Gracie Abrams lands her first No. 1 in Australia as The Secret Of Us (via Interscope/Universal) debuts at the summit.

The Californian singer and songwriter’s sophomore album thrashes the No. 30 best for her first LP, 2023’s Good Riddance.

Abrams is very much part of Taylor Swift’s #Squad. She has opened in various markets on Swift’s ongoing The Eras Tour, and the pop superstar collaborated with Abrams on The Secret Of Us track “Us,” which bows at No. 25 on the latest ARIA Singles Chart – the week’s top debut.

With her best-selling start, Abrams leads a trio of female solo artists on the ARIA Chart, published Friday, June 26, ahead of Billie Eilish (Hit Me Hard And Soft, down 2-1 via Interscope/Universal), Taylor Swift (The Tortured Poets Department, down 2-3 via Universal) and Charli XCX (Brat, up 5-4 via Atlantic/Warner), respectively. U.S. country star Morgan Waller completes the top five with One Thing At A Time (up 7-5 via Mercury/Universal).

There’s no doubt about it, Chappell Roan is having a moment. The rising pop star makes her first appearance in the top 10 with her 2023 debut album The Rise And Fall Of A Midwest Princess, lifting 14-7, while her standout track “Good Luck, Babe!” lifts 20-12 for a new peak position on the national singles tally.

Close behind, Brisbane, Australia-formed pop band Sheppard mark their return to the ARIA Chart with Zora (Empire Of Song/MGM), their fourth studio album. It’s new at No. 8. Now based in Nashville, Sheppard cracked the top 10 with 2014’s Bombs Away (No. 2), 2018’s Watching The Sky (No. 1) and 2021’s Kaleidoscope Eyes (No. 2).

Over on the ARIA Singles Chart, Sabrina Carpenter retains top spot for a second week with “Please Please Please” (Island/Universal). Meanwhile, Shaboozey’s “A Bar Song (Tipsy)” (via Empire) improves 3-2 for a new peak position, and Carpenters’s former leader “Espresso” dips 2-3.

Further down the list, Tommy Richman bags a top 40 with “Devil Is a Lie” (via Conchord/Universal), the followup to his No. 1 hit “Million Dollar Baby.” “Devil Is a Lie” is new at No. 27.

Finally, Post Malone’s country era notches another top 40 as “Pour Me a Drink” (Universal) with Blake Shelton” opens at No. 33. It’s the followup to “I Had Some Help” with Morgan Wallen, currently up 6-4 in its seventh week on the tally.

It’s about to be a Hot Girl Summer. Megan Thee Stallion dropped off her long-awaited Megan album on Friday (June 28), which serves as her third LP.

Between earning a solo No. 1 Hot 100 hit with “Hiss” and trekking across North America on the Hot Girl Summer Tour, 2024 has already been a prolific year for Meg.

Megan boasts 18 tracks in total with features from fellow Houstonian legends UGK, GloRilla, Victoria Monet, Big K.R.I.T., Kyle Richh and more.

“This is music I would like if I wasn’t Megan Thee Stallion. I don’t want to say I’m tapping into other genres. I’m just tapping into other sounds. But it’s still very much Megan Thee Stallion. It won’t feel like I went so left. It’ll feel true to me,” Megan told L’OFFICIEL of the project. “You’ll almost be like, ‘I wouldn’t have thought she would’ve rapped over that, but this sounds great.’”

The 29-year-old has a pair of Hot Girl Summer Tour dates left in America (Atlanta and Charlotte) before heading across the pond for the European leg in July.

Megan Thee Stallion will set the tone for the BET Awards when she opens the show on Sunday night (June 30) with what should be a lively performance.

The album serves as a “rebirth” for Megan with the first project to arrive since the Tory Lanez shooting trial came to a close with the singer being sentenced to a decade behind bars last August.

Billboard ran through Megan upon its arrival on streaming services, and we ranked all 18 tracks from the LP below.

Between a world-stopping Super Bowl performance, an upcoming arena tour, and a very special honor from ASCAP, Usher just keeps finding ways to make 2024 “Good Good.”

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On Thursday (June 27) at The London West Hollywood in Beverly Hills, Billboard 200 and Hot 100 chart-topper Usher, decked out in an all-black ensemble and shades, received the Voice of the Culture Award in front of an adoring crowd of peers and press. Victoria Monét, who took home the best new artist Grammy at the top of the year, accepted the prestigious Vanguard Award in a stunning midriff-baring blue dress.

The Voice of the Culture Award is presented to ASCAP members who have had a major influence on music and culture, recognizing their success as creators and changemakers. Past recipients of the award include Timbaland, Swizz Beatz, D-Nice and T.I.

The Vanguard Award is presented in recognition of ASCAP members whose innovative work is helping to shape the future of music. Janelle Monáe, Kendrick Lamar, The Strokes, and Billie Eilish are past recipients.

The night kicked off with a red carpet on the hotel’s rooftop, which included appearances from Erica Campbell, T.I., Omarion, Ernest Isley, Alex Isley, Deputy, Nascent, Jimmy Jam & Terry Lewis, Johntá Austin, The Avila Brothers, and more. Several stars took a moment to speak with Billboard, including Campbell, who revealed her favorite gospel song from a songwriting standpoint. “What comes to my mind first is ‘Trust In God’ by The Winans,” she said. “The way the song is crafted, the emotions in the song, the lyrics — it’s hopeful but it’s God-centered. Even if it’s a gospel song, it still needs to be well-written and that song is a perfect example.”

Acclaimed father-daughter unit Ernie and Alex Isley also posed for pictures together, with Alex revealing her “holy grail” of R&B songwriting — which included her father, Mariah Carey, Dianne Warren, Michael Jackson and Quincy Jones — and Ernie reflected on working with Lamar on 2015’s To Pimp a Butterfly in light of his recent beef with Drake. “They’re both great,” he said. “It was fun working with [Kendrick,] and I imagine we’re gonna do some more stuff with him not too long from now.”

In that vein, T.I. also reflected on his own diss track legacy, reacting to his No. 15 (“What Up, What’s Haapnin’”) on Billboard’s 15 Most Scathing Hip-Hop Diss Songs of All Time list. “This is a spectator sport, that’s what the spectators said! As a contributor to the culture, I’m just happy to be on people’s minds,” he said, before naming Tupac’s “Hit ‘Em Up,” Nas’ “Ether,” Jay-Z’s “Takeover,” Dr. Dre’s “F–k Wit Dre Day” and Ice Cube’s “No Vaseline” as his picks for the best-written diss tracks in hip-hop history.

Lil Baby — whose “Forever,” “Freestyle,” “Heyy” and “Hurricane” were all cited as winning songs — received the first honor of the night, taking home songwriter of the year for a third non-consecutive year. He previously won in 2021 and 2022. In a speech that lasted under 30 seconds, the chart-topping rapper thanked his team and the ASCAP organization.

Monét offered a lengthier — and notably melodic — acceptance speech when she received her Vanguard Award. After recounting how she looked up the meaning of “vanguard” once her team notified her of the honor, Monét said, “Although I do view myself as a leader… my brilliant team stands right beside me, never behind me. We all have been on the very frontlines together on this road to success meticulously, converting every non-believer into a believer with hard work and consistency. We shoot, not eye level, but for the stars — and it truly takes a strong team to go from underdog to vanguard.”

The Vanguard Award is just the latest in a string of recent honors for Monét. She won three Grammys on Feb. 4 – best new artist, best R&B album for Jaguar II and best engineered album, non-classical, for that same LP. “On My Mama,” a Grammy nominee for record of the year, hit No. 33 on the Hot 100, marking her highest-ranking unaccompanied entry on the chart. On March 6, Monét received the rising star award at the Billboard Women in Music Awards. The “Alright” signer capped off her acceptance speech by promising her daughter (and fellow Grammy nominee) Hazel that she would continue to show up as her best self every day.

Parenthood also served as a key talking point for Usher, who delivered a rousing twelve-minute speech to accept his Voice of the Culture Award. After a pair of touching introductions from ASCAP president Paul Williams and Dupri — who’s currently cooking up new music with Ari Lennox and Young Dylan — Usher took the stage, doling out infinite thanks to the many friends, family members, team members, and mentors who have helped him navigate his groundbreaking 30-year career. “I have a lot of people that I want to thank, but I did want to say something that I felt would be meaningful, and that is the importance of collaboration,” he said. “No one man is an island. We have to work with each other. Sometimes, the vision that we have can be carried all the way across to its full potential if you’re able to share.”

In addition to shouting out his fellow honorees and paying tribute to key players such as L.A. Reid and Mark Pitts, Usher dedicated half of his speech to his two eldest sons, Usher “Cinco” V and Naviyd Ely. Shortly after the “Burn” singer revealed that one of his sons is “really adamant” about being an artist, he reflected on his own experience having an absentee father in the context of helping his son achieve his dreams.

“While we can stand on these stages and say, ‘Mom, I made it,’ it’s not often that we get the opportunity to say ‘Look, dad! I did it!” That s— was hard,” Usher said. “You don’t understand how hard it was to say because the reality is, I was saying it to a father who wasn’t there…. I’m very happy to say to you, continue to love on your kids. Continue to take the time to listen to them, encourage them, and make them a part — if you listen to them, they have very valuable things to say.”

With the Past Present Future Tour fast approaching (Aug. 14) and new music possibly on the horizon — “We got new s— that we makin’ too!” he quipped — Usher’s banner year is showing no signs of slowing down.

The ASCAP Rhythm & Soul Music Awards recognize the songwriters and publishers of the most-performed songs of the past year based on Luminate data for terrestrial and satellite radio and streaming services, as specified by ASCAP Rhythm & Soul Music Awards rules.

Keith Urban is back with some exciting news — his new album High is set to drop on Sept. 20, marking his first release in nearly four years.

High follows 2020’s The Speed of Now Part 1. which peaked at No. 7 on the Billboard 200, one of his eight top 10 appearances on the chart, a tally that includes two leaders. The new collection follows Urban’s musical journey while simultaneously exploring themes of human connection, what it is to be alive, cutting loose, hope, nostalgia, shredding solos, straight-up fun, and some personal life revelations.

“I’ve always been drawn toward the subject of living in the moment, because it’s all there is, and it’s hard to do,” said Urban of his latest project. “And these days with so much ‘content’ flying at us, it can feel like drinking from a fire hose.”

To give fans a taste of what’s to come, Urban has also released the new single “Wildside”.

Inspired by Joan Cusack’s character in School of Rock, the song is a fun, party anthem. “She’s the principal of a school by day, all prim and proper,” Urban said. “And then, a few tequilas at night and all bets are off.”

He explained the inspiration behind the album’s title, High. “What makes you ‘high’ can mean whatever you want it to mean,” the singer said.

“It might be physical, spiritual, herbal, meditative, chemical, or musical, but it’s definitely a place of utopia.”

For Urban, those highs come from his family, friends, and the thrill of playing live music. “Playing guitar, writing songs and the place where I always feel high – playing live. Every night I get a chance to bring an energy and a release to people.”

However, creating High wasn’t all smooth sailing.

Urban shared that his hectic 2022 tour schedule made it tough to maintain a cohesive sound. “There was no continuity. The songs didn’t work well together. I learned that what I thought was a framework to create within, turned out to be musically limiting.”

The forthcoming album features a variety of tracks, each with its own unique vibe and story. Besides “Wildside,” High includes songs like “Straight Line,” “Go Home W U” featuring Lainey Wilson, and the current radio single “Messed Up As Me.”

Urban’s career is still on fire. This year, he was inducted into the Nashville Songwriter’s Hall of Fame by Dolly Parton, returned to American Idol as a mentor and performer, and rocked stages at big events like the Formula One Heineken Silver Las Vegas Grand Prix.

His Las Vegas residency at the Bakkt Theater at Planet Hollywood Resort & Casino has been a huge hit, proving once again why he’s one of the best live performers around.

Urban’s High is available for pre-order now. Check out the High tracklist below.

High Track Listing:

  1. “Blue Sky (Prelude)”
  2. “Straight Line”
  3. “Messed Up As Me”
  4. “Wildside”
  5. “Go Home W U (With Lainey Wilson)”
  6. “Chuck Taylors”
  7. “Daytona”
  8. “Love Is Hard”
  9. “Heart Like A Hometown”
  10. “Laughin’ All The Way To The Drank”
  11. “Dodge In A Silverado”
  12. “Break The Chain”

Jimin, a member of the global phenomenon BTS, has just released his highly anticipated pre-release single “Smeraldo Garden Marching Band” featuring Loco.

The track offers fans an exciting preview of his upcoming second solo album, MUSE, set to drop on July 19.

Inspired by The Beatles‘ iconic Sgt. Pepper’s Lonely Hearts Club Band, “Smeraldo Garden Marching Band” masterfully blends hip-hop beats with the lively, brassy sound of a marching band. Jimin collaborated once again with renowned producers Pdogg, GHSTLOOP, and EVAN, who previously worked on his debut solo album, FACE.

The impressive production team also includes Tommy Brown, known for his work with Ariana Grande, Justin Bieber, The Weeknd, and Mr. Franks.

The song’s title references the fictional flower “Smeraldo,” which symbolizes “the truth untold.”

The lyrics delve into themes of longing and unspoken love, connecting to the “Smeraldo” legend previously mentioned in BTS’ “The Truth Untold” featuring Steve Aoki from their LOVE YOURSELF 轉 ‘Tear’ album.

The accompanying music video, out now via HYBE LABELS’ YouTube channel, opens with a serene landscape before zooming in on Jimin, who performs as the lead vocalist with producers Pdogg, GHSTLOOP, and EVAN playing as the band’s musicians, and a special appearance by Loco. The video’s nostalgic, vintage feel is amplified by cinematic opening credits and a faded, grainy texture while showcasing Jimin’s smooth dance moves and versatile voice.

MUSE, Jimin’s highly anticipated second solo album seven will feature interconnected tracks, all revolving around the theme of love.

The album’s tracklist includes “Rebirth,” “Interlude: Showtime,” “Smeraldo Garden Marching Band” featuring Loco, “Slow Dance” featuring Sofia Carson, “Be Mine,” “Who,” and “Closer Than This,” which was released in December.

Jimin has wowed audiences across the globe with his distinctive vocals and impressive range, as demonstrated in solo tracks like “Lie,” “Serendipity,” and “Promise,” as well as collaborations such as “With you” from the Our Blues OST and “VIBE” with Taeyang.

His debut solo album, FACE, made history when he became the first South Korean solo artist to top the Billboard Hot 100.

BTS, consisting of RM, Jin, SUGA, j-hope, Jimin, V, and Jung Kook, have enjoyed a meteoric rise since their debut in June 2013.

The group is celebrated worldwide for their self-produced music, packed performances, and deep connection with their fans, known as ARMY. They have achieved numerous accolades, including six No. 1 Billboard Hot 100 singles and multiple sold-out stadium shows worldwide.

“Smeraldo Garden Marching Band” featuring Loco is out now, while MUSE drops July 19.

Megan Thee Stallion has proven her dedication to both her music and her love for anime with a last-minute twist just days before the release of her third studio album, Megan.

The Houston rapper took to Instagram Live on Jun. 26 to share some behind-the-scenes drama with her fans, the Hotties, about having to re-record the track “Otaku Hot Girl” due to unexpected clearance issues with a major anime studio.

During her Instagram Live session, Megan explained how she initially recorded “Otaku Hot Girl” without securing the proper clearance for an anime sample she used in the song.

The Grammy Award-winning artist didn’t reveal which anime series or studio was involved, but she assured fans that the sample would be instantly recognizable.

“Y’all will never believe what the motherf**k just happened to me!” Megan exclaimed to her followers.

“Y’all know how I told y’all I got an anime sample on my album. I recorded the song before I asked for clearance, so when I sent the people the song, they was like…” Megan paused dramatically, then detailed the studio’s stipulations: she had to change some of the lyrics and was not allowed to cosplay any characters in the music video​.

The demands didn’t stop there.

Megan shared that the studio later requested the removal of all character names from the song, which presented a significant challenge since the names were crucial to the lyrics.

Despite the frustration, Megan re-recorded the track in a makeshift studio just hours before her June 11 Dallas show.

“The music is what’s really important to me, but the names really tied it all together,” she explained.

Megan’s determination paid off, and she expressed her gratitude towards the studio for eventually granting the clearance. “I really hope y’all think this s**t sound fire, ’cause I had to jump through eight million hoops to get this s**t,” she added.

“Otaku Hot Girl” is one of 18 tracks on Megan’s upcoming album, which includes the singles “Cobra,” “Hiss,” and “Boa,” as well as collaborations with artists like Kyle Richh, GloRilla, UGK, and Victoria Monét.

The album follows nearly two years after her sophomore release, Traumazine.

Megan Thee Stallion’s new album, Megan, dropped on June 28.

Lil Baby was named songwriter of the year at the 2024 ASCAP Rhythm & Soul Music Awards. The rapper accepted his award on Thursday (June 27) at an invitation-only event in Los Angeles.

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Three songs that Lil Baby (credited as Dominque “Lil Baby” Jones) co-wrote were among ASCAP’s most performed songs of the year – “Forever” and “Heyy,” both from his third studio album It’s Only Me – and “Freestyle,” from his 2017 mixtape Too Hard.

It’s Only Me reached No. 1 on the Billboard 200, Top R&B/Hip-Hop Albums and Top Rap Albums charts.

“Snooze,” performed by SZA, was named ASCAP’s R&B/hip-hop and rap song of the year. Co-written by Leon Thomas and published by Eclectic Collective Publishing and Sony Music Publishing, the song topped Billboard’s R&B Songs chart for 32 weeks. “Snooze” also reached No. 2 on both the Billboard Hot 100 and Hot R&B/Hip-Hop Songs charts and won a Grammy for best R&B song.

Warner Chappell Music was named ASCAP Rhythm & Soul publisher of the year for songs including “Calm Down” (Rema & Selena Gomez), “Fukumean” (Gunna), “Good Good” (Usher), “Hotel Lobby” (Quavo & Takeoff), “Rich Baby Daddy” (Drake), “Spin Bout U” and “Rich Flex” (21 Savage & Drake), “What It Is” (Doechii featuring Kodak Black) and “Praise God” (Kanye West, Travis Scott & Baby Keem).

Additional 2024 ASCAP Rhythm & Soul award-winning songwriters include 21 Savage (“Good Good,” “Spin Bout U,” “Peaches & Eggplants,” “Rich Flex”), Lil Uzi Vert (“Just Wanna Rock”), Summer Walker (“Good Good,” “Karma”), Coco Jones (“ICU”), Smokie Norful (“I Still Have You”) and Tye Tribbett (“New”).

ASCAP gospel song of the year went to “Goodness of God” (CeCe Winans), co-written by Brian Mark Johnson and Jennifer Louise Johnson and published by Bethel Music Publishing. The song was a fixture on Billboard’s Hot Gospel Songs chart for 78 weeks, longer than any of Winans’ other hits, peaking at No. 2.

The ASCAP Rhythm & Soul Music Awards recognize the songwriters and publishers of the most-performed songs of the past year based on Luminate data for terrestrial and satellite radio and streaming services, as specified by ASCAP Rhythm & Soul Music Awards rules.

As previously announced, Usher received the ASCAP Voice of the Culture Award for his influence on music and culture. Jermaine Dupri, who received three Grammy nominations for his songwriting and production work with Usher, presented the award. (Usher also received most performed song awards for “Glu” and “Good Good.”)

Victoria Monét received the ASCAP Vanguard Award for her “innovative work that is helping to shape the future of music.” ASCAP chairman of the board and president Paul Williams and ASCAP SVP of membership Nicole George-Middleton presented the award. Monét also received a most-performed song award for “On My Mama,” which was a 2024 Grammy nominee for record of the year.

A full list of 2024 ASCAP Rhythm & Soul Music Award winners is available at https://www.ascap.com/rsawards24.

Chance the Rapper has just dropped a major update on his upcoming release, Star Line, and it’s the news fans have been waiting for.

In a recent chat with Complex, the Chicago native revealed that his next studio project is about 83 percent complete, bringing us one step closer to hearing what he’s been working on.

Initially, Chance estimated the collection was 85 percent done but quickly adjusted his estimate.

“That’s a little generous. I’ma say 83. 83.5, 82.7, you know what I’m saying? We’re living in the project right now,” he joked, giving fans a peek into his creative process.

Reflecting on the journey from his debut album The Big Day (2019) to Star Line, Chance shared how different this experience has been.

“For my last project, I’d just gotten married, I just had a baby, I was about to separate from my management. Like, I had so many things going on. Now, it’s not like there isn’t a lot going on, but I’m really able to enjoy the creative process and be 100 percent myself.”

Star Line draws inspiration from Marcus Garvey’s historic Black Star Line, a shipping company aimed at connecting the global Black diaspora in the early 1900s.

Chance elaborated on this during a 2022 interview with Sway.

“He started and ran this very important, integral shipping line. He had a fleet of ships, these giant ocean liners which are the size of cruise ships, that he owned and funded with common Black folks’ money.”

Garvey’s vision of global Black connectivity deeply resonates with Chance, who aims to channel that spirit into his music. “When I think about the Black Star Line and all the spaces that it’s been in, the black star [on the line’s flag] is [also] the representation of Ghana, in their flag, in the fabric of how their country was set up,” he said.

“They believe in global Blackness, Black connectivity and a free Africa.”

Although the album was initially slated for a Spring 2024 release, Chance hasn’t confirmed a new date yet.

To keep fans engaged, he dropped “Together,” produced by DJ Premier, in May, and “Buried Alive” in April, a track that touches on his recent divorce and legal battles with his ex-manager.

In Buried Alive, Chance gets real with lines like, “Where’s his money now? Where his wife at?/ Where his manager? Where his hype at?/ Then they threw the dirt on the casket,” showcasing his raw, introspective side.

Earlier this year, Chance posted an IG Reel of “Buried Alive,” asking fans if he should drop a video. The clips he’s shared of his new direction have featured a darker tone, with black backgrounds and white subtitles, addressing the drama he’s faced since The Big Day.

“I’m really able to revel in the creative process and put everything into that and be 100 percent myself and present in the now,” he said.

It’s officially a Hot Girl Summer. Megan Thee Stallion unleashed her anticipated Megan album to streaming services on Friday (June 28).

Filled with 18 tracks, Meg sheds her skin for a rebirth of sorts on her third studio album. She calls on Victoria Monét, GloRilla and UGK for assists throughout the 18-track project. The effort is filled with three previously released singles in the No. 1 hit “Hiss,” “Boa” and “Cobra.”

“This is music I would like if I wasn’t Megan Thee Stallion. I don’t want to say I’m tapping into other genres. I’m just tapping into other sounds. But it’s still very much Megan Thee Stallion. It won’t feel like I went so left. It’ll feel true to me,” she told L’OFFICIEL of the project in May. “You’ll almost be like, ‘I wouldn’t have thought she would’ve rapped over that, but this sounds great.’”

It’s going to be a busy weekend for the Houston Hottie, who will be starting the party at the BET Awards, kicking off the show with an electric performance on Sunday (June 30).

BET is bringing the stars out with Will Smith, GloRilla, Ice Spice, Latto, Ms. Lauryn Hill with YG Marley, Muni Long, Sexyy Red, Shaboozey, Tyla and Victoria Monét also performing at the award show.

The “WAP” rapper has a couple of more rescheduled shows on the U.S. leg of her Hot Girl Summer Tour slated for Atlanta on July 2 and Charlotte, N.C., on July 3, before heading to Europe for a run of dates throughout July.

Stream Megan below.

Say howdy to Noah Kahan and Kelsea Ballerini‘s new duet “Cowboys Cry Too,” which dropped midnight Friday (June 28).

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Featuring reflective lyrics, twangy guitar and fiddle, finds the two stars’ voices blending beautifully together with the refrain, “I never knew cowboys cry too.”

“I grew up wishing I could close off the way my dad did,” Kahan sings on his verse, as teased in a clip he posted to Instagram ahead of the song’s release. “‘Cause that man never felt a d–n thing he didn’t wanna feel/ I’ve burned too many miles trying to ride out all the sadness/ But you can’t outdrive pain someday it’s gonna take the wheel.”

The day before the track arrived, Ballerini shared a video on her Story listening to it on her car radio with boyfriend Chase Stokes and their two dogs. “Good morning! ‘Cowboys Cry Too’ is on the radio!” she tells the camera excitedly as the Outer Banks star sings along. “Let’s go!”

Kahan and the “Peter Pan” singer gave fans just two days’ heads-up before “Cowboys Cry Too” dropped, with Ballerini sharing the single’s contemplative cover art on social media. “so proud and excited to release this first song in a new chapter of music,” she wrote Wednesday (June 26).

“Can’t wait for this,” added Kahan, reposting the announcement on his Story.

The emotional duet comes nearly a month and a half after the two musicians teamed up for a joint performance of Ballerini’s “Mountain With a View” and Kahan’s Billboard Hot 100 top 10 hit “Stick Season” at the 2024 Academy of Country Music Awards. In a red-carpet interview with Billboard ahead of the ceremony, Kahan recalled meeting his collaborator for the first time at the Billboard + NMPA Songwriter Awards during Grammy Week in February.

“I kind of felt overwhelmed and out of place,” he said. “[She] made me feel really comfortable, and I think that’s why I was so excited to work with her. Kelsea’s just one of those people that the voice is so special, but the songwriting is so real, and you can see that she lives her songs. I really look up to her and admire her for that.”

Listen to Kahan and Ballerini’s “Cowboys Cry Too” below.