Tenacious D is feeling the wrath of Australia’s right-wing after Kyle Gass made an off-color joke at the expense of Donald Trump.

The comedy-rock duo of Gass and Hollywood star Jack Black are visiting Australia for the Spicy Meatball Tour, produced by Frontier Touring.

On Sunday (July 14), in footage widely shared on social media, the “Tribute” singers were on stage at the ICC Sydney, when Black and a “robot” presented Gass with birthday cake.

In the fan-filmed clips, Black can be heard saying, “Make a wish,” to which Gass responded, “Don’t miss Trump next time” as laughter filled the room.

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During Jack Black’s concert, his band makes a wish “Don’t miss Trump next time”#trending #jackblack #donaldtrump #trump2024 #maga

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Gass’ ill-advised comments were made just hours after an assassination attempt on Trump at his Butler, Pa. rally, where the GOP presidential nominee was struck in the ear and an audience member was killed.

Several Australian shock-jocks and right-wing politicians didn’t see the funny side of Gass’ comments, and, on Tuesday afternoon, reps for the concert promoter announced that the sold-out concert that night at Newcastle Entertainment Centre would be postponed.

Earlier, Senator Ralph Babet, a member of the right-wing United Australia Party, took to social media on Monday to demand that Tenacious D be deported for the quip. In a statement , Babet called on Australia’s immigration minister Andrew Giles to “revoke their visas.”

Babet wrote, “Anything less than a deportation is an endorsement of the shooting and the attempted assassination of Donald J. Trump.”

Controversial broadcaster blasted the pair during his Kyle and Jackie O show, and issued a life-long ban. “That’s some serious twisted s—,” he remarked. “I never want to speak to them again.”

Tenacious D’s forthcoming Australian tour dates include Brisbane Entertainment Centre (July 18), a sold-out show at Melbourne’s Rod Laver Arena (July 20) and a performance at Adelaide Entertainment Centre (July 22), with NZ dates to follow at Wellington’s TSB Arena (July 24) and Auckland’s Spark Arena.

“Frontier Touring regret to advise that Tenacious D’s concert tonight at Newcastle Entertainment Centre has been postponed,” reads a statement. “Ticket holders are asked to hold onto their tickets until further information is available.” A spokesperson tells Billboard there is no further comment.

In a stellar moment for music and space exploration, NASA has transmitted Missy Elliott’s iconic 1997 hit “The Rain (Supa Dupa Fly)” to Venus, marking the first time a hip-hop song has been beamed into deep space.

The historic transmission took place on Friday, July 12, from NASA’s Jet Propulsion Laboratory in California. Using the agency’s Deep Space Network, the song traveled an astronomical 158 million miles from Earth to Venus at the speed of light, taking approximately 14 minutes to reach its destination.

Elliott, clearly over the moon with this otherworldly honor, shared her excitement on social media: “YOOO this is crazy! We just went #OutOfThisWorld with NASA and sent the FIRST hip hop song into space through the Deep Space Network. My song ‘The Rain’ has officially been transmitted all the way to Venus, the planet that symbolizes strength, beauty, and empowerment. The sky is not the limit, it’s just the beginning 👽👽”

This cosmic milestone follows the Beatles’ “Across the Universe,” which became the first song NASA beamed into deep space in 2008.

Brittany Brown, Digital and Technology Division Director at NASA’s Office of Communications, who pitched the idea to Elliott’s team, noted the synergy between space exploration and the artist’s work: “Both space exploration and Missy Elliott’s art have been about pushing boundaries. Missy has a track record of infusing space-centric storytelling and futuristic visuals in her music videos, so the opportunity to collaborate on something out of this world is truly fitting.”

Produced by Timbaland, Missy Elliott’s “The Rain (Supa Dupa Fly)” from her debut album Supa Dupa Fly marked her emergence as a major player in hip-hop and R&B.

It debuted at No. 3 on the Billboard 200 with 129,000 copies sold in the first week released, becoming the highest debut for a female rapper at the time, and topped the R&B/Hip-Hop Albums chart. The track’s innovative production by Timbaland and its unique music video directed by Hype Williams left a lasting impact on the music industry, establishing Elliott as a creative force and setting the stage for her successful career.

WWE Chief Content Officer Paul “Triple H” Levesque announced on July 16 that chart-topping country artist Jelly Roll will provide the official theme songs for this year’s SummerSlam event.

The prestigious annual wrestling spectacle, scheduled for Aug. 3 in Cleveland, will showcase two of Jelly Roll’s tracks: “Dead End Road” from his album Twisters and his recent hit “Liar.”

Levesque’s social media announcement included a telling hint at a possible live performance. “Excited to have my friend Jelly Roll back with two official #SummerSlam theme songs: ‘Dead End Road’ off Twisters: The Album, and ‘Liar’ off his album coming this fall.”

He added, “btw, @JellyRoll615 – let me know if you’re free on Aug. 3 to play a few songs for the @WWEUniverse,” he tweeted, leaving fans speculating about an in-person appearance by the musician.

This isn’t Jelly Roll’s first interaction with WWE.

The Nashville native has made several surprise appearances at WWE events in his hometown, most memorably in November 2023, during which he got involved in a match between wrestlers Randy Orton and Dominik Mysterio by pushing Mysterio and JD McDonagh after they confronted him outside the ring.

“I just felt like I was backing my boy,” Jelly Roll said at the time.

It’s the latest addition to Jelly Roll’s ever-growing list of achievements, with the country superstar recently collaborating with Eminem on “Somebody Save Me,” which served as the closer on the rapper’s latest album, The Death of Slim Shady (Coup De Grâce).

Reflecting on working with the Rap God, Jelly Roll shared, “I always say my childhood heroes lived somewhere between Willie Nelson and Eminem.”

“As a teenager (and still today) I could recite every song on the Slim Shady album, the Marshall Mathers album and The Eminem Show. When I bonded out of jail at 17 years old and was sneaking into cyphers and battles in Nashville they would also play the ‘Lose Yourself’ beat when I came out on stage at the freestyle battles.”

“I related to every word Eminem wrote. I understand him and felt like he understood me, which was rare cause I spent most of my life feeling misunderstood.”

As the U.K. midweek singles charts heat up, Eminem is again set to perform some serious chart magic.

His single, “Houdini,” is on track to reclaim the No. 1 spot, thanks to the hype surrounding his new album The Death of Slim Shady (Coup de Grâce). The track previously held the top position for two weeks, marking Eminem’s longest stint at No. 1.

But that’s not all— Eminem is also set to land two more tracks in the U.K. Top 10 this week. “Habits” and “Renaissance,” both from his new album, are currently sitting at Nos. 8 and 10, respectively. The rapper is also set to secure his 11th U.K. No. 1 album with his latest album, according to the latest midweek album chart data.

Em’s previous charting singles in the U.K. include “The Real Slim Shady” (2000), “Stan” (2000), “Without Me” (2002), “Lose Yourself” (2002), “Just Lose It” (2004), “Like Toy Soldiers” (2005), “Smack That” with Akon (2006), “The Monster” with Rihanna (2013), “River” with Ed Sheeran (2017) and “Godzilla” with the late Juice WRLD (2020).

In other chart news, as England geared up to face Spain in the Euros final, the nation’s excitement was palpable. The enthusiasm has propelled David Baddiel, Frank Skinner, and The Lightning Seeds’ iconic football anthem “Three Lions” back up the chart.

“Three Lions” gets the boot 21-5 on the midweek chart, but, just like the England team, is unlikely to win on this occasion. The song, originally released in 1996 and known for its catchy chorus “It’s coming home,” has become a perennial favorite during football tournaments.

Ice Spice and Central Cee’s eye-catching collaboration “Did It First” is making a strong debut, entering the chart blast at No. 17.

With such intense competition, the race for the top spot is more exciting than ever. Will Eminem’s “Houdini” hold onto No. 1, or will Sabrina Carpenter’s “Espresso” reclaim the throne?

Sabrina Carpenter, who has been a strong contender with two tracks in the top four, continues to impress with her pop prowess and dedicated fan base. And how will the potential triumph of England’s football team affect the charts?

All will be revealed when the Official U.K. Singles Chart is published late Friday, July 19.

Eminem is on track to secure his 11th U.K. No. 1 album with The Death of Slim Shady (Coup de Grâce), according to the latest midweek charts.

The Detroit rapper is outselling his nearest rival more than three times over.

The album’s lead single, “Houdini” is set to perform another magic trick as it looks to reclaim the top spot on the Official Singles Chart for a third non-consecutive week.

Eminem’s illustrious career, spanning 25 years, has seen him amass ten U.K. No. 1 albums so far, including The Marshall Mathers LP (2000), The Eminem Show (2002), Encore (2004), Curtain Call: The Hits (2005), Relapse (2009), Recovery (2010), The Marshall Mathers LP 2 (2013), Revival (2017), Kamikaze (2018), and Music to Be Murdered By (2020).

In a fiercely competitive week, Glasgow, Scotland band Travis aims for their highest-charting album in 23 years with L.A. Times, currently sitting at No. 2. This could become their tenth Top 10 album in the U.K., following a string of successful releases since the late ’90s.

Newcomer Griff is also making strides with her second Top 10 album, Vertigo, which is tracking at No. 3. Meanwhile, Cat Burns is on the verge of her first Top 10 album with early twenties, currently at No. 4.

Cigarettes After Sex look like they’ll achieve a career-best with their new album X’s, expected to enter the charts at No. 5. This marks a major leap from their previous albums, Cigarettes After Sex (2017) and Cry (2019), which peaked at Nos 27 and 36, respectively.

John Lennon’s 1973 album Mind Games is enjoying a resurgence, aiming for a new peak at No. 10 following a multi-format reissue. The album originally peaked at No. 13 upon its release 51 years ago.

Clairo’s third studio album Charm is set to be her first Top 40 entry, currently tracking at No. 12. Similarly, Cassandra Jenkins’ My Light, My Destroyer is aiming for a Top 40 spot, coming in at No. 15.

Teddy Swims’ debut album I’ve Tried Everything But Therapy (Part 1) is making a comeback, jumping to 31-28, thanks to the success of his new single “Funeral.” OneRepublic’s latest release, Artificial Paradise, is also making its mark, aiming for a Top 40 position at No. 29.

Liverpool, England’s STONE is poised to debut on the Official Albums Chart with Fear Life for a Lifetime, currently at No. 38, marking an exciting milestone for the rock outfit.

More than a month after Min Hee-jin, CEO of HYBE subsidiary label ADOR, successfully avoided HYBE’s attempt to dismiss her from the job, another HYBE imprint has reportedly filed a lawsuit against the embattled executive and NewJeans executive producer.

On Monday (July 15), Korea JoongAng Daily reported that Source Music, the Korean label under the HYBE Labels umbrella that’s home to K-pop girl group LE SSERAFIM, has sued Min for 500 million Korean won (about $361,000), accusing her of defamation and disruption of business stemming from comments she made during two emotional press conferences she held in April — thereby damaging the LE SSERAFIM project.

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During those press conferences, Min claimed that her girl group project under Source, where she previously worked, was pushed aside by HYBE after the company decided to focus its efforts on LE SSERAFIM, which notably included two members of the hugely popular girl group IZ*ONE. According to Min, that change in focus led her to move away from Source and establish ADOR — a label operating under the HYBE Labels umbrella that Min previously told Billboard “started with guaranteed autonomy” — to house her project, which eventually became NewJeans.

During the press conferences, the ADOR CEO also shared what some considered disparaging remarks about several HYBE artists and Source Music’s talent casting — telling reporters that future NewJeans member Minji was the only Source trainee she wanted to recruit and that she cast the rest of the group members herself.

Source Music has not shared a statement on the reported lawsuit. Billboard has reached out to HYBE to verify the lawsuit and offer further details.

While LE SSERAFIM’s Coachella debut in April turned the girl group into a hot topic in Korean media over the pressure put on K-pop artists, Min’s subsequent remarks turned up the heat even more. The backlash to her critiques was so harsh that it led NewJeans and its five members to disable comments on their Instagram pages in late June.

The new lawsuit marks the second time a HYBE subsidiary has filed suit against Min. In May, BELIFT LAB sued Min for defamation and obstruction of business over her comments that BELIFT’s breakout girl group ILLIT had plagiarized NewJeans, stating that the label “copied all the formulas that we had with” the group.

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The new lawsuit reportedly filed by Source is just the latest development in a continually unfolding drama. On July 9, Min reportedly arrived at the Yongsan Police Station in Seoul for questioning after HYBE reported her to authorities for breach of trust. Continuing her proclivity to engage in direct media interactions (instead of putting out press releases and statements like HYBE), a smiling Min left the station after eight hours and, to the press gathered outside, called HYBE’s accusations “comedy.”

Amid the commotion, NewJeans has continued rolling out new music. In late June, the group released its first two singles aimed at the Japanese market: “Supernatural” (which peaked at No. 7 on the Billboard Japan Hot 100) and the B-side “Right Now” (which peaked at No. 47 on the same chart) before holding a fan meeting at the famous Tokyo Dome. Meanwhile, Source Music confirmed that LE SSERAFIM is set to drop new music at the end of August following the February release of its EP Easy, which peaked at No. 8 on the Billboard 200.

Zach Bryan’s The Great American Bar Scene soars to No. 1 on multiple Billboard charts dated July 20 following the set’s first full tracking week, including the nearly nine-month-old Top Streaming Albums tally, where it vaults to the top spot from No. 18.

The set was released on July 4, the final day of the tracking week reflected on July 13-dated Billboard charts, and arrived on multiple rankings from that first day of activity. The LP leads Top Streaming Albums with 127,500 streaming equivalent album (SEA) units earned in July 5-11 in the U.S., according to Luminate. That SEA sum equates to 163.9 million on-demand official streams generated by the album’s 19 tracks.

On the Billboard 200 (which blends SEA, album sales and track equivalent album [TEA] units), Bar bolts 17-2 – becoming Bryan’s fourth top 10 – while Taylor Swift continues to reign with The Tortured Poets Department. It’s the first time in four months that the two charts don’t share the same No. 1.

In addition to Bar’s rule on Top Streaming Albums, the collection commands Top Country Albums, Top Rock Albums, Top Rock & Alternative Albums and Americana/Folk Albums. It’s his third No. 1 each on the latter four rankings.

On the Billboard Hot 100 songs chart, Bar sees 17 of its songs dot the tally, led by “Pink Skies” at No. 12.

The Top Streaming Albums chart ranks the week’s most-streamed albums in the U.S. by streaming equivalent album (SEA) units. Each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. All July 20, 2024-dated charts will be posted in full on Billboard‘s website on July 16. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Summer is in full swing, and if you’re looking for cute bikinis or stylish one-piece swimsuits, look no further than these top 5 picks from Target. Whether you’re inspired by the fashion of Love Island USA, Season 6 or looking to add your own personal flair these swimsuits are sure to make you feel your best.

Dive into summer with swimwear that fits all sizes and budgets. With these top 5 swimsuits, you’ll be able to snag affordable finds and trendy pieces. From haltered scrunched backless one piece to fun bikini pieces, you can mix and match to your liking.

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Cupshe Plunge Halter Backless Runched One-Piece Swimsuit


If you are looking for a one-piece that will add some style variation, consider adding this Cupshe Plunge Halter Backless Runched swimsuit. With its v-neck and haltered tie in the back, you’ll be enjoying a beach day in style. You can get this one in a variety of different colors from light green to peacock blue.

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Cupshe Geo Print Scoop Neck One-Piece Swimsuit

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Anne Cole Easy Breezy Stripe Ring Strap Bandeau Swim Top

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This fun and playful Anne Cole Stripe Ring Strap Swim Top, is a great option to add if you are looking for an even more customizable option. It’s so versatile, you can pair them with the bikini bottoms of your choice, or purchase its matching ones. It features adjustable back shoulder straps and a back adjustable bust clap to secure and adjust it to your body.

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This Cupshe V-Neck Ruffle Tropical One-Piece swimsuit is giving Bachelorette meets Love Island USA. With its floral pattern, removable belt, and removable cups, you are free to style in whichever way you’d like.

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Wild Fable Shoulder Tie Underwire Bikini Top and High Leg Bikini Bottom


Change up your bikini style with this Wild Fable Shoulder Tie Underwire Bikini Top. This bikini top is another one you can mix and match. It features shoulder-tie bikini tops, soft and stretchy fabric with full lining, adjustable straps, and removable cups.

For more product recommendations, check out these Love-Island USA inspired swimwear, best crop tops for the summer, and stylish maxi dresses to add to your cart.

Camila Cabello and Shawn Mendes are seemingly back to spending time together.

The duo were spotted sitting together at the Copa América soccer final between Argentina and Colombia on Sunday (July 14), in a video captured by a fan and shared on X (formerly Twitter). In the clip, the duo are casually hanging out and chatting inside Hard Rock Stadium in Miami, Florida. However, neither Cabello nor Mendes have confirmed the status of their relationship.

After more than two years of dating, Shawmila announced in November 2021 that they’ve broken up, but will “continue to be best friends.” The pair shared a matching statement, signed “Camila and Shawn,” on their respective Instagram Stories.

“Hey guys, we’ve decided to end our romantic relationship but our love for one another as humans is stronger than ever,” the statement reads. “We started our relationship as best friends and will continue to be best friends. We so appreciate your support from the beginning and moving forward.”

Though they didn’t start dating until July 2019, the pair met in 2014 when Mendes and Cabello’s then-group Fifth Harmony both opened for Austin Mahone on tour. In 2015, they released “I Know What You Did Last Summer,” which hit the top 20 on the Billboard Hot 100. Their next duet, 2019’s “Señorita,” topped Hot 100.

The duo were seen seemingly rekindling their romance at Coachella in 2023, but after packing on the PDA at the festival and attending one of Taylor Swift’s Eras Tour shows together, the pair called it quits once again. Cabello opened up about getting back together with exes on a 2024 episode of Call Her Daddy.

“It’s crazy because I’m kind of impulsive in that way,” Cabello told host Alex Cooper, reflecting on why she got back together with Mendes in the first place. “If I feel it, I say it. I would rather say it and see what happens and then wake up the next day and find out that it’s been heavily documented. I opted for that route. It is what it is. It was a fun time; it was a fun moment.”

“I will always care about him and love him. He’s such a good person,” she continued. “I’m lucky ’cause some people have exes who are awful, and he is not. He’s a really kind, good person.”

Shakira officially made her Copa America debut during the final match’s halftime show on Sunday (July 14). In the midst of the Argentina vs. Colombia game, the Colombian global star took the Hard Rock Stadium by storm with a medley of old and new hits.

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Presented by Verizon, the superstar, dressed in a metallic silver skirt and halter top, kicked off the performance singing “Hips Don’t Lie.”

“Te Quiero, Colombia!” (I love you, Colombia), she chanted in the middle of the song. Accompanied by a group of dancers—female and robots alike—she continued with “Te Felicito,” “TQG,” and “Puntería,” where she also flaunted her flawless dancing skills.

On TV, the soccer field showcased large 3D wolves and floating gems, all representing her new era.

Shak has taken center stage at many renowned sports events including the World Cup, Davis Cup, NBA All-Star, and Super Bowl, but this marks her first performance at the oldest international soccer tournament.

“Shakira is an extraordinary South American star who has dazzled the entire world,” Alejandro Domínguez, president of CONMEBOL, previously said in a statement. “Her songs are sung and danced to in every corner of the planet, turning her art into a global phenomenon that crosses borders and is enjoyed by millions of people. We are sure that her performance at the Copa América USA 2024 will enhance the message of healthy passion and unity through sport.”

Ahead of her performance, fellow colleague Karol G performed Colombian’s national anthem, and Abel Pintos performed Argentina’s national anthem. Feid and Maluma were also amongst the other music stars present at the match.

In the United States, Copa América 2024 is broadcast in Spanish on Univision, TUND, and UniMás, and the match is available on FuboTV, DirecTV Stream and TUND’s streaming platforms. Plus, the halftime show can be seen on FOX, Fubo Sports, Fox Sports App, FOXsports.com, TyC Sports Internacional, and FOX Sports 1.