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It’s not too early to start shopping for Mother’s Day — or for a new hair tool for spring. The Mother’s Day limited-edition, rose gold Supersonic comes in a complementary onyx rose gold box with a styling concentrator, flyaway attachment and styling comb.
Dyson Supersonic Hair Dryer Ceramic Pink & Rose Gold
Other attachments include a diffuser and a gentle air attachment that creates a “gentle, cooler air flow” for drying.
Purchase a Supersonic and get a free a presentation case worth up to $59.99, an additional complimentary gift worth $39.99 (Dyson Paddle brush) at checkout.
Dyson’s sale products don’t stay in stock, so when you find a good deal, you should jump on it as soon as possible. Right now, you can save up to $180 off the refurbished Dyson hair dryers while supplies last.
Like other Dyson hair tools, the Supersonic hair dryer helps prevent extensive heat damage. It’s an “ultra-fast,” “ultra-drying” hair tool with a controlled, high-velocity airflow and three speed settings: fast drying, regular drying and styling. Furthermore, the hair dryer features Heat Shield technology and stays cool to the touch.
If you search TikTok, you’ll get a good idea of just how much shoppers love the Dyson Supersonic. It’s a “game changer” and “worth every penny” according to a couple of the thousand of positive reviews that you can find online.
The Supersonic hair dryer in Blue Blush and Ceramic Pop are out of stock at Dyson.com, but you can find the blow dryer in stock in the new colorway as well as Prussian Blue, rose gold and copper.
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Eric Carmen, the hitmaker behind ’70s and ’80s smashes like “All By Myself” and “Hungry Eyes,” has died at age 74, his wife Amy confirms.
“It is with tremendous sadness that we share the heartbreaking news of the passing of Eric Carmen,” a message posted to his website, Facebook and X account reads. “It brought him great joy to know, that for decades, his music touched so many and will be his lasting legacy. ‘Love Is All That Matters…Faithful and Forever,’” the message concludes, signed by Amy Carmen, his wife of eight years.
Over his decades-long career — starting in earnest during his college years at John Carroll University in his home state of Ohio, when he joined a band called Cyrus Erie — Carmen scored three top five hits on the Billboard Hot 100: the No. 2-peaking “All By Myself” in 1976, followed by the Dirty Dancing soundtrack standout “Hungry Eyes,” which peaked at No. 4 in 1988, and “Make Me Lose Control,” a No. 3 hit, also in 1988. His highest-charting album was his self-titled solo debut, which peaked at No. 21 in 1976.
In addition to scoring a hit on the Dirty Dancing soundtrack, Carmen also co-wrote “Almost Paradise… Love Theme from Footloose” (performed by Mike Reno and Ann Wilson) for the Footloose soundtrack, earning him his lone Grammy nomination for best album of original score written for a motion picture or a television special.
Before his blockbuster solo career, he recorded four albums with The Raspberries from 1972 to 1974. They scored a No. 5 hit from their debut album called “Go All the Way” in 1972 and a top 20 hit with the ironically titled “Overnight Sensation (Hit Record),” which peaked at No. 18 in 1974.
Many of Carmen’s songs have endured thanks to new placements in pop culture, including Celine Dion’s Hot 100 No. 4-peaking cover of “All By Myself” in 1997; “Go All the Way” being featured on the Guardians of Galaxy: Awesome Mix Vol. 1 soundtrack in 2014; and his co-written “Almost Paradise” serving as the theme song to The Bachelor spin-off Bachelor in Paradise in 2014.
The rap superstar took to Instagram on Monday (March 11) to share the sultry cover art for her upcoming single, “Enough (Miami),” set for release on Friday (March 15). In the photo, a nude Cardi lays across a white sofa with her hair in long waves down her shoulders, rocking a glass skin look with her makeup. See the photo here.
Last week, Cardi teased the single over on TikTok. “Me vs. you and you know who they pickin’,” she raps on the track. “I can survive in the coldest conditions… B–ches is washed, soapin’ the dishes/ I apply pressure like boa constrictors/ One b–ch, two b–ch, old b–ch, new b–ch, none of y’all not gonna do s–t/ I’m in Miami I pull up on cruise ships.”
The song is a follow-up to Cardi’s recently released single, “Like What (Freestyle).” The song is Cardi’s first solo record since 2021’s “Up,” which earned the rapper her first Billboard Hot 100 No. 1 hit and a 2022 Grammy nomination for best rap performance. Since then she’s dropped “Tomorrow 2” with GloRilla, “Jealously” with Offset and the Megan Thee Stallion collab “Bongos.”
A new album from the rapper would mark her first since 2018’s Invasion of Privacy. The album spawned two No. 1 Billboard Hot 100 singles, the diamond-certified “Bodak Yellow” and “I Like It.” She also won the Grammy for best rap album for Invasion of Privacy, topping Pusha T, Mac Miller, Travis Scott and Nipsey Hussle.
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For the first time, Billboard is expanding its peer-voted Power Players’ Choice Award globally, asking music industry members from all sectors across the world to honor the international executive they believe had the most impact across the business in the past year.
Voting is now open to all Billboard Pro members, both existing and new, with one vote per member per round.
The International Power Players’ Choice Award will run alongside Billboard’s annual International Power Players ranking of the industry’s most influential executives, which will be announced in April.
Billboard launched its Players’ Choice awards in 2023 with the Power Players’ Choice Award, the Country Power Players’ Choice Award, the R&B/Hip-Hop Power Players’ Choice Award and the Latin Power Players’ Choice Award. In 2024, the peer-voted award has expanded to also cover Top Music Lawyers and International Power Players.
The first round of voting for the International Power Players’ Choice Award is now open, with an open call for nominees that will run through Mar. 22.
The second round of voting, which will narrow down the top 20 nominees to the final five, runs Mar. 25 through Mar. 31.
The third round of voting to select the winner from that list begins Apr. 1 and concludes Apr. 8 at 11:59 p.m. EST.
Vote now and if you are not yet a member of Billboard Pro, join here.
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Billie Eilish and Finneas entered the Oscar record books on Sunday (March 10) by winning best original song for their Barbie ballad “What Was I Made For?,” two years after winning with their title song from the James Bond film No Time to Die.
They became the youngest two-time Oscar winners in history – in any category. Eilish, 22, and Finneas, 26, took that distinction from actress Luise Rainer, who won her second Oscar (for The Good Earth) at age 28. Next on the leaderboard are Jodie Foster, who won her second Oscar (for Silences of the Lambs) at 29, and Hilary Swank, who won her second Oscar (for Million Dollar Baby) at 30.
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This was also the fastest repeat win in the best original song category by any songwriter since Tim Rice won three times in the space of five years in the 1990s (with different collaborators each time).
Eilish and Finneas are the first songwriting team to win best original song twice in the space of three years since Alan Menken and the late Howard Ashman won with “Under the Sea” from The Little Mermaid in 1990 and the title song from Beauty and the Beast in 1992. Here’s an updated list of all songwriters who have won in this category twice in the space of three years in Oscar history.
Also, “What Was I Made For?,” which won the Grammy for song of the year on Feb. 4, is the first song in a generation to win both the Oscar for best original song and the Grammy for song of the year. The last song to win both awards was “My Heart Will Go On,” the love theme from Titanic. Here’s an updated list of all songs to win both the Grammy for song of the year and the Oscar for best original song.
“What Was I Made For?” is the second winner for best original song from a film that was solely directed by a woman. Greta Gerwig directed Barbie. Ava DuVernay directed Selma, which spawned the 2014 winner, “Glory,” which was written and performed by John Legend and Common. Two films that were co-directed by women spawned best original song winners. The Prince of Egypt, co-directed by Brenda Chapman, gave us “When You Believe.” Frozen, co-directed by Jennifer Lee, spawned “Let It Go.”
Ludwig Göransson won best original score for Oppenheimer, five years after he won for Black Panther. Göransson is one of just five composers or composing teams to win twice in this category since 2000. He follows Howard Shore (the second and third installments in The Lord of the Rings franchise), Gustavo Santaolalla (Brokeback Mountain and Babel), Trent Reznor and Atticus Ross (The Social Network and Soul) and Alexandre Desplat (The Grand Budapest Hotel and The Sound of Water).
Oppenheimer won a night-leading seven Oscars, including best picture, followed by Poor Things with four and The Zone of Interest with two. No other film won more than one Oscar.
Killers of the Flower Moon was shut out, despite 10 nominations. It’s director Martin Scorcese’s third film to go 0-10 on Oscar night, following Gangs of New York (2002) and The Irishman (2019).
Oppenheimer has grossed $329.3 million at the domestic boxoffice, which is the fourth-highest total for any Oscar-winning best picture in history. It trails only Titanic ($674.3 million), The Lord of the Rings: The Return of the King (379.4 million) and Forrest Gump ($330.5 million).
Oppenheimer is the fifth film since 2000 to win for both best picture and best original score. It follows The Lord of the Rings: The Return of the King, Slumdog Millionaire, The Artist and The Shape of Water.
Christopher Nolan and his wife Emma Thomas were among the producers who won best picture Oscars for Oppenheimer (in tandem with Charles Roven). They are the first married couple to win for best picture since Richard D. Zanuck and Lil Fini Zanuck won for producing Driving Miss Daisy, the 1989 winner. Another married couple won on the night. Justine Triet and her husband, Arthur Harari, won best original screenplay for Anatomy of a Fall.
Emma Stone won best actress for the second time for Poor Things in an upset over Lily Gladstone, who was seen as having a slight edge for Killers of the Flower Moon. Stone won seven years ago for La La Land. Stone was the only one of this year’s acting winners who had won previously.
Da’Vine Joy Randolph won best supporting actress for The Holdovers. She’s the 10th Black actress to win in that category, compared to just one in the lead actress category – Halle Berry in Monster’s Ball.
Wes Anderson finally won his first Oscar for best live-action short film for The Wonderful Story of Henry Sugar, on which he collaborated with Steven Rales. Anderson had received seven previous nominations in a wide range of categories for his work on The Royal Tenenbaums, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel (three nominations) and Isle of Dogs. Unfortunately, Anderson was a no-show on the night he won his first Oscar.
WAR IS OVER! Inspired by the Music of John & Yoko won best animated short. The film’s title was inspired by “Happy Xmas (War Is Over),” a 1971 song by John & Yoko/The Plastic Ono Band with the Harlem Community Choir. John Lennon won an Oscar 53 years ago, along with the other former Beatles, for Let It Be. That film project won for best original song score, a category that still exists but has long been on hiatus, owing to an insufficient number of entries.
The Boy and the Heron won best animated feature film, in what was seen as a close contest with Spider-Man: Across the Spider-Verse. Hayao Miyazaki, who won for The Boy and the Heron, won in the same category 21 years ago for Spirited Away. The Japanese-bornMiyazaki is the first person who was born outside the U.S. to win twice in this category. Here’s an updated list of all winners of best animated feature.
Kris Bowers and Ben Proudfoot took the documentary (short subject) award for The Last Repair Shop, about a shop in Los Angeles that repairs musical instruments for schools. Bowers, who is also a noted film composer, and Proudfoot were nominated in this same category three years ago for A Concerto Is a Conversation.
Godzilla Minus One won best visual effects. It was the first win – or even nomination – for a Godzilla movie.
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As Jimmy Kimmel is finding out anew, you can’t make everyone happy. Nobody was off limits during the Oscars host’s speeches at the ceremony Sunday (March 10), including Hailey Bieber — and some fans aren’t happy.
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During his opening monologue, during which he joked about everyone from Robert Downey Jr. to U.S. senator Katie Britt, Kimmel name-dropped the model — who is married to Justin Bieber — while referring to the Hollywood collective as “heavily botoxed, Hailey Bieber smoothie drinking, diabetes prescription abusing, gluten sensitive nepo babies with perpetually shivering chihuahuas.”
And while Hailey does actually have her own smoothie available at Erehwon, and is by most definitions a so-called nepo baby (her father is actor Stephen Baldwin), many viewers who tuned in to the awards show weren’t amused.
“the hailey bieber hate is so forced and tired at this point,” one person tweeted during the show. “leave this woman alone.”
“He was obviously talking about the ‘hailey bieber smoothie’ and wasn’t being shady,” mused another person. “but this was so [badly] worded and unfunny..”
Billboard has reached out to Justin and Hailey Bieber for comment.
Kimmel, however, said just a few days prior to the 2024 Oscars that he knew in advance he’d likely step on some people’s toes. “It’s not that easy,” he told CNNof the hosting gig. “It depends on the person because some people are more sensitive than others. God help you, if I know you. Like, if you’ve been to my house, you’re in trouble on Oscar night.”
During that same interview, the Jimmy Kimmel Live! star also noted that he probably wouldn’t crack any jokes about Taylor Swift and Travis Kelce’s relationship during the show — a promise he held by the end of the ceremony.
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In addition to quips about skincare moguls, this year’s Oscars featured presentations from Ariana Grande, Cynthia Erivo, Bad Bunny and more, as well as performances from Billie Eilish with Finneas (who won best original song for “What Was I Made For?”), Ryan Gosling, Becky G, Jon Batiste and Scott George and The Osage Singers. Among the award winners were Emma Stone, who took home best actress for Poor Things, Cillian Murphy, 2024’s best actor for Oppenheimer and more.
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The 96th annual Academy Awards lit up Hollywood from the Dolby Theatre in Los Angeles on Sunday, March 10, with comedian and late-night host Jimmy Kimmel helming the ceremony for the fourth time.
The star-studded celebration featured many notable moments, from the joyous to the fun to the downright hilarious. Some of those bright spots during the telecast included John Cena showing up in nothing more than his birthday suit to present — what else? — the best costume design category, which went to Poor Things. There was also Oppenheimer star Emily Blunt and Barbie hunk Ryan Gosling presenting together and taking jabs at each other’s films for summer’s Barbenheimer phenomenon, as well as Wicked stars Ariana Grande and Cynthia Erivo presenting for the awards for best original song and score. Plus, show-stealing performances from Billie Eilish and Finneas with Oscar-winning original Barbie song “What Was I Made For?” and Gosling’s Kenergetic delivery of “I’m Just Ken” (with surprise appearances from Guns N’ Roses guitarist Slash, as well as Wolfgang Van Halen!) had the audience on its feet.
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There were also some sweet moments in the audience, including latest Dancing With the Stars champ Xochitl Gomez posing with Barbie star America Ferrera and Becky G, who performed “The Fire Inside” written by Diane Warren for Flamin’ Hot. Kimmel’s sidekick Guillermo Rodriguez also advocated for margaritas for all, and toasted those around him.
The night’s big winners were Oppenheimer, which took home seven awards, including best picture, best director for Christopher Nolan, best actor for Cillian Murphy, best supporting actor for Robert Downey Jr. and best score for Ludwig Goransson. Poor Things‘ Emma Stone won for best actress in a surprise victory over front-runner Lily Gladstone from Flowers of the Killer Moon, while Da’Vine Joy Randolph won supporting actress for The Holdovers. Eilish and Finneas won their second best original song Oscar with “What Was I Made For?.”
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At the 2024 Oscars on Sunday night, Oppenheimer led the way with 13 nominations – but who emerged the biggest winner?
Well, Christopher Nolan’s Oppenheimer left with seven Oscars, including the night’s biggest prize, best motion picture of the year. On the music front, Billie Eilish and Finneas took home best original song for “What Was I Made For?” from Barbie, while Ludwig Göransson won best original score for Oppenheimer.
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Who else emerged victorious? You can find the complete 96th Academy Awards winners list below.
Best motion picture of the year
American Fiction, Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
Anatomy of a Fall, Marie-Ange Luciani and David Thion, Producers
Barbie, David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
The Holdovers, Mark Johnson, Producer
Killers of the Flower Moon, Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
Maestro, Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
WINNER: Oppenheimer, Emma Thomas, Charles Roven and Christopher Nolan, Producers
Past Lives, David Hinojosa, Christine Vachon and Pamela Koffler, Producers
Poor Things, Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
The Zone of Interest, James Wilson, Producer
Performance by an actor in a leading role
Bradley Cooper in Maestro
Colman Domingo in Rustin
Paul Giamatti in The Holdovers
WINNER: Cillian Murphy in Oppenheimer
Jeffrey Wright in American Fiction
Performance by an actor in a supporting role
Sterling K. Brown in American Fiction
Robert De Niro in Killers of the Flower Moon
WINNER: Robert Downey Jr. in Oppenheimer
Ryan Gosling in Barbie
Mark Ruffalo in Poor Things
Performance by an actress in a leading role
Annette Bening in Nyad
Lily Gladstone in Killers of the Flower Moon
Sandra Hüller in Anatomy of a Fall
Carey Mulligan in Maestro
WINNER: Emma Stone in Poor Things
Performance by an actress in a supporting role
Emily Blunt in Oppenheimer
Danielle Brooks in The Color Purple
America Ferrera in Barbie
Jodie Foster in Nyad
WINNER: Da’Vine Joy Randolph in The Holdovers
Achievement in directing
Anatomy of a Fall, Justine Triet
Killers of the Flower Moon, Martin Scorsese
WINNER: Oppenheimer, Christopher Nolan
Poor Things, Yorgos Lanthimos
The Zone of Interest, Jonathan Glazer
Adapted screenplay
WINNER: American Fiction, Written for the screen by Cord Jefferson
Barbie, Written by Greta Gerwig & Noah Baumbach
Oppenheimer, Written for the screen by Christopher Nolan
Poor Things, Screenplay by Tony McNamara
The Zone of Interest, Written by Jonathan Glazer
Original screenplay
WINNER: Anatomy of a Fall Written by Justine Triet and Arthur Harari
The Holdovers Written by David Hemingson
Maestro Written by Bradley Cooper & Josh Singer
May December Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
Past Lives Written by Celine Song
Achievement in music written for motion pictures (Original score)
American Fiction, Laura Karpman
Indiana Jones and the Dial of Destiny, John Williams
Killers of the Flower Moon, Robbie Robertson
WINNER: Oppenheimer, Ludwig Göransson
Poor Things, Jerskin Fendrix
Achievement in music written for motion pictures (Original song)
“The Fire Inside” from Flamin’ Hot; Music and Lyric by Diane Warren
“I’m Just Ken” from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from Killers of the Flower Moon; Music and Lyric by Scott George
WINNER: “What Was I Made For?” from Barbie; Music and Lyric by Billie Eilish and Finneas O’Connell
Best animated feature film of the year
WINNER: The Boy and the Heron, Hayao Miyazaki and Toshio Suzuki
Elemental, Peter Sohn and Denise Ream
Nimona, Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
Robot Dreams, Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
Spider-Man: Across the Spider-Verse, Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
Achievement in cinematography
El Conde, Edward Lachman
Killers of the Flower Moon, Rodrigo Prieto
Maestro, Matthew Libatique
WINNER: Oppenheimer, Hoyte van Hoytema
Poor Things, Robbie Ryan
Achievement in costume design
Barbie, Jacqueline Durran
Killers of the Flower Moon, Jacqueline West
Napoleon, Janty Yates and Dave Crossman
Oppenheimer, Ellen Mirojnick
WINNER: Poor Things, Holly Waddington
Best documentary feature film
Bobi Wine: The People’s President, Moses Bwayo, Christopher Sharp and John Battsek
The Eternal Memory Nominees to be determined
Four Daughters, Kaouther Ben Hania and Nadim Cheikhrouha
To Kill a Tiger, Nisha Pahuja, Cornelia Principe and David Oppenheim
WINNER: 20 Days in Mariupol, Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath
Best documentary short film
The ABCs of Book Banning, Sheila Nevins and Trish Adlesic
The Barber of Little Rock, John Hoffman and Christine Turner
Island in Between, S. Leo Chiang and Jean Tsien
WINNER: The Last Repair Shop, Ben Proudfoot and Kris Bowers
Nǎi Nai & Wài Pó, Sean Wang and Sam Davis
Achievement in film editing
Anatomy of a Fall, Laurent Sénéchal
The Holdovers, Kevin Tent
Killers of the Flower Moon, Thelma Schoonmaker
WINNER: Oppenheimer, Jennifer Lame
Poor Things, Yorgos Mavropsaridis
Best international feature film of the year
Io Capitano, Italy
Perfect Days, Japan
Society of the Snow, Spain
The Teachers’ Lounge, Germany
WINNER: The Zone of Interest, United Kingdom
Achievement in makeup and hairstyling
Golda, Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
Maestro, Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
Oppenheimer, Luisa Abel
WINNER: Poor Things, Nadia Stacey, Mark Coulier and Josh Weston
Society of the Snow, Ana López-Puigcerver, David Martí and Montse Ribé
Achievement in production design
Barbie, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
Killers of the Flower Moon, Production Design: Jack Fisk; Set Decoration: Adam Willis
Napoleon, Production Design: Arthur Max; Set Decoration: Elli Griff
Oppenheimer, Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
WINNER: Poor Things, Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek
Best animated short film
Letter to a Pig, Tal Kantor and Amit R. Gicelter
Ninety-Five Senses, Jerusha Hess and Jared Hess
Our Uniform, Yegane Moghaddam
Pachyderme, Stéphanie Clément and Marc Rius
WINNER: WAR IS OVER! Inspired by the Music of John & Yoko, Dave Mullins and Brad Booker
Best live action short film
The After, Misan Harriman and Nicky Bentham
Invincible, Vincent René-Lortie and Samuel Caron
Knight of Fortune, Lasse Lyskjær Noer and Christian Norlyk
Red, White and Blue, Nazrin Choudhury and Sara McFarlane
WINNER: The Wonderful Story of Henry Sugar, Wes Anderson and Steven Rales
Achievement in sound
The Creator, Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
Maestro, Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
Mission: Impossible – Dead Reckoning Part One, Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
Oppenheimer, Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
WINNER: The Zone of Interest, Tarn Willers and Johnnie Burn
Achievement in visual effects
The Creator, Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
WINNER: Godzilla Minus One, Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
Guardians of the Galaxy Vol. 3, Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
Mission: Impossible – Dead Reckoning Part One, Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
Napoleon, Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
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Andrea Bocelli and his son Matteo Bocelli did beautiful justice to the Hollywood legends who died in the past year by singing a heart-wrenching duet of “Time to Say Good-Bye (Con Te Partirò)” during the 2024 Oscars Sunday (March 10).
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The performance began with a simple but elegant string quartet and a group of lyrical dancers cloaked in blue. As the big screens at Dolby Theatre in Los Angeles honored the names of actors, producers, writers, musicians, costume designers and more the world has lost since last year’s ceremony, the father-son duo took the stage side-by-side in matching blue suit jackets to harmonize on the elder Bocelli’s famous track.
Among the late honorees spotlighted by the Academy this year were Tina Turner, Friends star Matthew Perry, composer Bill Lee, actress Chita Rivera, actor Ryan O’Neal, composer Richard Lewis, actress Glenda Jackson and more.
The heartfelt tribute came toward the end of the ceremony, following awards given to best supporting actress (Da’Vine Joy Randolph for The Holdovers), best supporting actor (Robert Downey Jr. for Oppenheimer) and best original song (Billie Eilish and Finneas for Barbie‘s “What Was I Made For?”). Hosted by Jimmy Kimmel, the 96th Academy Awards has also seen a number of A-list presenters, including Ariana Grande and her Wicked costar Cynthia Erivo, America Ferrera, Issa Rae, Anya Taylor-Joy, Bad Bunny, John Cena and more.
The “In Memoriam” segment also followed musical performances from all five best original song nominees. In addition to Eilish and Finneas’ acoustic rendition of “What Was I Made For?,” Ryan Gosling and Mark Ronson delivered a star-studded showcase of “I’m Just Ken,” Becky G was on fire for “The Fire Inside” from Flamin’ Hot, Jon Batiste took to the piano for “It Never Went Away” from American Symphony, and Scott George and The Osage Singers gathered onstage to for “Wahzhazhe (A Song For My People)” from Killers of the Flower Moon.
V is giving fans a first look at “FRI(END)S.” The BTS member unveiled a preview of the official music video for his new solo single, plus a set of concept photos for the song, on Saturday (March 9).
The 35-second teaser shows a moment of grabbing leftover takeout from the fridge and eating it alone, before cutting to a chaotic scene at a movie theater and one where V sits by himself in a crowded diner. The clip features a brief preview of instrumentals and vocals.
V’s “FRI(END)S” concept photos — including the black-and-white image above — show the singer in solitude as well. Check out the full set of six concept photos for the single on BTS’ Instagram.
The K-pop star first announced the March 15 release date of “FRI(END)S” last weekend. BTS’ official Instagram account had also teased “FRI(END)S” with a brief clip featuring V.
“The track, rooted in the pop soul R&B genre, delivers relatable and witty romance through lyrics written entirely in English,” a press statement from Big Hit Music said. “The single artwork accompanying the announcement reveals the song title and release date against a vivid pink background that hints at the song’s sweet mood.”
Big Hit says that another set of concept photos and “flash video encapsulating the overall mood of the single” will be released on March 11, and a second music video teaser will come on March 12.
“FRI(END)S” follows V’s 2023 solo debut, Layover, which included songs like “Love Me Again,” “Rainy Days” and “Slow Dancing.”
