Back when she released the Spanish-language reggaeton Rauw Alejandro collaboration “Cambia El Paso” in 2021, Jennifer Lopez was coming out of a difficult time in her life. The song co-written by the two singers dropped just after Lopez split with longtime fiancé former MLB star Alex Rodriguez, and in a chat with Apple Music 1’s Zane Lowe at the time Lopez said the track was about moving on, pointing out that the title translates into: “change the step.”

Related

“I’m super happy. I know people are always wondering. How are you? What’s going on? Are you OK? This is it. I’ve never been better,” she told Lowe. “And I want my people who care about me, because I care about them so much, to know that I’ve really gotten to a place in my life where I’m great on my own. And I think once you get to that place, then amazing things happen to you that you never imagine in your life happening again. And so that is where I’m at. And I love all the love that’s coming my way right now and all of the, the good wishes. And I just want everybody to know that it’s the best time. It’s the best time of my life.”

The conversation came at a time when Lopez was spotted spending time with her former fiancé, actor Ben Affleck; after two decades apart, the two tied the knot in July 2022.

Now, the couple are reportedly going through a rough patch amid rumors of marital strife, though neither artist nor their reps have offered any public statements to date about the status of their marriage

Which is why fans were wondering about the timing of Lopez’s repost of a snippet of the “Cambia” video on Sunday. The singer titled the throwback “Happy Anniversary ‘Cambia El Paso,’” in celebration of the original July 5, 2021 release date. The brief clip features Lopez dancing and posing on the beach and city streets, rolling around in the sand in a silver bikini top and short jean shorts.

While the video only has Lopez, 54, singing the title in Spanish and lyrics about how “all she wanna do is dance, dance, dance dance,” other lines from the song have long been construed as having a not-so-subtle double-meaning. “Her life is better now without him/ He knows that his hips do not fail him/ You don’t need anyone to be well/ She doesn’t fail, she doesn’t fail,” Lopez sings on the track in Spanish in lyrics not included in the Instagram post. The homage initially featured a number of supportive comments from fans earlier in the day, but by noon on Monday (July 8) it appeared as if all comments had been removed.

Back on June 27, Lopez similarly paid tribute to another milestone in marking the 10th anniversary of her eighth studio album, A.K.A.

People noted that Sunday’s post came after Lopez appeared to spend the Fourth of July weekend in New York away from Affleck, 51, who was reportedly in Los Angeles. The last time Lopez appeared to feature Affleck in an Instagram post was on March 2 when she was promoting her documentary, The Greatest Love Story Never Told. The two were also spotted last month, reportedly arriving separately to celebrate the graduation ceremony for the actor’s 12-year-old son, Samuel.

In the Lowe interview from 2021, Lopez further explained that “Cambia” was about “change and it is about taking a step … when things don’t feel right… To me that represents joy, happiness, life… it just represents happiness to me, because I love dancing so much because it’s kind of my first love, it represents joy, happiness, a freedom… All she wants to do is be happy. All she wants to do is live.”

Check out Lopez’s post and watch the “Cambia El Paso” video below.

Hip-Hop has spoiled us. In the 50 years since a group of kids decided to throw a party in the Bronx, the genre has grown and blossomed in ways Kool Herc couldn’t have imagined. Hip-hop left New York and moved south to Atlanta, Miami, Memphis, and Houston, and west to Chicago and St. Louis. It took up shop out in Los Angeles and The Bay Area and reinvented itself before moving back across the country. And in that time, as it worked its way across this country, we’ve been fortunate to experience a seemingly endless amount of incredible, culture-shifting, delectable, classic albums.

There have been so many amazing albums that it’s damn near impossible to capture them all in one list. You can point to any corner of the map and find 50 albums that could be the best album ever made. As a matter of fact, you’ve probably already had this conversation multiple times at parties or over dinner or in your various group chats. It’s a tough nut to crack. But, it’s a challenge we relish.

So, to round off Black Music Month, we decided to attempt the impossible and rank the 100 greatest rap albums of all time. Yep, of all time — and, yep, from all regions. A few members of our staff huddled to come up with a list of albums we believe represent the best of what the genre has given us over the past 50 years. We had a few criteria when deciding: We only included full-length projects that were commercially released, so no mixtapes or EPs. We took into account the world into which the album was released: Did it break new ground or was it just a different version of a more popular album? We weighed the album’s impact and how it’s endured over time: Did it change the game? Do people still play it? And, of course, since we’re Billboard, we took into account how the albums performed commercially — though ultimately, that was a lesser consideration.

To make this more digestible, we’ve been rolling the list out 25 albums at a time. Now we’ve come to the top 25. Today (July 8), we’ll go through 25 to 11, and this Thursday (July 11), we’ll reveal what we here at Billboard believe are the 10 greatest hip-hop albums of all time. As ever, getting to 100 was a massive undertaking. There are albums you love that didn’t make the list. That’s just how it goes, but if there are projects you strongly believe deserved to be on the list, let us know.

Enjoy.

Kesha is loving all the new music female artists are releasing this year, but especially Sabrina Carpenter‘s.

Related

In a TikTok posted Sunday (July 7), the “Tik Tok” singer cited the 24-year-old rising star as an example of why she’s pumped to be part of the music industry as of late. “the ladies are holding it down with new music this summer,” she wrote over a clip of her vibing to Carpenter’s Billboard Hot 100-topping “Please Please Please,” modeling a spangly gold top.

“proud to be a woman in music,” Kesha added in her caption.

Indeed, this summer has already proven to be dominated by women musicians. Along with “Espresso,” Carpenter occupied two of the top five spots in the Hot 100 chart dated July 6, while six female artists charted in the top 10 of the Billboard 200 the same week for the first time this decade, thanks to projects from Taylor Swift, Gracie Abrams, Billie Eilish, Chappell Roan, Ariana Grande and Charli XCX.

Plus, Kesha recently entered the ring with her new single “Joyride,” which dropped on the Fourth of July in honor of the 37-year-old superstar’s newfound independence. The track marks her first release since fulfilling her contract with Kemosabe Records and settling her nearly decade-long defamation lawsuit with the label’s founder, Dr. Luke; in 2014, she alleged that he had drugged and raped her after a 2005 party. In announcing their settlement, the producer denied Kesha’s claims, saying in a joint press release, “I never drugged or assaulted her and would never do that to anyone. For the sake of my family, I have vigorously fought to clear my name for nearly 10 years.”

“Good news: I’m a free motherf–king woman,” Kesha said at New York City’s Planet Pride in June, where she debuted “Joyride” for her audience days ahead of its release. “And do you know what I want to do? I kinda wanna play my first song in almost 20 f–king years … as a free motherf–king woman.”

Kesha isn’t the only star who’s lauded Carpenter for her wildly successful summer recently. Last week, Taylor Swift commented on one of the “Feather” singer’s posts — in which Carpenter celebrated selling out her first-ever arena tour — and wrote, “SUMMER OF SABRINA AND MAY IT CONTINUE FOREVER 😇.”

See Kesha’s post praising Sabrina Carpenter below.

Tia Ray was the top winner at China’s 2nd Wave Music Awards, which were presented in Beijing on June 20. The event was initiated by the Wave Music Committee and organized by Tencent Music Entertainment Group (TME), an online music platform in China.

Tia Ray (born Yuan Yawei) won the best female singer award, and also received honors for record of the year and best pop album for Allure.

Tia Ray, 39, a singer-songwriter from Hunan, China, rose to fame in 2012 as a contestant on the televised singing competition The Voice of China. She has since released four albums, all of which she co-wrote and co-produced.

Related

After almost three months of evaluation, the Wave Music Awards selected the most representative Chinese music works from nearly 10,000 new songs and more than 500 albums released in 2023. A total of 35 awards were presented across seven categories, including singer, style, creation and technology.

Album of the year was awarded to Flow by Faith Yang, 50. Song of the year went to “Mother and Daughter” by Huang Qishan, 56, and Curley G, 25.

Other highlights included best male singer won by JJ Lin, and best group, which was awarded to Radio Mars. Leah Dou’s “Monday” won best pop song, while Chinese rock band Young Drug’s “Flower” earned the best rock song award.

The Wave Music Awards also presented honors in the fields of creation and technology. Dao Lang’s “Luocha Haishi” won best lyrics, JJ Lin’s “Dust and Ashes” won best composition, Jude Qiu’s “Please Unfriend Leo” won best arrangement, Xu Jun’s “OPEN IT” won best album production, “The Source of Life” by Lowell Lo and Jonathan Lee won best single production, Faith Yang’s “Flow” got best recording studio engineering album and Eason Chan’s “Something Missing” won best music video.

The ceremony also featured performances by 11 artists with diverse styles. Such award winners as Huang Qishan, Yu Kewei, Leah Dou, Young Drug performed their honored works.

Ice Spice keeps her side of the street clean, especially when Taylor Swift is involved. When fans at the rapper’s Rolling Loud Europe set started booing her “Karma” collaborator’s song Sunday (July 7), the former had the best reaction: blowing kisses to the haters and keeping things moving.  

Related

The moment came when Swift’s part of the duo’s “Karma” remix — which reached No. 2 on the Billboard Hot 100 after Ice hopped on the track last year — started playing over the speakers during the 24-year-old Bronx native’s festival set in Austria. “Swifties, make some noise!” Ice cheered, to which a group of fans started booing loudly, waving thumbs-down symbols. 

Ice, however, was unbothered. Instead of directly acknowledging the negativity, she simply blew a kiss and gave a stony expression, seemingly in the haters’ direction, before moving right along.  

The “In Ha Mood” artist was one of several musicians to take the stage at this year’s European edition of Rolling Loud, where she also performed tracks such as “Gimmie a Light” and new single “Phat Butt.” Nicki Minaj, Playboi Carti and Travis Scott served as headliners, while Gunna, Sexyy Red, Don Toliver, Offset and more were billed on the 2024 program as well.  

And if some festivalgoers were expecting Ice not stand by Swift, they were sorely mistaken. Both artists have been vocal in their support for one another since coming together on “Karma,” with the pop star asserting on more than one occasion that the rapper is the “one to watch.” 

Ice has also said that Swift often acts as a guiding light for her when it comes to her career. “When I was in the studio with Taylor, like, I’ll never forget that,” the rapper shared with Billboard in the March 2024 issue. “She told me, ‘No matter what, just keep making music and everything’s going to be fine.’”

The younger musician is currently gearing up to release her debut album, Y2K!, on July 26. After teasing that the project features more than one A-list collaboration, many fans have speculated that Swift may make an appearance for a “Karma” sequel — but Ice isn’t giving anything away just yet.  

“I don’t know,” she said at the BET Awards in June when asked about the rumors, giving a coy smile. “Let’s see, let’s see, let’s see.” 

See the moment Ice Spice blew kisses at her crowd while “Karma” played at her Rolling Loud Europe set. 

Nicki Minaj canceled a planned set at the SAGA Festival in Romania on Sunday night (July 7) after the rapper said her security team warned her of potential issues due to a protest reportedly planned in Bucharest on Monday (July 8).

“Out of concern for the well-being of our team and myself, I have been advised by my security detail not to travel to Romania’s festival tonight due to safety concerns regarding protests in the area,” Minaj tweeted on Sunday night just hours before she was slated to take the stage. “I look forward to seeing you all at another time.”

Minaj noted that the decision was also made with her family in mind. “As a mom, I have to make sure I’m making sound decisions for me to make it home to my son and for my team to make it home to their families,” wrote the mother of a three-year-old son with husband Kenny Petty. “To not heed the advice of security at this time is simply not what I think I should be doing. I love you and thank you for your understanding and support. I am very excited to see my fans this Friday in London for another very special headlining show at Wireless Festival.”

Minaj was slated to headline the weekend festival that also featured sets from Armin Van Buuren, Raye, Rita Ora, Hardwell and Tyla among many others. The MC did not specify what the security concerns were and at press time a spokesperson had not returned a request for additional information on the cause of the show’s cancelation; in addition, at press time there appeared to be minimal reporting about a protest in Bucharest on Monday.

According to Rolling Stone, SAGA festival organizers issued a statement on Sunday, writing, “It is with a heavy heart that we have to announce Nicki Minaj has just cancelled her performance due to concerns for her and her team’s well-being in Romania… This has nothing to do with SAGA, and is beyond our powers. The news has left us all devastated, and we know it’s a huge disappointment for all of you, just as it is for us.” Organizers reportedly said that all unscanned tickets for the sold-out Sunday festival gig would be refunded.

The MC also reportedly ran into some issues during her show at Malahide Castle near Dublin, Ireland on Saturday night, when fans complained she took the stage late and performed a shortened set. The Irish Independent reported that some Barbz were demanding a full refund after Minaj was said to have made fans wait in the rain for 45 minutes before reportedly taking the stage after 10 p.m. local time, then cutting the gig short after 45 minutes. Other reports place her stage time between 60-63 minutes. Before the show, producer MCD Productions noted in an X post that “Nicki Minaj’s set is due to start at 8.20 pm,” noting that “the licensed curfew is 10:30pm.”

Typical set times on Minaj’s current tour have been running between 60 and 75 minutes according to setlist.fm and it appeared that the rapper performed for just over an hour in Dublin after being played on by her tour DJ, DJ Boof.

Minaj posted a series of pics from the set in Dublin — which she dubbed “#GagCityDUBLIN” — with followers taking to the comments section to air their disappointment about both shows. “girl when are you coming to romania if you didn’t attend saga?,” wrote on about the scotched Romania gig, with an Irish fan adding, “You have no respect for your fans @nickiminaj actually awful €100 for us to get drenched in the rain for you to play for 40 mins wow its actally shocking!!! No manners young kids badly disappointed you have no morals woman !!!! I hope all your future shows are boycotted.”

In another Instagram post featuring footage of Minaj preparing to take the stage in Dublin, fans continued to complain about the show, with one writing, “Worst gig ever, arrived on stage at 9.50, kept fans waiting in the lashings of rain, proceeded to have loads of length costume changes, lots of fans left disappointed,” with another saying, “The real reality?….Dublin mad as f cause she’s turned up hours late and people had to leave cause they were standing in rain for hours waiting.”

While Minaj has not made any additional statement beyond the one concerning the show in Romania, the rapper did cryptically post a series of images of the terrifying Chucky from the Child’s Play movies on her X account with no additional comment late Sunday night.

This isn’t the first hiccup on the tour. Minaj was arrested in Amsterdam in May on her way to perform in the UK at Manchester’s Co-Op Live after being detained by Dutch police who reportedly found “dozens of joints” in her luggage; shortly after, Minaj canceled a planned June 2 show at Ziggo Dome in Amsterdam.

The next gig on Minaj’s Pink Friday 2 tour is slated for Friday (July 12) at the Wireless Festival in London.

See Minaj’s statement below.

2024 has been a year of exciting versatility in the K-pop scene. From highly anticipated albums by BTS’ RM, TWICE, and ATEEZ, which propelled K-pop to the upper echelons of the Billboard 200, to projects by several emerging and impressive newcomers, the year has practically delivered too many releases that demand full attention, appreciation, and listen-through.

Some artists underwent refreshing and creative switch-ups years into their careers: NCT DREAM embraced the dark on DREAM( )SCAPE, the ITZY members tried their hands at songwriting and composing across tracks on Born to Be, and Cha Eun Woo showcased his captivating storytelling Entity. Meanwhile, Trust Me by GOT7’s Yugyeom, Fourever from DAY6, DALL by ARTMS, My Girl : My Choice from A.C.E, and Yves’ first solo album LOOP all arrived with a revitalized energy from the artists, sounding like the beginning of new stories in their musical journeys.

As always true with the best K-pop projects, this year’s top albums bring the exciting experimentation and risk-taking that’s shot South Korea to compete on the global music stage. But these releases also stand out for spotlighting artists’ personalized stories, unveiling new areas for their careers to evolve through and developing the next step in their unique musical worldviews.

With so many top-notch mini-albums, EPs and full-length albums from the K-pop scene to choose from in just the first six months, these 20 records helped the artists stand out from their peers. Below, Billboard offers our critics’ picks of the 20 best albums from the Korean-pop industry released in 2024 so far.

Don’t miss the 20 best K-pop songs from this year, either.

Blessd and Ryan Castro — two of Colombia’s breakthrough urban stars — are hitting the road together in 2024, Billboard can exclusively announce.

The 15-date trek dubbed Ay Bendito Ghetto (named after their nicknames: Blessd’s “El Bendito” and Castro’s “El Cantante del Ghetto”) is powered by Touring the World and Seitrack US and will kick off Oct. 31st in San Jose, Calif. The tour will wrap in Atlanta on Dec. 1st after visiting key cities such as Los Angeles and Miami. 

“It was teamwork being able to do this tour,” Blessd tells Billboard. “It represents the union of both teams. Ryan and Blessd are the duo that’s not a duo but who everyone likes. I think it’s something that people are going to be surprised about and will like it.” 

“This has never happened in Colombia … two urban artists touring together,” Castro adds. “There’s a lot of ego in Colombia, but we have the fortune of being the first ones, and be an example for the new generation.” 

The two former Billboard Latin Artist on the Rise musicians did a joint concert in Colombia in 2022, where Blessd performed his show, then Castro, and it ended with the two singing their various collaborations together. They plan on doing a similar show for the tour, where they also hope to invite special guests and sing their respective bangers such as “Jordan” and “Medallo.”

“The best part is that we’re going to have fun and demonstrate that there’s no ego, only union among the new generation,” Blessd notes. “We have very high expectations because we know what we’re capable of. We know we’re going to kick a– and represent our flag, how we do on the daily with our individual careers.” 

Blessd is currently making the rounds with his Ovy on the Drums-produced single “Mirame” and joint EP with Maluma, 1 OF 1. Castro is promoting his debut studio album, El Cantante del Ghetto, and “El Ritmo Que Nos Une,” which has become Colombia’s official anthem during the 2024 Copa America.

Pre-sale tickets for the ¡Ay Bendito Ghetto! Tour go on sale at 10 a.m. local time on July 10 with thecode BENDITOGHETTO. General tickets go on sale Friday, July 12. Ticketing information is here; see the full list of concert dates below

Oct. 31 – San Jose, Calif. @ San Jose Civic
Nov. 2 – San Diego, Calif. @ Cal Coast Credit Union Open Air Theatre
Nov 3. – Los Angeles @ Peacock Theater
Nov. 7 – Boston @ Wang Theatre
Nov. 8 – Reading, Penn. @ Santander Arena
Nov. 9 – Rosemont, Ill. @ Rosemont Theatre
Nov. 10 – Houston @ 713 Music Hall
Nov. 15 – Irving, Texas @ The Pavilion at Toyota Music Factory
Nov. 17 – San Antonio, Texas @ Boeing Center
Nov. 20 – Newark, N.J. @ Prudential Center
Nov. 21 – Wallingford, Conn. @ Toyota Oakdale Theatre
Nov. 22 – Washington, D.C. @ EagleBank Arena
Nov. 29 – Hollywood, Fla @ Hard Rock Live
Nov. 30 – Orlando, Fla @ Hard Rock Live
Dec. 1 – Atlanta @ Gas South Arena

The “Ay Bendito Ghetto” tour is brought to the U.S. by Globalatino Music Partners/Cigol Music/Dímelo Jara Company in representation of Blessd and AWOO Corp/WK Records/BC Management in representation of Ryan Castro.

Oh my God they’re back again. Ye — formerly known as Kanye West — and Ty Dolla $ign are headed to Korea for a Vultures listening experience later this summer.

Related

Amid the speculation of the Korea show, Ty made it official on Saturday (July 6) with a post to Instagram announcing the listening party slated for Aug. 23.

“Vultures listening experience Korea 08 23 24,” the flyer reads. No information regarding tickets or which venue will be hosting the event has been announced yet.

There seemed to be a mixed reaction in Dolla $ign’s comments section, as some fans are frustrated that Vultures 2 hasn’t landed yet.

“Atp, I really forgot there would be two other albums,” one person wrote, while another said, “Drop the album bro now what you wating for?!”

Vultures 2 was originally slated to arrive on May 3, but that date came and went without any specific update from Ye or Ty.

Related

However, in the “Or Nah” singer’s June Billboard cover story, Ty Dolla $ign confirmed that the album is essentially done and they’re mapping out a rollout for the sequel. “We got all the songs. Basically, it’s just like, ‘How can we get it there? How can we go bigger than the first album?’” he said. “Certain people will probably expect you to just do the same exact sound. But that sound’s already out.”

There were plans for a Vultures listening experience tour in the spring across the U.S., which also appeared to be scrapped as the dates vanished from Ye’s Ticketmaster page.

Vultures 1 arrived on Feb. 10 and debuted atop the Billboard 200 with 148,000 equivalent album units in the U.S. in the week ending Feb. 15, according to Luminate. Ye and Ty also earned a Hot 100 No. 1 hit with “Carnival” featuring Rich The Kid and Playboi Carti. It was Ye’s first since guesting on Katy Perry’s “E.T.” in 2011 and Ty’s second following an appearance on Post Malone’s “Psycho” in 2018.

See Ty Dolla $ign post about the Korea listening experience below.

Morgan Wallen’s One Thing at a Time logs its 55th week at No. 1 on Billboard’s Top Country Albums chart (dated July 13), which ups Wallen’s career tally of weeks at No. 1 to 154 – a total topped by only one artist in the chart’s more than 60-year history. You can probably guess who it is, but we’re going to make you scroll through the list to find out for sure.

Wallen’s achievement is especially impressive because he has amassed this hefty total of weeks at No. 1 in such a short amount of time. He first topped the chart on Aug. 15, 2020.

Top Country Albums originated as Hot Country Albums in the Jan. 11, 1964 issue of Billboard. Johnny Cash’s Ring of Fire (The Best of Johnny Cash) headed the inaugural chart. The compilation was well-timed: “Ring of Fire” had headed Hot Country Songs for seven weeks the previous summer and had crossed over to reach the top 20 on the Billboard Hot 100.

The chart was named Hot Country LP’s from 1968 to 1984, when vinyl LPs were king.

Twenty-one artists have logged 50 or more weeks at No. 1 on Top Country Albums. Male solo artists dominate, as you might expect, though three female solo artists have achieved the feat, as have two groups. (One of those groups is an all-female group.) Only one Black artist has amassed 50 or more weeks at No. 1, though that may change as country becomes more inclusive.

Here’s a look at all artists who have topped Top Country Albums for 50 or more weeks.