Billboard takes a look back at when the Left Shark from Katy Perry’s 2015 Super Bowl performance went viral and turned into a huge internet meme.
Evan Burke We heard her “Roar” and fireworks lit the sky. But we’ll give you one guess at which part cemented Katy Perry’s Super Bowl halftime show into our minds forever. We take you to that moment in this week’s Pop Culture Rewind.
Evan Burke It was Super Bowl XLIX, and while the Patriots were battling the Seahawks, Katy Perry was on top of her game for her Pepsi halftime show. She arrived in a big way on a tiger and ran through all her hits, like “I Kissed a Girl” with Lenny Kravitz, “California Gurls,” and she even invited Missy Elliott, who also went through her epic catalog including “Work It,” but it was during “Teenage Dream” when one of her two backup dancing sharks lived his best life. So much so, everybody named him “Left Shark” and the memes and Halloween costumes were born. The guy behind the shark later said he just forgot the choreo — iconic! We’ll have another huge moment for you next week in our Pop Culture Rewind.
Country music’s brightest gathered at Nashville’s Bridgestone Arena for the 57th annual CMA Awards on Wednesday, Nov. 8, to celebrate the genre in a star-studded ceremony. The show was once again hosted by Luke Bryan and Peyton Manning.
The ceremony kicked off with a raucous performance by Jelly Roll of his hit “Need a Favor.” The country star was joined by icon Wynonna Judd, who was a surprise performer. The two duetted on a stage set up to resemble a church, with a choir providing backup vocals, as the stars in the crowd — including Post Malone, Nicole Kidman, Keith Urban and Kelsea Ballerini — enjoyed the powerful set.
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In one of the awards presented earlier in the show, Tracy Chapman won song of the year for “Fast Car.” Luke Combs had delivered a chart-topping cover of her track, which also won Combs single of the year; his take reached No. 2 on the Billboard Hot 100. Her song of the year victory became Chapman’s first Country Music Association trophy; she is credited as the sole writer of the song.
Among the night’s performers were Morgan Wallen, Bryan, HARDY, Post Malone, Ballerini and more. Presenters included Paula Abdul, Lady A, Cynthia Erivo, Martina McBride, Darius Rucker and others.
Lainey Wilson was the top nominee with nine nods. Jelly Roll followed with five nods, Combs and HARDY with four, and Jordan Davis, Ashley McBryde, Joey Moi, Jordan Schmidt, Chris Stapleton, Morgan Wallen and Derek Wells with three.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-09 03:09:162023-11-09 03:09:162023 CMA Awards: Photos From the Show
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-09 03:09:162023-11-09 03:09:16Wynonna Judd Talks Opening the CMA Awards With Jelly Roll, Gives Her Thoughts on ‘A Tribute to the Judds’ Album & More | CMA Awards 2023
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-09 03:09:152023-11-09 03:09:15Bill Anderson on His Songwriting Process, Friendship with Brad Paisley & More | CMA Awards 2023
Eric Church and Morgan Wallen — two sterling country music headliners– teamed up during Wednesday evening’s (Nov. 8) 2023 CMA Awards. Clad in his signature dark sunglasses, Church traded lines with Wallen on “Man Made a Bar,” a tribute to the hazy, smoke-filled spaces where libations flow freely and the heartbroken escape to find solace and refuge.
“God made a girl, his best work of art/ Oh, but he didn’t make no place to go when she breaks your heart…So man madе a bar,” they sang on the song written by Brett Tyler, Jordan Dozzi, Larry Fleet and Rocky Block.
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The two hugged as the performance ended, with Church pointing to Wallen before they exited the stage. The two artists have had a long friendship, showing up as guests during each other’s concerts and occasionally posting photos of their golfing outings on Instagram.
“Man Made a Bar” is included on Wallen’s album One Thing at a Time, which spent 16 weeks atop the all-genre Billboard 200 albums chart.
Wallen is currently nominated for entertainer of the year, an honor Church took home in 2020. One Thing at a Time is up for album of the year, while Wallen is up for male vocalist of the year. This isn’t Wallen’s only performance during the CMA Awards; he’s also set to perform later in the evening with Post Malone and HARDY.
The 57th annual CMAs aired live on ABC, and was hosted by Luke Combs and Peyton Manning. This year’s top nominees include “Heart Like a Truck” singer Lainey Wilson with nine nominations (also including entertainer of the year), and “Need a Favor” singer Jelly Roll, with five nominations.
Watch Morgan Wallen and Eric Church’s performance of “Man Made a Bar” below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-09 03:09:152023-11-09 03:09:15Eric Church & Morgan Wallen Join Forces to Perform ‘Man Made a Bar’ on the CMA Awards
Hollywood’s actors union reached a tentative deal with studios Wednesday to end its strike, bringing a close to months of labor strife that ground the entertainment industry to a historic halt.
The three-year contract agreement must be approved by votes from the union’s board and its members in the coming days, but the leadership declared that the strike will end at 12:01 a.m. on Thursday.
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At nearly four months, it was by far the longest strike ever for film and television actors.
More than 60,000 members of the Screen Actors Guild-American Federation of Television and Radio Performers went on strike July 14, joining screenwriters who had walked off the job more than two months earlier. It was the first time the two unions had been on strike together since 1960. Studios chose to negotiate with the writers first, striking a deal that their leadership marked as a major win and bringing their strike to an end on Sept. 26.
The terms of the agreement were not immediately released. SAG-AFTRA said details would be made public after a meeting on Friday where board members review the contract. Issues on the table included both short-term compensation and future royalty payments for film and TV performances, along with control over actors’ images and likenesses regenerated with artificial intelligence.
Executives from top entertainment companies including Disney, Netflix, Warner Bros. Discovery and Universal had a direct hand in negotiations, which like all Hollywood union talks were led by the Alliance of Motion Picture and Television Producers.
The end of the strike announcement came hours after Disney CEO Robert Iger and Warner Bros. Discovery CEO David Zaslav reported their latest earning statements. Both executives said they hoped the strike would be resolved soon.
Disney’s shares rose based on its report, which said its net income jumped 63% to $264 million in the quarter that ended Sept. 30, up from $162 million a year earlier. Zaslav said on an earnings call that the studios’ last offer “ met virtually all of the union’s goals and includes the highest wage increase in 40 years.”
Warner Bros. Discovery reported losses and saw its shares fall 19% Wednesday.
Although the writers strike had immediate, visible effects for viewers, including the months-long suspension of late-night talk shows and Saturday Night Live, the impact of the actors’ absence was not as immediately apparent. But its ripple effects — delayed release dates and waits for new show seasons — could be felt for months or even years.
Actors should quickly return to movie sets where productions were paused, including Deadpool 3, Gladiator 2 and Wicked. Other movies and shows will restart shooting once returning writers finish scripts.
And beyond scripted productions, the end of the strike allows actors to return to red carpets, talk shows and podcasts, as Hollywood’s awards season approaches.
“The SAG strike is over!! I can finally say it: watch my documentary Saturday night at 8 on HBO/MAX!” actor-director Albert Brooks said on social media moments after the strike ended. “Couldn’t say a word until now!!”
The only major awards show directly effected by the strike was the Emmys, which was moved from September to January. Now, the usual fall Oscar campaigns will mobilize.
But any feeling of industry normalcy could prove temporary. The circumstances that brought on the strikes — the shift from traditional theatrical and broadcast media to streaming, and emerging tech like AI — have not been slowed. And the gains made by the strikes may embolden other Hollywood unions, or these same guilds in negotiations that will come up again in just a few years.
Union leaders treated the strike like a watershed moment from the start, coming as it did amid wider labor fights in other industries.
“I think it’s a conversation now about the culture of big business, and how it treats everybody up and down the ladder in the name of profit,” SAG-AFTRA President and “The Nanny” star Fran Drescher told The Associated Press in an August interview.
Duncan Crabtree-Ireland, the executive director and chief negotiator who led the team that struck the deal for the guild, told the AP in August that he was “honored to be part of making sure that our members get a fair contract that’s going to protect them going into the future and make sure that the 14-year-olds I talked to on the Disney picket line still have the ability to be an actor when they turn 18.”
The agreement also means a return to sets for thousands of film crew members who have left with nothing to work on during the strikes. SAG-AFTRA sought to offset their hardship by allowing sometimes controversial interim agreements for some smaller productions to proceed, and by making their strike relief fund available to all workers in the industry.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-09 03:09:142023-11-09 03:09:14Hollywood Actors Strike Is Over as Union Reaches Tentative Deal With Studios
Thirteen past Grammy winners, ranging from Amy Grant to Kim Petras, will help announce the 66th annual Grammy Award nominees in a livestream event on Nov. 10. The announcement will be accessible on live.Grammy.com and YouTube.
Other Grammy winners onboard for the event include: Arooj Aftab, Vince Gill, Jimmy Jam, Jon Bon Jovi, Samara Joy, Muni Long, Cheryl Pawelski, Judith Sherman, St. Vincent, Jeff Tweedy and “Weird Al” Yankovic. They will be joined by CBS Mornings co-hosts Gayle King, Nate Burleson and Tony Dokoupil and Recording Academy CEO Harvey Mason jr.
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Gill has amassed 22 Grammys, more than any other male country artist. Other presenters on Friday’s livestream who have won four or more Grammys are Sherman (14), Grant (six), Jam (five), Yankovic (five) and Tweedy (four).
Jam was chair of the Recording Academy’s board of trustees from 2007-09. Joy was the surprise winner for best new artist last year. Jon Bon Jovi will be the 2024 MusiCares Person of the Year honoree on Feb. 2, 2024, two nights before the Grammy Awards.
The nominations event will kick off with a special presentation announcing the nominees in the general field and select other categories. There will be two changes in general field categories this year. There will be just eight nominations, down from 10 the last two years, for album, record and song of the year, plus best new artist, which have always comprised the general field. Also, two additional categories are being bumped up to the general field for the first time: producer of the year, non-classical and songwriter of the year, non-classical.
Video announcements of the nominees in the remaining categories will also be published on live.Grammy.com and YouTube while the event is underway. The full list of nominees will be published on Grammy.com immediately following the presentation.
Here’s the timeline for when these events will occur on Nov. 10. (All times are approximate and subject to change.)
10:45 a.m. ET / 7:45 a.m. PT: Grammy nominations pre-show
11 a.m. ET / 8 a.m. PT: Nominations livestream event
11:25 a.m. ET / 8:25 a.m. PT: Nominations livestream event ends; full nominations list posted on Grammy.com
11:25 a.m. ET / 8:25 a.m. PT: Grammy nominations wrap-up show
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-08 03:35:542023-11-08 03:35:54How to Watch the 2024 Grammy Nominations Announcement Livestream
Tori Kelly is fresh off a successful tour and a new EP Tori, and the star sat down with Billboard‘s Rania Aniftos to reflect on her past few months.
Thankfully, the 30-year-old singer says she’s “feeling really good” after she was hospitalized back in July for blood clots in her lungs and legs. “It totally caught me off guard,” she said of the experience. “It was a scary few days but, but I’m so happy that I had like a really good support system around me. I was mind blown by this all the love and support.”
One person who immediately reached out was none other than Beyoncé, who sent Kelly flowers along with a “Get Well Soon” card. “I got a lot of flowers but when Beyoncé’s flowers showed up, it’s like, oh yeah, those are obviously Beyoncé’s. They were massive,” Kelly says.
As for her new EP, Kelly says its a reflection of her growth over the past few years. “My last full length album was even before 2020. That album was a lot more sad, and I had gone through a lot of things personally, with family and all these different things. So growing from that, having a lot of healing, being in love and just wanting to express that feeling — this new wave of confidence come over me and all of that, I just put into the music and I hopefully you can hear that. I think I’m in just this new place in my life where I’m willing to have a little more fun and experiment with sounds and style.”
But she’s not done yet. “What I’ll say is there’s definitely more where this EP came from,” she said of the potential of a new album.
Watch Billboard‘s full interview with Tori Kelly above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-08 03:35:532023-11-08 03:35:53Tori Kelly Reflects on Beyoncé Sending Her Flowers After Hospitalization, Talks Growth on New EP
Tori Kelly sat down with Billboard News’ Rania Aniftos and opened up about her hospitalization, getting back on the road for her tour, experimenting with new sounds and styles on self-titled EP Tori and more!
Tori Kelly: “I could be your shelter.” Like, the crowd always has to sing that line. Hey, I’m Tori Kelly, and you’re watching Billboard News.
Rania Aniftos: I’m Rania Aniftos with Billboard News, and I’m so excited to be here with the super talented, the super beautiful Tori Kelly.
First, how are you feeling after your hospitalization?
Tori Kelly: I’m feeling good. I’m actually feeling really good. Totally caught me off guard. It was a scary few days, but I’m so happy that I had, like, a really good support system around me. I was mind blown by just all the love and support that I got during that time.
Rania Aniftos: Beyond fans, Beyoncé sent you flowers.
Tori Kelly: Beyoncé, yeah, I got a lot of flowers. But when Beyoncé’s flowers showed up it was like, “Oh, yeah, those are obviously from Beyoncé.” They were massive.
Rania Aniftos: I mean, healing of the body and soul, though.
Tori Kelly: Seriously yeah, I was like, “I’m good now. I’m good, yeah.”
Rania Aniftos: I mean, but then you really did get back up and you went right on tour, basically.
Tori Kelly: It is honestly a dream come true. I was looking forward to this tour for a while. And then I think now with everything that’s happened health wise too, I’m just even more grateful. And it feels even like more emotional being on stage now, and just not wanting to take a single second for granted.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-08 03:35:532023-11-08 03:35:53Tori Kelly Opens Up About Hospitalization, Her New EP & More | Billboard News
Fans of The Beatles are getting gift after gift this month, starting with the arrival of the yet-unreleased song “Now and Then” late last week and followed by a cheeky Peter Jackson-directed music video for the track. And later this week, expanded reissues of the group’s greatest-hits compilations — known as the Red (1962–1966) and Blue Albums (1967–1970) — will be released.
“Now and Then” is being billed as “the last Beatles song,” and on the new Billboard Pop Shop Podcast, Katie & Keith are wondering: Is this truly it? After seeing artists like Prince with a seemingly endless vault of unreleased material, it’s hard to fathom a world that doesn’t include any future unheard Beatles music.
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Listen to our conversation about that and much more on the latest episode:
Also on the show, we’ve got oodles of chart news on Taylor Swift’s huge debut on the Billboard 200 albums chart, as her latest re-recorded album, 1989 (Taylor’s Version), launches with the biggest week for an album in nearly a decade. Plus, on the Billboard Hot 100, one of the album’s “From the Vault” songs debuts straight in at No. 1, replacing Swift’s own “Cruel Summer” and garnering Swift her 11th leader.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-11-08 03:35:522023-11-08 03:35:52The Beatles Are Back With ‘Now and Then’ — But Is This Truly Their ‘Last Song’?