” but the smooth application process.

User @prettylilyliar took to the social media platform to show her application process and its results, which has received more than 36,900 views, so far. The TikToker walks through how to apply the kit “so natural and even” looking.

Normally, the three-piece kit is retailed for $74, but Coco & Eve has dropped it down to $55 and it’s still in stock (for now).

Coco & Eve Self Tanner Deal: Reviews, Price, Where to Buy Bronzer

Sunny Honey Bali Bronzing Set

$55 $74 26% off

Buy Now on coco & eve

Each self tanning kit comes with a Coco & Eve’s bestselling self tanning bronzing foam that’s available in three shades and is made with vegan ingredients. The formula comes with a mango and guava scent that’s non-sticky, and the foam has a lightweight feel. As for the color, it’s gradual as you apply it onto your skin, but will develop in up to two hours. For a more even application, you’ll also receive a glove and brush to smooth everything out.


It’s not just TikTok that loves the bestselling kit, the Coco & Eve self tanning set has already racked up a 4.8 star rating, with reviewers praising how “it doesn’t run off on my sheets or clothes.”

And, for your face, Coco & Eve has an Antioxidant Face Tanning Micromist for $29 that’ll bronze your face in just a few spritz. To help reach your back, you can also snag the Back Tan Applicator for $21.

If you want to lay out in the sun and work up a tan the old fashioned way, the beauty brand developed a skin-friendly body tanning oil that comes with SPF to give your skin a layer of UV protection.

For more product recommendations, check out our roundups of the best beauty deals, setting spray and stress relieving tools.

Spoiler alert: This story contains the identity of the contestant eliminated on Wednesday night’s (April 17) episode of The Masked Singer.

The 11th season of The Masked Singer has so far featured a very eclectic group of eliminated crooners, including comedian/actor Kevin Hart (Book); restauranteur Joe Bastianich (Spaghetti & Meatballs); TV personalities Savannah Chrisley (Afghan Hound), Billy Bush (Sir Lion) and Colton Underwood (Lovebird); as well as NFL hall of famer DeMarcus Ware (Koala) — and actual singer Sisqó (Lizard) too.

On Wednesday night (April 17), Ugly Sweater crushed it with some incomparable high notes on “Queen Night,” during a celebration of the iconic British rock group in the Group A finals. After wowing the judges in an earlier episode with a funk-forward cover of The Commodores’ “Brick House,” Sweater did it again with a sweet, soulful run through Queen’s 1984 power ballad “I Want to Break Free.”

When it came time to guess, the judges were in the neighborhood, with Robin Thicke praising the singer’s signature “nasty” notes on “House” (and quickly guessing the singer’s identity), while judge Rita Ora speculated it could be Smokey Robinson, Jenny McCarthy-Wahlberg guessed Aaron Neville (after earlier guessing that Lionel Richie covered his own song) and always-wrong Ken Jeong aiming too young with New Jack swinger Johnny Gill.

Who was that masked man who’s 13 Grammy nominations and has a lock as Billboard‘s top adult R&B male artist with the most No. 1s in that category to date? None other than former Gap Band lead singer and solo star Charlie Wilson, best known for such hits as “Party Train,” “You Dropped a Bomb on Me,” “Oops Upside Your Head” and his featured vocals on songs by rappers including Snoop Dogg, The Notorious B.I.G., Pharrell, U.G.K. and Tyler, the Creator, among many others.

In addition to his surprise appearance alongside Tyler at last weekend’s Coachella — where he performed on the rapper’s 2019 single “Earfquake” and did a bit of The Gap Band’s “Outstanding” — Wilson, 71, received a star on the Hollywood Walk of Fame in January and is currently promoting his Billboard top five adult R&B chart solo single “Superman.”

Billboard spoke with Wilson before his elimination to hear about how T-Pain inspired him to get in the Masked game, how wearing the Ugly Sweater was no holiday, and what it felt like to slip onto the main stage at Coachella last weekend.

Be honest: Had you ever watched this show before they reached out?

Oh yeah! I saw the one when T-Pain won [in season 1 as Monster]. I was so excited for him. I know T-Pain, he did songs for me and he’s a very gifted young man. I saw that it was fun and I wanted to get to be a part of it, but it just took some time because I was busy doing shows and recordings. I thought, “I can do this,” so it finally dropped in my lap.

Some iconic old-school and new-school R&B greats have appeared on the show — Bobby Brown, Faith Evans, Toni Braxton, Chaka Khan, Patti LaBelle, Seal, Gladys Knight — so it seems like there’s no shame in the game of putting on that costume right?

Yeah, my costume was… oh my gosh. It was built for me and was one of the most expensive suits they’ve built for the show. The [showrunners] kept telling me to try and make sure I stay as long as I can because [they said], “We spent a lot of money on this suit!” It was so heavy! So, so heavy I could barely walk in it. The feathers on the head were 8 to 10 pounds a piece and they had to take some off. I could barely pick up my feet!

It seems like a great showcase for so many of those classic R&B singers, especially some of your old-school peers.

I don’t know about anybody else, but I didn’t think about it being a showcase for me, because I’m still making No. 1 records. In fact, I have a top five song this week with one of my records [Wilson is in the top five on Billboard‘s Adult R&B Airplay chart with “Superman”]. I’m the only one out there still making top five records in the business!

You’ve been at this for more than 50 years, so tell me: Is this the weirdest gig you’ve ever had?

It’s a blessing and a curse at the same time, because a lot of people don’t want to see me have these records do as well as they’re doing. All those people you mentioned all wish they had the records I’m having. So yeah, I don’t pop my collar all the time, but people bring it up.

The judges’ guesses were all over the place, but mostly in the pocket. I can’t imagine you were ashamed to be confused for Smokey, Aaron or Lionel?

[Laughs] No, Robin Thicke said, “That’s Charlie Wilson!” as soon as I opened my mouth. I was like, “Oh man, I’m toast!” as soon as I opened my mouth and sang! He said, “I studied his voice and know him like the back of my hand.” I was like, “Could you just be quiet for a second?” He was tearing me up.

Speaking of, how did it feel to sing that Commodores song? Was there any rivalry with them in your bands’ heydays in the 1970s and ’80s?

Oh man, it was always that [rivalry] because if bands are good, they are gonna be at it. I won’t stand around and have someone call me a bootsy [someone who is uncool or weird]. I’m gonna get you. I’m gonna come after you like y’all coming after us! It was all in fun, not hostile, we was all in fun. I love The Commodores.

You’ve had so much success collaborating with rappers over the years — especially Snoop and Tyler. What is it about hip-hop that appeals to you? And talk to me about joining Tyler at Coachella last weekend.

It is great anytime I sing with these rappers or anyone from back in the day is coming for me and it’s their idea. If they want to do it, I’m gonna do it. I’m so, so blessed to have rappers still coming for me.

Nas shifted the landscape of New York hip-hop when Illmatic hit the streets in 1994. Three decades later, Escobar is looking to party like it’s the ’90s while celebrating his iconic debut album.

With Illmatic turning 30 years old on Friday (April 19), Nas is teasing something on the horizon in honor of the seminal LP.

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The Queensbridge legend hinted at an upcoming collab with DJ Premier, who produced records like “N.Y. State of Mind” among others on Illmatic in addition to sequencing the project, by posting a grainy photo of the dynamic duo together from the ’90s when they were looking to make their mark on the game and another that appears to be from much more recently.

Giddy fans proceeded to hypothesize that a project of sorts from Preemo and Nas could be in the works with the 30th anniversary of Illmatic just days away.

“Then v.s Now. What it,” Nas teased while producers Hit-Boy and The Alchemist lent their stamp of approval in the comment section.

“Will I be vindicated after all these years,” journalist Jerry Barrow wrote while seemingly alluding to the long-talked about album between the “Represent ” collaborators.

A fan voiced: “Don’t play with my emotions like this!”

The “One Love” rapper took a stroll down memory lane earlier this week when posting a series of photos from around the time Illmatic arrived and proceeded to thank those like Preemo who played a role in the acclaimed debut.

“Grainy pictures for grainy times. I had a dream I could get my favorite producers to produce on my debut album. I knew exactly what I wanted and how it should be. But I didn’t know anyone except for Paul, so I asked him would he connect me to them all. The cool soul brother that he is helped me line it up. On April 19th we smashed shit,” he reminisced.

“Even tho the album leaked months before the release date we still are apart of music history. Thank you Large Professor (Paul) and Dj Premier who drove into the projects to pick me up a time or two. Qtip , Pete Rock , and my man from The Bridge DJ LES, and my guy AZ who was just coming up himself. And thank you to everyone involved. Friday is the albums 30th. 2 The Listeners- ONE LOVE.”

DJ Premier reflected on being at all of the Illmatic sessions from start to finish. “A fun journey being at every session watching it come together and meeting all of your peeps from QB.”

Back in 2022, Nas fueled speculation the long-awaited Preemo-Escobar joint album could still be in the works. Nas touched on the mythical project on King’s Disease 3 track “30.” “Premier album still might happen,” he raps.

Premier produced three records on Illmatic (“N.Y. State of Mind,” “Memory Lane (Sittin’ in da Park)” and “Represent”). The duo went on to team up for tracks like “Nas Is Like” and “N.Y. State of Mind Pt. II” as well as 2022’s “Beat Breaks.”

Illmatic arrived on April 19, 1994, and debuted at No. 12 on the Billboard 200 with 63,000 albums sold in the first week.

Find Nas’ posts surrounding Illmatic below.

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Ice Spice signed with PPL for the collection of her neighboring rights royalties. The company, which also recently signed Lewis Capaldi, will collect royalties on the rapper’s behalf for the use of her music on radio, TV and in public spaces worldwide.

Singer-songwriter Dasha, who scored a breakthrough hit with “Austin” this year, signed with WME for global representation in all areas. The rising star also recently signed with Warner Records. She’s managed by Alex Lunt at Type A Management.

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BBR Music Group/Wheelhouse Records artist Elvie Shane signed with WME for global representation in all areas. His agent team includes WME Nashville office co-head Becky Gardenhire along with Jon Folk, Doug Neff, Lance Alleman and Caleb Fenn, who will work alongside various agency departments for bookings in touring, brand partnerships, digital, TV and film. Shane is set to release his newest album, Damascus, on April 19. – Jessica Nicholson (652k)

Afro-dancehall artist Stonebwoy signed a global distribution and label services deal with ADA Worldwide, through which he released his latest single, “Ekelebe.” The agreement also includes the Nigerian rapper’s sixth studio album, which is slated for release later this year. He’s managed by Casey Kobia at KVO Talent.

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Bollywood star Ayushmann Khurrana signed a global recording deal with Warner Music India, with the first release under the agreement expected to drop next month.

Independent singer-songwriter and producer yaeow (a.k.a. Lars Haggstrom) signed a global licensing deal with AWAL for his catalog and 10 upcoming songs. His first single under the agreeement, “still that kid (deep down),” will be released on May 2, with his debut album to follow.

Atlantic Records/Anemoia Records signed Bossa, a 17-year-old artist from Palm Springs, Calif., who spans various genres including hip-hop and dance. The labels will release his new single, “Go Crazy,” on Friday (April 19). He’s managed by Jen Park and Kirsten VanHoose.

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Mexican indie artist Girl Ultra (a.k.a. Mariana de Miguel) signed with Ninja Tune imprint Big Dada, “a label run by Black, POC & minority ethnic people for Black, POC & minority ethnic artists,” according to a press release. Her first single on the label is “rimel.”

Echos, the artist project of Alexandra Norton, signed with Outlast Records, with the single “CAROUSEL” marking the first drop under the deal. She’s managed by Derek Brewer at Shelter Music Group.

Nashville Harbor Records & Entertainment (formerly BMLG Records) signed Noah Hicks via a joint venture with Red Creative Records. The Nashville Harbor Records & Entertainment roster also includes Riley Green, Chris Janson, Brett Young, Lady A and Greylan James. Georgia native Hicks earned a viral hit on TikTok with “I Can Tell You’re Small Town,” followed by “Dirt on It.” He’s represented by Red Light Management and WME. – Jessica Nicholson

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North London producer, DJ, composer and multi-instrumentalist Jasper Tygner signed with Ninja Tune via its imprint Technicolour, which released his latest single, “Before Me.” He’s managed by Tom Aldridge at Salt Music and booked by Evan Greenberg at CAA.

The Felice Brothers signed to Million Stars, the label started by Conor Oberst; it will release the band’s new album, Valley of Abandoned Songs, on June 27. The band is booked by Eric Dimenstein at Ground Control Touring in North America and David Hughes at the Free Trade Agency for Europe and the United Kingdom.

Country singer Payton Smith signed with The Familie for management. The signing coincided with the release of his new EP, Up From Here, on Combustion Music. He’s booked by WME.

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ONErpm Nashville signed singer-songwriter and American Idol alum Britnee Kellogg and released her new song, “Hell in a Handbag.” Kellogg is booked by The Kinkead Entertainment Agency in Nashville. – Jessica Nicholson

Country newcomer Timmy McKeever signed with Droptine Recordings, which released his new single, “Bullet Proof,” on April 5.

R&B artist Ariel signed with Mello Music Group. The label released her latest single, “Something Amazing,” on Thursday (April 11).

Provident Entertainment, a division of Sony Entertainment, signed The Voice season 22 finalist bodie. For his first single, the Los Angeles native released a cover of Brandon Lake’s “Gratitude,” which he performed on the season finale of The Voice. Provident Entertainment’s roster also includes Kirk Franklin, Lake, CAIN, Zach Williams and Casting Crowns. – Jessica Nichlson

Chicago band Babe Report signed with Exploding in Sound, which will release the band’s debut album, Did You Get Better, on May 31.

Update: A director from KM Entertainment shared a statement on the situation with Billboard confirming that Chowon of ICHILLIN’ had been hit in the back of the head with a foul ball at the baseball game and was moved to an infirmary in the stadium. While she was in pain from the hit and the label considered taking her to a hospital, the medical specialist on the ground did not see any issues beyond the singer needing some time off and waiting. “Based on the doctor’s opinion, KM Entertainment decided to focus on rest without the schedule” and for Chowon to “focus on treatment,” according to the representative, which included canceling their planned performance.

Original story: Chowon, a member of the K-pop girl group ICHILLIN’, was reportedly hospitalized after being hit by a foul ball at a professional baseball game that she and her band mates were participating in on Tuesday (April 16), according to local reports in Korea.

At a matchup between the Kiwoom Heroes and KT Wiz and Kiwoom held at the Gocheok Sky Dome in Seoul, ICHILLIN’ opened the game with member Yeju throwing the first pitch and ICHILLIN’ leader E.Ji taking the ceremonial first bat ahead of a group performance later. While watching the game and waiting to perform, the group’s youngest member, 18-year-old Chowon, was struck by a foul ball during the third inning.

According to reports, the foul ball struck Chowon in the back of the head with the blow knocking the singer unconscious. She was taken in for medical assistance in the stadium and regained consciousness with the aid of on-the-scene physicians and officials. The star was transferred to a nearby hospital.

The initial reports indicate Chowon was not seriously injured. However, the performance from ICHILLIN was canceled after the incident.

A YouTube account has uploaded video footage from ICHILLIN’s time at the baseball game where viewers can hear the crack of a baseball and see ICHILLIN and those in the audience near them spot a high-flying foul ball coming towards them. According to social media comments, the uploader chose not to include footage of the moment the ball made impact. The moment happens during the last five seconds of the video:

Billboard has contacted KM Entertainment, the label and representation for ICHILLIN’, but did not immediately receive a response.

Consisting of members Chowon, E.Ji, Yeju, Jackie, Chaerin, Joonie and Jiyoon, ICHILLIN’ made their debut in September 2021 with the single “Got’Ya” to compete alongside the latest crop of K-pop groups vying for international attention. With three EPs under their belt, the group’s latest record, Feelin’ Hot, dropped on March 7, led by the single “On My Lips,” with its music video garnering almost a million views to date.

Independently released songs and albums accounted for almost one-third of all music consumption in the United Kingdom last year, marking the sixth consecutive year of growth for the country’s indie sector, according to new figures from labels trade body BPI.

In total, the equivalent of more than 53 million independently released albums were streamed or purchased in 2023 across digital and physical formats, representing 29.2% of all music consumption in the U.K. That number is up 12% on 2022’s figure and marks an increase of almost 30% over the number seen in 2017 when indies accounted for just over one-fifth (22.1%) of music consumption.

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Helping drive growth across the indie sector was the booming popularity of physical formats, with nearly four in every 10 vinyl LPs (39%) and just under one-third of CDs (33%) bought by British music fans last year having been released by artists signed to or distributed by an independent label, reports BPI.  

Arlo Parks, Kylie Minogue, Enter Shikari, The Prodigy and homegrown rappers Dave and AJ Tracey were among the most popular indie acts in the U.K. across digital and physical formats, along with recently-crowned multi-Brit Award-winning singer-songwriter Raye, whose single “Escapism” featuring 070 Shake was one of the U.K.’s biggest hits last year with 142 million streams.

However, there are a number of provisos to consider when analyzing the apparent growth of the U.K. indie market. BPI’s analysis of the sector is based on the Official Charts Company’s (OCC) data and definitions for what counts as an independent release. In essence, that means any album or song not attributed to the three majors — Universal Music Group, Sony Music Entertainment and Warner Music Group — on the OCC database.

However, in addition to fully independent or self-released records, that broad classification includes some “indie” albums and songs distributed by major-owned companies like Sony-owned The Orchard or Warner-owned ADA. Raye, for example, is distributed by Sony-owned independent distributor Human Re Sources. BPI said it was unable to provide a more detailed breakdown of indie music consumption.

According to the London-based trade body, almost 400 indie singles and albums achieved BRIT-certified platinum, gold or silver sales status in 2023. (Platinum status in the United Kingdom is awarded for album-equivalent sales — representing combined consumption across formats — of more than 600,000 units for singles and more than 300,000 units for albums, with gold and silver awards having incrementally lower thresholds.)

In terms of vinyl releases, more than 200 indie titles sold more than 1,500 copies last year, including albums by alternative rock band Bdrmm and R&B singer Jorja Smith.

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“It’s great to see independents thriving, and not just the more celebrated labels and their artists, but increasingly also a dynamic and entrepreneurial community of much smaller micro-labels and self-releasing artists that are redefining the sector and who, with support, can drive further growth,” said Femi Olasehinde, founder of U.K. indie imprint Just Another Label and BPI Council independent representative, in a statement.  

Total U.K. recorded music revenue— comprising digital and physical revenues by majors and indie labels, public performance rights and synch — climbed 8.1% to 1.43 billion pounds ($1.8 billion) in 2023, BPI reported earlier this year. That’s the highest number ever achieved in the U.K. in one year, not adjusting for inflation, helping to maintain the U.K.’s long-held status as the world’s third-biggest recorded music market in IFPI’s annual rankings behind the United States and Japan. 

BPI’s latest figures on the independent sector are taken from “All About The Music 2024,” the 45th edition of its yearbook measuring the state of the U.K.’s recorded music industry, which was published Tuesday (Apr. 16). 

Included among BPI’s analysis are newly released statistics about the U.K. vinyl market, which climbed 18.6% to 142 million pounds ($181 million) in 2023, marking the 16th consecutive year of growth. 

BPI said the rising popularity of pop releases helped drive the rise in vinyl revenue, with the genre accounting for nearly a quarter of the market (23.7%) of U.K. vinyl sales, up from 19.6% the previous year, on the back of big-selling albums by Taylor Swift, Olivia Rodrigo and Lewis Capaldi. 

Hip hop/rap also grew its share of the vinyl market to 5.3% in 2023, led by a re-issue of De La Soul’s 1989 debut, 3 Feet High and Rising, although rock comfortably remained the biggest genre among vinyl fans with a dominant 55% share of the market.