At the 2024 Oscars on Sunday night, Oppenheimer led the way with 13 nominations – but who emerged the biggest winner?

Well, Christopher Nolan’s Oppenheimer left with seven Oscars, including the night’s biggest prize, best motion picture of the year. On the music front, Billie Eilish and Finneas took home best original song for “What Was I Made For?” from Barbie, while Ludwig Göransson won best original score for Oppenheimer.

Who else emerged victorious? You can find the complete 96th Academy Awards winners list below.

Best motion picture of the year

    American Fiction, Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers

    Anatomy of a Fall, Marie-Ange Luciani and David Thion, Producers

    Barbie, David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers

    The Holdovers, Mark Johnson, Producer

    Killers of the Flower Moon, Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers

    Maestro, Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers

    WINNER: Oppenheimer, Emma Thomas, Charles Roven and Christopher Nolan, Producers

    Past Lives, David Hinojosa, Christine Vachon and Pamela Koffler, Producers

    Poor Things, Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers

    The Zone of Interest, James Wilson, Producer

Performance by an actor in a leading role

    Bradley Cooper in Maestro

    Colman Domingo in Rustin

    Paul Giamatti in The Holdovers

    WINNER: Cillian Murphy in Oppenheimer

    Jeffrey Wright in American Fiction

Performance by an actor in a supporting role

    Sterling K. Brown in American Fiction

    Robert De Niro in Killers of the Flower Moon

    WINNER: Robert Downey Jr. in Oppenheimer

    Ryan Gosling in Barbie

    Mark Ruffalo in Poor Things

Performance by an actress in a leading role

    Annette Bening in Nyad

    Lily Gladstone in Killers of the Flower Moon

    Sandra Hüller in Anatomy of a Fall

    Carey Mulligan in Maestro

    WINNER: Emma Stone in Poor Things

Performance by an actress in a supporting role

    Emily Blunt in Oppenheimer

    Danielle Brooks in The Color Purple

    America Ferrera in Barbie

    Jodie Foster in Nyad

    WINNER: Da’Vine Joy Randolph in The Holdovers

Achievement in directing

    Anatomy of a Fall, Justine Triet

    Killers of the Flower Moon, Martin Scorsese

    WINNER: Oppenheimer, Christopher Nolan

    Poor Things, Yorgos Lanthimos

    The Zone of Interest, Jonathan Glazer

Adapted screenplay

    WINNER: American Fiction, Written for the screen by Cord Jefferson

    Barbie, Written by Greta Gerwig & Noah Baumbach

    Oppenheimer, Written for the screen by Christopher Nolan

    Poor Things, Screenplay by Tony McNamara

    The Zone of Interest, Written by Jonathan Glazer

Original screenplay

    WINNER: Anatomy of a Fall Written by Justine Triet and Arthur Harari

    The Holdovers Written by David Hemingson

    Maestro Written by Bradley Cooper & Josh Singer

    May December Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik

    Past Lives Written by Celine Song

Achievement in music written for motion pictures (Original score)

    American Fiction, Laura Karpman

    Indiana Jones and the Dial of Destiny, John Williams

    Killers of the Flower Moon, Robbie Robertson

    WINNER: Oppenheimer, Ludwig Göransson

    Poor Things, Jerskin Fendrix

Achievement in music written for motion pictures (Original song)

    “The Fire Inside” from Flamin’ Hot; Music and Lyric by Diane Warren

    “I’m Just Ken” from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt

    “It Never Went Away” from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson

    “Wahzhazhe (A Song For My People)” from Killers of the Flower Moon; Music and Lyric by Scott George

    WINNER: “What Was I Made For?” from Barbie; Music and Lyric by Billie Eilish and Finneas O’Connell

Best animated feature film of the year

    WINNER: The Boy and the Heron, Hayao Miyazaki and Toshio Suzuki

    Elemental, Peter Sohn and Denise Ream

    Nimona, Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

    Robot Dreams, Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

    Spider-Man: Across the Spider-Verse, Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Achievement in cinematography

    El Conde, Edward Lachman

    Killers of the Flower Moon, Rodrigo Prieto

    Maestro, Matthew Libatique

    WINNER: Oppenheimer, Hoyte van Hoytema

    Poor Things, Robbie Ryan

Achievement in costume design

    Barbie, Jacqueline Durran

    Killers of the Flower Moon, Jacqueline West

    Napoleon, Janty Yates and Dave Crossman

    Oppenheimer, Ellen Mirojnick

    WINNER: Poor Things, Holly Waddington

Best documentary feature film

    Bobi Wine: The People’s President, Moses Bwayo, Christopher Sharp and John Battsek

    The Eternal Memory Nominees to be determined

    Four Daughters, Kaouther Ben Hania and Nadim Cheikhrouha

    To Kill a Tiger, Nisha Pahuja, Cornelia Principe and David Oppenheim

    WINNER: 20 Days in Mariupol, Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Best documentary short film

    The ABCs of Book Banning, Sheila Nevins and Trish Adlesic

    The Barber of Little Rock, John Hoffman and Christine Turner

    Island in Between, S. Leo Chiang and Jean Tsien

    WINNER: The Last Repair Shop, Ben Proudfoot and Kris Bowers

    Nǎi Nai & Wài Pó, Sean Wang and Sam Davis

Achievement in film editing

    Anatomy of a Fall, Laurent Sénéchal

    The Holdovers, Kevin Tent

    Killers of the Flower Moon, Thelma Schoonmaker

    WINNER: Oppenheimer, Jennifer Lame

    Poor Things, Yorgos Mavropsaridis

Best international feature film of the year

    Io Capitano, Italy

    Perfect Days, Japan

    Society of the Snow, Spain

    The Teachers’ Lounge, Germany

    WINNER: The Zone of Interest, United Kingdom

Achievement in makeup and hairstyling

    Golda, Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

    Maestro, Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

    Oppenheimer, Luisa Abel

    WINNER: Poor Things, Nadia Stacey, Mark Coulier and Josh Weston

    Society of the Snow, Ana López-Puigcerver, David Martí and Montse Ribé

Achievement in production design

    Barbie, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

    Killers of the Flower Moon, Production Design: Jack Fisk; Set Decoration: Adam Willis

    Napoleon, Production Design: Arthur Max; Set Decoration: Elli Griff

    Oppenheimer, Production Design: Ruth De Jong; Set Decoration: Claire Kaufman

    WINNER: Poor Things, Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

Best animated short film

    Letter to a Pig, Tal Kantor and Amit R. Gicelter

    Ninety-Five Senses, Jerusha Hess and Jared Hess

    Our Uniform, Yegane Moghaddam

    Pachyderme, Stéphanie Clément and Marc Rius

    WINNER: WAR IS OVER! Inspired by the Music of John & Yoko, Dave Mullins and Brad Booker

Best live action short film

    The After, Misan Harriman and Nicky Bentham

    Invincible, Vincent René-Lortie and Samuel Caron

    Knight of Fortune, Lasse Lyskjær Noer and Christian Norlyk

    Red, White and Blue, Nazrin Choudhury and Sara McFarlane

    WINNER: The Wonderful Story of Henry Sugar, Wes Anderson and Steven Rales

Achievement in sound

    The Creator, Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

    Maestro, Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

    Mission: Impossible – Dead Reckoning Part One, Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

    Oppenheimer, Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell

    WINNER: The Zone of Interest, Tarn Willers and Johnnie Burn

Achievement in visual effects

    The Creator, Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

    WINNER: Godzilla Minus One, Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

    Guardians of the Galaxy Vol. 3, Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

    Mission: Impossible – Dead Reckoning Part One, Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

    Napoleon, Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

V is giving fans a first look at “FRI(END)S.” The BTS member unveiled a preview of the official music video for his new solo single, plus a set of concept photos for the song, on Saturday (March 9).

The 35-second teaser shows a moment of grabbing leftover takeout from the fridge and eating it alone, before cutting to a chaotic scene at a movie theater and one where V sits by himself in a crowded diner. The clip features a brief preview of instrumentals and vocals.

V’s “FRI(END)S” concept photos — including the black-and-white image above — show the singer in solitude as well. Check out the full set of six concept photos for the single on BTS’ Instagram.

The K-pop star first announced the March 15 release date of “FRI(END)S” last weekend. BTS’ official Instagram account had also teased “FRI(END)S” with a brief clip featuring V.

“The track, rooted in the pop soul R&B genre, delivers relatable and witty romance through lyrics written entirely in English,” a press statement from Big Hit Music said. “The single artwork accompanying the announcement reveals the song title and release date against a vivid pink background that hints at the song’s sweet mood.”

Big Hit says that another set of concept photos and “flash video encapsulating the overall mood of the single” will be released on March 11, and a second music video teaser will come on March 12.

“FRI(END)S” follows V’s 2023 solo debut, Layover, which included songs like “Love Me Again,” “Rainy Days” and “Slow Dancing.”

Watch the “FRI(END)S” music video teaser below.

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Jennifer Lopez is proving Y2K style remains supreme in one of her most recent streetwear outfits, which put the popular Mini Platform Uggs on display. After releasing the movie This Is Me Now: A Love Story to coincide with her latest album release, the “Jenny From the Block” singer took some time to hit the gym before her upcoming tour in a cozy yet chic outfit featuring the Ugg boots, a matching athleisure set and accessorized with a Hermès Birkin bag.

J. Lo is among the celebrities who are part of Ugg fan club, especially for this style, as she’s also been spotted wearing the exact Uggs boots with a pair of overalls while out and about with her husband Ben Affleck.

In the past, Uggs were considered controversial for their deemed “ugly” style, but the “Love Don’t Cost a Thing” singer has proven that the shoe brand isn’t just relevant, but a fashion must-have.

Social media users have been clamoring to get their hands on their own pair of the Mini Platform Uggs and while many sites are sold out, Billboard Shopping has found a few options to buy platform Uggs online.

Do Platform Uggs Run Big?

Amazon reviewers have noted that the platform Uggs do run big and suggest sizing down for a more snug fit. For those who bought their normal size instead of a smaller fit, reviewers claim you can wear them with thick socks and be comfortable.

Do Platform Uggs Stretch Out?

If the shoes feel a bit snug at first, some reviewers have noted that the Ugg Mini Platforms will expand with time. One verified Amazon reviewer even noted “After doing lots of research, these will stretch out so although they’re tight at first, give it a bit and they will stretch out.” Hey, if it’s good enough for J. Lo, it’s good enough for us.

For more product recommendations, check out our roundups of the best Ugg slipper dupes, platform boots and knee-high boots.

Ariana Grande is reflecting on her new “We Can’t Be Friends (Wait For Your Love)” music video.

On Saturday (March 9), the 30-year-old pop superstar took to social media to share a heartfelt message about her loving homage to the 2004 Jim Carrey sci-fi romance that inspired her new album title, Eternal Sunshine.

“Thank you for creating such a safe space, for holding my hand, and for thoughtfully bringing this entire album to life with this one video. Though we will make many more, this video is the album to me,” Grande wrote on Instagram alongside a teaser of the visual, giving a shout-out to co-star Evan Peters and director Christian Breslauer. “A tremendous thank you to the incredible crew who made this what it is.”

Grande followed her note with a long list of the crew members involved in the creation of the video.

Breslauer, who also directed the singer and actress’ “Yes, And?” video, shared his gratitude in the comments section. “Thank you for writing from the heart, leading the way and trusting me with something so precious,” the director wrote.

The midtempo track is the second single from Eternal Sunshine, following the January Billboard Hot 100 chart-topping hit “Yes, And?” In celebration of the album’s release, Grande will perform on Saturday Night Live this weekend as the Josh Brolin-hosted episode’s musical guest.

Eternal Sunshine, which arrived Friday (March 8), is already setting is already setting records. Spotify announced through social media on Saturday that the project is the company’s most-streamed album in a single day in 2024 so far.

Check out Grande’s “We Can’t Be Friends” post on Instagram below.

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A post shared by Ariana Grande (@arianagrande)

Drake making songs with up-and-coming artists is a story as old as time. The “Drake Effect” is a real thing and has been studied by music scholars across the globe. Usually it works in the artist’s favor, like when he linked up with the Migos on the “Versace (Remix).” The song went crazy on the charts and their careers took off. But then there are times when the song performs well, yet it doesn’t translate to longevity like with BlocBoy JB and “Look Alive.” Now it’s newcomer 4Batz’s turn.

Earlier this week, social media went abuzz when the Canadian superstar teased a remix of 4Batz’s “date @ 8” on his Instagram Story. Then the mysterious R&B singer with an affinity for shiesties posted this video on his X account:

this friday. link in bio🦇 pic.twitter.com/Ak7ofIgJ0w

— 4Batz (@4Batzz) March 6, 2024

Not gonna lie, this video had me hype. I couldn’t really make out what the song actually sounded like, but they all seemed pretty excited, so I was expecting a certified banger that Flex could drop bombs on. When the Dallas-based singer appeared out of thin air with “act i: stickerz ’99′” back in the fall of 2023 (the first upload of “act i” on YouTube was on Sept. 16, 2023), a Drake collaboration felt like a no-brainer. Some have compared 4Batz to a thugged out Brent Faiyaz or Weeknd. I’ve seen others say he makes R&B music for stick up kids. And I, too, think he makes love songs for the thugs. You know, the ones that also happen to be real lovers. The thugs with big hearts, kind of like Method Man on “All I Need”.

That’s why everyone saw the Drake stimmy coming from a mile away. He is the Certified Lover Boy, after all. Ultimately, though? I was a bit disappointed. Other than some fans on X complaining that the song wasn’t available in the U.S., this didn’t take over my timeline. Usually when Drake remixes a newcomer’s popular song, everything stops for a moment. However, last night most of X was still high on the Boston Celtics and Denver Nuggets game because on Thursday nights, my sports and music worlds collide on social media. The “act ii: date @ 8 (remix)” didn’t stop all of us in our tracks. I actually didn’t even think to listen to it until 12:30am. My timeline usually explodes around midnight when some heat drops. That was a telling sign for me. So once I finally checked it out, I was let down.

The remix as we know it has changed. There was once a time when a remix meant a different beat and new verses. Nowadays, we get a verse tacked on to the original song. The aforementioned Method Man and Mary J. Blige song is actually the remix to the original album version in which MJB doesn’t make a appearance. No one remembers the OG version. The same can be said about Craig Mack’s “Flava In Ya Ear (Remix)” where the beat was the same, but Craig Mack added a new verse to go alongside verses from Biggie, Rampage, LL Cool J, and Busta Rhymes.

This track has some of those features, but they aren’t significant enough to make a big deal about. Drake’s contribution, while good in terms of sound and bars, feels stitched on like bad patchwork. We don’t even get a new verse from 4Batz. This feels like two different songs and is essentially a home game for the Canadian rapper in that it doesn’t challenge him. It’s almost too on the nose. Drake does go into his real yearner bag, though, and delivers a good verse. “A thousand on your f—kin’ hair/Two hunnid on your f—kin’ nails,” he croons, essentially reminding 4Batz that he’s dealing with cats in different tax brackets now. It would’ve been cool if 4Batz added a verse to 40’s breakdown. These two collaborating on, say, “act iv” would’ve hit much harder, hopefully they’ll work together in the near future. I must admit, though, Drake’s addition sounds great on some good speakers, streets just needed 4Batz to go in too. That would’ve knocked this remix out of the park because these two are a match made in Thug Matrimony.

Shouts to the real lovers, the real yearners, the real tricksters, though. I’m calling it now, Thug Love is making a comeback this summer. Somebody get Ja Rule and Bobby Brown on the phone.