All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Kim Kardashian’s SKIMS isn’t just another celebrity-owned business, the lifestyle brand has become top-tier within the fashion world, especially among Hollywood stars who have starred in one of the brand’s many iconic campaigns.

Bridgerton‘s leading lady Nicola Coughlan was the latest to get her starring role in a SKIMS campaign with her predecessors including WNBA athletes, Sabrina Carpenter, Nelly Furtado, Lana Del Rey and even Usher. With a TV series as dramatic and dreamy as hers, it makes sense that Coughlan would introduce a new era of the viral Soft Lounge Slip Dress that helped solidify the brand’s cult-favorite status.

Many dupes have tried to replicate the success and virality of SKIMS, but nothing can compare to the original, including an updated mini version that possess the same addictive qualities of the dress, including the famous soft, form-fitting material.

Keep reading to shop the new Soft Lounge dress release.

New SKIMS Soft Lounge Slip Dress Release 2024: Buy Mini Version Online

Soft Lounge Mini Tank Dress

Instead of the classic spaghetti strap style, this new Soft Lounge dress comes with thick halter-inspired straps paired with a mini length you can wear for practically any occasion, whether it’s date night, happy hour or a morning stroll through the park. Just like the OG version, the design features the brand’s viral rib modal stretchy fabric that will hug every curve comfortably. The dress comes in the classic black shade as well as two limited-edition colorways: bone and lemonade.


A shorter length isn’t the only updated version you can stock up on — the Soft Lounge Long Dress also comes in the tank style in addition to a ’90s-inspired tube dress you can buy online below.

New SKIMS Soft Lounge Slip Dress Release 2024: Buy Mini Version Online

Soft Lounge Long Tank Dress

For anyone who loves the racerback look, but wants to keep the maxi length, there’s also a long version of the Soft Lounge Tank Dress that you can pick up. It comes with the same viral material that the brand has been praised for and is available in the two limited-edition colors as well as a neutral black.


New SKIMS Soft Lounge Slip Dress Release 2024: Buy Mini Version Online

Soft Lounge Tube Dress

Go completely sleeveless with the tube dress version, which offers an elegant take on the lounge-ready dress. The black version can easily become that little black dress you wear to parties and events while the bright neon look can be worn for festivals and the off-white colorway is perfect for bridal showers and engagement parties.


What Is the Famous SKIMS Dress Called?

The dress that SKIMS claims “broke the Internet” is its Soft Lounge Long Dress, which comes in a maxi length and spaghetti straps. The look is inspired by slip dresses from the ’90s and uses a special fabric designed by the brand that provides stretch and lays flat against your body to help show off your curves. It’s hard for the bestseller to remain in stock — especially when new shades are dropped, which only adds to fans’ desire to snag every new style as quickly as possible. Since it shows off a simple construction, it’s a multipurpose dress you can wear to lounge around in, like the name suggests, or wear it out on the dance floor.

Does the SKIMS Dress Fit Short People?

The length of the regular Soft Lounge Long Dress is 50 inches for sizes XXS-XL and 51 inches for sizes 2X-4X. Models in the photo are around 5’8″ and the length hits around their ankles, but for those shorter who don’t want to have to worry about getting the dress hemmed, there is a petite style of the Soft Lounge Dress available in the classic black shade, which is made for anyone 5’3″ and below.

For more product recommendations, check out ShopBillboard‘s roundups of the best slip dresses, denim jumpsuits and platform sandals.

“But Daddy I Love Him,” the big song that kicks off Taylor Swift‘s Tortured Poets Department set on The Eras Tour, had Paul McCartney dancing with fans at London’s Wembley Stadium on Sunday (June 23).

The Beatles legend, who just turned 82, was a VIP guest at Swift’s third concert at Wembley this weekend. Videos showed his arrival at the stadium, but one clip in particular is quite special, capturing an experience that would be priceless to any McCartney/Swift fan.

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As Swift sang the “But Daddy I Love Him” lyric about how cynics and saboteurs can’t “counteract chemistry, undo the destiny” of her relationship with the song’s muse, a group of fans simply basking in the moment caught McCartney’s attention.

McCartney took note of the concertgoers’ dance moves and joined in.

“You ain’t gotta pray for me/ Me and my wild boy, and all this wild joy,” Swift is heard singing in the video embedded below. McCartney sways and seems to sing along to some of the lyrics, alongside a number of wonderstruck concertgoers who couldn’t have guessed this encounter would happen.

Snapshots from Wembley Stadium on social media showed McCartney was approachable earlier in the day, too, partaking in the Eras Tour tradition of trading friendship bracelets.

Also spotted with friendship bracelets at Swift’s Sunday show in London was Jon Bon Jovi, and among the many other famous faces seen during her three-night takeover at Wembley were Prince William on Friday and Tom Cruise on Saturday. Swift’s boyfriend Travis Kelce was in town for the London gigs, and unexpectedly made his Eras Tour stage debut during Tortured Poets‘ “I Can Do It With a Broken Heart,” in costume.

It’s not “So Long, London” for Swift yet. The Eras Tour revisits Wembley for five more nights in August, due to demand, but heads to several other cities before then, including Dublin, Amsterdam, Zurich and Milan over the next few weeks.

The Tortured Poets Department is currently spending its ninth consecutive and total week at No. 1 on the Billboard 200 chart.

See McCartney dancing shamelessly to the album’s “But Daddy I Love Him” in London below.

“I’m trying to get you hyped and excited,” exclaimed theater director Lileana Blain-Cruz at the Minnesota State Theatre in Minneapolis on Saturday (June 22). “I’m trying to get a motorcycle on stage!”

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Hot off directing a visually extravagant, emotionally stirring production of John Adams’ El Niño at the New York Metropolitan Opera (she’s the resident director at Lincoln Center Theater), Blain-Cruz has proven she’s adept at helming massive, complicated productions. But in spring 2025 at the State Theatre, she’s facing an audience even more passionate and exacting than New York City theater critics – Prince fans.

On Saturday, a theater full of the “purple fam” were treated to the first public preview of an upcoming stage musical adaptation of Prince’s Purple Rain film as part of the five-day Celebration 2024 event in the Purple One’s hometown. And with Blain-Cruz – who repeatedly hopped out of her chair and solicited audience feedback while flaunting a flashy purple blazer – directing, it’s clear this stage musical has an advocate who can match the enthusiasm of Jerome Benton hyping up Morris Day during a performance by The Time.

Joining Blain-Cruz during the preview – a panel discussion that boasted a work-in-progress look at three of the musical’s stage numbers – were book writer Branden Jacobs-Jenkins, fresh off a Tony win for Appropriate; music director Jason Michael Webb, whose credits include the Broadway hit MJ The Musical; and Bobby Z., who drums in The Revolution and recently joined the production as a music adviser alongside fellow Prince associate Morris Hayes. (Tony-winning producer Orin Wolf appeared at the tail-end of the hour-long panel, too.)

“This is not Hamilton,” joked Jacobs-Jenkins, who assured the audience of diehards that his book will draw on the 1984 film’s screenplay (written by Albert Magnoli and William Blinn) without radically reworking it. Even so, he said he intends to further develop the character of Apollonia and make some necessary pacing changes to fit a stage production: “A play is a play, and a movie is a movie.”

While the director is hellbent on getting that motorcycle on stage (she says the image of Prince “staring into her soul” on the Purple Rain bike is one of her earliest memories of the genius), she acknowledges some limitations of the medium. “I can’t get a Lake Minnetonka that isn’t actually Lake Minnetonka on stage,” she jested, while still promising to bring the “epic” nature of a Met Opera production “to something as sublime as Purple Rain.”

“It is an opera — it’s a tragedy and a triumph,” agreed Bobby Z. “I got to see Prince build a revolution from 1977 to the Parade album [in 1986].” Similar to many operas that have stood the test of time, Purple Rain comes complete with an unforgettable villain – Morris Day, Prince’s real-life friend and colleague who played a deliciously narcissistic version of himself in the 1984 film. For the world’s first musical preview of the Purple Rain musical, attendees of Celebration 2024 got to see performers portraying Day and Benton preen and camp it up in character before playing a solidly grooving version of The Time’s “Jungle Love” and “777-9311.” (Morris Day himself hit that same stage later on Saturday to perform an assortment of The Time classics and bust out some dance moves.)

“There only so many of these Black icons that we have,” mused Webb. “Working with the Michael [Jackson] legacy prepared me for the one I really wanted — which is this one.”

Explaining that he was looking to present some of the songs through a different lens, the multi-talented Webb brought out Rachel Webb to portray Apollonia and duet with him on “Take Me With U.” The song is bombastic and string-drenched on the album, but this teaser version – which started out in an elegant, stripped-down vein before working up to a full-band sound – demonstrated that these songs can soar in a variety of stylings (something hardcore Prince fans already well know).

Acknowledging that the soundtrack’s nine songs are not enough material for a Broadway musical, they also revealed that the Purple Rain stage musical will draw on Prince’s full catalog, including songs that didn’t even appear in the film. Case in point: Before the event wrapped, Rachel Webb returned to the stage with two others to perform “The Glamorous Life” as Vanity 6. While that Prince-penned song is certainly well-suited to the time period – it came out in 1984 and reached the top 10 of the Billboard Hot 100 that fall – it’s not a Vanity 6 number at all, but rather a hit performed by Sheila E.

But why not take some creative liberties? The team behind this production is openly gunning for a Broadway run after debuting Purple Rain in Minneapolis, so the bar is high. As long as the songs are a sonic and thematic match for the realm of Purple Rain, who cares whether a tune appeared in the film? Broadway is a tough market, and success is far from guaranteed for musicals based on the works of pop hitmakers (though that isn’t stopping plenty of artists from trying). Prince’s rich, rewarding catalog deserves a wide audience, so it only makes sense for the team behind this production to put their best high-heeled boot forward as they reimagine his magnum opus for the stage.

London is a “special” place to bring The Eras Tour, Taylor Swift said during her acoustic set at Wembley Stadium Saturday night (June 22).

At the second of three shows this weekend, the pop star decided to perform a song she’d never played live before. She also welcomed Hayley Williams to the stage for a duet.

“We get to play Wembley Stadium eight times this summer. When I’m thinking about that, you think about just being grateful and being thankful,” Swift told the crowd, showing appreciation for their support. (She’s got her trio of concerts in London this weekend, and she’ll return to Wembley for five additional shows later this summer, from Aug. 15-20.)

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“On the other hand,” commented Swift, who was about to deliver the first of the night’s two surprise song performances, “it really makes me think about how every time somebody talks s— it just makes me work even harder.”

“I’ve never played this one before. Wish me luck,” she said, and then on acoustic guitar launched into “thanK you aIMee,” from The Tortured Poets Department: The Anthology. It marked the first-ever live performance of the track that has her singing, “All that time you were throwin’ punches, I was buildin’ somethin’/ And I can’t forgive the way you made me feel/ Screamed, “F— you, Aimee” to the night sky as the blood was gushin’/ But I can’t forget the way you made me heal.”

“I don’t think you’ve changed much/ And so I changed your name and any real defining clues/ And one day, your kid comes home singin’/ A song that only us two is gonna know is about you,” she adds in a later verse.

Swift performed “thanK you aIMee” as a mashup with Speak Now‘s “Mean,” another song about how she’s triumphed over naysayers.

“Someday I’ll be singing this song at Wembley,” she quipped, singing an improvised line to the melody of “Mean.”

To top off that moment Saturday night, she brought out Hayley Williams (who had opened the show with Paramore earlier) for a live duet of “Castles Crumbling,” their collaboration from the Speak Now (Taylor’s Version) vault. Swift and Williams sat side-by-side at the piano as they sang.

Swift recalled the last time they’d played live together: on The Speak Now Tour, when she welcomed Williams to the stage to perform Paramore’s “That’s What You Get” with her at a 2011 Nashville date.

Below, watch clips of Swift’s surprise song set from night two at Wembley. Stay up-to-date with the complete list of surprise songs she’s played on The Eras tour here.

James Dolan, executive chairman/CEO of MSG Entertainment, will lead the New York-based live events company for another three years. Dolan received a new contract that will keep him at MSG Entertainment through June 2027, the company revealed on Friday (June 21) in a regulatory filing.

Dolan, who is also the CEO of both MSG Sports and Sphere Entertainment Co., will be paid a base salary of $1.5 million per year for leading MSG Entertainment and will have an opportunity to make an annual bonus up to 200% of his salary, according to the filing. He will also participate in the company’s long-term incentive plan. Beginning with the fiscal year starting July 1, 2024, he is expected to receive one or more incentive awards with a target value of at least $8.6 million, the filing adds.

In the fiscal year ended June 30, 2023, Dolan earned total compensation of $9.3 million from MSG Entertainment. His compensation from Sphere Entertainment, which spun off from MSG Entertainment in 2023 ahead of the launch of the Sphere venue in Las Vegas in September, amounted to $16.3 million. In addition, Dolan earned a total of $11 million from MSG Sports.

MSG Entertainment owns the venues Madison Square Garden, The Theater at Madison Square Garden, Radio City Music Hall, Beacon Theatre and The Chicago Theatre. It also produces the Christmas Spectacular production featuring the Radio City Rockettes. In fiscal year 2023, MSG Entertainment says it hosted over five million guests at nearly 900 live events.

Spotify has officially unveiled a basic premium tier for users who prefer not to pay extra for audiobooks, the company announced Friday (June 21). The plan is priced at $10.99 — $1 less than its premium individual plan, which includes 15 hours of audiobook listening time per month.

The reveal of the basic tier, which Spotify teased during its Q1 earnings call in April, follows the company’s June 3 announcement that it would be raising prices in the United States for a second consecutive year. Starting in July, its premium individual plan will bump up to the $11.99 price point, while its duo plan will rise to $16.99 a month (up from $15.99) and its family plan will spike $3 to $19.99 a month.

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The news also follows a recent Bloomberg report that Spotify plans to roll out a high-fidelity audio tier later this year for $5 more per month than its premium individual plan.

Shares of Spotify rose 1.5% to $317.86 this week, marking their third consecutive weekly gain. On Friday alone, the stock gained more than 1.2%.

The new tier comes amid a pitched battle between Spotify and music publishers following the streamer’s decision to reclassify its premium offerings as “bundles,” which qualifies those plans for a discounted rate on mechanical royalties in the United States. According to Billboard estimates, publishers and songwriters will earn roughly $150 million less in royalties in the first year following the change.

On May 15, nearly one month after the bundles were first reported, the National Music Publishers’ Association (NMPA) sent Spotify a cease and desist letter for allegedly hosting unlicensed lyrics, music videos and podcast content on the service. The following day, the Mechanical Licensing Collective (the MLC) sued the streaming company, alleging it had “improperly” classified its premium tiers as bundles.

Later in May, NMPA president/CEO David Israelite sent a letter to Judiciary Committee leadership in both the U.S. House and Senate asking for an overhaul of the statutory license in section 115 of the Copyright Act, which “prevents private negotiations in a free market” for mechanical royalty rates for songwriters and music publishers in the United States. At the NMPA’s annual meeting on June 12, Israelite announced that the organization had filed an official complaint with the Federal Trade Commission (FTC) and sent letters to the attorneys general for nine states along with consumer trade groups, alleging Spotify has violated the Restore Online Shoppers’ Confidence Act (“ROSCA”), section 5 of the FTC Act and other consumer protection laws.

Spotify has hit back at the various actions taken by the NMPA, at various points calling its accusations “baseless” and “misleading.” Of the MLC lawsuit, the streamer argued that “bundles were a critical component” of the Phono IV agreement struck between publishers and streaming services, that “multiple DSPs include bundles as part of their mix of subscription offerings” and that it “paid a record amount to publishers and [collecting] societies in 2023 and is on track to pay out an even larger amount in 2024.”

There’s an Abbott Elementary coloring book coming out later this year, and it’s going viral online thanks to a post from one of the show’s stars. On Friday (June 21), Emmy winner Sheryl Lee Ralph posted photos of the coloring book on X with the caption, “@Scholastic Your new favorite summer coloring book.”  

The post has received over 16,000 likes and 3,000 retweets.

It’s designed for ages 7-10, but there’s a good chance that adult fans of the show will want a copy. The 90-page coloring book features original illustrations of fan-favorite Abbott Elementary characters including Janine, Ava, Barbara, Melissa, Jacob, Gregory and Mr. Johnson. The book, illustrated by Chelen Ecija, features quotes from the show such as “Don’t tell me what kind of day to have,” “Abbott is a special place” and “This is a classroom, not a hoagie stand.”  

The coloring book is available for pre-order at Walmart, Amazon, Target, Barnes & Noble and Thrift Books.

Created by and starring Quinta Brunson, Abbott Elementary centers on a group of Philadelphia teachers (and a principal). The ensemble cast includes Tyler James Williams, Lisa Ann Walter, Chris Perfetti, Janelle James and William Stanford Davis.

Abbott Elementary is on hiatus for the summer, and the coloring book will likely be released before the new season arrives.

Season 3 of Abbott Elementary wrapped in May following another successful run for the series, whose third season premiered with over 5.9 million viewers across TV and streaming platforms.

Want to catch up on previous seasons over summer break? Abbott Elementary is available on Hulu and Max.

Pre-order The Official Abbott Elementary Coloring Book below.

‘Abbott Elementary Coloring Book’: Where to Pre-Order

Abbott Elementary: The Official Coloring Book


All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’re a fan of the fashion brand Aeropostale, known for its trendy and casual apparel, you are in for a treat: It’s now available on Amazon. With these versatile apparel options, you’ll be able to explore a wide selection of Aeropostale’s picks for both men and women.

You can save up to 64 percent off from this collection, featuring short-sleeve graphic tees, denim jeans, cargo jogger pants, hoodies, T-shirts and even flare pull-on pants. Whether you’re looking for comfortable basics or are in search of expanding your denim collection, Aeropostale on Amazon offers fashion-forward options.

If you’re shopping on Amazon, consider taking advantage of all Amazon Prime has to offer and sign up for a 30-day free trial, which also comes with access to Prime VideoPrime Gaming and Amazon Music. And to help make sure you get your beauty essentials, being a Prime member means you get fast, free shipping in two days or less with Prime Delivery. 

Aeropostale on Amazon: Shop Budget-Friendly, Stylish Apparel

Aeropostale Baggy Jeans

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Aeropostale Women’s Butterflies Short Sleeve Graphic Tee, Stucco Rose, Medium


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From lounging at the park to attending a casual get-together, you’ll find all your essentials available at an affordable price in one place.

With these pieces, you can easily dress them up or down depending on your style. Whether you prefer the relaxed look of baggy jeans or the sleek approach of more form-fitting jeans, you’ll have plenty of options to switch up your outfit. The versatility of these pieces ensure you can create a different outfits for various occasions.

For more product recommendations, check out Coach’s $22 Wristlet, celebrity-inspired oversized custom jackets, and Abercrombie’s TikTok-viral jeans to add to your summer wardrobe.

SiriusXM had its best week since December 2023 this week, leading all music stocks in a week when the losers outnumbered the winners two to one. Shares of the company jumped 12.3% to $2.93 following the company’s decision to conduct a 1-for-10 reverse stock split when it merges with the Liberty Media SiriusXM Group tracking stock later this year. SiriusXM gained 16.4% in the week ended Dec. 15, 2023. 

The reverse split is meant to boost SiriusXM’s beleaguered share price. After years of steady growth in its satellite radio business, the company has suffered declines in both revenue and satellite subscribers as it attempts to build a competitive streaming service. The company lost 445,000 self-pay subscribers in 2023 — a 1% decline — and experienced a 1.4% drop in the first quarter of 2024. The revamped streaming app launched in December at $9.99 per month, about half the average revenue per user generated from satellite radio subscriptions in 2023. 

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SiriusXM was the only music stock to post a double-digit gain this week and one of only six stocks in the 20-company Billboard Global Music Index to see growth. With 13 stocks declining and one — French music company Believe — unchanged, the index fell 0.3% to 1,814.88. On average, live music stocks fared the best with an average gain of 0.6%. Other segments posted declines: streaming stocks fell 3.7%, radio stocks dropped 2.9%, and record labels and publishers dipped 1.3%. 

Live Nation rose 4.7% to $92.96, its highest closing price since June 5. The company’s shares are down 8.3% since the Department of Justice brought an antitrust lawsuit that seeks to break up its concert promotion and ticketing operations, but it’s held steady since an initial post-lawsuit drop. Friday’s closing price was just 52 cents below the price the day after the lawsuit was announced on May 23. 

Shares of Spotify rose 1.5% to $317.86 to mark their third successive weekly gain. Cost-cutting and price-hiking have helped Spotify’s stock gain 69.2% in 2024 and 101.8% in the last 52 weeks. There was more price-related news on Friday (June 21) as Spotify revealed a new “basic” plan in the United States, which costs $10.99 per month and offers users a plan that doesn’t include audiobooks. The “premium individual” plan includes both music and 15 hours of audiobook listening for $11.99 per month, while the “audiobook access” tier provides 15 hours of audiobook listening and the ad-supported music service for $9.99 per month.

iHeartMedia was the index’s worst performer after dropping 17.4% to $1.00. The radio giant’s stock is down 62.5% year to date amidst a weak radio advertising market and steady growth at competing streaming services. LiveOne fell 12.6% to $1.59, bringing its year-to-date gain to 13.6%. 

Music was outperformed by broader indexes as stocks reached new highs this week. On Thursday (June 20), the S&P 500 set a new all-time high of 5,503.53 and the Nasdaq composite reached a new high of 17,936.79. For the week, the S&P 500 rose 0.6% to 5,464.62 and the Nasdaq composite was barely above breakeven at 17,689.36. In the United Kingdom, the FTSE 100 rose 1.1% to 8,237.72. South Korea’s KOSPI composite index gained 0.9% to 2,784.26. China’s Shanghai Composite Index fell 1.1% to 2,998.14.

As he prepares to release his new album, D, Daryl Hall is well aware of how long of a gap there’s been — 11 years, in fact, since Laughing Down Crying.

“It has been a long time,” Hall, who released a compilation, Before After, in 2022, acknowledged to Billboard shortly before starting his current tour with Elvis Costello. “I couldn’t believe how long ago (Laughing Down Crying) was. I dunno — time flies. I’ve been busy with various things and trying to do what I was doing, and the years just flew by.”

The nine-track D — which drops Friday, June 21 — itself has been “a long time coming” as well. Hall began working on it a year and a half ago on Harbor Island with co-producer and longtime friend Dave Stewart of Eurythmics fame. There was no sense of urgency in the process, either, according to Hall.

“We took breaks from it and all that,” Hall explained. “I’d go down there; I have a house in the Bahamas and so does Dave, around the corner. It was really just the two of us, with an engineer (Jesse Samier). We pretty much worked in one-month increments; we’d do a month, then I went away — I was on the road for a year — then I’d come back and we’d do another month and then it was just kind of tying things together, which we did fairly recently.

“I think in some respects it was better to take breaks, ’cause every time we’d jump back into it it’d be fresh. It was all very spontaneous, very happy, not a lot of thought, really. It was just ‘Don’t think, just do,’ and (D) is what came out of it.”

While Hall, Stewart and Samier played nearly all the instruments on D, they would “just bring somebody in” for other parts, including backing vocalists, while Darrell Freeman was tapped to send synthesizer parts from Atlanta and longtime Hall & Oates saxophonist Charlie DeChant contributed to “Why Do You Want to Do That (To My Head).” Hall says the relaxed island environment gave the songs a particular kind of vibe, easy to hear in the soul-flacked “Too Much Information,” “Can’t Say No to You,” “Walking In Between Raindrops,” “Break It Down to the Real Thing” and “Not the Way I Thought it Was,” the D track most likely to be associated with Hall & Oates.

That tone counters what Hall calls a “very personal” album — and one that, with its lyrical reflections on relationships, mortality and world order, is not always as breezy and smooth as the music.

“The album is a complete thought,” said Hall, “and we organized the songs to go through a journey with it. We hit sort of a bottom place with ‘I’d Rather Be a Fool’ — that song is totally autobiographical — and then start coming back up again to the new, better world. We didn’t write the songs with that in mind, but when we realized what we had we put it together into a story, in a progression.”

The D title, meanwhile, pulls from Hall’s nickname. “My friends call me D, so I said, ‘OK, why not? I’ll call it my nickname.”

For Hall, D also represents something of a new era. While he and John Oates toured together through 2022, their schism as a duo became public in recent years — and particularly last fall, when Hall filed suit against Oates over issues related to the latter’s plan to see his share of Hall & Oates‘ publishing to Primary Wave Music. Both have said they’re unlikely to ever reunite and are going about their businesses as full-time solo artists.

“John and I did not have a creative relationship for decades; the last song I write with John was in 2000 and that was with somebody else,” Hall says. “We toured and we toured and we toured, and it was very restrictive to me, and to John. The real truth of it all is John just said one day he didn’t want to do it anymore. I said ‘OK,’ but the problem is (Oates) didn’t make the parting and breakup easy, and that’s where the difficulties lay and still lay, and that’s all it is.

“I always say I’ve been a solo artist my whole life, I was just working with John, mostly.”

Being on his own full-time now is liberating, according to Hall. “That’s exactly how I’m looking at it,” he acknowledged. “I can’t speak for John ’cause I haven’t spoken to him in a long, long time, but I think that’s how he feels, too. And good on both of us. I can still play all the songs that I wrote over the years, under my own name as well as under the Hall & Oates name. It frees me, really. It frees me up.”

He’s ready to continue on that path, too. With D coming out Hall is already making plans for its follow-up, starting on his next trip to Harbor Island in January. In the meantime he’s happy to be on the road with Costello, for whom he provided a guest vocal on the 1984 single “The Only Flame in Town.”

“I think it’s a great combination,” Hall says. “It’s a lot of good music, a lot of good songs. I met Elvis around the same time as (Stewart), actually — early ’80s or something. We have mutual friends and we’ve traveled in and out of the same circles over the years. He’s a complicated guy musically and personally, but in the most interesting of ways.”

Hall is also continuing to renovate homes — he’s working on one now, in fact — and he’s moving forward with his acclaimed performance series Live From Daryl’s House after re-launching it last year as a web series on YouTube. “We’re talking about, instead of doing whole seasons just maybe doing two (episodes) at a time and putting them out,” Hall says. “So every once in awhile we’ll throw a couple out there; that way it doesn’t take too much time out of other things I’m doing, ’cause it really does take time. So that’s the plan; I don’t know who (the next episodes) will be yet, but it’ll probably be just a couple of new things coming out.”