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Thousands of soccer fans are eagerly waiting the Copa América 2024 kick-off. For the second time in history, the event dubbed “The World’s Oldest Continental Tournament” will take place in the United States.

On Thursday (June 20), the 71,000-seat Mercedes-Benz Stadium in Atlanta will witness the inauguration of Copa América 2024, marking the start of an exciting month of soccer. The opening ceremony will begin one hour before the first match, scheduled for 8 p.m. ET, where the Argentina national team, champions of Copa América 2021, will face Canada.

The men’s soccer tournament, hosted by the South American Football Confederation (Conmebol), will be played in 14 venues across the U.S., including cities such as Las Vegas, Kansas City and Los Angeles. The 32-game competition will culminate on July 14 at Hard Rock Stadium in Miami Gardens, Florida, where the top two teams will face off for the championship title in its 48th edition.

This year, the tournament adopted a new format with the participation of 16 teams, instead of the usual 12, which will compete for the title of champion of Copa América 2024. Among them, 10 teams represent the Conmebol and six represent the northern confederation, Central American and Caribbean Association Football (Concacaf).

For the complete tournament schedule, click here.

Here’s how to watch Copa America 2024.

In the United States:

Copa América 2024 will be available in Spanish in the United States on Univision, TUDN and UniMás. It will also be available on FuboTV and TUDN streaming services.

In Latin America:

In Mexico, Televisa, Canal 5 and Azteca 7 television channels will broadcast the matches. They will also be available through TUDN on a paid basis and the streaming application VIX for free.

In Colombia, the matches will be broadcast free of charge on Caracol and RCN channels. They will also be available through DIRECTV’s paid signal.

In Argentina, they will be available for free on TV Pública, Telefe, TyC Sports. In addition, DIRECTV will have the games for a monthly subscription.

In Spain:

The 3Cat platform will have all 32 matches free of charge. They will also be available in their entirety on the Movistar+ subscription service, as well as through TV3 and Esport3.

Bon Jovi’s new studio album Forever enters at No. 1 on Billboard’s Top Album Sales chart (dated June 22), with 50,000 copies sold in the U.S. in the week ending June 13, according to Luminate. Of that sum, vinyl sales accounted for 9,000 copies – the band’s biggest week on vinyl since Luminate began tracking sales in 1991.

Also in the top 10 of the new Top Album Sales chart, the latest albums from Charli XCX, Meghan Trainor and NxWorries debut.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new June 22, 2024-dated chart will be posted in full on Billboard‘s website on June 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Since the Top Album Sales chart launched in 1991, Bon Jovi has placed 20 titles on the ranking, with five of them hitting No. 1. The band’s overall Billboard chart history pre-dates 1991, having first reached a Billboard chart in 1984.

Forever’s first-week sales were supported by its availability across 11 vinyl variants (mostly color variants; three had collectible paper ephemera contained inside, one of which was a signed edition), four CD editions (a standard set, two with alternative cover art, and one that was signed), a cassette tape, a standard digital download album, and a deluxe digital download edition with two bonus tracks that was sold via the band’s official webstore starting June 8.

At No. 2 on Top Album Sales, Charli XCX’s new Brat bows with 45,000 copies sold – the singer-songwriter’s largest sales week yet.

The album’s first-week sales were supported by its availability across 14 vinyl variants (mostly color variants, two were issued in deluxe editions containing collectible paper ephemera, one of which also housed a bonus 7-inch vinyl), which added up to 34,000 copies sold on vinyl – Charli XCX’s biggest week on vinyl. The set was also issued as a standard CD, a signed CD and as a deluxe boxed set containing a branded T-shirt and a CD. On June 10, the album was reissued as a deluxe digital download and streaming album with three bonus tracks.

ATEEZ’s chart-topping Golden Hour: Part.1 falls 1-3 in its second week on Top Album Sales (43,000; down 66%), Taylor Swift’s former No. 1 The Tortured Poets Department dips 2-4 (23,000; down 13%) and Billie Eilish’s Hit Me Hard and Soft slips 3-5 (20,000; down 18%).

Meghan Trainor collects her largest sales week since 2016, as Timeless starts at No. 6 with 15,000 sold. Of that sum, 4,000 were on vinyl – Trainor’s best week on vinyl ever. The album’s overall sales were supported by 11 vinyl variants (including a signed edition), five CD variants (including two signed editions, and a Target-exclusive with a bonus track), a standard digital download album, a deluxe edition with a bonus track, and two further deluxe versions (one containing bonus “sped up” mixes, and one containing bonus “slowed down” mixes).

Superduo NxWorries (comprising Anderson .Paak and Knxwledge) sees its new album Why Lawd? debut at No. 7 with 11,000 sold (its best sales week ever) – exclusively from sales of its physical configurations. It was released on June 7 on CD, vinyl and cassette, and then reached digital retail and streaming services a week later on June 14. The album was initially available across five vinyl variants, one CD and one cassette tape. Vinyl sales accounted for 9,000 of Why Lawd?’s first-week – the act’s best week on vinyl.

Rounding out the top 10 on the new Top Album Sales chart: Chappell Roan’s The Rise and Fall of a Midwest Princess rallies 17-8 with 8,000 sold (the album’s best week, up 87% — the rise follows her buzzy performance at the Governor’s Ball), Twenty One Pilots’ former leader Clancy falls 5-9 (nearly 8,000; down 32%) and The Marias’ Submarine slips 4-10 (7,000; down 58%).

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

TikTok has become more than just a destination for watching funny videos and discovering the latest fashion trends — the social media platform also knows how to spot beauty products that deliver luxury results for a wallet-friendly price. The latest makeup tool to capture TikTokers’ attention is Milani’s Color Fetish Lip Stain, which has been deemed a “holy grail” for long-lasting color and hydration.

Some of the standout qualities that go beyond its $10 price tag include its wide range of colors and its use of plant-derived squalene and hyaluronic acid, which help deliver moisture and nourishment naturally. TikToker Vianney Strick has also gained more than 55,000 views for a review on the Color Fetish Lip Stain in the shade Mauve Mentality, describing its uses and benefits.

“It’s so glossy, looks stunning on its own or as a lip combo,” Strick says in the video. “Also, something super important: it looks wearable. It’s not bright pink or purple, it’s a beautiful shade.”

@vianneystrick

✨NEW DRUGSTORE LIP STAIN✨ ​this is the new Milani Cosmetics Color Fetish Hydrating Lip Stain! I have the shade “Mauve Mentality.” I love a lip stain but I hate when it’s drying. I was super excited to try a drugstore lip stain and it did not disappoint! ​(For the lip liner I used the Tower 28 lip liner in “work of art”) ​💓description & claims: ​Lip color goes low maintenance with Milani’s Color Fetish Hydrating Lip Stain. Buildable, glossy color transforms into a semi-matte stain. Lightweight formula cushions lips with Hyaluronic Acid & Squalane for up to 8HRS of hydration, comfort & wear.* $13.99 USD ​💓my opinion: ​I love everything about it! The color range is beautiful! I love the precise applicator for lining the lips. It’s super pretty and glossy and not goopy. Leaves a pretty stain behind and it doesn’t dry my lips out. Definitely a new drugstore favorite! @Milani @Ulta Beauty ​#milanilipstain #drugstorelipstain #lipstain #lipcombo #newdrugstoremakeup #makeupreview #milanicolourfestish ​

♬ original sound – Vianney Strick

To help further prove its longevity, one TikTok influencer wore the lip stain on an 11-mile run while training for a half marathon and gave a first-hand review. Target has also labeled the lip product one of its most viral products seconding the “luxury results for less” point that reviewers have been talking up.

Keep reading to shop Milani’s Color Fetish Lip Stain below.

How Long Does Lip Tint Stain Last?

This will depend on your wants and needs, as different brands’ lip stains won’t last the same amount of time. Milani’s Color Fetch Lip Stain starts off glossy, but with a lifespan of eight hours (according to the official description) the formula will eventually turn into a semi-matte stain.

Does Lip Stain Rub Off?

The goal of a quality lip stain is to eventually dry into a semi-permanent stain that’ll provide your lips with some color for a period of time. Milani’s version starts off glossy, which you can easily wipe off, but as it dries, it’ll leave behind a colored stain on your lips that’ll last all night.

For more product recommendations, check out ShopBillboard‘s roundups of the best makeup dupes, setting spray and freckle pens.

From Shaboozey‘s runaway breakout hit “A Bar Song” to Sabrina Carpenter‘s drawl-inflected “Please Please Please” and Post Malone and Morgan Wallen‘s Billboard Hot 100-topping “I Had Some Help,” country music is back on top. Of course, a major player in this moment, specifically in the platforming of Black country artists in this moment, is Beyoncé.

At the top of the year she unleashed her Billboard 200-topping Cowboy Carter, the second act of her still-unfurling trilogy, featuring a slew of rising Black country stars, including Reyna Roberts, who is a credited artist on “Blackbiird” and harmonizes in the background on “Tyrant.”

“From the very moment I heard my voice on [“Tyrant”], I couldn’t believe it,” Roberts gushed to Billboard backstage after her performance at Blavity House Party on Saturday (June 15). “I’m still so thankful that Beyoncé brought us onto a project and made us a little part of her legacy because people here weren’t doing that, but she did.”

Despite Black artists being foundational to the creation of what is now recognized as country music, the genre’s roots have been whitewashed and obfuscated by those who wanted to erase the contributions of key players such as Leslie Riddle, Rufus “Tee Tot” Payne, Arnold Schultz and Gus Cannon. With the release of Cowboy Carter — which, in addition to Roberts, featured collaborations with Tanner Adell, Brittney Spencer, Tiera Kennedy, Shaboozey, Willie Jones and the legendary Linda Martell — a mainstream Black country boom is unfolding in real-time.

None of the artists featured on Cowboy Carter are new to the country music industry. Many of them have been trying to break through for close to a decade, but Beyoncé’s latest LP has been the catalyst needed to sidestep the Nashville machine and force industry gatekeepers to truly pay attention. After all, when Beyoncé released “Texas Hold ‘Em,” Cowboy Carter’s Hot 100-topping lead single, back in February, Billboard reported a residual streaming boost for the catalogs of other Black women in country; Robert’s streams jumped 250% in the week following the release of “Texas.”

“When I was [first] coming to Nashville, I was telling people my goals, my dreams, like I’m going to work with Beyoncé,” says Roberts. “People just weren’t seeing it. I met with a lot of labels [in Nashville], and everybody passed on me. It’s so interesting to see how people treat me now. I’m the same person, I’m thankful my personality hasn’t really changed, my talent hasn’t changed, I’m the same individual. But it took Beyoncé and a lot of answered prayers from God for some people to see what they weren’t able to see before.”

For Roberts, the rest of 2024 is all about making sure this moment isn’t just a flash in the pan. The “Stomping Grounds” singer is currently hard at work on her new album, the follow-up to 2023’s Bad Girl Bible, Vol. 1, as well as exciting endeavors across different realms of entertainment.

“With this next album, every song is going to have a story [and] have a visual,” she reveals. “I want to make sure I’m telling the best stories that I can, so it takes a little bit of time. It’s definitely coming. It’s going to be something that I’m proud of and that I want to sing for the rest of my life.”

Curtain up! Light the lights! Broadway’s biggest night, the Tony Awards, is here. It all got underway Sunday night (June 16) at 6:30 p.m. ET/3:30 p.m. PT with The Tony Awards: Act One, co-hosted by Julianne Hough and Utkarsh Ambudkar. Stereophonic and The Outsiders each won two awards during the 90-minute pre-show, which streamed on Pluto TV.

At 8 p.m. ET/5 p.m. PT, CBS will air the 77th annual Tony Awards, with Ariana DeBose hosting for the third year. The three-hour show will also stream on Paramount+ in the U.S. Both shows will be held at the David H. Koch Theater at Lincoln Center for the Performing Arts in New York City.

The Tonys telecast is set to include performances from all five nominees for best musical (Hell’s Kitchen, Illinoise, The Outsiders, Suffs and Water for Elephants) and from three of the four nominees for best revival of a musical (Cabaret at the Kit Kat Club, Merrily We Roll Along and The Who’s Tommy). The Tonys will presumably not include a performance from the fourth nominee for best revival of a musical, Gutenberg! The Musical!, which closed on Jan. 28.

The Hell’s Kitchen segment was capped by Keys and Jay-Z performing “Empire State of Mind,” their Grammy-winning smash that spent five weeks at No. 1 on the Billboard Hot 100 in 2009. Pete Townshend joined the cast of The Who’s Tommy to perform songs from that classic 1969 album.

The telecast is also set to feature a performance from Stereophonic, the “play with music” (by Will Butler, formerly of Arcade Fire). Stereophonic tied with Hell’s Kitchen, a musical based on the music of Alicia Keys, for the most nominations of any production this year (13).

Most Broadway experts see the race for best musical as a close race between Suffs and Hell’s Kitchen. Stereophonic won best play. A revival of Stephen Sondheim’s 1981 show Merrily We Roll Along won best revival of a musical. A revival of Branden Jacobs-Jenkins’ 2014 off-Broadway show Appropriate won best revival of a play.

But who will actually take home the honors? We’ve got you covered. We’ll update this list as each winner is announced.

Musicals

Best musical

Hell’s Kitchen; Producers: AK Worldwide Media, Inc., Roc Nation, DML Productions, Mandy Hackett, The Sunshine Group, Julie Yorn, The Jacobs Family, No Guarantees Productions, Front Row Productions, Sharpton Swindal Productions, Grove Entertainment, The Jaime Family, John Gore Organization, Terria Joseph, Andy Nahas, James L. Nederlander, Candy Spelling, Clara Wu Tsai, Universal Music Publishing, Independent Presenters Network, Della Pietra Spark Theatricals, Today Tix ARGU, Score 3 Partners, Aaron Lustbader, The Public Theater, Oskar Eustis, Patrick Willingham

Illinoise; Producers: Orin Wolf, Seaview, John Styles, David Binder, Emily Blavatnik, Susan Rose, ArKtype/Thomas O. Kriegsmann, David F. Schwartz, Patrick Catullo, Jon B. Platt, Diamond & Melvin, Nelson & Tao, Ruth Hendel, Elysabeth Kleinhans, Ted & Mary Jo Shen, Putnam & Thau, Chase & F.K.R., GJJJM Productions, Steve & Leticia Trauber, Tim Forbes, John Gore Organization, James L. Nederlander, Park Avenue Armory, Chicago Shakespeare Theater, Nate Koch, TT Partners, Fisher Center at Bard

The Outsiders; Producers: The Araca Group, American Zoetrope, Olympus Theatricals, Sue Gilad & Larry Rogowsky, Angelina Jolie, Betsy Dollinger, Jonathan & Michelle Clay, Cristina Marie Vivenzio, The Shubert Organization, LaChanze & Marylee Fairbanks, Debra Martin Chase, Sony Music Masterworks, Jamestown Revival Theater, Jennifer & Jonathan Allan Soros, Tanninger Entertainment, Tamlyn Brooke Shusterman, Geffen Playhouse/Howard Tenenbaum/Linda B. Rubin, Kevin Ryan, Mistry Theatrical Ventures, Galt & Irvin Productions, Tulsa Clarks, Paul & Margaret Liljenquist, Bob & Claire Patterson, Voltron Global Media, James L. Nederlander, Warner Bros. Theatre Ventures, The John Gore Organization, Independent Presenters Network, Stephen Lindsay & Brett Sirota, Jeffrey Finn, Playhouse Square, Sue Marks, Indelible InK, Lionheart Productions, The Broadway Investor’s Club, Starhawk Productions, Distant Rumble, Green Leaf Partnership, Michael & Elizabeth Venuti, Leslie Kavanaugh, Deborah & Dave Smith, Belle Productions, Chas & Jen Grossman, Miranda & Sahra Esmonde-White, Rungnapa & Jim Teague, Michael & Molly Schroeder, Casey & Chelsea Baugh, James L. Flautt, Jon L. Morris, Becky Winkler, William Moran Hickey, Jr. & William Horan Hickey, III, Oddly Specific Productions, Melissa Chamberlain & Michael McCartney, Rachel Weinstein, Wavelength Productions, Rob O’Neill & Shane Snow, Eric Stine, Cornice Productions, La Jolla Playhouse

Suffs; Producers: Jill Furman, Rachel Sussman, Hillary Rodham Clinton, Malala Yousafzai, Roy Furman, Allison Rubler, Cue to Cue Productions, Sandy Robertson, Kevin Ryan & Diane Scott Carter, Renee Ring & Paul Zofnass, Walport Productions, Judith Teel Davis & Joe Carroll, Tom D’Angora & Michael D’Angora, Louise Gund, Erica Lynn Schwartz, Stone Arch Theatricals/Mayer Productions, Xan Weiser/Matters of the Art, Nothing Ventured Productions, Christin Brecher, Chutzpah Productions, Morgan Steward, 16 Sunset Productions, The Broadway Investor’s Club, Ari Conte, Rose Maxi, Jennifer Friedland, David Carroll, Julie E. Cohen, The Garelicks, Ruth Ann Harnisch, Meena Harris, John Gore Organization, Laura Lonergan, Sally Martin, Peter May, The Mehiels, Nederlander Presentations, Brian Spector, Candy Spelling, Ed Walson, Zuckerberg/Segal, Needle Productions/Oddly Specific Productions, Alissandra Aronow/Wandi Productions, Craig Balsam/Jennifer Kroman, Burkhardt Jones Productions/Adam Cohen, Vibecke Dahle Dellapolla/Samantha Squeri, Funroe Productions/Kim Khoury, Sheri Clark Henriksen/Robert Tichio, Michelle Noh/Todd B. Rubin, Nick Padgett/Vasi Laurence, Seaview/Level Forward, Sixpoint Productions/Theatre Nerd Productions, Stanley S. Shuman/Marcie Orley, Soto Productions/The Cohn Sisters, Theatre Producers of Color, The Shubert Organization, The Public Theater, Oskar Eustis, Patrick Willingham

Water for Elephants; Producers: Peter Schneider, Jennifer Costello, Grove Entertainment, Frank Marshall, Isaac Robert Hurwitz, Seth A. Goldstein, Jane Bergère, Elizabeth Armstrong, Jason M. Brady, Carl & Jennifer Pasbjerg, Erica Rotstein & Crista Marie Jackson, Jana Bezdek & Jen Hoguet, John H. Tyson, Rich Entertainment Group, Jeremiah J. Harris, John Gore Organization, Jeff & Shannon Fallick, Patti & Mike Sullivan, Rodney Rigby, Larry Lelli, Bonnie Feld, Yonge Street Theatricals, Larry J. Kroll, The Shubert Organization, Nederlander Presentations, Nancy Gibbs, Jack Lane, Amy & PJ Lampi, Gwen Arment & Vasi Laurence, Mark Parkman Fairview Productions, Nothing Ventured Productions, Pam Hurst-Della Pietra & Stephen Pietra, Steven Spielberg & Kate Capshaw, The Glasshouse USA, Willette & Manny Klausner, John Paterakis, Hope Tschopik Schneider, Patty Baker, The Burcaws & Q’d Up Productions, Crescent Road, Cynthia Stroum, Sally Jacobs & Warren Baker, Tawnia Knox & Stuart Snyder, Madison Wells Live & Takonkiet Viravan, Terry H. Morgenthaler, Pamela Moschetti, Gabrielle Palitz & Fahs Productions, The Roehl Family & Chema Verduzco, Shapiro Jensen Schroeder, Tre Amici Productions, We Eat Dreams Productions, Rachel Weinstein, Maik Klokow, Margot Astrachan, Mehr-BB Entertainment

Best revival of a musical

Cabaret at the Kit Kat Club; Producers: ATG Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals, Wessex Grove, Julie Boardman, Tom Smedes, Peter Stern, Heather Shields, Caiola Productions, Kate Cannova, Adam Blanshay Productions & Nicolas Talar, Aleri Entertainment, Alex Levy Productions, Bunny Rabbit Productions, D’Angora Padgett Productions, Cyrene Esposito, David Treatman, Eddie Redmayne, The Array IV, Bad Robot Live, BlueJay Productions, Grace Street Creative Group, Iocane Productions, Jim Kierstead, Marco Santarelli, Tokyo Broadcasting System Television, George Waud, Yonge Street Theatricals, Federman Koenigsberg Productions/Sara Beth Zivitz, Tina Marie Casamento/Jennifer Johns, M. Kilburg Reedy/Tilman Kemmler, Greenspan Proffer/Kat Kit 4, Patty Baker/Matthew Christopher Pietras, Broadway Strategic Return Fund/Red Mountain Theatre Company, Evan Coles/The Cohn Sisters, Nolan Doran/Fakston Productions, Epic Theatricals/Jeffrey Grove, Jessica Goldman Foung/Andrew Paradis, William Frisbie Tilted Marguerite Steed Hoffman/Willette & Manny Klausner, Vasi Laurence/Stephen C Byrd, Brian & Dayna Lee/City Cowboy Productions, Maybe This Time/3D Productions, Nothing Ventured Productions/Theatre Producers of Color, Perfectly Marvelous/Catherine Schreiber & Co, Second Act/Freedom Theatricals, SSP Holdings/Todd & Bronwyn Bradley, Two Ladies/Nicole Eisenberg, Ilana Waldenberg/W Stage Productions, The Wolf Pack/Burnt Umber Productions, The Shubert Organization

Gutenberg! The Musical!; Producers: Ambassador Theatre Group, Patrick Catullo, Bad Robot Live, Seth A. Goldstein, Isaac Robert Hurwitz, Runyonland Productions, Elizabeth Armstrong, Timothy Bloom, Larry Lelli, Alchemation, The Council, Crescent Road, Wendy Federman, Marcia Goldberg, Hariton deRoy, LD Entertainment, James L. Nederlander, Al Nocciolino, Spencer Ross, Independent Presenters Network, Medley Houlihan/Score 3 Partners, Tryptyk Studios/Iris Smith, Jonathan Demar/Griffin Dohr, Andrew Diamond/Alexander Donnelly, Futurehome Productions/Koenigsberg Subhedar, Roy Gabay/Nicole Eisenberg, Jessica R. Jenen/Linda B. Rubin, Daniel Powell/Amplify Pictures, Jeremy Wein/Walport Productions, Kristin Caskey, Mike Isaacson, Bee Carrozzini

WINNER: Merrily We Roll Along; Producers: Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland, Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, No Guarantees, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key to the City Productions, Richard Batchelder/Trunfio Ryan, FineWomen Productions/Henry R. Muñoz, III, Thomas Swayne/Lamar Richardson, Abrams Corr/Mary Maggio, Osh Ashruf/Brenner-Ivey, Craig Balsam/PBL Productions, deRoy DiMauro Productions/Medley Houlihan, Andrew Diamond/Katler-Solomon Productions, Dodge Hall Productions/Carl Moellenberg, Friedman Simpson/Vernon Stuckelman, William Frisbie/J.J. Powell, Robert Greenblatt/Jonathan Littman, Cleveland O’Neal, III/Tom Tuft, Roth-Manella Productions/Seaview, New York Theatre Workshop

The Who’s Tommy; Producers: Stephen Gabriel, Ira Pittelman, Sue Gilad & Larry Rogowsky, Mary Maggio & Scott Abrams, Tom Tuft and Glenn Fuhrman, Batman Harris/Elliott Cornelious, Laura Matalon/Spencer Waller, Richard Winkler, Sheldon Stone, Firemused Productions/Stone Arch Theatricals, LeonoffFedermanWolosky Productions/Koenigsberg Batchelder, Roy Putrino/Narang Moran, Rich Martino, Aged in Wood/Lee Sachs, Paul and Margaret Liljenquist, R & R Productions, Marla McNally Phillips, Merrie Robin, O’Neill Snow, Work Light Productions, Nederlander Presentations, Independent Presenters Network, John Gore Organization, Palomino Performing Arts, Wavelength Productions, Robert Nederlander, Jr., Botwin Ignal Dawson, Jamie deRoy, Betsy Dollinger, Stacey Woolf Feinberg, Gold Weinstein, Tyce Green, Jenen Rubin, Jim Kierstead, Marco Santarelli, Nancy Timmers, Thomas B. McGrath, Olympus Theatricals, Goodman Theatre

Best performance by an actor in a leading role in a musical

Brody Grant, The Outsiders
WINNER: Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

Best performance by an actress in a leading role in a musical

Eden Espinosa, Lempicka
WINNER: Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

Best performance by an actor in a featured role in a musical

Roger Bart, Back to the Future: The Musical
Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
WINNER: Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

Best performance by an actress in a featured role in a musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
WINNER: Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
Bebe Neuwirth, Cabaret at the Kit Kat Club

Best direction of a musical

Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
Jessica Stone, Water for Elephants
WINNER: Danya Taymor, The Outsiders

Best original score (music and/or lyrics) written for the theatre

Days of Wine and Roses; Music & Lyrics: Adam Guettel
Here Lies Love; Music: David Byrne and Fatboy Slim; Lyrics: David Byrne
The Outsiders; Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine
Stereophonic; Music & Lyrics: Will Butler
WINNER: Suffs; Music & Lyrics: Shaina Taub

Best orchestrations

Timo Andres, Illinoise
Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
WINNER: Jonathan Tunick, Merrily We Roll Along

Best choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
Rick Kuperman and Jeff Kuperman, The Outsiders
WINNER: Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Best book of a musical

Hell’s Kitchen; Kristoffer Diaz
The Notebook; Bekah Brunstetter
The Outsiders; Adam Rapp and Justin Levine
WINNER: Suffs; Shaina Taub
Water for Elephants; Rick Elice

Best scenic design of a musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
WINNER: Tom Scutt, Cabaret at the Kit Kat Club

Best costume design of a musical

Dede Ayite, Hell’s Kitchen
WINNER: Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
Tom Scutt, Cabaret at the Kit Kat Club
Paul Tazewell, Suffs

Best lighting design of a musical

Brandon Stirling Baker, Illinoise
Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
WINNER: Brian MacDevitt and Hana S. Kim, The Outsiders

Best sound design of a musical

M.L. Dogg and Cody Spencer, Here Lies Love
Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
Gareth Owen, Hell’s Kitchen
WINNER: Cody Spencer, The Outsiders

Plays

Best play

Jaja’s African Hair Braiding; Author: Jocelyn Bioh; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings, Madison Wells Live, LaChanze, Taraji P. Henson

Mary Jane; Author: Amy Herzog; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings

Mother Play; Author: Paula Vogel; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Salman and Vienn Al-Rashid, Courtney Lederer and Mark Thierfelder, Jerry and Roz Meyer, Alix L.L. Ritchie, Jayne Baron Sherman

Prayer for the French Republic; Author: Joshua Harmon; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings

WINNER: Stereophonic; Author: David Adjmi; Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions, Ashley Melone, Nick Mills, Jillian Robbins, Stella La Rue, Alex Levy & David Aron, Dori Berinstein, James Bolosh, Burnt Umber Productions, The Cohn Sisters, Cathy Dantchik, Alexander R. Donnelly, Emerald Drive, Federman Koenigsberg, Dann Fink, Ruth Hendel, Larry Hirschhorn, Jenen Rubin, John Gore Organization, Willette & Manny Klausner, LAMF Protozoa, Katrina McCann, Stephanie P. McClelland, No Guarantees, Marissa Palley & Daniel Aron, Anna Schafer, Soto Namoff Productions, Sean Walsh, Bruce & Peggy Wanta, Hillary Wyatt, deRoy Howard, Winkler & Smalberg, 42nd.club, Craig Balsam, Concord Theatricals, Creative Partners Productions, Jonathan Demar, Douglas Denoff, DJD Productions, Echo Lake Entertainment, Faliro House, FilmNation Entertainment, Roy Gabay, GFour Productions, Candy Kosow Gold, Wes Grantom, Rachel Bendit & Mark Bernstein, Playwrights Horizons, Adam Greenfield, Leslie Marcus, Carol Fishman

Best revival of a play

WINNER: Appropriate; Author: Branden Jacobs-Jenkins; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Ambassador Theatre Group, Amanda Dubois, Annapurna Theatre, Bad Robot Live

An Enemy of the People; Author: Amy Herzog; Producers: Seaview, Patrick Catullo, Plan B, Roth-Manella Productions, Eric & Marsi Gardiner, John Gore Organization, James L. Nederlander, Jon B. Platt, Atekwana Hutton, Bob Boyett, Chris & Ashlee Clarke, Cohen-Demar Productions, Andrew Diamond, GI6 Productions, Sony Music Masterworks, Triptyk Studios, Trunfio Ryan, Kate Cannova, DJL Productions

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch; Producers: Jeffrey Richards, Hunter Arnold, Leslie Odom, Jr., Louise Gund, Bob Boyett, Curt Cronin, John Joseph, Willette and Manny Klausner, Brenda Boone, Salman Moudhy Al-Rashid, Creative Partners Productions, Irene Gandy, Kayla Greenspan, Mark and David Golub Productions, Kenny Leon, John Gore Organization, W3 Productions, Morwin Schmookler, Van Kaplan, Ken Greiner, Patrick W. Jones, Nicolette Robinson, National Black Theatre, Alan Alda, LaTanya Richardson Jackson, Samuel L. Jackson, Phylicia Rashad, Nnamdi Asomugha, Kerry Washington, The Shubert Organization

Best performance by an actor in a leading role in a play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
WINNER: Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

Best performance by an actress in a leading role in a play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
WINNER: Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Best performance by an actor in a featured role in a play

WINNER: Will Brill, Stereophonic
Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Best performance by an actress in a featured role in a play

Quincy Tyler Bernstine, Doubt: A Parable
Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
Sarah Pidgeon, Stereophonic
WINNER: Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Best direction of a play

WINNER: Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Best scenic design of a play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
WINNER: David Zinn, Stereophonic

Best costume design of a play

Dede Ayite, Appropriate
WINNER: Dede Ayite, Jaja’s African Hair Braiding
Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People

Best lighting design of a play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
Jiyoun Chang, Stereophonic
WINNER: Jane Cox, Appropriate
Natasha Katz, Grey House

Best sound design of a play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
WINNER: Ryan Rumery, Stereophonic