Bebe Rexha presents Kylie Minogue with the Icon award at Billboard’s Women In Music 2024.

Hi everyone, how are you feeling? I mean, what a night. It just keeps getting better and better. And it’s gonna get even better because I get to give out an award to an icon.

I grew up listening to her and she’s just one of my I mean, my favorite dance musician. Her name is Kylie Minogue. This extraordinary singer-songwriter, actress, model has been making music for over three decades, okay. She’s had hits on multiple Billboard charts, starting with her very first Hot 100 Top 10 in 1988. Okay, “The Local Motion.” Over the years, she’s charted seven songs on the Hot 100 and 11 albums on the Billboard 200. And it’s no wonder why we can’t get her out of our heads, ladies and gentlemen.

She’s honestly been an extraordinary isn’t extraordinary or extraordinary. It’s extraordinary, right? Whatever. She has been an amazing model for so many of us and she’s encouraging us to do what we love and to keep following our hearts, and she continues to innovate and break boundaries. Most recently actually beating me in this category but first ever Grammy give it out for best dance pop recording for “Padam Padam” and she said that “Padam Padam” is the sound of a heartbeat. And I just want to say one thing okay. Um, being a woman in the music business looking up to her and being in this category right for pop dance. I always feel like in the music business we’re always being judged by numbers, right? Our age, especially, as females our weight, and she beat all of us in a category and she’s 55 and she looks fucking amazing, okay. So I’m telling you right now numbers ages anything it doesn’t define you because she’s fucking winning Grammys and fucking beating all of us out here in dance music, okay?

So it is an honor to present this year’s Billboard Woman in Music Icon to someone who has captured our hearts year after year with her style and spirit and, of course, her sensational sound.

I mean, come on — she is queen. Make some noise for Kylie Minogue.

You got this girl. You got it? I mean, come on. Like are you serious?

Watch the full video above.

Luísa Sonza accepts the Global Force Award at Billboard Women In Music 2024.

Luísa Sonza:
What the f–k is happening here, guys? Oh my God. Well, first of all, thank you so much, Demi Lovato, for being with me. I mostly sing in Portuguese, so this is so crazy and I’m, I’m so nervous right now.

OK, I have a thing right here I’m gonna try to read. “Hi guys. OK, this is crazy” — I wrote that. First of all, I want to say thank you to the women who inspired me in my life: my mom, I want to say thank you to my grandma, my manager Fátima and everyone on my team who makes being here possible. This is crazy. I’m from a small town in Brazil with 6,000 people. And I started my music journey singing in a wedding band when I was 7 years old, and I never, never thought I will be here tonight. This is too much for me. I can’t handle it.

Thank you so much, Billboard, for your work to see and recognize women. This is amazing. This is so important. But tonight, I want to say thank you especially to Brazilian women. This is the first time someone from Brazil is being recognized for this award. So I want to dedicate that award to Brazilian artists, songwriters and producers. Thank you so much. Karol G, songwriters. Oh my fans, Brazil. OK, guys. Bye.

Watch the full video above.

Maggie Lindemann caught up with Billboard’s Rania Aniftos at the Billboard Women in Music 2024.

Watch Billboard Women in Music 2024 on Thursday, March 7th at 8 PM ET/ 5 PM PT at https://www.billboard.com/h/women-in-music/

Lainey Wilson caught up with Billboard’s Rania Aniftos and Lilly Singh at Billboard Women in Music 2024.

Watch Billboard Women in Music 2024 on Thursday, March 7th at 8 PM ET/ 5 PM PT at https://www.billboard.com/h/women-in-music/

Sarah Geronimo caught up with Billboard’s Rania Aniftos and Lilly Singh at Billboard Women in Music 2024.

Watch Billboard Women in Music 2024 on Thursday, March 7th at 8 PM ET/ 5 PM PT at https://www.billboard.com/h/women-in-music/

Lil Mosey caught up with Billboard’s Rania Aniftos at Billboard Women in Music 2024.

Watch Billboard Women in Music 2024 on Thursday, March 7th at 8 PM ET/ 5 PM PT at https://www.billboard.com/h/women-in-music/

Tinashe caught up with Billboard’s Rania Aniftos at Billboard Women in Music 2024.

Watch Billboard Women in Music 2024 on Thursday, March 7th at 8 PM ET/ 5 PM PT at https://www.billboard.com/h/women-in-music/

Landon Barker is opening up about his experience with Tourette Syndrome.

The rocker took to TikTok this week to reveal that he has a “very, very minor” case of the neurological disorder that causes a person to have involuntary physical or verbal tics. “I’ve had it for as long as I can remember, like pre-school,” he recalled. “I remember exactly because the teacher used to accuse me of rolling my eyes at her because one of my ticks was [moves eyes around] that. It was, like, a weird thing I do with my eyes.”

He added that nowadays, his tics manifest in movement of heck or jaw. “It really just acts up in nervous situations or nerve wracking environments for me,” he shared.

Barker joins a slew of celebrities who have opened up about having Tourette Syndrome, which affects about one in every 162 children, according to the Center for Disease Control and Prevention. Billie Eilish has shared her experience with the disorder throughout her career, telling David Letterman on his popular in-depth interview series, My Next Guest Needs No Introduction that she was diagnosed when she was 11 years old. “I never don’t tic at all, because the main tics that I do are constantly, like, I wiggle my ear back and forth and raise my eyebrow and click my jaw and flex this arm here and this arm there,” she says. “These are things you would never notice if you’re having a conversation with me, but for me, they’re very exhausting.”

While Eilish admitted that she use to “damn” her symptoms, she now feel like they are “part” of her. “I have made friends with it, so now I’m pretty confident in it,” she explains.

Lewis Capaldi revealed last year that his experience with Tourette Syndrome has an affect on his performing. “My tic is getting quite bad on stage now,” Capaldi said in an interview with The Times. “I’m trying to get on top of that. If I can’t, I’m f–ked. It’s easier when I play guitar, but I hate playing guitar. I know, I’m a walking contradiction.”

He also previously spoke about his struggles with Tourette’s in an Instagram Live. “The worst thing about it is when I’m excited I get it, when I’m stressed I get it, when I’m happy I get it,” he said at the time. “It happens all the time.”

Ice Spice opens up about her friendship with Taylor Swift, being inspired by Lana Del Rey and Rihanna, her four Billboard Hot 100 Top 10 Hits and more. BLACKPINK’s Lisa attended Taylor Swift’s show in Singapore and Rosé was front row at the Chanel fashion show in Paris. AESPA’s Karina shared a heartfelt apology to fans after news broke that she is dating actor Lee Jae Wook. The legendary girl group, Spice Girls celebrated the 30th anniversary of their first audition. And more!

Tetris Kelly
Ice Spice talks Lana and Taylor, the latest on Lisa, Jennie and Karina, a girl power throwback from the Spice Girls. We sit down with 5sos’ Luke Hemmings and look at Women In Music honoree PinkPantheress’success. Happy Tuesday March 5, I’m Tetris and this is Billboard News. It’s no secret it is the week of Women In Music, and we’re giving out all the flowers. Let’s kick things off with our interview with Ice. Ice Spice gets advice from Taylor Swift as she discusses Lana Del Rey and some other inspirations that may shock you, Billboard chatted with the princess let’s dive in. Fact is that Taylor Swift and Ice Spice have been proven to be new besties and Taylor is a good friend telling Ice, “No matter what just keep making music and everything’s going to be fine.” And it is Ice scored four Billboard Hot 100 top tens in 2023 saying her favorite was “Princess Diana” with Nicki Minaj. And she hit up the Super Bowl with Tay and Lana Del Rey who was real inspo, our Women In Music honoree talked about her favorite hitmakers. “I would say Lana Del Rey, I’m obsessed with her and I feel like all of her songs are hits even the ones that aren’t as big as the others, Rihanna too. I have both her and Del Rey’s vinyls, Taylor Swift, of course. Nicki Minaj. Drake, the list is long.” And we can add you right to the top of our lives, Ice Spice.

Watch the full video above!

A federal judge is allowing music publishers to move forward with a copyright lawsuit filed against X Corp. over allegations of widespread copyright infringement on the social media platform formerly known as Twitter.

In a split ruling Tuesday (Mar. 5), Judge Aleta A. Trauger tossed out major parts of the case, like the accusation that X itself directly infringed any music. But she allowed some of the lawsuit’s core allegations — that X essentially enabled illegal behavior by its users by refusing to crack down on them — to move ahead.

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In one example, the judge ruled that the music companies could pursue their “particularly striking” allegation that Twitter had been less willing to crack down on users who had paid for “verified” status.

“If X Corp. truly did allow some users to effectively purchase the right to be able to infringe with less severe consequences, then that was plausibly an instance of promoting X/Twitter’s use to infringe copyright,” the judge wrote.

The case against Twitter was filed in June by dozens of music publishers, who claim that users on the Elon Musk-owned site had infringed over 1,700 songs from writers like Taylor Swift and Beyoncé — a claim that, if proven, could put the social media giant on the hook for $255 million in damages.

The case was organized by the National Music Publishers’ Association, which has long argued that Twitter is the last major social media service that refuses to license music. TikTok, Facebook, Instagram, YouTube and Snapchat have all allegedly entered into such deals with publishers, providing a library of licensed music for users to legally add to their posts. The lawsuit claimed that Twitter had, instead, effectively allowed its users to supply such music illegally.

The case was filed by Concord, Universal Music Publishing Group, peermusic, ABKCO Music, Anthem Entertainment, Big Machine Music, BMG Rights Management, Hipgnosis Songs Group, Kobalt Music Publishing America, Mayimba Music, Reservoir Media Management, Sony Music Publishing, Spirit Music Group, The Royalty Network, Ultra Music Publishing, Warner Chappell Music and Wixen Music Publishing.

Twitter moved to dismiss the lawsuit in August, arguing that social media sites clearly do not directly infringe copyrights when users upload illegal material. And they argued that digital services also cannot be sued for so-called secondary infringement unless they take active steps to aid the illicit behavior: “In this case, plaintiffs do not allege that X encouraged, induced, or took affirmative steps with the intent to foster the infringement of plaintiffs’ works,” the company’s lawyers wrote at the time.

In Tuesday’s ruling, Judge Trauger partly agreed with Twitter’s arguments. She easily dismissed the allegations of direct infringement, citing recent Supreme Court precedents, and also ruled that the company could not be held liable for “vicarious infringement” — meaning it profited directly from allowing illicit materials on the site. She also ruled that the music companies could not accuse X of so-called contributory infringement simply by offering tools that could sometimes be abused by infringers.

“Many of the supposedly problematic practices that the plaintiffs identify are unremarkable features of X/Twitter generally that X Corp. has simply failed to fence off completely from infringers,” the judge wrote. “The plaintiffs have not identified any basis for concluding that X Corp. was obligated to make its service worse for everyone, just to punish the people who misuse it.”

But Judge Trauger said other alleged conduct, if ultimately proven, could put Twitter on the hook for damages. One such claim, she said, is the allegation that X committed contributory infringement by failing to crack down on “severe serial infringers” who “openly and obviously used the service as a tool for repeatedly posting infringing content.”

“If … there was a class of X/Twitter users who were brazenly using the platform as an infringement tool, and X Corp. made the decision to unreasonably withhold enforcement of its own policies against those users … then X Corp. could plausibly be held contributorily liable,” the judge wrote.

Another claim Judge Trauger allowed to move forward was that X took too long to respond to takedown notices from copyright owners: “If X Corp. engaged in egregious delays in responding to valid takedown notices, or outright ignored some notices that were both facially and actually valid, that could support liability.”

Notably, Tuesday’s ruling did not address the thorny issue of the Digital Millennium Copyright Act (DMCA), a federal law that provides sites like Twitter with immunity — a “safe harbor” — from litigation over material uploaded by their users, so long as they promptly remove it when asked. The music publishers say X clearly failed to do so; the site strongly denies that point.

Though X’s initial motion to dismiss the case did not invoke the DMCA, the company’s lawyers will undoubtedly do so at a later stage of the case now that some of the claims are moving forward. When they do so, the statute will provide X lawyers with another avenue for defeating the allegations that Judge Trauger refused to dismiss on Tuesday.

An attorney for X did not return a request for comment on Tuesday evening.

In a statement to Billboard, a spokeswoman for the NMPA said the group was “pleased” with the ruling: “The spread of rampant music piracy on the platform is obvious and unacceptable, and we look forward to securing just compensation for the songwriters and music publishers whose work is being stolen.”