Marc Anthony adds a 15th top 10 to his Billboard Tropical Albums chart career as Muevense, his 11th studio album, starts at No. 4 on the ranking dated May 11. The 10-track set, released April 24 via Sony Music Latin, enters with 3,000 equivalent album units earned in the U.S. in the week ending May 2, according to Luminate.

Sales and streaming activity contribute to Muevense’s first week sum: albums sales comprise 1,500 units, while 1,500 units derive from streams, equaling 2.2 million official on-demand streams of the album’s songs. Track-equivalent album units comprise a negligible sum of the album’s first week.

On the Tropical Latin Albums chart units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

May is a month for celebration for Marc Anthony, who in addition to banking his 15th top 10 on Tropical Albums, launched his new Sirius XM channel, Muevense Radio, on May 1. Running for a limited time, through May 31, the channel features a best-of-playlist, plus music from his influences and favorite artists, and stories surrounding the breadth of his over three-decade tenure.

Muevense arrives on Tropical Albums two years and two months after Marc’s previous album Pa’lla Voy reached No. 3 in March 2022. Plus, the new album extends his span of 15 top 10s to 31 years, dating to his first week in the top 10 on Feb. 17, 1993, when Otra Nota debuted and peaked at No. 2.

Further, Muevense joins two other Marc Anthony albums on Tropical Albums: 3.0 and Sigo Siendo Yo. While the latter claims its 280th week on the tally, 3.0 banks its 509th week and extends its record for the set with the most weeks overall since Tropical Albums began in 1985.

Beyond its Tropical Albums arrival, Muevense, encompassing eight salsa tracks, one bachata, and one regional Mexican ballad with Pepe Aguilar, also opens at No. 50 on Top Latin Albums.

The set was preceded by three songs. “Ale Ale” flies 16-3 on Tropical Airplay with a robust 227% gain in audience impressions, to 4 million, earned in the U.S. during the same tracking week. The song likewise opens at No. 22 on Latin Airplay as the Hot Shot debut of the week. The song was premiered live at the Latin American Music Awards on April 25.

Back on Tropical Airplay, with the new visit to the upper tier, Marc collects his 57th top 10 entry, and extends second-most record among all acts behind Victor Manuelle who continues to lead with 65 top 10 career hits. The bachata “Punta Cana,” meanwhile, dips 4-6 due to a 34% dip in audience, to 2 million.

Lastly, over on Regional Mexican Airplay, thanks to his co-billed “Ojala Te Duela,” with Pepe Aguilar, the Puerto Rican scored his first entry ever on a regional Mexican chart in Nov. 2023.

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After just two weeks in theaters, Abigail is dancing its ways onto digital platforms. The vampire horror film about a blood-thirsty ballerina arrived Tuesday (May 7) on VOD.

Melissa Barrera, Dan Stevens, Kathryn Newton, Alisha Wier, William Catlett, Kevin Durand, Angus Cloud and Giancarlo Esposito star in the horror flick, which follows a group of criminals who kidnap a 12-year-old girl in hopes of cashing in on a $50 million ransom. The abduction takes a gory turn when they find out the girl is a vampire and the daughter of an underworld leader.

Abigail is available to rent for $19.99 ($24.99 to buy) on Prime Video, Apple TV, Google Play and Vudu.

The movie premiered April 19 in theaters, and despite positive reviews and a large social media presence — the trailer racked up more than 4 million views on YouTube and viral threads are all over TikTok — Abigail failed to scare up a large box-office debut, bringing in just $10 million on opening weekend and landing in second place behind the dystopian action thriller Civil War.

Abigail is directed by Scream VI‘s Matt Bettinelli-Olpin and Tyler Gillett. The film is produced by William Sherak, Paul Neinstein, James Vanderbilt, Tripp Vinson and Chad Villella. Ron Lynch and Macdara Kelleher are executive producers.

The movie also underwent a name change, the directors revealed in an interview with The Hollywood Reporter. “The first draft we got was called Abducting Abigail, and we later learned that an earlier draft we never saw had been called Dracula’s Daughter,” said Bettinelli-Olpin. “But we just were not fans of the Abducting Abigail title, and no disrespect to [co-writer] Stephen Shields, who we absolutely love and adore. So we just asked that it be called Abigail because we really liked that, and it stuck through production. In so many of the movies that we love where you kind of care about the villain, the villain is such a major part of the story, but they’re not one of the ‘main characters,’ like Alien, Jaws, Terminator, Predator. But the title character is still the villain or the monster, so we used that blueprint for Abigail.”

Watch the trailer for Abigail below.

Just two weeks after Usher tied Charlie Wilson for the most No. 1s by a male artist on Billboard’s Adult R&B Airplay chart, the latter legend reclaims the title for himself as “Superman” tops the list dated May 11.

“Superman” jumps from No. 3 after an 8% increase in plays that made it the most-played song as U.S. monitored adult R&B radio stations in the week of April 26-May 2, according to Luminate. The new leader ousts Usher’s record-tying “Risk It All,” a collaboration with H.E.R., from the top spot after the latter’s two-week command.

With “Superman,” Wilson achieves his 10th No. 1 on Adult R&B Airplay. In addition to resetting the benchmark for the most champs among male artists, the R&B legend becomes only the third artist to reach double-digit No. 1s on the list. Here’s a recap of the artists with the most No. 1s on the Adult R&B Airplay chart since its launch in 1993:

14, Alicia Keys
11, Toni Braxton
10, Charlie Wilson
9, Usher
8, Mary J. Blige
8, H.E.R.
8, Kem
8, Bruno Mars
8, Maxwell
8, Tank

“I am incredibly grateful and humbled by the overwhelming support for ‘Superman’,” Wilson said in a press release highlighting his achievement. “To have another [No.] 1 hit on the Billboard Adult R&B chart is truly an important achievement to me, especially with a song so personal highlighting my wife’s endless love and support of me. She truly put the cape back on my back after very rough times. I want to thank my fans for their unwavering loyalty and love throughout my career. This song is also for all women, their strength, love and support is appreciated more than they know.”

Elsewhere, “Superman” dips 26-27 from its peak on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, the song registered 4.4 million in audience for the tracking week, a 1% drop from the prior period.

In addition to Wilson’s successful run as a solo artist, listeners may also know the man known as “Uncle Charlie” as the lead singer of his former group, The Gap Band. The trio – comprised of brothers Charlie, Robert and Ronnie – achieved 15 top 10s on the Hot R&B/Hip-Hop Songs chart between 1979 and 1990, including classics such as “Burn Rubber (Why You Wanna Hurt Me),” “Outstanding” and “You Dropped a Bomb on Me.”