Eminem has once again demonstrated his enduring influence in the rap game with the release of his highly anticipated music video for “Tobey” on Monday (July 8).

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The track, featuring fellow Detroit natives Big Sean and BabyTron, has received major attention since its release and received the visual treatment that fans have been waiting for.

Directed by the acclaimed Cole Bennett, Babytron and Big Sean take the reins as factory employees working on the assembly line before passing the baton to Eminem. Slim hangs out on front steps of his childhood home, recreating the faint cover art to his The Marshall Mathers LP.

Rocking a Jason Voorhees hockey mask, Em then kills a version of himself with a bloody chainsaw death to bring The Death of Slim Shady single’s visual to a close.

The menacing visual was slated to arrive on July 5, but Eminem decided to push the release date back a few days for unknown reasons following the holiday weekend.

“Tobey” marks Em’s first collaboration with Babytron and his fourth with Big Sean, following their team-up in 2017 on I Decided’s “No Favors,” Detroit 2‘s “Friday Night Cypher” and ShadyXV‘s “Detroit Vs. Everybody.”

Reflecting on the “full circle moment” on July 3, Big Sean revealed in a heartfelt post shared to X that Eminem’s The Slim Shady LP was the first CD he ever bought with his own money.

Eminem’s The Death of Slim Shady (Coup De Grâce) serves as his 12th studio album and is slated to arrive on July 12, with the release date announced the night before the arrival of “Tobey,” via a horror-themed trailer on June 28.

The album follows 2020’s Music to Be Murdered By, which debuted at No. 1 on the Billboard 200 to give Eminem his historic 10th consecutive leader.

“Houdini” served as the project’s lead single and gave Em his best-charting hit on the Hot 100 this decade when it debuted at No. 2.

Watch Eminem’s “Tobey,” featuring Big Sean and Babytron, below.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

A new bachelorette has entered the chat, and she’s making history: Jenn Tran is the first Asian American woman to lead The Bachelorette.

Season 21 of the dating competition series premieres on ABC on Monday (July 8).

Tran, a 26-year-old medical student who’s studying to be a physician and currently resides in Miami, previously competed on Joey Graziadei’s season of The Bachelor.

Who will get Trans’s final rose? It’s a little early for finale talk, but Tran opened up about what she looks for in a Good Morning America interview on Monday.

“For me it’s really all about personality,” explained Tran. “I’m such a thoughtful person when it comes to being in a relationship, so I was looking for someone who was thoughtful, emotionally intelligent, open and ready for love.”

“I was honestly so grateful to have the group of guys that I did,” she added. “They were so thoughtful and caring. They were just so open to everything, and I felt so lucky to be with them.”

Former Bachelor Jesse Palmer returns as host the new season.

Keep reading for details on how to watch the new season of The Bachelorette and earlier seasons.

How to Watch The Bachelorette Online for Free

Season 21 of The Bachelorette airs Mondays on ABC, and streams on Hulu the following day. The two-hour premiere will begin at 8 p.m. ET on ABC.

If you have cable (or a digital antenna like this one from Amazon), you can watch The Bachelorette on TV through your local ABC affiliate.

For those without cable, ABC can be streamed online via ABC.com — but you’ll need a provider login to stream. Signing up for free trials through DirecTV Stream, fuboTV or SlingTV (and Express VPN or Pure VPN, if you’re outside of the U.S.) will give you access to ABC as well, to watch the latest Bachelorette season live on TV or stream from your laptop, tablet or phone.

Fubo and DirecTV Stream offer free trials for up to a week (plans start at $75-$85/month). DirecTV Stream’s most affordable plan, the Entertainment package, comes with 90+ channels including ABC, NBC, CBS, Fox, MTV, ESPN, BET, VH1, TLC, Wetv, Lifetime, HGTV and more.

Fans can also watch online, as The Bachelorette is available to stream free with a Hulu subscription. Not signed up for Hulu? The streaming service is currently offering a 30-day free trial which you can use to watch The Bachelorette online free as well as The Golden Bachelor premiering on Sept. 28 and Bachelor in Paradise arriving later this year.

Click the link above to launch your free trial to Hulu. You can watch episodes of The Bachelorette, The Bachelor and more with a subscription to Hulu+Live TV ($77) which includes, Hulu, Disney+ and ESPN+ in addition to 75+ channels.

Interested in Sling TV? Subscriptions start at just $20 for the first month (regular $40) to stream dozens of channels including ABC, NBC, CBS, Fox in select regions and cable channels such as Bravo, E!, MSNBC, TLC, USA, Food Network, Discovery Channel, FX, ESPN and more.

$20 $40 50% off

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How to Watch Past Seasons of The Bachelor and The Bachelorette

All seasons of The Bachelor and The Bachelorette — including Charity Lawson, Zach Shallcross, Rachel Recchia/Gabby Windey, Clayton Echard, Michelle Young, Katie Thurston, Matt James, Peter Weber and Clare Crawley/Tayshia Adams’ seasons — are available to purchase on Prime Video here.

Episodes from the new season will be available on Prime Video for $2.99 each or $19.99 for the full season.

The Bachelorette 2024: Who Are the Contestants?

An aerospace engineer, real estate investor, sommelier, aesthetics consultant, day trader, pharmaceutical rep and various medical students are among the 25 men who compete for Tran’s heart this season.

The full list of contestants range from ages 24 to 35, and hail from all over the country.

  • Aaron , 29, aerospace engineer from Tulsa, Okla.
  • Austin, 28, sales executive from San Diego, Calif.
  • Brendan, 30, real estate broker from Vancouver, British Columbia
  • Brett, 28, a health and safety manager from Manheim, Penn.
  • Brian, 33, an aesthetics consultant from Boynton Beach, Fla.
  • Dakota, 27, sommelier from Paradise Valley, Ariz.
  • Devin 28, freight company owner from Houston, Texas
  • Dylan, 24, medical student Elk Grove, Calif.
  • Grant, 30, day trader from Houston, Texas
  • Hakeem, 29, medical device salesman from Schaumburg, Ill.
  • Jahaan 28, startup founder from New York, N.Y.
  • Jeremy, 29, real estate investor from New York, N.Y.
  • John, 25, medical student from Delray Beach, Fla.
  • Jonathon, 27, creative director from Los Angeles, Calif.
  • Kevin, 35, financial analyst Denver, Colo.
  • Marcus 31, Army Ranger veteran from Raleigh, N.C.
  • Marvin, 28, luxury event planner from Santa Monica, Calif.
  • Matt 27, insurance executive from Atlanta, Ga.
  • Moze, 25, algebra teacher from Albany, N.Y.
  • Ricky, 28, pharmaceutical representative from Miami, Fla.
  • Sam M., 27, contractor from Myrtle Beach, S.C.
  • Sam N., 25, entrepreneur from Carlsbad, Calif.
  • Spencer, 30, pet portrait entrepreneur from Dallas, Texas
  • Thomas N., 31, retirement advisor from Tucker, Ga.
  • Tomas A. , 27, physiotherapist from Toronto, Ontario

Watch a sneak peak of The Bachelorette below.

The talk of a Hot Boys reunion at Essence Fest this past weekend was all the hype in New Orleans. Juvenile told fans that a long-awaited Hot Boys album was in the works, and Birdman recently told Billboard he hoped to get everybody on stage together.

“It’s been 15-20 years since we’ve been onstage together,” he said. “We’ve got a great production and some special guests. It’s going to be amazing! We are working on a few things that we can’t talk about yet. But I can promise you that it’s going to be a night to remember.”

However, things didn’t go as planned. Lil Wayne chose not to hit the stage with Birdman, Mannie Fresh, Juvenile and B.G., instead performing a 20-minute set after they finished. He also changed the Cash Money logos onscreen to Young Money logos and said he was “here on behalf of Young Money f–king Records,” according to nola.com.

Weezy also said he had no idea about a new Hot Boys album. While making a guest appearance on NFL player Cam Heywood’s podcast Not Just Football in late June, he responded when asked about a Hot Boys comeback, “Sh—t, you just told me.”

Heywood then replied, “Juvie said, ‘We got the album already cookin’.’” Still a bit confused, Wayne then answered, “I ain’t been to the kitchen yet. I would not lie to you, I have not been in that kitchen yet. I have no problem with going to that kitchen, but I ain’t smell it, it ain’t come through the window yet. I ain’t smell the food … They ain’t told me nothing yet.”

Turk was noticeably absent from the Hot Boys reunion on stage as well. Last month on social media, he addressed a possible reunion at the popular festival, saying he was still trying to iron out the business side of things and that he was doing everything in his power to be there.

B.G. went on Instagram Live and gave his take as to why Turk wasn’t there. “It’s only one n—a that ain’t in this b—h, you heard me?” B.G. said. “He brought that on hisself. N—a did a bunch of h— sh—t, he can’t take it back. He got to fault hisself for not being here.”

The Hot Boys released three albums all together, with their last project being 2003’s Let ‘Em Burn.

Domelipa launched her music career in June with debut single “La Foto,” which will be followed by “Ese Vato,” her collaboration with Ozuna, Billboard can exclusively announce. 

The soon-to-be-released single, produced by Colombian hitmaker Ovy on the Drums, marks the first collaborative effort between the Mexican influencer-turned-singer and renowned Puerto Rican star. “Ese Vato” is a flirtatious, retro pop-rock tune that narrates the story of two people who really like each other but don’t want any titles. “I didn’t want anything, but you’re that guy I run to immediately when he calls,” goes the chorus. 

“This is an incredible opportunity that helps both of us — Ozuna on the influencer side because it’s very popular right now, and me on the music side,” Domelipa tells Billboard. “It was cool being able to meet him and talk to him. I admire him a lot, and these are things that a young Dome wouldn’t believe yet.”  

“Ese Vato” is accompanied by a summer-inspired music video showcasing both artists navigating the waters of Miami in a yacht. It also marks Dome’s sophomore single following the captivating urban-pop track “La Foto” — both released under Sony Music Latin, her new record company. 

“I’ve been creating music since two years ago, but this year just felt like the right timing to release it,” she explains. “Two years ago, I didn’t know how the music industry worked. I simply thought it was recording the music and uploading it on the internet, but it’s more complex than that. I needed a great team behind me and I’m happy that Sony supports me in my craziness.” 

“Her ability to connect with younger generations and her impressive social media presence make her a formidable force in the music industry,” Alex Gallardo, president of Sony Music US Latin, notes in a press statement. “With her talent and dedication, we are confident that her music career will be as successful as her reach on digital platforms.”

Domelipa signing with Sony Latin Music.
Domelipa signing with Sony Latin Music.

Born Dominik Elizabeth Reséndez Robledo in Monterrey, Mexico, Domelipa (a combination of her first name and Dua Lipa, whose music career she admires) has been building a solid fanbase on social media since her teen years; she currently boasts more than 75 million followers on TikTok and nearly 25 million on Instagram.  

Now, at 22 years old, she’s ready to demonstrate her talents that go beyond being a social media presence.

“[My team at] Sony always tells me not to worry about the process or the numbers, but to enjoy the moment,” she notes. “Coming from the influencer world, I’m very concerned about the numbers, but now I have to focus on the people who follow me, follow me for my content and my music.”

As she prepares to launch her single with Ozuna and continues to discover her sound alongside producers such as Ovy on the Drums, Domelipa — who’s managed by Westwood Entertainment’s Jorge Juárez, who currently also manages Carin León — has the vision of her new musical era clear.

“I’m not only doing music to do music,” she shares. “The music that I’m creating has a significance in my head. I know that how I feel, many people might feel the same way and don’t know how to express it. My plan is that people can identify with my lyrics.”

Shaboozey hoists “A Bar Song (Tipsy)” to No. 1 on the Billboard Hot 100 songs chart, marking his first leader on the list.

The track concurrently rebounds for a fourth week atop the Hot Country Songs chart, which uses the same multimetric methodology as the Hot 100. Previously, no song by a Black man, or one known to be biracial, had previously topped both charts. He is the second Black artist overall to achieve the feat – following Beyoncé with “Texas Hold ‘Em” earlier this year.

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Virgina native Shaboozey (born Collins Obinna Chibueze) charted two Hot 100 hits, in April, prior to “A Bar Song (Tipsy),” both from Beyoncé’s LP Cowboy Carter: “Spaghettii” (also with Linda Martell; No. 31 peak) and “Sweet * Honey * Buckiin’ ” (No. 61).

“A Bar Song (Tipsy)” is from Shaboozey’s LP Where I’ve Been, Isn’t Where I’m Going, which debuted at its No. 5 high on the Billboard 200 in June. It has reached No. 2 on Top Country Albums and leads the Americana/Folk Albums chart for a third week.

Of his breakthrough this year, the 29-year-old, who has been releasing music for a decade, recently mused to Billboard, “We were pretty prepared for this moment.”

Also in the latest Hot 100 top 10, Chappell Roan achieves her first top 10 as “Good Luck, Babe!” ascends a spot to No. 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 13, 2024) will update on Billboard.com tomorrow, July 9. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Below is a rundown of the latest Hot 100’s top 10.

Warning: the following story contains discussions of eating disorders.

Kesha has a simple message for anyone out there who has something to say about her physique: go ahead and hate, it only makes her stronger. The singer who has been candid about her struggles with body image and recovery from an eating disorder appeared to respond to some unkind comments about her body on Sunday (July 7) in a pointed Instagram post.

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“i didn’t think in 2024 people still body shamed but. i am so proud of my body. she’s been through a lot. she’s torn her acl on stage and finished the show. she’s held my f–king broken heart together,” Kesha, 37, wrote in the post that also featured an image of the singer laying on the beach in a black string bikini as well as modeling it while standing on a balcony while wearing a black baseball hat and white robe.

“to those who think you’re shaming me, you’re actually making me feel very powerful. so, to you, i hope you one day feel whole enough to not tear other women down. in the mean time, hate me harder bi–ch:),” she added, along with a muscle flex emoji.

Back in 2017, Kesha posted about her struggle with eating disorders, writing, “I had an eating disorder that threatened my life, and was very afraid to confront it. I got sicker and the whole world kept telling me how much better I looked. That’s why I realized I wanted to be a part of the solution.” In addition, at the 2016 Billboard Women in Music event, Kesha discussed her past struggles with self-image. “I’ve decided to stay confident in my ever-changing, totally imperfect body,” she said at the time.

Around the same time, Kesha opened up in an essay in Teen Vogue, writing, “When I think about the kind of bullying I dealt with as a child and teen, it seems almost quaint compared with what goes on today. The amount of body-shaming and baseless slut-shaming online makes me sick. I know from personal experience how comments can mess up somebody’s self-confidence and sense of self-worth. I have felt so unlovable after reading cruel words written by strangers who don’t know a thing about me.”

She added, “It became a vicious cycle: When I compared myself to others, I would read more mean comments, which only fed my anxiety and depression. Seeing paparazzi photos of myself and the accompanying catty commentary fueled my eating disorder. The sick irony was that when I was at some of the lowest points in my life, I kept hearing how much better I looked. I knew I was destroying my body with my eating disorder, but the message I was getting was that I was doing great.”

More recently, the singer who just released her new single, “Joyride,” last week, told Self in 2023 that she after checking into an inpatient program to treat bulimia in 2014 she started working with therapists on a new routine to help manager her anxiety around eating.

According to organizers of NEDAwareness Week, some 30 million Americans will struggle at some point in their lives with an eating disorder, such as bulimia, binge-eating disorder and anorexia. For more information visit nedawareness.org.

See Kesha’s post below.

Everyone wanted this: a lyrical death match between the biggest rappers in the game today, Drake and Kendrick Lamar. At first, things seemed rosy between the young behemoths when they collaborated on each other’s records during the early stages of their careers. As time passed, friendly fire became a volcanic eruption, sparked by Lamar’s earth-shattering feature March 22 on Future and Metro Boomin’s We Don’t Trust You album. 

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Lamar didn’t mince words, hurling daggers at Drake and Cole such as “Yeah, get up with me, f–k sneak dissing/’First Person Shooter,’ I hope they came with three switches,” before spewing more venom towards the duo. “Think I won’t drop the location? I still got PTSD/ Motherf–k the Big Three, n—a, it’s just big me.”

Though Drizzy hadn’t at the time put pen to paper just yet, he said some words to Lamar during his Sunrise, Fla., concert March 24.

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“A lot of people ask me how I’m feeling. I’m a let you know I’m feeling. Listen, the same way I’m feeling is the same way I want you to walk out this building tonight,” he said. “I got my f–king head up high, my back straight, I’m 10 f–king toes down in Florida and anywhere else I go. And I know that no matter what, it’s not a n—a on this earth that could ever f–k with me in my life!”

Billboard examines the ups and downs of what was once a fruitful and competitive relationship between Kendrick and Drake. 

On July 8, 2023, Travis Kelce attended Taylor Swift‘s Eras Tour show in Kansas City with a friendship bracelet and a dream. Exactly one year later, he’s not only dating the 34-year-old pop superstar, but has songs believed to be about him written into the exact show that started their love story — something that has fans celebrating as if it were their own anniversary on social media.

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And in honor of the occasion, many Swifties are reminiscing on the fateful sequence of events that led to the couple’s union. First, the Kansas City Chiefs tight end attempted to shoot his shot by giving Swift a homemade bracelet with his phone number on it at her Eras performances in Arrowhead Stadium, but left disappointed when he discovered that she wasn’t meeting people after her show.

That moment — which turns 1 Monday (July 8) — ended up being the genesis of Kelce’s romance with the 14-time Grammy winner. Swift somehow took notice of him after he told the bracelet story on his New Heights podcast, and the pair started dating later that summer. By the fall, they were officially a couple, with the singer attending many of his games all the way up through the 2024 Super Bowl, which the Chiefs won.

Also in that time, Swift wrote and released The Tortured Poets Department, featuring two mushy love songs — “The Alchemy” and “So High School” — fans are certain Kelce inspired. The latter track is now embedded into the musician’s three-hour-plus Eras showcase — which the athlete now regularly attends — and she seemingly personally celebrated the one-year anniversary of her beau’s first show by singing an acoustic mashup of the track with “Everything Has Changed” and “Mary’s Song” at her July 6 concert in Amsterdam with him in the audience.

In short, Swifties couldn’t be happier about how things have progressed since Kelce attended his future girlfriend’s concert a year ago. “one year ago, travis attended her show and left disappointed that couldn’t give her a bracelet with his number on it,” one person wrote on X. “today, she serenaded him with the cutest surprise song mashup to date.”

“The greatest love story of our time🥺” another fan tweeted on the anniversary date. “I can’t believe it was exactly one year ago that Travis tried to give Taylor a friendship bracelet with his number on it, how far we have come!”

A third person gushed: “You cannot convince me the invisible string theory doesn’t work because it’s been one year since travis went to eras with a friendship bracelet and a dream and now she’s f–king singing marys song which she wrote like 18 years ago with his football number in it,” referring to Swift’s lyric, “I’ll be 87, you’ll be 89, I’ll still look at you like the stars that shine in the sky.”

See more Swiftie tweets celebrating the one-year anniversary of the beginning of Tayvis below.

Prince’s former business advisors have won a key ruling in their ongoing legal battle with three of the pop legend’s heirs over the management of his estate.

In a decision issued Friday, a Delaware judge ruled that advisors L. Londell McMillan and Charles Spicer Jr. could not be ousted as mangers of Prince Legacy LLC, a company created to operate half of Prince’s lucrative estate.

Three of Prince’s heirs, led by his sister Sharon Nelson, had argued they could amend the LLC agreement to remove McMillan and Spicer from their leadership positions, but the judge ruled that such efforts were clearly invalid under the terms of the agreement.

“The LLC agreement is unambiguous and [McMillan and Spicer]’s interpretation is the only reasonable one,” Chancellor Kathaleen St. Jude McCormick wrote in the decision, which was obtained by Billboard.

Ruling that Prince’s heirs had vested the two advisors with “broad and exclusive management authority,” the judge said they could not now amend their agreement simply because they “came to regret this decision.”

Neither side immediately returned a request for comment from Billboard.

Prince had no will when he died of a fentanyl overdose in 2016, leaving six heirs to inherit equal shares in his valuable estate and sparking a long legal battle in Minnesota probate court over how the estate would be managed in the future.

When the court case finally wrapped up in August 2022, the estate was split into two companies – one controlled by Primary Wave after it purchased the shares of three heirs, and another (Prince Legacy) controlled by McMillan, Spicer and the three remaining relatives. At the time, both sides vowed to work together to bring Prince’s music and legacy to a new generation of music fans.

But in January, McMillan and Spicer sued their partners within Prince Legacy, claiming Nelson and other heirs were improperly trying to force them out as managers and “install themselves” in their place. McMillan and Spicer claimed Nelson had become “disgruntled” because they had refused to comply with her “unreasonable demands. They cited one incident in which she allegedly attempted “replace the entire staff” of Prince’s legendary Paisley Park home “with individuals of her choosing.”

The lawsuit argued that the efforts to oust McMillan and Spicer were not only barred by Prince Legacy’s operating agreement, but also posed a threat to their efforts “to preserve and protect Prince’s legacy.”

“The individual defendants lack any business and management experience, have no experience in the music and entertainment industries, and have no experience negotiating and managing high-level deals in the entertainment industry,” attorneys for McMillan and Spicer wrote at the time. “They have a documented history of infighting. Based on the amount and complexity of the work that Prince Legacy is involved with, they are simply not capable of stepping in and managing its business.”

In Friday’s decision, McCormick sided decisively with McMillan and Spicer, granting them summary judgment on their core allegation: That Nelson’s effort to amend the LLC agreement had been invalid under terms of the deal.

“Defendants’ interpretation … would lead to the absurd result of giving the non-managing members the authority to unilaterally take actions on behalf of the company and bind the company without the approval of the managing members,” the judge wrote in her ruling.

The decision will not end the lawsuit, because McCormick also ruled that McMillan and Spicer could to pursue their related allegation that Nelson and the other heirs had breached that contract when they attempted to amend the LLC agreement. That claim will be subject to future litigation.

Primary Wave, which controls the other half of Prince’s estate, is not involved in the litigation nor accused of any wrongdoing.

Kendrick Lamar’s “Not Like Us” has permeated different avenues of pop culture, and now, even libraries are feeling the impact of the Drake diss. The Los Angeles Public Library went viral over the weekend when it posted a video to TikTok and Instagram over the weekend, debating whether its owl puppet needed to say farewell for good following the arrival of the diss track’s video on July 4.

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In the visual, the rapper “wop wop wop wop wops” a giant owl piñata while the screen notes “NO OVHOES WERE HARMED DURING THE MAKING OF THIS VIDEO.” The visual ends with a scene of an owl in a cage.

“Do we need to retire our owl puppet,” the library asks in the clip, which features “Not Like Us” booming in the background. “Let us know,” the Instagram caption also said. The library’s raccoon puppet wraps the owl — synonymous with Drake’s OVO brand — in a blanket and closes the storage bin’s lid on him in a ceremonial burial of sorts.

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West Coast fans loved to see the L.A. Library enter the feud and most found the skit to be funny. “THE LIBRARY! I thought it was done done when Duolingo got in on the beef, but I think this does it,” one person wrote on TikTok.

“LA standing on business,” a fan replied.

Another person joked about how this made them want to pay their late fees on books, but it turns out the library doesn’t even have late fees anymore.

The momentum of “Not Like Us” doesn’t look to be waning anytime soon with Kendrick’s victory lap taking over the summer on the West Coast.

The Mustard-produced anthem may receive another boost on the charts with the arrival of the track’s music video. On last week’s Billboard Hot 100, “Not Like Us” held strong in the No. 3 slot in its eighth week on the chart.

Kendrick delivered the live debut of “Not Like Us” on Juneteenth during his Pop Out concert at L.A.’s Kia Forum, which made for a memorable hip-hop moment with mentor Dr. Dre kicking off the performance alongside K. Dot on stage.

Watch the Los Angeles Public Library’s clip about its owl below.