Beyoncé hit all the right notes as her highly-anticipated Renaissance World Tour made its landing in Los Angeles for two unforgettable nights: on Friday, Sept. 1 and Saturday, Sept. 2.

Fans bedazzled in silver, chrome, diamonds, sparkles and rhinestones, turning the entire SoFi Stadium scene into a living, breathing fashion runway. The fashion game was next-level, and everyone was strutting their stuff even before the main event.

Stepping into SoFi Stadium was like stepping into Beyoncé’s own dazzling world – a silver wonderland with festival vibes galore. Official merch was up for grabs, and the lines snaked around like a maze, a testament to the sheer excitement in the air.

More than just a concert, this was a firsthand VIP pass into Beyoncé’s universe, where music, fashion and artistry blended seamlessly into a mesmerizing, three-hour extravaganza.

Here are the best moments from Beyoncé’s Sept. 1 and Sept. 2 shows at L.A.’s SoFi Stadium.

The rain persisted Sunday (Sept. 3) at Burning Man, leaving the event’s roughly 73,000 attendees still confined to the site.

Rain came down hard in Black Rock City, located in the remote Black Rock Desert of northern Nevada, on Sunday around noon and then again around 6 p.m., making it still unclear when attendees will be able to leave. This rain has continued to leave the event at a relative standstill, as it has turned the site’s ground into thick mud that’s nontraversable by car and bike. Authorities issued a no driving order when the rain began on Friday.

Complicating matters, more than 300 cars and RVs are currently stuck at the event’s gate after having attempted to leave. Some have been stuck in the mud on the road for a few hours, and some for roughly two days.

A volunteer at Burning Man’s official information booth said that tow trucks are not currently coming to the site, and that when the gate does open, priority will be given to those who did not attempt to leave, given the no driving order that was issued.

One death was reported at Burning Man late Saturday.

According to CNN, the Pershing County Sheriff’s Office said it is investigating “a death which occurred during this rain event.” Authorities did not name the person, but noted, “The family has been notified.” On Sunday, the Sheriff’s Office said that the individual was found on the playa and lifesaving procedures to revive them were not successful.

On Sunday, a White House official said President Biden has been briefed on the situation at Burning Man. Administration officials were in contact with state and local officials, the New York Times reports.

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Officials are still planning to burn the event’s namesake man structure at 9 p.m. on Monday, with another large-scale art piece to be burned later in the evening and the event’s temple structure to be burned at an as-yet-determined time on Tuesday.

In the city, talk is rising of Burners concerned about getting back to their lives in the outside world. Discussions about how to tend to children, pets and plants has been overheard. “I need to leave!” one woman at the information booth stated. “I’m supposed to go on vacation in Greece this week.”

The event’s airport remains closed. The Burner Bus shuttles to Reno and San Francisco, which transported roughly 20,000 people into the event, are postponed until further notice. Once shuttle service resumes, riders will be organized by departure time, with priority given to those whose departure time has passed.

Zach Bryan lands his first No. 1 album on the Billboard 200 chart as his new self-titled set bows atop the tally (dated Sept. 9). The 16-song country-rock effort, his fourth full-length studio album, launches with 200,000 equivalent album units earned in the U.S. in the week ending Aug. 31, according to Luminate — the largest week for any rock album in four years. It’s also the first rock effort to hit No. 1 in more than a year. The set’s opening frame is largely powered by streaming activity — and the album boasts the biggest streaming week ever for a rock album.

Beyond Bryan’s rock achievements, his self-titled set also marks the third country title to hit No. 1 on the Billboard 200 in 2023, and garners the fifth-largest debut streaming week for a country album.

Country and rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums and Top Rock Albums charts, respectively. Bryan is among a handful of recent acts that have placed a genre-blending album on both the Top Country Albums and Top Rock Albums charts. Others include Jelly Roll, HARDY, Robert Plant and Alison Krauss, and Koe Wetzel.

Bryan’s first No. 1 comes after sustained momentum on the Billboard 200 in the last year-plus from his previous studio effort, American Heartbreak. It debuted and peaked at No. 5 in June 2022 and spawned the top 10 Billboard Hot 100 hit “Something in the Orange.” Heartbreak has yet to depart the weekly top 40 of the Billboard 200 in its 67 consecutive weeks on the list (it climbs 16-14 on the new tally).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 9, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 6 — one day later than usual due to the Labor Day holiday on Monday, Sept. 4, in the U.S. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Zach Bryan’s 200,000 equivalent album units earned in the week ending Aug. 31, SEA units comprise 181,000 (equaling 233.09 million on-demand official streams of the set’s 16 songs — the largest streaming week ever for a rock set, and the fifth-largest streaming debut week for a country album), album sales comprise 17,000 (it was only available to purchase as a digital download, as its CD and vinyl LP are due out on Oct. 13) and TEA units comprise 2,000.

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As noted above, Zach Bryan is the first rock album to hit No. 1 on the Billboard 200 in more than a year. The last to do so was Red Hot Chili Peppers’ Unlimited Love, which spent one week at No. 1 — its debut frame — on the list dated April 16, 2022. Zach Bryan also logs the largest week, by equivalent album units earned, for a rock album in four years, since Tool’s Fear Inoculum launched at No. 1 on the Sept. 19, 2019, chart with 270,000 units.

A little over a year ago, Bryan earned his first Billboard 200 chart entry with his third studio album — and major label debut — American Heartbreak, debuting and peaking at No. 5 on the June 4, 2022-dated list. The album has generated 2.6 billion on-demand official streams for its songs in the U.S. and has been a consistent streaming star since its debut. The set has been among the week’s top 20 most-streamed albums, by on-demand streams, in all but three weeks since its debut.

The Heartbreak single “Something in the Orange” hit No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs chart, reached the top three on the all-genre Streaming Songs chart, and hit No. 10 on the all-genre, multi-metric Billboard Hot 100 chart.

Following Heartbreak, Bryan placed five more titles on the list, including his new self-titled effort.

Four former No. 1s trail Bryan on the new Billboard 200. Travis Scott’s Utopia falls to No. 2 (91,000 equivalent album units earned; down 44%) after spending its first four chart weeks at No. 1. Morgan Wallen’s One Thing at a Time dips 2-3 (83,000; down 8%), Taylor Swift’s Midnights rises 5-4 (49,000; down 8%) and SZA’s SOS vaults 11-5 (48,000; up 15% after increased sales and streams generated by its current single “Snooze,” including the release of its official music video and new remixes).

The Barbie soundtrack falls 4-6 (48,000 equivalent album units earned; down 14%) and Peso Pluma’s Génesis climbs 9-7 (43,000; down 3%). Swift has two more former leaders in the top 10, as Lover in a non-mover at No. 8 (43,000; down 8%) and Speak Now (Taylor’s Version) dips 7-9 (41,000; down 14%). Rounding out the top 10 is Wallen’s chart-topping Dangerous: The Double Album, holding steady at No. 10 with 40,000 units (down 5%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Steve Harwell, who performed as the lead singer of Smash Mouth until announcing his retirement from the group in 2021, is in hospice care, a representative for the band tells Billboard.

Harwell, 56, is resting at home and being cared for by his fiancé and hospice care, Smash Mouth’s manager confirmed on Sunday (Sept. 3).

“Although Steve is here with us still, sadly it will only be for a short time,” he says, adding, “We would hope that people would respect Steve and his family’s privacy during this difficult time.”

TMZ first wrote of Harwell’s current health status earlier on Sunday, reporting that he’s reached the final stage of liver failure.

Harwell was diagnosed with cardiomyopathy, a disease of the heart muscle that can makes it hard for the heart to deliver blood to the body, several years ago. Following his initial diagnosis, he suffered from “nonstop serious medical setbacks including heart failure as well as acute Wernicke Encephalopathy,” a condition that greatly impacted his motor functions, including speech and impaired memory, a statement said in 2021.

Harwell shared the news that he was retiring from the “All Star” group due to his ongoing health issues in October 2021.

Harwell’s comment about retiring from Smash Mouth read: “Ever since I was a kid, I dreamed of being a rock star performing in front of sold-out arenas and have been so fortunate to live out that dream. To my bandmates, it’s been an honor performing with you all these years and I can’t think of anyone else I would have rather gone on this wild journey with.”

The band’s first single was 1997’s “Walkin’ on the Sun,” and they landed a top 10 hit on the Billboard Hot 100 with the earworm “All Star,” which peaked at No. 4 on the chart in 1999. Astro Lounge, Smash Mouth’s sophomore album that included “All Star,” reached No. 6 on the Billboard 200 albums chart that year. “All Star” was nominated for best pop performance by a duo or group with vocals at the Grammy Awards in 2000, an award that ultimately went to Santana for “Maria Maria.”

Smash Mouth’s most recent album is 2012’s Magic, though they released an acoustic version of debut set Fush Yu Mang in 2018, following the 20th anniversary of the original recording’s release.

Smash Mouth continues to tour with vocalist Zach Goode, who joined the band in 2022.

This weekend, as millions have been reading about the death of beloved singer/songwriter Jimmy Buffett, many were surprised to read that his famous signature song, “Margaritaville,” peaked at No. 8 on the Billboard Hot 100. Most just assumed that a song that well-known and loved must have been a No. 1.

First off, there’s no shame in a No. 8 hit. And “Margaritaville” spent five weeks in the top 10, longer than the average No. 8 hit at the time. It spent a week at No. 10, followed by two weeks at No. 9, and then two weeks at No. 8.

“Margaritaville” was voted into the Grammy Hall of Fame in 2016 and the Library of Congress’ National Recording Registry in April 2023.  (For what it’s worth, none of the other songs that were in the top 10 the weeks “Margaritaville” was at its peak have yet received either of those prestigious accolades.)

Buffett wasn’t the only legendary star in the top 10 the week ending July 30, 1977, when “Margaritaville” was in its second week at No. 8. The top 10 also included a pair of pop/adult contemporary superstars (Barbra Streisand and Barry Manilow), as well as a pair of fixtures on the rock scene, Peter Frampton and Rita Coolidge.

The top 10 also included two teenagers (Shaun Cassidy, then 18, and Andy Gibb, then 19). Cassidy survived the hurricane that teen stardom often entails. Gibb did not.

The top 10 also included a true one-hit-wonder, whose first Hot 100 hit as an artist was also his last (Peter McCann).

Here’s a look back at the top 10 the week ending July 30, 1977.

The .8 inches of rain that fell on Burning Man Friday afternoon (Sept. 1) and early Saturday morning (Sept. 2) have left the event at a relative standstill.

Burning Man officials have closed the event’s gates, making it impossible to enter and exit. All vehicles, other than emergency transport services, have been told to not move. The event’s airport is also currently closed.

Rain turns the ground of Burning Man, an arid desert playa, into thick, sticky mud, making it difficult for vehicles to move without getting stuck. The forecast in Nevada’s Black Rock City, which is what the temporary city of Burning Man is called, calls for a 60% chance of rain between Saturday afternoon and Sunday at 5 p.m.

An information official at the information tent on-site says that the ground typically needs 12-24 hours after the last rain to become drivable. The source says that their best guess for when the roads may reopen is Monday or Tuesday, depending on the weather over the next 24 hours or so.

The current population of Black Rock City is roughly 73,000, based on details shared in the city’s information booth. Burners have been advised to conserve food and water in the event that those inside the city will not be able to leave for several days. The ice tent is currently limiting people to buying one bag only.

Approximately 20,000 people arrived to Black Rock City via the Burner Bus, which transports people from cities including San Francisco and Reno. The information authority notes that these busses will return on a first-come, first-served schedule when roads reopen.

Diplo was at Burning Man, but managed to leave — apparently with Chris Rock — and then hitched a ride from a fan. “just walked 5 miles in the mud out of burning man with chris rock and a fan picked us up,” he tweeted Saturday afternoon.

While the man traditionally burns at the event on Saturday night, an information official says that this burn is unlikely to happen today, given the wetness and the fact that emergency vehicles and fire trucks cannot currently drive out to the man structure.

Inside the city, spirits are relatively high. Music is playing from many camps, with dance parties taking place under tents and in the mud itself. Many of the people out walking around the city are barefoot, with others covering their shoes in plastic bags or wearing just socks.

Information is being disseminated to Burners via the city’s pair of radio stations. Burners have also been advised that there will likely be a citywide cheer when the gates reopen.

Billboard will keep reporting from Black Rock City as is possible.

Is Olivia Rodrigo‘s “Vampire” about … Taylor Swift? Rodrigo commented on fan speculation that the lead ballad from Guts, on which she scathingly sings about an unnamed “bloodsucker, famef—er,” is somehow about one of her childhood idols.

“How do I answer this?” Rodrigo reportedly whispered to Guardian journalist Laura Snapes, when the question about “Vampire” arose during an interview ahead of the Sept. 8 release of Guts.

“I mean, I never want to say who any of my songs are about,” said Rodrigo. “I’ve never done that before in my career and probably won’t. I think it’s better to not pigeonhole a song to being about this one thing.”

“I was very surprised when people thought that,” she added in the article that was published on Saturday (Sept. 2).

Swift championed Rodrigo, who was a self-proclaimed Swiftie, very early on. “I say that’s my baby and I’m really proud,” she sweetly shared on social media when Rodrigo’s breakout smash “Drivers License” first started appearing on charts next to Swift’s music. Swift gifted her a ring like the one she wore when working on her Red album — “She is absolutely the kindest individual in the whole world,” Rodrigo gushed at the time — and the pair met in person and posed together for a cute photo at the 2021 Brit Awards.

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After Rodrigo’s debut album, Sour, dropped, interpolations found in her work proved costly. Rodrigo ended up retroactively sharing songwriting credits for “deja vu” with Swift, Jack Antonoff, and Annie Clark (aka St. Vincent) for its reminiscence of Swift’s “Cruel Summer.” She also gave writing credits to Swift and Antonoff on “1 step forward, 3 steps back” before Sour‘s release for including an interpolation of Swift’s “New Year’s Day” on the song.

Rodrigo and Swift seemingly haven’t associated with each other since, at least publicly. In a recent New York Times profile, Rodrigo said she hasn’t seen a show on Swift’s Eras Tour.

Back to the song meaning of “Vampire”: To her point, Rodrigo’s lyrics could have been inspired by a number of personal experiences the singer-songwriter might have encountered since “Drivers License” made its mark in 2021 — so her answer to the question doesn’t really answer much at all.

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“Hate to give the satisfaction, asking how you’re doing now/ How’s the castle built off people you pretend to care about?” she sings in the opening of the song.

Later in the profile about Rodrigo and her sophomore album, Guardian writer Snapes, in her own words, notes that “‘Vampire’ is primarily about a romantic relationship with an older guy.” Many of its lyrical barbs do point toward this interpretation: there’s a line directed at a “cool guy,” and one pointing out that “every girl I ever talked to told me you were bad, bad news.” In the track’s second verse, Rodrigo says, “Went for me, and not her/ ‘Cause girls your age know better.”

Read the full piece at The Guardian here.

Before Jimmy Buffett appeared on Billboard’s charts, he was writing about other artists who did.  

Buffett, who died Friday (Sept. 1) at age 76, worked as a Nashville reporter for Billboard from 1969 to 1970. He quit when his first album, Debut to Earth, was released because he was told that continuing would be a conflict of interest. 

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Among the concerts he reviewed was Isaac Hayes at Nashville’s Municipal Auditorium, writing, “The Hot Buttered Soul Man combined his songs and his keyboard work on both organ and piano with a full and powerful voice range that created a style [that] was truly his own.”

In 2021, Buffett revisited his time as a reporter, telling Billboard during an interview that as a burgeoning artist, he couldn’t bring himself to write anything negative about a fellow performer. 

“I can never give anybody a bad review because I knew how hard it was to get up there,” he said. “Now, there has to be something toxic that [a review] says, but I can never do it because I knew how hard it was. I know performers who are scared to death to get up there and still do it. And I go, “Why are you that scared to get up there?” I mean, you should be doing something else if you get scared to go up there. It’s one of the greatest joys you could ever have on planet earth to me.”

The best part of the job was the free music. Although unbylined, Buffett believed he reviewed Elton John’s 1970 album, Tumbleweed Connection, glowingly writing, “Although this is but his second LP, Elton John’s track record already speaks for itself and the album is sure to be one of the biggest of the new year.” 

Talking to Billboard again in 2022, Buffett recalled the thrill of getting John’s album in the mail while writing for the magazine. “People were sending me free albums because I was the reporter for Billboard, and that album came in a stack of records from I think it was MCA,” he said. “When I got [to Billboard], my editor told me, ‘Just let them know you’re a Billboard reporter and give them your address and they’ll give you records so hopefully you review them or you’ll say something about them.’ So I went ‘free albums? No sh—!’” 

He also wrote of his time at Billboard in his 1998 autobiography, A Pirate Looks at Fifty, calling it “the only real job I would have in my adult life.”

From the first day, he was wined and dined as he traveled with his boss, Bill Williams. “In twenty-four hours, I had gone from just another nobody songwriter who couldn’t get his foot into a music publisher’s door to the assistant Southern Editor of Billboard,” he wrote. “Hell, people took me to lunch. I had business cards. I flew to New York for editorial meetings. I had an expense account. I had a WATTS line at work on which I called all my friends after working hours, and I got free albums from the record companies. Not bad for a real job.” 

Buffett even managed to break some news, including bluegrass titans’ Lester Flatt and Earl Scruggs’ split. 

After switching from covering country music to pop, Buffett interviewed Otis Redding and James Brown, reviewed Led Zeppelin at the Palladium, and learned a little about the importance of taking care of business. “What I mainly saw were a lot of wonderfully talented artists and writers who let somebody else worry about ‘all that stuff,’ and I saw the trouble it got them into,” he wrote in the book. 

Billboard threw Buffett a going away party when his album came out, gifting him a guitar case. Even though that chapter of his life was over, it’s clear his time at Billboard remained a treasured memory and set him on his way: “One of the true joys of my later success was going back and sharing it with Bill,” he wrote in the autobiography. “He was as proud as a parent when I finally broke out.” 

The White House issued a statement from President Joe Biden on the passing of Jimmy Buffett.

“A poet of paradise, Jimmy Buffett was an American music icon who inspired generations to step back and find the joy in life and in one another,” says the note published on Saturday (Sept. 2). “His witty, wistful songs celebrate a uniquely American cast of characters and seaside folkways, weaving together an unforgettable musical mix of country, folk, rock, pop, and calypso into something uniquely his own.”

The “Margaritaville” singer-songwriter died at age 76 on Sept. 1. The news of Buffett’s death was confirmed on his website and social media accounts. He was “surrounded by his family, friends, music and dogs.” No cause of death was given.

Biden, who was among many public figures to remember Buffett on Saturday, recalled, “We had the honor to meet and get to know Jimmy over the years, and he was in life as he was performing on stage – full of goodwill and joy, using his gift to bring people together.”

The tribute continued: “Over more than 50 studio and live albums and thousands of performances to devoted Parrot Heads around the world, Jimmy reminded us how much the simple things in life matter – the people we love, the places we’re from, the hopes we have on the horizon. A two-time Grammy nominee and winner of multiple country music awards, he was also a best-selling writer, businessman, pilot, and conservationist who championed the waters and Gulf Coast that he so loved.”

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Buffett had 13 Billboard Hot 100 charting singles, including seven top 40 hits and one top 10, as well as 40 entries on the Billboard 200 albums chart throughout his career.

“Jill and I send our love to his wife of 46 years, Jane; to their children, Savannah, Sarah, and Cameron; to their grandchildren; and to the millions of fans who will continue to love him even as his ship now sails for new shores,” said Biden.

Jimmy Buffett, the musical troubadour known for his island-tinged, rum-soaked hits including “Margaritaville,” “A Pirate Looks at Forty” and “Cheeseburger in Paradise,” as well as his empire of businesses including his chain of Margaritaville cafes, died on Friday (Sept. 1) at age 76.

“Jimmy passed away on the night of September 1st surrounded by his family, friends, music and dogs,” an early Saturday morning (Sept. 2) post on his official website read. “He lived his life like a song till the very last breath and will be missed beyond measure by so many.”

The Mississippi-born, Alabama-raised Buffett was a globally-known star, thanks to his carefree hits and colorful stage shows, but much of his musical roots ran through Nashville. In 2021, Buffett and his Coral Reefer Band played a private show at Exit/In — five decades after he made some of his first performances at the tiny club on Elliston Place in Music City. The club would serve as a launching pad for Buffett’s musical career, while Buffett and artists including Steve Martin would help Exit/In become one Nashville’s most venerable music clubs, thus helping to launch what would be known as the city’s historic “Rock Block,” alongside businesses including The End and The Gold Rush.

Buffett moved to Nashville in the late 1960s with ambitions of a career in country music. He became a Nashville reporter for Billboard from 1969-1970, where he is credited with breaking the news of the breakup of bluegrass duo Lester Flatt and Earl Scruggs in 1969. His tenure at Billboard was brief, due to the release of his 1970 debut album, Down to Earth.

His follow-up, 1973’s A White Sport Coat and a Pink Crustacean (the title is a twist on a Marty Robbins hit) was recorded at Tompall Glaser’s Nashville studio, which would later be dubbed “Hillbilly Central.” Though the album owed more to Nashville than the islands, listeners can hear beginnings of the Key West vibes Buffett would become known for. The album also testifies to Buffett’s impact as a songwriter; it includes the Buffett/Jerry Jeff Walker-written “Railroad Lady,” which was also recorded by artists including Lefty Frizzell, Merle Haggard and Willie Nelson. Waylon Jennings covered another of the album’s songs, “He Went to Paris,” on his 1980 album, Music Man, while Doug Supernaw recorded the track in 1994. Buffett would also co-write “Happiness Alone” with Clint Black, a song that appeared on Black’s album No Time to Kill.

The 1970s and 1980s saw several of Buffett’s songs rank on Billboard‘s country charts, including “The Great Filling Station Holdup” (1973), “Come Monday” (1974) and his star-making 1977 songs including “Changes in Latitude, Changes in Attitude” and “Margaritaville,” which would reach the top 10 on the Billboard Hot 100 chart, as well as No. 13 on the Hot Country Songs chart. He also earned a top 20 country hit in 1985 with “If The Phone Doesn’t Ring, It’s Me.”

During his five-plus decades in music, Buffett earned two No. 1 hits on Billboard‘s Hot Country Songs chart, as well as three top 10 hits, in part thanks to his willingness to maintain ties within the country music community, collaborating with a range of artists.

Buffett’s 2003 collaboration with Alan Jackson — “It’s Five O’Clock Somewhere,” about an overworked, underpaid blue collar worker who dreams of escaping to the islands — became an eight-week No. 1 Country Airplay hit. The song also reached the top 20 on the Hot 100. That same year, Kenny Chesney earned a major hit with the island-themed “No Shoes, No Shirt, No Problems,” further proving Buffett’s brand of island escapism was a key influence on the genre.

But even as far back as his 1998 hit “How Forever Feels,” Chesney paid homage to Buffett with the lyric, “Now I know how Jimmy Buffett Feels,” while the video’s tropical vibe helped cement cowboy hat-meets-puka shell necklace, “Island Kenny” persona Chesney would become known for in later songs and videos such as “When the Sun Goes Down.” Also in 1998, Garth Brooks also earned a hit with the tropical-themed “Two Pina Coladas,” a song written by Benita Hill, Shawn Camp and Sandy Mason; the writers had originally thought of pitching the song to Buffett, before it was ultimately pitched to Brooks. With songs like 2009’s “Toes,” “Jump Right In,” and their 2011 No. 1 hit collaboration with Buffett, “Knee Deep,” Zac Brown Band forged their own island jam band vibe.

“When contemporary country took it to the beach, obviously we were a big part of that,” Buffett told Billboard during a 2021 interview.

Notably, Buffett earned the sole Billboard 200-topping album of his career in 2004, with License to Chill, a collection of mostly country collaborations with artists including Chesney, George Strait, Clint Black, Martina McBride, Jackson and Toby Keith.

Chesney, who was a surprise guest during Buffett’s 2021 Exit/In show, paid tribute to Buffett on social media, stating, “So goodbye Jimmy. Thanks for your friendship and the songs I will carry in my heart forever. Sail On Sailor.” The two hitmakers previously collaborated on “Trying to Reason With Hurricane Season.”

“To me that song is true poetry, and a true reflection of Jimmy’s ability to tell a story and to capture a moment and to paint a picture of that moment,” Chesney later said in a video about the song. He added, “I’m not sure that Jimmy gets the credit that he deserves as being a poet, like a true songwriter, storyteller poet, a lot like [Ernest] Hemingway was in his time.”

Below, we look at some of Buffett’s top country collaborations: