Cillian Murphy (Oppenheimer) and Lily Gladstone (Killers of the Flower Moon) won outstanding performance by a male and female actor in a leading role, respectively, at the 2024 SAG Awards. Both won in what were seen as close races with Paul Giamatti (The Holdovers) and Emma Stone (Poor Things), respectively.

Robert Downey Jr. (Oppenheimer) and Da’vine Joy Randolph (The Holdovers) won the equivalent awards in supporting categories, as they have at the vast majority of award shows in recent months.

All four of these actors must now be considered the front-runners to win the Oscars in those categories on March 10. Last year, all four SAG Awards winners in film acting categories went on to win Oscars.

The 30th annual SAG Awards streamed live on Netflix on Saturday (Feb. 24) at 8 p.m. ET/5 p.m. PT from the Shrine Auditorium & Expo Hall in Los Angeles.

Oppenheimer was the top winner on the film side, with three awards. Barbie experienced the night’s biggest shut out on the film side, going 0-4 on the night.

Oppenheimer won outstanding performance by a cast in a motion picture, which is a positive, but far from conclusive, indicator that it may win the Oscar for best picture on March 10. The SAG winner for ensemble cast has gone on to win best picture in five of the last 10 years.

The Bear was the top winner on the TV side, with three awards. Ted Lasso was the biggest shut out on the TV side, going 0-4 on the night.

Succession won outstanding performance by an ensemble in a drama series for the second time in three years. The Bear won the equivalent award in comedy for the first time.

Jennifer Aniston and Bradley Cooper presented the Life Achievement Award to Barbra Streisand.

The awards were voted on by SAG-AFTRA’s membership of 119,515 eligible voters, the largest voting body on the awards circuit. Final voting opened on Wednesday, Jan. 17, and closed at noon PT on Friday, Feb. 23. So, votes were still coming in less than 30 hours before the first awards were presented. There is a much longer lag time between the close of voting and the announcement of the winners at other award shows.

The 30th Annual Screen Actors Guild Awards was executive produced by Jon Brockett and Silent House Productions. This marked the show’s live debut on Netflix. Last year’s ceremony was broadcast on Netflix’s YouTube page.

Here’s the complete list of nominees for the 2024 Screen Actors Guild Awards, with winners marked.

Motion Pictures

Outstanding performance by a male actor in a leading role

Bradley Cooper – Maestro

Colman Domingo – Rustin

Paul Giamatti – The Holdovers

WINNER: Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Outstanding performance by a female actor in a leading role

Annette Bening – Nyad

WINNER: Lily Gladstone – Killers of the Flower Moon

Carey Mulligan – Maestro

Margot Robbie – Barbie

Emma Stone – Poor Things

Outstanding performance by a male actor in a supporting role

Sterling K. Brown – American Fiction

Willem Dafoe – Poor Things

Robert De Niro – Killers of the Flower Moon

WINNER: Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Outstanding performance by a female actor in a supporting role

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

Penélope Cruz – Ferrari

Jodie Foster – Nyad

WINNER: Da’vine Joy Randolph – The Holdovers

Outstanding performance by a cast in a motion picture

American Fiction — Erika Alexander, Adam Brody, Sterling K. Brown, Keith David, John Ortiz, Issa Rae, Tracee Ellis Ross, Leslie Uggams, Jeffrey Wright

Barbie — Michael Cera, Will Ferrell, America Ferrera, Ryan Gosling, Ariana Greenblatt, Kate Mckinnon, Helen Mirren, Rhea Perlman, Issa Rae, Margot Robbie

The Color Purple — Halle Bailey, Fantasia Barrino, Jon Batiste, Danielle Brooks, Ciara, Colman Domingo, Aunjanue Ellis-Taylor, Louis Gossett, Jr., Corey Hawkins, Taraji P. Henson, Phylicia Pearl Mpasi, H.E.R.

Killers of the Flower Moon — Tantoo Cardinal, Robert De Niro, Leonardo DiCaprio, Brendan Fraser, Lily Gladstone, John Lithgow, Jesse Plemons

WINNER: Oppenheimer — Casey AffleckEmily BluntKenneth BranaghMatt DamonRobert Downey Jr.Josh HartnettRami MalekCillian MurphyFlorence Pugh

Television

Outstanding performance by a male actor in a television movie or limited series

Matt Bomer – Fellow Travelers

Jon Hamm – Fargo

David Oyelowo – Lawmen: Bass Reeves

Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie

WINNER: Steven Yeun – Beef

Outstanding performance by a female actor in a television movie or limited series

Uzo Aduba – Painkiller

Kathryn Hahn – Tiny Beautiful Things

Brie Larson – Lessons in Chemistry

Bel Powley – A Small Light

WINNER: Ali Wong – Beef

Outstanding performance by a male actor in a drama series

Brian Cox – Succession

Billy Crudup – The Morning Show

Kieran Culkin – Succession

Matthew Macfadyen – Succession

WINNER: Pedro Pascal – The Last of Us

Outstanding performance by a female actor in a drama series

Jennifer Aniston – The Morning Show

WINNER: Elizabeth Debicki – The Crown

Bella Ramsey – The Last of Us

Keri Russell – The Diplomat

Sarah Snook – Succession

Outstanding performance by a male actor in a comedy series

Brett Goldstein – Ted Lasso

Bill Hader – Barry

Ebon Moss-Bachrach – The Bear

Jason Sudeikis – Ted Lasso

WINNER: Jeremy Allen White – The Bear

Outstanding performance by a female actor in a comedy series

Alex Borstein – The Marvelous Mrs. Maisel

Rachel Brosnahan – The Marvelous Mrs. Maisel

Quinta Brunson – Abbott Elementary

WINNER: Ayo Edebiri – The Bear

Hannah Waddingham – Ted Lasso

Outstanding performance by an ensemble in a drama series

The Crown — Khalid AbdallaSebastian BluntBertie CarvelSalim DawElizabeth DebickiLuther Ford, Claudia HarrisonLesley ManvilleEd McVey, James MurrayJonathan PryceImelda StauntonMarcia WarrenDominic West, Olivia Williams

The Gilded Age — Ben AhlersAshlie AtkinsonChristine BaranskiDenée BentonNicole Brydon BloomMichael Cerveris, Carrie Coon, Kelley CurranTaissa FarmigaDavid Furr, Jack GilpinWard HortonLouisa JacobsonSimon Jones, Sullivan Jones, Celia Keenan-Bolger, Nathan Lane, Matilda LawlerRobert Sean Leonard, Audra McDonald, Debra Monk, Donna MurphyKristine NielsenCynthia Nixon, Kelli O’Hara, Patrick PageHarry Richardson, Taylor RichardsonBlake Ritson, Jeremy Shamos, Douglas Sills, Morgan Spector, John Douglas Thompson, Erin Wilhelmi

The Last of Us — Pedro Pascal, Bella Ramsey

The Morning Show — Jennifer Aniston, Nicole Beharie, Shari Belafonte, Nestor Carbonell, Billy Crudup, Mark Duplass, Jon Hamm, Theo Iyer, Hannah Leder, Greta Lee, Julianna Margulies, Tig Notaro, Karen Pittman, Reese Witherspoon

WINNER: Succession — Nicholas Braun, Juliana Canfield, Brian Cox, Kieran Culkin, Dagmara Dominczyk, Peter Friedman, Justine Lupe, Matthew MacFadyen, Arian Moayed, Scott Nicholson, David Rasche, Alan Ruck, Alexander Skarsgård, J. Smith-Cameron, Sarah Snook, Fisher Stevens, Jeremy Strong, Zoë Winters

Outstanding performance by an ensemble in a comedy series

Abbott Elementary — Quinta BrunsonWilliam Stanford Davis, Janelle James, Chris Perfetti, Sheryl Lee Ralph, Lisa Ann Walter, Tyler James Williams

Barry — Anthony Carrigan, Sarah Goldberg, Zachary Golinger, Bill Hader, Andre HylandFred Melamed, Charles Parnell, Stephen Root, Tobie Windham, Henry Winkler, Robert Wisdom

WINNER: The Bear — Lionel Boyce, Jose Cervantes Jr., Liza Colón-Zayas, Ayo Edebiri Abby Elliott, Richard EsterasEdwin Lee Gibson, Molly Gordon, Corey Hendrix, Matty MathesonEbon Moss-Bachrach, Oliver Platt, Jeremy Allen White

Only Murders in the Building — Gerald Caesar, Michael Cyril Creighton, Linda Emond, Selena Gomez, Allison Guinn, Steve Martin, Ashley Park, Don Darryl Rivera, Paul Rudd, Jeremy Shamos, Martin Short, Meryl Streep, Wesley Taylor, Jason Veasey, Jesse Williams

Ted Lasso — Annette Badland, Kola Bokinni, Edyta Budnik, Adam Colborne, Phil Dunster, Cristo FernándezKevin “Kg” Garry, Brett Goldstein, Billy Harris, Anthony Head, Brendan Hunt, Toheeb Jimoh, James Lance, Nick Mohammed, Jason Sudeikis, Jeremy Swift, Juno Temple, Hannah Waddingham, Bronson Webb, Katy Wix

Stunt Ensembles

Outstanding action performance by a stunt ensemble in a motion picture

Barbie

Guardians of the Galaxy Vol. 3

Indiana Jones and the Dial of Destiny

John Wick: Chapter 4

WINNER: Mission: Impossible – Dead Reckoning Part One

Outstanding action performance by a stunt ensemble in a television series

Ahsoka

Barry

Beef

WINNER: The Last of Us

The Mandalorian

Bob Marley: One Love continues to dominate the box office.

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The Paramount biopic will remain No. 1 on this week’s domestic box office chart. The film, starring Kingsley Ben-Adir as the late reggae icon, will earn an estimated $13.4 million to $14 million from 3,597 locations, according to early weekend estimates provided to The Hollywood Reporter.

One Love has already crossed the $100 million mark ($61.4 million domestically and $39.7 million overseas) at the global box office after only 10 days in theaters.

The Marley movie, which opened on Valentine’s Day (Feb. 14), topped the box office chart last week with a six-day launch of $51.1 million, marking one of the best openings for a music biopic, according to THR. Straight Outta Compton remains at the top of the list with a $60.2 million opening in North America in 2015.

Sony’s Madame Web, starring Dakota Johnson, debuted with a gloomy $26 million opening, one of the lowest openings for a movie mentioning a Marvel character, according to THR. The film is not, however, considered part of the Marvel Cinematic Universe.

One Love covers the dynamic between Marley, his backing band The Wailers and the musician’s family in the year immediately following an assassination attempt on his life. Rounded out by a cast that includes Lashana Lynch as Rita Marley and James Norton as producer and Island Records founder Chris Blackwell, the movie aims to humanize a man whose talent and message caused him to, in many ways, transcend mortality.

Marley’s songs have garnered a whopping seven billion official on-demand U.S. streams, per Luminate, while his Legend compilation is the second-longest charting album in Billboard 200 history (821 weeks). 

Taylor Swift was full of new surprises in Sydney, Australia.

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On Saturday (Feb. 23), the second night of her Eras Tour stint at Accor Stadium, the pop superstar — who at each tour date performs two tracks that are not often heard during the show — delivered another pair of mashups during the acoustic section of her set.

For her first surprise track of the evening, Swift performed a mashup of “Should’ve Said No,” from her 2006 self-titled debut, and “You’re Not Sorry,” from 2008’s Fearless. The second mashup featured the singer sitting down at the piano for a medley of Reputation‘s “New Year’s Day” and “Peace” off Folklore.

Friday’s show also found Swift announcing a third edition of her upcoming album, The Tortured Poets Department, titled “The Albatross,” which features a limited bonus song of the same name. She dropped the news during her nightly surprise song section before bringing out opener Sabrina Carpenter to assist in singing a mashup of “White Horse” and “Coney Island.”

These aren’t the first mashups Swift has performed during the surprise songs portion of her Eras Tour concerts. The first unexpected medley arrived during her Feb. 17 show at Australia’s Melbourne Cricket Ground, where she gave a three-song mashup of “Getaway Car,” “August” and “The Other Side of the Door.”

“I just really want you to be happy because you’re making me happy,” the pop star told Swifties before the medley. “So I figured you might want to hear this one, let me know though.”

The following evening, Swift combined “Come Back… Be Here” from her Red era with Lover closing track “Daylight” at Melbourne Cricket Ground.

During the Feb. 18 show, Swift also issued a PSA about getting “creative” with the surprise songs. The singer previously told fans she’s given herself permission to repeat songs she’s already played this tour for the trek’s international leg, which she’s currently on. But she’s still set on bringing some element of chaos to her nightly song choices.

“That was to challenge me to really get to all the ones that I just don’t naturally gravitate towards, and I feel really proud about having done that,” Swift said at the Melbourne show, referring to her original plan to avoid surprise song repeats throughout the tour.

“But this is sort of a public service announcement to everyone who might be anywhere else on the tour, or whatever, or watching this — we have a lot of people, we’re very lucky to have a lot of people watch this on the internet and care about these shows if they’re not here,” she continued. “I’ve just been kind of rethinking, and I’ve been thinking I want to be as creative as possible with the acoustic set moving forward.”

Juana Bacallao, a renowned Cuban singer and cabaret diva who still performed until recently, has died. She was 98.

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Bacallao died Saturday (Feb. 24) after spending several days at a hospital in Havana, according to a statement from Cuba’s Ministry of Culture. Officials didn’t say why she was hospitalized.

Bacallao was known for her husky voice, risque personality and being unpredictable, clad in wigs and extravagant costumes. She performed at the famed Tropicana club in the 1940s and ’50s and sang alongside artists like Nat King Cole.

“I will never retire. I will only stop once death has come for me,” she said in a 2010 interview with The Associated Press.

Born Neri Amelia Martínez Salazar, she was sent to a Catholic boarding school after becoming orphaned at 6 years old.

She was discovered as a teenager while singing as she cleaned homes and was given the moniker “Juana Bacallao,” becoming a sensation in Cuba’s cabaret scene.

Bacallao performed with stars, including singer and pianist Bola de Nieve, percussionist Chano Pozo and singer Benny Moré.

“I know what life is — both poverty and wealth,” Bacallao told the AP more than a decade ago. “This is my land. It is where I was born, and it is where I will die.”

Fifth Harmony is showing some love to Normani.

The former pop group’s members expressed their support in the comments section of the singer’s recent social media announcement that she will finally be releasing her long-awaited solo album, Dopamine, in the coming year.

“cryingg typing this rn. DOPAMINE THE ALBUM,” Normani captioned her Instagram post on Wednesday (Feb. 21).

In addition to her elated fanbase, the announcement also drew positive comments from the artist’s former Fifth Harmony members Camila Cabello, Ally Brooke, Lauren Jauregui and Dinah Jane.

“Let’s gooooo🔥,” Jauregui wrote, while Cabello added a series of rocket emojis. “there she is 🥹🔥🔥,” Jane added. And Brooke shared several sparkling heart emojis and clapping hand.

Normani’s post also featured a photo of the artwork, which features the black-leather bikini-clad singer riding on top of a black rocket. She also reposted a June 30, 2018-dated message from X, in which she wrote, “I have my album title y’all,” and shared the album’s pre-save link wheresthedamnalbum.com.

Normani has yet to reveal Dopamine‘s release date, but according to the rapidly changing date counter on the aforementioned website, it will be released in 2024.

Since embarking on her solo career in 2018, Normani has released only seven singles as a lead artist, with 2019’s “Motivation” and 2022’s “Fair” being the only songs she’s released without another artist on it. She’s had two Billboard Hot 100 top 10 hits with the Sam Smith-assisted “Dancing With a Stranger” (No. 7) and the Khalid-assisted “Love Lies” (No. 9). “Motivation” and “Wild Side,” featuring Cardi B, have also charted on the Hot 100, peaking at No. 33 and No. 14, respectively.

Her Dopamine album announcement also arrives six months after signed a new management deal with Brandon Creed and Lydia Asrat through Creed’s Good World Management and Asrat’s Q10. Normani and her former management company, Brandon Silverstein‘s S10 Entertainment, parted ways last May.

Songwriters and publishers are due nearly $400 million in additional payouts following the Copyright Royalty Board’s Phonorecord III final determination in August, according to information the Mechanical Licensing Collective (the MLC) released on Friday (Feb. 23).

During the Phono III blanket license period (2021-2022), the MLC reports that digital service providers like Spotify, Amazon Music, YouTube and Pandora underpaid rightsholders by $419.2 million — $281 million from mechanical royalties and $137.8 million from performance royalties. Those underpayments were due to the fact that final rates were higher than the interim rates during the more than four-year royalty dispute between publishers and streamers.

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However, the DSPs actually overpaid publishers for mechanical royalties during the Phono III historical unmatched period (2018-2020) to the tune of $28.8 million. That would cut down the total bonus owed to songwriters and publishers to roughly $390.3 million.

The DSPs were given until Feb. 9 to review and adjust their past payments following the CRB’s final determination, though several did not submit the required adjustment reports by the deadline, according to the MLC, which expects adjustments to increase by another $10 to $15 million once those additional reports come in.

The MLC notes that the amounts are estimates only and subject to change pending its official calculations.

“We are extremely pleased that songwriters and music publishers finally will receive the over $400 million they are owed in mechanical and performance royalties from the 2021-2022 period,” said NMPA president/CEO David Israelite in a statement. “Our appellate win upholding the rate increase we achieved in 2018 will finally net music creators and copyright owners the windfall they should have received years ago. The fact that the majority of this adjustment will be distributed by the MLC in a completely transparent and expedient way is another massive benefit of the Music Modernization Act (MMA) and while we would have preferred it be paid sooner, this is a welcome and critical lift now.”

A full breakdown of the adjustments from the individual DSPs is available on the MLC website.

The culture of Palestine is celebrated in “Deira,” a new song and video from artists Saint Levant and MC Abdul released in the wake of Levant’s recent signing to Universal Arabic Music (UAM).

Levant is a singer, rapper and songwriter of Palestinian, Algerian, French and Serbian descent. MC Abdul is a 15-year-old rapper from Gaza whose 2021 viral hit, “Palestine,” brought him global prominence.

Done in the traditional Shaabi Arab musical style native to Algiers, “Deira” — which translates to “the Kasbah or “the old city” — is an homage to Levant’s lineage, with the video highlighting daily life, food, fashion, sports and more in the Middle East through a dreamy and nostalgic lens.   

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“Deira is the name of the hotel that my father Rashid, an architect, built with my mother in 2000 when they moved to Gaza,” Levant says in a statement. “He built this hotel with mud because it was impossible to import cement at the time. Located on the beach, this hotel was one of the most beautiful in Gaza, made up of 22 rooms. It was a true architectural marvel. On July 16, 2014, four children playing ball out front of the hotel were killed by Israeli rocket fire and most recently the hotel was totally destroyed by bombing three months ago.”  

MC Abdul — who left Gaza for the United States a month before the war started — delivers a verse acknowledging the current conflict with the lyrics, “Big dreams, heavy nights/praying that my family can stay alive/imagine trying to fly with no wings/but I promise you the caged bird sings.” 

Levant’s catalog includes a host of singles and two EPs, including 2023’s From Gaza, With Love. Based in Los Angeles, the artist recently signed to Universal Arabic Music (UAM) via a partnership with Republic Records and UMG launched by The Weeknd’s manager Wassim “Sal” Slaiby in 2021.  

The Middle East has recently become a growth area for the music industry, with major labels like Universal setting up imprints and local offices there. Spotify launched in the Arab world in 2018, while Abu Dhabi-based streaming company Anghami received a $5 million investment from the venture capital arm of the Saudi Arabia media company SRMG last August. (SRMG is also behind the recently launched Billboard Arabia.) San Francisco-based distribution company EMPIRE has an operation covering the Middle East/North Africa, bringing on Spotify’s Suhel Nafar to oversee it in 2021.  

The 2022 IFPI report notes that the Middle East and North African (MENA) region posted the world’s third-highest growth rate in 2022, seeing revenues from recorded music climb by 23.8%. Streaming accounted for the majority of the market, with those revenues making up a 95.5% share.   

But the war in Gaza has disrupted that opportunity for many Palestinian acts, and increased attention around the conflict has not brought any significant streaming gains to Palestinian artists. MC Abdul’s global streaming numbers did, however, see a spike last fall in the weeks following the start of the war.  

The American Federation of Musicians has reached a tentative agreement with the Alliance of Motion Picture and Television Producers as of Friday.

The agreement, which concerns basic theatrical motion picture and basic television motion picture contracts, comes with “historic breakthroughs” on streaming residuals and protections against AI, according to AFM. The agreement is unanimously recommended by the bargaining committee. 

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While AFM leadership said they could not comment on the exact details in the contract, they confirmed that the tentative deal language includes streaming residuals for musicians for the first time.

“This agreement represents a major win for musicians who have long been under-compensated for their work in the digital age,” said AFM International President and Chief Negotiator Tino Gagliardi. “We have secured historic breakthroughs in streaming residuals, established critical guardrails against the misuse of AI, gained meaningful wage increases and other important gains. This agreement represents a watershed moment for the artists who create the soundtracks for countless film and TV productions.”  

The tentative agreement must be approved by AFM International Executive Board and then will next be submitted for ratification by roughly 2,000 members working under the contracts.

The deal came after a first round of negotiations from Jan. 22 through Jan. 31 and then a second round that began Feb. 21 and lasted until the early hours of Feb. 23. The negotiations took place at the Sherman Oaks offices of the AMPTP.

AFM held a rally outside the offices on the first day of negotiations, with members from several other entertainment unions attending to show their support. The tentative agreement comes just ahead of the March 4 start date for negotiations between the AMPTP and the International Alliance of Theatrical Stage Employees and the Hollywood Teamsters.

“I want to congratulate our AFM Fair Share for Musicians bargaining unit members for their unwavering commitment to fighting for a contract that fairly compensates them for their invaluable contributions to film and TV and protects them in the ever-changing film and television industry,” Gagliardi concluded. “We were not alone in this negotiation, and we were proud to have the full backing of fellow unions: SAG-AFTRA, Writers Guild of America, IATSE, and the Teamsters. It was yet another powerful reminder that when we have solidarity in the labor movement, we can achieve great things. We also would like to thank Carol Lombardini, president of the AMPTP, as well as the AMPTP and its member companies, for helping bring these negotiations to a successful conclusion.”

This article was originally published by The Hollywood Reporter.

Venezuelan brothers Mau y Ricky talk about their new album ‘Hotel Caracas,’ working with a non-Latin producer like Malay and how that was different from making their previous records, how their Venezuelan heritage inspired their new project, their experience going back to Venezuela after many years, tease what fans can expect from the second season of their Disney+ series ‘Los Montaner,’ owning their masters and creating their own record label Why Records in partnership with Warner Records and more!

Leila Cobo
You are not twins. You are not twins, one is younger than the other.

Mau y Ricky
Yes. People can say in the comments who is younger. I’m kidding. Hi, we are Mau and Ricky and this is Billboard News. Spanglish.

Leila Cobo
Mau y Ricky, welcome to Billboard.

Ricky Montaner
We are very happy to be here.

Leila Cobo
This is an exciting time for you. So much change. Let’s talk, first and foremost about ‘Hotel Caracas.’ What is ‘Hotel Caracas?’

Ricky Montaner
‘Hotel Caracas’ is where all your dreams come true. It’s our new album, which we are incredibly proud of. We’ve been working on this album for a year and a half, but I feel we’ve been writing these songs all of our lives.

Leila Cobo
Why?

Ricky Montaner
Because I feel it’s like the destiny we have been waiting to get to. I feel it’s like a feeling that everything we’ve experienced in our career until now has formed us to be able to create this project we have in our hands.

Mau Montaner
Yes, it is the most Mau and Ricky thing we’ve done.

Watch the full interview above!

Boy bands supporting boy bands!

ENHYPEN shared a cover on Friday (Feb. 23) of One Direction’s 2012 breakout hit, “What Makes You Beautiful.” The band members trade verses with their signature sweet vocals before coming together to sing the anthemic hook.

In August, 1D member Liam Payne celebrated a new milestone for the song. “Wow I just got told we’re about to make a billion streams on wmyb,” the singer wrote alongside a throwback photo of himself posing with former bandmates Harry StylesNiall HoranZayn Malik and Louis Tomlinson. “Never in the making of this song so early in our career did I think I would be looking at those numbers what an achievement boys!”

He continued, “I’m so lucky not only to share this with you but also this amazing fanbase everyday I’m learning about myself and what was all of this for but now when I listen back and think of the power we all had including you as a fanbase I’m so happy that for 5 years we made such a great soundtrack to life for myself and everyone who got to listen sharing laughter pain and everything in between miss you boys. Lots of love.”

Listen to ENHYPEN’s cover of One Direction’s “What Makes You Beautiful” below.