The federal judge overseeing Sean “Diddy” Combs’ racketeering and sex trafficking case has denied his request for a gag order against his victims and their lawyers, ruling the demand “unprecedented” and “unwarranted.”

Attorneys for the embattled rapper claimed last month that “inflammatory extrajudicial statements” from victims and their attorneys were hurting his chances of a fair trial, but Judge Arun Subramanian ruled Friday (Nov. 8) that such “an extreme remedy” would threaten free speech.

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“The court has an affirmative constitutional duty to ensure that Combs receives a fair trial,” the judge wrote. “But this essential … requirement must be balanced with the protections the First Amendment affords to those claiming to be Combs’s victims.”

“The unprecedented relief that Combs seeks on this motion is unwarranted,” the judge added.

Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But in September, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what they say was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” If convicted on all the charges, he faces a potential sentence of life in prison.

Last month, following the latest wave of civil abuse lawsuits against Combs, his lawyer asked Judge Subramanian to issue a sweeping gag order, claiming the lawyers behind the civil cases had made “shockingly prejudicial and false allegations” about him.

“Mr. Combs has a constitutional right to a fair trial, free from the influence of prejudicial statements in the press,” his attorney Marc Agnifilo wrote in the Oct. 20 motion. “These prospective witnesses and their lawyers have made numerous inflammatory extrajudicial statements aimed at assassinating Mr. Combs’s character in the press.”

But in Friday’s decision, Judge Subramanian ruled that the order Combs was seeking was “incredibly broad” and would have “sweeping First Amendment implications.”

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“Not all alleged victims will be participants in this case, and a blanket restriction on their speech will silence individuals who may never have anything to do with the proceedings here,” the judge wrote.

The judge said he had “already taken steps to limit what can be said publicly” about the case and was “open to other tailored proposals that will help ensure a fair trial.” He also said Combs could take specific actions in the various civil lawsuits he was facing if the lawyers in those cases misbehave. But he said he could not do anything close to what Combs was seeking.

“A gag order … is an extreme remedy to be issued only as a last resort,” the judge wrote. “What Combs seeks goes even further.”

Separately on Friday, Combs’ lawyers also renewed their request that he be released from jail on a $50 million bond while he awaits trial. That request has been repeatedly denied since Combs was arrested, but the new filing cited the fact that former Abercrombie & Fitch CEO Mike Jeffries — another high-profile defendant accused of sex trafficking in New York — was immediately released on a $10 million bond after he was arrested last month.

“The government recently successfully requested pretrial release for two similarly situated defendants, including a CEO accused of sex trafficking dozens of young men, including through witness intimidation,” Agnifilo wrote in the new motion. “The conditions of release requested in Jeffries pale in comparison to the conditions proposed by Mr. Combs here.”

Spotify rode a post-election wave of market enthusiasm to close above $400 for the first time on Friday (Nov. 8), valuing the music-streaming giant at nearly $80.5 billion. Before finishing at $400.68, up 4.1% for the week, the company’s stock reached an all-time high of $405.88. 

The Stockholm, Sweden-based company’s stock price has increased 113% in 2024 as the company overtook Universal Music Group (UMG) as the most valuable music company. When investors began to tire of high-growth streaming companies with little to show in profitability, Spotify underwent two major rounds of layoffs in 2023, helping reduce costs without sacrificing subscriber growth or revenue. With third-quarter earnings coming on Tuesday (Nov. 12), Spotify will show whether it has maintained that momentum. At least one analyst is optimistic ahead of earnings: Deutsche Bank raised its Spotify price target on Wednesday to $440 from $430.

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U.S. stock markets soared this week following the election of Donald Trump on Tuesday (Nov. 5) and the U.S. Federal Reserve’s decision on Thursday (Nov. 7) to lower interest rates by a quarter of a percentage point. On Friday, the Nasdaq composite closed at an all-time high of 19,286.78, up 5.7%. The S&P 500 gained 4.7% to close at a record high of 5,995.54. China’s Shanghai Composite Index rose 5.5% to 3,452.30. South Korea’s KOSPI composite index improved just 0.7% to 2,561.15. In the U.K., the FTSE 100 fell 1.3% to 8,072.39.

The 20-company Billboard Global Music Index gained 2.4% to an all-time high of 2,043.02, bringing its year-to-date gain to 33.2%. The index had 13 stocks in positive territory while six lost ground and one was unchanged. 

The week’s top music stock was iHeartMedia, which jumped 16.7% to $2.44 after the company announced it will restructure much of its retiring debt and plans to save $200 million in 2025 through cost cuts and the embrace of technology. “Technology is the key to increasing our operating leverage and is a constant focus for us,” CEO Bob Pittman said during an earnings call on Thursday. “It allows us to speed up processes, streamline legacy systems and it enables our folks to create more, better and faster.” iHeartMedia shares are down 8.6% year to date but have risen 180% since May 24. 

LiveOne gained 15.6% to $0.89 per share after the music streamer announced that revenue increased 14% to $32.6 million and paid members rose 27% to 645,000 in its fiscal second quarter ended Sept. 30. Reservoir Media was another top gainer, improving 9.1% to $9.00.

On the live front, Live Nation shares rose 5.1% to $123.02 following a post-election day boost. The concert promoter is currently facing a lawsuit from the U.S. Department of Justice but could find a better outcome from new appointments made by the Trump administration. The election wasn’t the only reason for the stock’s gains: Morgan Stanley upped its price target to $140 from $120 based on “a combination of strong underlying consumer demand and powerful artist incentives to tour,” analysts wrote in an investor note on Tuesday. Deutsche Bank also increased its Live Nation price target to $130 from $122.

K-pop stocks surged this week despite HYBE and SM Entertainment both reporting sharp drops in profit last quarter due partly to weaker recorded music revenues. HYBE shares jumped 6.4% after the company reported a 99% drop in net income. Likewise, SM Entertainment gained 7.2% the same week the company announced quarterly net profit fell 96% on a 9% revenue decline and a 36% drop in recorded music revenue. Investors may have gained optimism from SM Entertainment’s announcement it will launch a new girl group — its first since aespa debuted five years ago — in 2025 with a single and album release in the first quarter. 

JYP Entertainment, which has not yet announced quarterly earnings, shot up 12.6%, and YG Entertainment continued its hot streak, rising 6.3% and bringing its gain in the last three weeks to 17.6%. YG has received a boost from the success of “APT” by ROSÉ featuring Bruno Mars. The song is currently in its second week atop both the Billboard Global 200 and Billboard Global Excl. U.S. charts. 

Tencent Music Entertainment (TME) shares rose 2.4% to $11.39 ahead of the company’s third-quarter earnings on Tuesday (Nov. 12). Bernstein initiated coverage of TME with a $14 price target. Barclays initiated coverage with an “overweight” rating and a $16 price target. 

German concert promoter CTS Eventim was the worst-performing music stock of the week, dropping 10.4% to 87.70 euros ($94.05). The company will release third-quarter results on Nov. 21. Elsewhere, Cumulus Media dropped 6.4% to $0.88, adding to the prior week’s 19% decline, while SiriusXM dropped 5.5% to $26.13. 

Market, Billboard Global Music Index
Market, Billboard Global Music Index
Market, Billboard Global Music Index

Sabrina Carpenter earned her first-ever Grammy nominations — six, actually — when the Recording Academy announced their picks for the 2025 ceremony on Friday morning (Nov. 8).

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The “Please Please Please” singer took to Instagram to celebrate, sharing a series of videos of herself on her tour bus with her team finding out about the good news. A standout moment is when Carpenter found out she got a best new artist nod, despite having six studio albums and two EPs stretching back to 2014 under her belt.

“I don’t know how that’s possible. I’m the best old artist. S—, I’ve been here,” Carpenter joked in the clip.

“us on the tour bus this morning take a shot every time we scream like fr headphone warning,” she captioned the post. “this is the first year I’ve watched the live stream where i heard my name! I’d be lying if i said i hadn’t dreamt about this day my whole life so i am filled with gratitude- Thank you @recordingacademy :’))”

See Carpenter’s post here.

In addition to best new artist, Carpenter’s Short n’ Sweet is up for album of the year and best pop vocal album, while the album’s lead single “Espresso” is nominated for record of the year and best pop solo performance, while “Please Please Please” is up for song of the year.

Even though Beyoncé made history when the 2025 Grammy nominations were announced on Friday (Nov. 8), she turned the spotlight to another “queen” — Linda Martell.

Martell is nominated for best melodic rap performance alongside her and Shaboozey with “Spaghetti” from Beyoncé’s eighth studio album Cowboy Carter. Outside of “Spaghetti,” the pioneering country artist delivered another spoken-word segment on “The Linda Martell Show” from the same album. “Congratulations to my queen Linda Martell on your nomination and your contribution to Country Music,” Queen Bey wrote on Instagram while sharing an old picture of the singer.

Martell told Billboard in May that she was “very, very glad” to be featured on Cowboy Carter and added that she appreciated the attention Beyoncé had brought to her music.

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Beyoncé earned 11 nominations for the 67th annual Grammys, making her the most nominated artist in the show’s history – breaking out of a tie with her husband Jay-Z. She’s up for record and song of the year and best country song with her two-week Billboard Hot 100 No. 1 “Texas Hold ‘Em,” album of the year and best country album with Cowboy Carter, best pop solo performance with “Bodyguard,” best pop duo/group performance with “Levii’s Jeans” (featuring Post Malone), best melodic rap performance with “Spaghetti” (featuring Martell and Shaboozey), best country solo performance with “16 Carriages,” best country duo/group performance with “II Most Wanted” (featuring Miley Cyrus), and best Americana performance with “Ya Ya.”

She now has a total 99 nominations, and Billboard broke down all of them here. In 2023, when she took home four trophies, she made history for becoming the most-decorated artist with 32 Grammys, beating the late classical conductor Sir Georg Solti who previously held the record with 31 Grammys.

See Beyoncé’s celebratory post below.

Coldplay, Morgan Wallen, Noah Kahan, Olivia Rodrigo, Taylor Swift and Zach Bryan are vying for major tour of the year at the 2025 Pollstar Awards.

This marks a fairly young roster of nominees in the top category. Rodrigo, Kahan and Bryan are in their 20s, Wallen and Swift are in their 30s and the members of Coldplay are in their mid-40s. The relative youth of these headliners, and the range of genres they represent — encompassing pop, rock and country — is considered a healthy sign for the touring industry.

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The Pollstar Awards recognize the most innovative and successful artists, tours, companies, venues and executives in the touring industry. Winners will be announced on Feb. 19 at the awards ceremony, which is slated to be held at the Beverly Hilton Hotel in Beverly Hills, Calif.

Impressively, Chappell Roan and Gracie Abrams are nominated for both support/special guest of the year and new headliner of the year, a sign of their fast climbs to headliner status. Roan is nominated for support/special guest of the year for opening for Rodrigo, while brams is nominated in the support category for opening for Swift.

The other nominees for new headliner of the year are Charli XCX, Fred again.., Sabrina Carpenter and Sleep Token, a rock band from London. Thus, four of the six nominees for new headliner of the year are women.

Elsewhere, three of the six nominees for residency of the year were held at The Sphere in Las Vegas: Dead & Company, Eagles and U2.

“Once again, this year’s nominees represent the best of the best, showcasing the incredible talent, innovation, and hard work that drives our industry,” said Ray Waddell, chief content director of OVG Media & Conferences, which produces Pollstar Live!, Production Live!, and the Pollstar Awards.

A new honor this year is the Maxie Solters Award – Touring Publicist of the Year, recognizing the highest achievement for a public relations executive in the live touring industry. The award was named in tribute to the widely-respected Scoop Marketing publicist, who died on Aug. 15 at age 37.

Nominations were submitted by the Pollstar Awards nominating committee, which is comprised of agents, promoters, managers, producers, production professionals, venue representatives, Pollstar Boxoffice reporters and other touring professionals.

Pollstar subscribers can vote by logging into Pollstar.com to access their ballot. Voting is open now through December 6 at 5 p.m. PT. In addition to subscriber votes, data reporting and ticket sales will be weighted elements in the final results in some categories. 

The Pollstar Awards ceremony is a highlight of the three-day Pollstar Live! conference, which is set to take place Feb. 18-20 at the Beverly Hilton. Registration is now open. Go to Pollstar.live to register and for the latest announcements about keynote speakers, panelists, session topics and more.

Here are the 36th Annual Pollstar Awards nominees in selected categories. View all the nominees at news.pollstar.com.

Major tour of the year

Coldplay, Music of the Spheres World Tour

Morgan Wallen, One Night at a Time 2024

Noah Kahan, We’ll All Be Here Forever Tour

Olivia Rodrigo, Guts World Tour

Taylor Swift, The Eras Tour

Zach Bryan, The Quittin Time Tour

Rock tour of the year

Blink-182, The More Time Tour

Bruce Springsteen and the E Street Band, 2024 World Tour

Coldplay, Music of the Spheres World Tour

Foo Fighters, Everything or Nothing at All Tour

Green Day, The Saviors Tour

Metallica, M72 World Tour

Hip-Hop tour of the year

$uicideboy$, Grey Day Tour 2024

Drake, It’s All A Blur Tour

Megan Thee Stallion, Hot Girl Summer Tour

Missy Elliott, Out of This World – The Missy Elliott Experience

Nicki Minaj, Pink Friday 2 World Tour

Travis Scott, The Circus Maximus Tour

R&B tour of the year

Janet Jackson, Janet Jackson: Together Again

Jhené Aiko, The Magic Hour Tour

Kehlani, The Crash World Tour

Maxwell, The Serenade Tour

Usher, Usher: Past Present Future Tour

XSCAPE & SWV, The Queens of R&B Tour

Pop tour of the year

Billie Eilish, Hit Me Hard and Soft: The Tour

Charli XCX & Troye Sivan, Charli XCX & Troye Sivan Present: Sweat

Justin Timberlake, The Forget Tomorrow World Tour

Olivia Rodrigo, Guts World Tour

P!nk, Summer Carnival 2024

Taylor Swift, The Eras Tour

Country tour of the year

Chris Stapleton, All-American Road Show

Jelly Roll, The Beautifully Broken Tour

Kenny Chesney, Sun Goes Down 2024 Tour

Lainey Wilson, Country’s Cool Again Tour

Morgan Wallen, One Night at a Time 2024

Tyler Childers, Mule Pull ‘24 Tour

Zach Bryan, The Quittin’ Time Tour.

Latin tour of the year

Bad Bunny, Most Wanted Tour

Carin León, Boca Chueca Tour 2024

Fuerza Regida, Pero No Te Enamores Tour 2024

Karol G, Mañana Será Bonito Tour

Luis Miguel, Luis Miguel Tour 2023-24

Peso Pluma, Éxodo Tour 2024

Comedy tour of the year

Gabriel Iglesias, Don’t Worry Be Fluffy Tour

Jim Gaffigan,  Barely Alive Tour

Matt Rife, ProbleMATTic World Tour

Nate Bargatze, The Be Funny Tour

Nikki Glaser, Alive and Unwell Tour

Sebastian Maniscalco, It Ain’t Right

Residency of the year

Adele at The Colosseum at Caesars Palace/Neue Messe München

Billy Joel at Madison Square Garden

Dead & Company at The Sphere

Eagles at The Sphere

Jason Isbell and the 400 Unit at Ryman Auditorium

U2 at The Sphere

Support/special guest of the year

Chappell Roan for Olivia Rodrigo

Ciara/Timbaland for Missy Elliott

Gracie Abrams for Taylor Swift

Paramore for Taylor Swift

The Smashing Pumpkins for Green Day

Zac Brown Band for Kenny Chesney

New headliner of the year

Chappell Roan

Charli XCX

Fred again..

Gracie Abrams

Sabrina Carpenter

Sleep Token

Country star Zach Bryan is now at the center of serious allegations from his former girlfriend, podcast host and internet personality Brianna “Chickenfry” LaPaglia.

In a Nov. 8 episode of the BFFs Podcast LaPaglia co-hosts with Dave Portnoy and Josh Richards, she made a series of bombshell claims, including accusing Bryan of “emotional abuse” during their relationship and claiming she was offered $12 million and a New York apartment to sign a non-disclosure agreement (NDA), which she refused.

“The last year of my life has been like the hardest year of my life dealing with the abuse from this dude,” LaPaglia said on the podcast episode. “I’m still scared right now because I’m scared of him. My brain’s rewired, and I’m scared to make him mad.”

LaPaglia described a tumultuous relationship marked by fear and control. “There was always another excuse as to why he was treating me so poorly and why I’m crying myself to sleep every night, why he’s screaming at me,” she recounted. “And then you wake up, it’s the apology, it’s the ‘I’m going to be better, I need you in my life.’”

She alleged that Bryan made his previous girlfriends sign NDAs to prevent them from discussing their experiences publicly. “He made the women before me believe that they had no other choice than to take money from you, sign their experiences away, sign what they went through away,” she claimed.

According to LaPaglia, after their breakup, she was approached by Bryan’s team with a significant financial offer in exchange for her silence.

“I was offered a lot of money, like a big lump sum of money and a few options,” she explained. “Basically, I would have gotten the money over the course of three years. I would have had to sign all of my experiences, everything that I am, away to this person. They would have been monitoring everything that I do.”

She firmly rejected the offer, stating, “I did not accept any money. I will not accept any money. I think that’s beneath me. I don’t think you can pay people off that you hurt for them to protect you. I think that in itself, offering millions of dollars to this apparent beautiful relationship to keep it a secret, speaks volumes.”

LaPaglia explained her desire to support others who may be facing similar situations. “This isn’t about drama for me,” she said. “This is for anyone else that’s been emotionally abused and for people right now being emotionally abused. It’s for people that don’t have a support system that I luckily had going through this.”

She recounted specific incidents during their relationship, including one at the Golden Globes. LaPaglia claimed Bryan “ruined” her experience because he disapproved of her dress. “That was f—– crazy. That was the first time he had really tried to control what I wore and what I posted,” she recalled. “So I went to the Golden Globes and I posted like a carousel of pictures, and he didn’t like my dress.”

“He said he didn’t want to date someone that presents themselves that way. And he unfollowed me, he unfollowed everyone, and I… when I flew home — I flew home after the Golden Globes. He ruined my night,” continued LaPaglia.

“Everything good, anything good I did for me, he made sure to ruin it for me. He ruined my birthday, he ruined my tour, he ruined the Golden Globes. Anything Brianna did for Brianna, he had to ruin it.”

LaPaglia also described an alleged incident on her birthday, where Bryan reportedly berated her friends after she had gone to bed. “I look outside and I have my aunt trying to control Zach — there’s a recording of all of this that can never be out — basically Zach stood up at the fire and he just starts screaming at my friends.”

“He stood up at the fire and just starts screaming at my friends, ‘You’re not going to be anything, you’re a [expletive] loser.’ Just the most horrible [expletive],” she explained, adding that Bryan smashed glass. “It was just crazy, completely out of nowhere, and I’m like, ‘What the [expletive]?’ But when Zach gets in that zone, there’s no containing it.”

In another instance, LaPaglia claimed Bryan had smashed her phone, saying to her co-hosts, “Oh, Look at my phone, it’s smashed from him, he’s always smashed my phone,” adding that he “will whip it at a wall.”

She also alleged that Bryan attempted to control her professional life. “He offered to double what [Barstool Sports] offered me so that I would quit,” she said. “He just didn’t want me to do it and he always made it—he twisted it in my head where he would make me be like, ‘You’re better than this, you’re better than Barstool, you’re destined for so much more.’”

LaPaglia shared that she felt isolated and lost during the relationship, which was made public in July 2023. They dated for over a year before he confirmed their split in October.

“I lost myself throughout this whole relationship,” she admitted. “I don’t even recognize myself anymore. I lost 15 pounds I didn’t have to lose in the relationship. I didn’t sleep. I was completely isolated from my family, from my friends, from work.”

Billboard has reached out to Zach Bryan’s representatives for comment but has not received a response as of publication.

It comes after co-hosts Dave Portnoy and Josh Richards released a diss track aimed at Zach Bryan. The track, which mocked Bryan and referenced the allegations, reportedly faced multiple takedown attempts.

“We knew it was a hit the second we laid it down,” Richards said on the podcast. Portnoy added, “We got crybaby Bryan and the spineless PR team running around deleting [expletive] off the internet, and guess what, it’s still getting millions of views.”

Portnoy claimed that Bryan’s team attempted to suppress the diss track through legal means. “They’re trying to squeeze Bri because of Josh and me,” he said. “We have nothing to do with it. Either pay her or shut the [expletive] up. I’m losing patience.”

The diss track was eventually removed from several platforms, allegedly due to takedown requests from Bryan’s team. “Their crisis management—why he cares so much—is, I guess, what we’ll get into now,” Portnoy commented.

LaPaglia expressed that sharing her story was important not just for herself but for others in similar situations: “That’s why I didn’t take the money. The message I want to put out there is that so many people go through this, feeling trapped or thinking they’ll never be able to leave.”

She added later, “I hope people can understand what I went through this past year and see why I lost myself and wasn’t who I was before him. But I’m back now, and I’m so happy to just be myself again. No more dictatorship here.”

Just a day before the allegations emerged, Bryan shared his latest single, “This World’s a Giant,” with a a candid Instagram post, where he revealed his plans to pause touring to pursue a master’s degree in Paris.

“After not being home for a year and a half, I drove out to my mother’s gravestone in the dead of night… and I came to realize just like in the past, that she never would call me again,” he wrote, sharing a series of images of his late mother, Annette, and his bandmates.

Bryan continued, “I told her I quit touring because I got accepted to get my masters in Paris next year… I told her about all my best friends in New York and all the nights we howled with the moon… [and] about making it on The Rolling Stone.”

He expressed gratitude to fans, adding, “Thank you guys for listening to ‘This World’s a Giant’ last night, and thank you to all the people who love me; who have truly carried the weight with me… I’m home now and I’ll hold you through the pain.”

You can watch the full episode here.

The holiday duo we didn’t know we needed! Former Phildelphia Eagles center Jason Kelce teamed up with the legendary Stevie Nicks for a cover of Ron Sexsmith’s “Maybe This Christmas,” released on Friday (Nov. 8) via Vera Y Records.

“Maybe forgiveness will ask us to call, someone we love, someone we’ve lost for reasons we can’t quite recall, maybe this Christmas,” they sing on the Americana-tinged duet about the hope to reconnect with a loved one over the holiday season.

The song follows the previously released collaboration with Jason, Travis Kelce and Boyz II Men, “It’s Christmastime (In Cleveland Heights).” Both songs will appear on A Philly Special Christmas Party, the third charitable album from The Philly Specials, a.k.a Jason Kelce, the Philadelphia Eagles’ offensive tackles Lane Johnson and Jordan Mailata. Last year’s A Philly Special Christmas Special raised over $3 million and featured singles “This Christmas,” “All I Want for Christmas is You,” “Fairytale of Philadelphia” and “Pretty Paper.”

Proceeds from the vinyl sales will go to support Children’s Crisis Treatment Center’s Holiday Toy Drive, Children’s Hospital of Philadelphia’s Snowflake Station and 87 and Running Foundation, plus a number of other Philadelphia based organizations.

A Philly Special Christmas Party is set for release on Nov. 22. Listen to Jason and Nicks’ “Maybe This Christmas” below.

Charlie Puth is in the festive mood, and to celebrate, he dropped a new holiday song, “December 25th,” on Thursday (Nov. 7).

“December 25th is the day I always miss you the most/ ‘Cause the music and the lights, it reminds me of a night/ That you told me you had to go/ December 25th is the day that always hits me the most/ Still got no goodbye/ So I’d rather stay inside/ Spending Christmas here alone,” he sings on the melancholy, 80s-inspired track.

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“I wrote and recorded December 25 completely on a whim a few weeks ago in my studio while working on my new album,” the Grammy-nominated artist shared in a press statement, “and though it sounds absolutely nothing like anything on the album, I figured why not share it for the holidays. So here you go.”  

Despite the heartbreaking song, Puth has a lot of joy in his life this holiday season — and he’s certainly not spending it alone. The 32-year-old star tied the knot with Brooke Sansone on Sept. 7 at Puth’s family home in Montecito, Calif.. The couple have been dating since June 2022, though they both grew up in New Jersey — a fact they paid tribute to by using Bruce Springsteen’s “Jersey Girl” as their first-dance song, according to Vogue. After a year and three months together, Puth flew from Los Angeles to New York City and proposed to Sansone at 11:11 p.m. on Sept. 5, 2023.

Listen to Charlie Puth’s “December 25th” below.

More than two years since Mariah Carey was hit with legal action for allegedly stealing her perennial holiday hit “All I Want for Christmas Is You”, a California judge has said she feels “inclined” to grant Carey’s request for the motion to be dismissed.

The legal saga dates back to the summer of 2022, when Mississippi artist Vince Vance (real name Andy Stone) filed a copyright lawsuit, claiming that Carey’s seasonal blockbuster infringed upon his 1989 song of the same name. Vance sought $20m from the lawsuit but ultimately dropped the case that November.

One year later, in November 2023, the lawsuit was refiled with the same basic accusations, though with greater detail added, and the addition of co-plaintiff Troy Powers, who claims to have co-written the earlier song.

 “Carey has without licensing, palmed off these works with her incredulous origin story, as if those works were her own,” Vance’s lawyers wrote in the complaint. “Her hubris knowing no bounds, even her co-credited songwriter doesn’t believe the story she has spun. This is simply a case of actionable infringement.”

The new lawsuit went into further details about the similarities, noting “unique linguistic structure” and specific musical elements, and claiming it’s a “greater than 50% clone of Vance’s original work”.

This past August, Carey’s legal team requested the lawsuit be dropped, noting that Vance’s claims fail the Ninth Circuit Court of Appeal’s “extrinsic test for substantial similarity in protectable expression” — essentially arguing that any similarities between the two songs are coincidental. 

Now, as Rolling Stone reports, U.S. District Court Judge Mónica Ramírez Almadani says she’s “inclined” to grant that request. Furthermore, Almadani has stated she is “seriously considering” granting a related motion filed by Carey’s team requesting sanctions against the plaintiffs for what is alleged to be a “frivolous” filing.

In his argument, Gerald P. Fox, the lawyer for the plaintiffs, noted it is “not required” they show the song is “identical” or “virtual plagiarism”, but rather that only “a certain arrangement of notes has to be unique, or the melody, or any aspect of the composition that’s copied or similar”.

Carey’s lawyer, Peter Anderson, argued that the similarities that have been identified by musicologists hired by the plaintiffs amount to phrases such as “Santa Claus” and “mistletoe” – lyrics which Carey’s team have claimed are public domain.

“These are random similarities. Five or so Christmas tropes that make these Christmas songs,” Anderson claimed. “Importantly, there are eight or nine other Christmas tropes in their work that don’t appear in ours. And eight or nine in ours that don’t appear in theirs.”

Judge Almadani has not yet issued a ruling on the case, and has not indicated when a ruling is expected.First released in October 1994 as the first single from Carey’s Merry Christmas album, “All I Want for Christmas is You” is one of the most popular holiday songs in history. For the past four years, it has re-charted at No. 1 on the Billboard Hot 100 during the holiday season.

Andrea Bocelli lands his 12th top 10-charting effort on Billboard’s Top Album Sales chart (dated Nov. 9) with his new compilation, Duets: 30th Anniversary. The star-studded set — which includes previously released collaborations as well as newly-recorded pairings — enters the chart at No. 6 with 20,000 copies sold in the United States in the week ending Oct. 31, according to Luminate.

Duets: 30th Anniversary also debuts atop Billboard’s overall Classical Albums chart and Classical Crossover Albums chart. It marks his 22nd and 16th leaders on the lists, respectively, extending his record for the most No. 1s in each chart’s history. On the Billboard 200, the new Duets set enters at No. 24, landing Bocelli his 21st top 40-charting set on the all-genre ranking.

The project, which celebrates Bocelli’s 30th anniversary in music, includes new performances with the likes of Chris Stapleton, Gwen Stefani and Shania Twain, alongside previously released duets with Sarah Brightman, Céline Dion, Ed Sheeran and many others.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

The Classical Albums chart ranks the most popular classical albums of the week, ranked by equivalent album units. The Classical Crossover Albums chart ranks the top-selling classical crossover titles of the week.

The rest of the top 10 on the latest Top Album Sales chart is filled with debuts and re-entries – only one title is a holdover from the previous week.

Tyler, the Creator’s CHROMAKOPIA bows at No. 1 with 142,000 copies sold (his best sales week ever and third No. 1) while Halsey’s The Great Impersonator debuts at No. 2 with 81,000. Both albums’ sales were bolstered by an array of boxed sets and variants in their first week of availability.

Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters at No. 3 on Top Album Sales with 37,000 sold (up 1,954%) following its release on vinyl and cassette. Kelsea Ballerini’s Patterns opens at No. 4 with 35,000 sold (her second-largest sales week), aided by multiple physical and digital variants (including a signed CD and a signed vinyl).

Grateful Dead’s latest live archival project, Dave’s Picks, Volume 52: The Downs at Sante Fe, Santa Fe, NM – 9/11/83, bows at No. 5 with 20,000 sold. SEVENTEEN’s chart-topping SPILL THE FEELS falls 1-7 in its second week (18,000; down 72%).

iTZY lands its sixth top 10-charting set on Top Album Sales as GOLD debuts at No. 8 with 14,000 sold. The album’s sales were supported by its availability across 11 collectible CD variants, each containing collectible paper ephemera. Aespa’s Whiplash starts at No. 9 with nearly 14,000 sold, marking the sixth top 10 for the act. Whiplash was issued in five different CD variants.

Rounding out the top 10 of the new Top Album Sales chart is Green Day’s chart-topping American Idiot, which re-enters at No. 10 with nearly 13,000 sold (up 1,989%). The album was first released in 2004, and was reissued on Oct. 25 for its 20th anniversary in an array of deluxe editions, some containing a wealth of bonus tracks. American Idiot spent three nonconsecutive weeks at No. 1 in 2004-05.