Ariana Grande is dropping more teasers for her upcoming album.

On Saturday (Jan. 27), the 30-year-old pop star took to Instagram to unveil a new alternate cover for her seventh album, Eternal Sunshine, and teased a tracklist containing two more songs from the forthcoming set.

Related

Earlier this month, the Wicked star unleashed Eternal Sunshine lead single “Yes, And?” and announced that the album will be released on March 8.

The latest alternate cover is a beautiful photograph showing the back of Grande’s head as she sports a blonde ponytail and white dress while resting on the shoulder of a similarly dressed woman. The exclusive cover can be pre-ordered through her website here.

The Grammy winner previously confirmed that Eternal Sunshine would have multiple covers. The artwork for “Yes, And?” features close-up photo of Grande’s face and red lips, while other alternate covers find the singer posing in a white babydoll top and red tulle gloves.

Grande’s other big reveal on Saturday was a teaser of the Eternal Sunshine‘s 13-song tracklist in her Instagram Story. The opener is titled “Intro (End of the World), the fifth song is “Eternal Sunshine,” and song No. 9 is “Yes, And?” No other songs were revealed at press time.

This week, the Victorious alum scored her eighth No. 1 hit on the Billboard Hot 100 as her latest single “Yes, And?” debuted in the top spot on the chart, less than two months ahead of her March-slated Eternal Sunshine.

“it is overwhelming and so sincerely moving to see how many of you this song has resonated with,” Grande wrote in her Instagram Story on Jan. 22. “it is such a gift to feel so seen and held by you! thank you for your positivity, for your support and for everything. you have no idea how much you mean to me! this is absolutely because of and entirely for you. thank you!”

The star’s latest album rollout follows her yearslong break from music, having spent the time since 2020’s Positions focusing on her R.E.M. Beauty business and her role in the upcoming live-action adaptations of the Broadway musical Wicked. In the past three years, her pop star endeavors have only spanned guesting on other artists’ songs here and there (such as the Billboard Hot 100 No. 1 hit “Die for You” with The Weeknd and “Met Him Last Night” with Demi Lovato) and releasing a 10th anniversary edition of her debut album, Yours Truly.

Check out Grande’s newest Eternal Sunshine alternate cover on Instagram below.

Out-of-town runners beware: The prized medals you will receive at the finish line of Sunday’s Life Time Miami Marathon and Half Marathon could be mistaken as deadly Ninja throwing stars … Click to Continue »
A high school student is in police custody after a loaded gun was found on a Fort Lauderdale campus Friday afternoon, police say. Security at Stranahan High School, 1800 SW … Click to Continue »

Up-and-coming Spanish artist Bad Gyal talks about how she separates who she is in real life, Alba, from her onstage persona Bad Gyal, making her first album ‘La Joia,’ getting to work with Tokischa on her hit song “Chulo” and getting Young Miko on the remix “Chulo Part 2,” why she didn’t want to twerk with Rauw Alejandro at his show in Puerto Rico and more!

Bad Gyal:
When I saw my grandmother at one of my concerts, I thought, “I can relax now. If she approves it. If she is looking at me with illusion and understanding it’s me, then everything is fine.”

Bad Gyal:
Hi I’m Bad Gyal and this is Billboard News.

Leila Cobo:
Alba Farelo, Bad Gyal, welcome to Billboard! How do you separate yourself from Alba and Bad Gyal? Both in fashion and personality, as in everything, or do you see them as the same?

Bad Gyal:
In terms of fashion and how I express myself, I feel there is not that much difference. If I go to an informal dinner with my friends, I end up dressing a little like this too. Maybe not so…mmmm but my style is something that goes beyond my profession and my character, but in terms of my life and my personality, many times people get the wrong idea of how I should be personally, because of my music, my style, my way of dancing and expressing myself. Actually, I consider myself more of a chill person obviously I love Rumba, I love parties, I love music and moving my a–. That’s not a lie. But I do have this other side that likes to just chill out.

Watch the full video above!

A jury found Friday that celebrity tattoo artist Kat Von D did not violate a photographer’s copyright when she used his portrait of Miles Davis as the basis for a tattoo she put on the arm of a friend.

The Los Angeles jury deliberated for just over two hours before deciding that the tattoo by the former star of the reality shows “Miami Ink” and “LA Ink” was not similar enough to photographer Jeffrey Sedlik’s 1989 portrait of the jazz legend that she needed to have paid permission.

Related

“I’m obviously very happy for this to be over,” Von D, who inked her friend’s arm with Davis as a gift about seven years ago, said outside the courtroom. “It’s been two years of a nightmare worrying about this, not just for myself but for my fellow tattoo artists.”

The eight jurors made the same decision about a drawing Von D made from the portrait to base the tattoo on, and to several social media posts she made about the process, which were also part of Sedlik’s lawsuit. And they found that the tattoo, drawing and posts also all fell within the legal doctrine of fair use of a copyrighted work, giving Von D and other tattoo artists who supported her and followed the trial a resounding across-the-board victory.

“We’ve said all along that this case never should have been brought,” Von D’s attorney Allen B. Grodsky said after the verdict. “The jury recognized that this was just ridiculous.”

Sedlik’s attorney Robert Edward Allen said they plan to appeal. He said it the images, which both featured a close-up of Davis gazing toward the viewer and making a “shh” gesture, were so similar he didn’t know how the jury could reach the conclusion they did.

“If those two things are not substantially similar, then no one’s art is safe,” Allen said.

He told jurors during closing arguments earlier Friday that the case has “nothing to do with tattoos.”

“It’s about copying others’ protected works,” Allen said. “It’s not going to hurt the tattoo industry. The tattoo police are not going to come after anyone.”

Allen emphasized the meticulous work Sedlik did to set up the shoot, to create the lighting and mood, and to put Davis in the pose that would make for an iconic photo that was first published on the cover of JAZZIZ magazine in 1989. Sedlik registered the copyright in 1994.

And he said that subsequently, licensing the image to others including tattoo artists was a major part of how he made his living.

Von D said during the three-day trial that she never licenses the images she recreates, and she considers work like the Davis tattoo a form of “fan art.”

“I made zero money off it,” she testified. “I’m not mass-producing anything. I think there is a big difference.”

Her attorney Grodsky emphasized for jurors that that lack of an attempt to cash in on the image was essential to the tattoo being a form of fair use, an exception in copyright law used for works including commentary, criticism and parody.

Allen argued in his closing that the social media posts about the tattoo were a promotion of her and her studio, and thus a form of monetizing the image.

If jurors had sided with Sedlik, they could have awarded him as little as a few hundred dollars or as much as $150,000.

Von D was among the stars of the reality series “Miami Ink” then was the featured artist on its spinoff “LA Ink,” which ran on TLC from 2007 to 2011.

The 41-year-old Von D, whose legal name is Katherine von Drachenberg, was already a prominent young tattoo artist when she became a TV personality through her appearances on TLC’s “Miami Ink” starting in 2005 on TLC. She was the central star of its spinoff, “LA Ink,” which ran from 2007 to 2011 and made her possibly the most famous tattoo artist in the country.

Von D said that despite the victory, she’s not enthused about getting back to work.

“I think I don’t want to ever tattoo again, my heart has been crushed through this in different ways,” she said. “We’ll see with time.”

Travis Kelce is enjoying his time with Taylor Swift, despite what anyone has to say.

During a Kansas City Chiefs press conference on Friday (Jan. 26), the tight end shared that he and his girlfriend Swift have talked about navigating public attention amid their relationship. “As long as we’re happy, we can’t listen to anything that’s outside noise,” Kelce said. “Thats all that matters.”

He added, “I brought this upon myself, and I do enjoy having fun with it all, and the biggest thing is making sure my focus is right here in this building.”

Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

“When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” Swift told TIME in December, marking her first public remarks of the relationship. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.” 

Watch the full press conference below.

When Bad Gyal (born Alba Farelo Solé) saw her grandma — her dad’s mom — supporting her at one of her shows, nothing else mattered. “I thought, ‘I can relax now,’” the Spanish hitmaker says in a one-on-one candid conversation with Billboard‘s Leila Cobo. “If she approves it, if she is looking at me with eyes of hope and understanding it’s me, then everything is fine.”

It’s safe to say that today, it’s not just her grandma that approves of Bad Gyal’s music, which is often a blend of dembow, reggaetón and dancehall. In fact, Bad Gyal, who first got on people’s radar with her own take on Rihanna’s “Work,” was most recently an opening act on Karol G‘s massive Mañana Será Bonito U.S. Tour, and has now collaborated with the likes of Ñengo Flow, Anitta, Nicki Nicole and Ovy on the Drums. Boasting more than 13 million listeners on Spotify, Bad Gyal hustled to carve a lane for herself thanks to a commanding stage presence, her infectious beats and cheeky (often explicit) lyrics.

Which makes sense that she’d drop her debut album, La Joia (via Universal Music Latino/Interscope), at this point in her career. “I felt it was [the right] time when I had more experience in songwriting, in the studio, in choosing the producers, in the material that has been made, what’s better, what’s less important,” the 26-year-old singer-songwriter explains. “Over the years, you gain experience and you know yourself better.”

Related

Knowing herself is also what allows her to exude confidence knowing exactly what she wants and doesn’t want. “I have always been certain that I’m going to do what I want to do,” Bad Gyal says categorically. “I have earned my position and people respect me a lot.”

So, when Rauw Alejandro wanted to twerk with her onstage at one of his shows in Puerto Rico last month, she respectfully declined. And, as expected, that specific moment vent viral on TikTok, with some praising her reaction as a girl-power move. “For starters, I think it was a culture shock. Usually, if I’m going to perform with a man, I do some rehearsal. But that wasn’t the case there so it caught me by surprise,” she says. “Secondly, I have never twerked with a man on stage. In the future, I might.”

Watch Bad Gyal’s interview above where she also talks about how “Chulo Pt. 2,” in collaboration with Tokischa and Young Miko, came about, juggling multiple jobs to earn a living (while also studying fashion) and all the details about her new album, which released Friday (Jan. 26).

Through K-pop’s rapid changes in the last three decades, a constant standard has been JYP Entertainment’s particular attention given to its female groups.

From Wonder Girls becoming the first Korean-pop act to crack the Billboard Hot 100 to the likes of TWICE and ITZY making inroads with U.S. label deals and arena tours, plus a Japanese group NiziU who’s had a No. 1 single on the Japan Hot 100 every year since their 2020 debut, the company has lived up to its company tagline as a “leader in entertainment” with noted strict guidelines for dating, dieting, media engagement and more. So when a mid-interview miscommunication over the interview time with JYPE’s latest girl group abruptly ends the conversation when the schedule can’t spare another 10 minutes, the fleeting encounter feels like it mirrors the meticulousness and unwavering standards to success set by K-pop industry giants like JYP. Especially for the high stakes with VCHA, a first-of-its-kind “global” girl group, there’s no room for missteps.

VCHA began with a bold vision outlined by JYP founder J.Y. Park and Republic Records founder Monte Lipman: their A2K competition series set out to create “the first American artist made out of the K-pop system.” Amid increasingly heated competition from industry heavyweights like SM Entertainment, HYBE and Geffen Records with similar projects, JYP and Republic pulled ahead in this next-generation pop race, culminating in the six-member girl group that’s helping evolve the definition of K-pop and changing how companies like JYP and Republic traditionally operate.

Unlike the Korea-based counterparts who famously undergo years of rigorous training, VCHA embarked on a whirlwind journey encompassing vocal and dance training, character assessments, and even “star quality evaluations” through 22 episodes of A2K where the final lineup of members Lexi, Camila, Kendall, Savanna, KG and Kaylee — who range from ages 18 to 14 — were revealed in September 2023 and made their official debut just four months later, today, on Jan. 26, 2024 via “Girls of the Year” by revealing its digital single and music video.

After four buzz tracks hinting at their sound like “Ready for the World” and “Y.O.Universe” (the latter of which performed on public Korean TV channels like KBS and MBC alongside other K-pop acts), “Girls of the Year” marks the official start of VCHA and what midwest-born, 18-year-old leader Lexi says “really emphasizes confidence, self-worth and what we strive to be, which is, obviously, girls of the year.”

An upbeat, bubblegum-pop anthem with hooks ready to get lodged in young listeners brains, “Girls of the Year” also encapsulates a subtle yet poignant message of feminism and self-empowerment with lyrics like, “No more doubtin’ and no glass ceilings.” Speaking to Billboard in their new home base in Los Angeles, the Florida-raised, 17-year-old Savanna sings that line on the track and personally connects with the lyric when “going deeper because of the meaning itself.”

“Girls of the Year” embodies the essence of VCHA’s mission—to inspire and empower a new generation of fans who aren’t as bound or preoccupied by cultural, language and country barriers. With all six based in the U.S. or Canada, the VCHA members’ backgrounds range from white and Latino to Black, Korean, Vietnamese, and Hmong.

Texas native Kendall recognizes the diversity they represent and the chance to be a role model.

“‘Girls of the Year’ is such a statement, but to us, it really means to be able to become a group or someone that other people can proudly look up to,” the 17-year-old says. “To be able to represent different communities is honestly such an honor because we all had people from our cultures or from our nationalities who we looked up to growing up and they made such a big impact on our lives. So, for us to possibly be able to grow into becoming those people for others is really what being a ‘girl of the year’ would mean to us.”

VCHA is in good company with Republic Records signees like Taylor Swift, TWICE, Ariana Grande, Stray Kids and ITZY all cited as different inspirations to the members. The girls will open for upcoming stadium shows their JYP/Republic label mates TWICE are holding in Las Vegas, Mexico City and São Paulo — something of a dream for youngest member Kaylee, who says TWICE is the first artist she remembers connecting with from a young age.

“I can’t say that I’m nervous or excited because I can’t think that it’s actually going to happen,” the 14-year-old Philly singer says. “It feels like a dream rather than something that we’re going to be performing on stage opening for TWICE. It just seems so unreal to be able to do something like this so early in our career.”

In fact, K-pop concerts traditionally do not have opening acts, marking yet another way VCHA is shaking up the system’s formulas with a page from the western playbook. “This is something that was all kind of unexpected,” Lexi adds, “We’re just super honored to be able even to do something that’s not really done.”

To prepare for the upcoming shows, the sextet has all-day training sessions, rehearsals and content creation that begin around 10:30 or 11 a.m. local time once youngest members Kaylee and KG, who are 14 and 16 respectively, finish schooling, which they take earlier in the mornings via online learning classes. Kaylee and KG point to some difficulty in balancing school and group work but have the older members to help them study.

With VCHA’s release of “Girls of the Year,” coupled with the easy-listening, R&B-pop cut “XO Call Me” as a b-side that Kendall notes is part of the “new sounds” they’re excited to show, the teens are moving into unknown but exciting territory that feels more centered on deeper, heartfelt messaging than the maximalist showmanship found in most K-pop debuts.

Take the moment in the “Girls of the Year” music video where Camila walks from her dance rehearsal into a massive VCHA concert where she catches her glammed-up, onstage version performing, and the two exchange smiles—a moment of recognizing her journey that included years of auditions and competition shows like The Voice Kids in Canada and France, to now debuting in a group backed some of the world’s most proven players in pop.

See what all the VCHA members had to say about their growth, looking back at honest moments from their character evaluations in A2K to where they stand today.

The role of leader is an important one in K-pop and Lexi, you’re the leader of VCHA. How has your role shifted from someone who was known to help the contestants in A2K to now leading VCHA?

Lexi: Obviously, I’m super grateful to be the leader to help organize things in this group. Although I have the title, I do think that I get so much help from the other members — like, everyone helps me out so much. Even though I’m the leader, I think that we all help out a lot in the group for us to be able to be successful and work hard.

I do do a lot of the organization things like setting up our times for when we should practice or spreading things out for what we should do throughout the day and for what’s coming up. I help us try to stay on task too. Sometimes I’ll have to communicate [with the label teams] just a little bit for things like our schedules.

I remember Camila was voted co-favorite team mate with Lexi during A2K evaluations. You’re also the eldest member, and you said a lot of that motivated you to kind of help take care of and encourage your members. What does that relationship look like now?

Camila: Actually in my family, I’ve always been the youngest so I’ve always been well taken care of. I learned a lot from my mom and my brother, and how they made me feel always so safe and comfortable. I wanted to do that as well if I was ever in a group. Being here, it’s the same thing since we last talked; I think because I’m a very empathetic person, I always feel what other people feel. I always try to make people comfortable and make sure everyone’s okay emotionally.

Savanna, J.Y. Park said he had doubts about your seriousness but you shared how you know nerves aren’t helpful. I loved your attitude and answer then. Is that a mindset you continue today?

Savanna: If I was to explain this more, being in gymnastics at a very young age led me to learn different techniques to not let my nerves get the best of me since, if I was in a nervous state, I would perform worse— especially on events where I had to balance on a four-inch beam. Although I was definitely nervous, I applied this learned technique of mine during the evaluations of A2K. I think I still have this mindset today as we do nervewracking activities but I try to calm the members down and let them know that we’ve worked our hardest up to this point and to try to relax, trust your practice, and give it your all.

Kendall, I remember you were super-focused on both your and the group’s growth during Boot Camp with many moments practicing on your own. How are you today with leaning on your members?

Kendall: I would say that the more time we spent together and the closer we became, the more I was able to rely on my members. As a person, I often tend to think to myself and enjoy spending time on my own, but it’s nice to have a support system with the other girls that I can always lean on.

J.Y. Park also said very honestly that he thought KG had a “solid style fixed in you” that couldn’t work in a group. But not only did you prove you could adapt, you’re in the group! How do you feel you’re evolving as an artist today?

KG: Yes, J.Y. Park was exactly right. I had a very fixed style and unique way of singing where I fell off my words, and that type of singing is not usually found in K-pop groups. I can sing many different styles, so removing what he didn’t like was not difficult for me but his advice made me a better singer and fit for this group so I really appreciate it. I think being an artist or performer means you’re always constantly evolving and, right now, I’ve evolved into the K-pop world.

Kaylee, you anticipated that you could be the “Moodmaker” of the group. Do you help set the group’s tone?

Kaylee: We all have different personalities and all of us are so fun to be around! So everyone has the potential to become a mood maker of the group.

A teenage boy was flown to the hospital after being stabbed while fighting with another student Thursday afternoon at North Miami Beach High School, police said. The incident, which school … Click to Continue »
A Miami man has pleaded guilty to operating an unlicensed money-transmitting business, a federal crime. He used the business to exchange digital currency with customers including a known drug trafficker … Click to Continue »