Greta Gerwig’s Barbie led the Astra Awards nominations with 15 nods, while Christopher Nolan’s Oppenheimer was a beat behind with 14. The films each received nominations for best picture, director and cast ensemble.

Barbie also took three of the six nominations for best original song for “Dance the Night,” “I’m Just Ken” and “What Was I Made For?”

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The late Robbie Robertson is nominated for best original score for his work on Martin Scorsese’s Killers of the Flower Moon. He is competing with Ludwig Göransson’s score for Oppenheimer, among others.

Taylor Swift’s Taylor Swift: The Eras Tour, which made history as the top-grossing concert film of all time, is vying for best documentary feature with two other music docs (American Symphony, about Jon Batiste, and Little Richard: I Am Everything, about the flamboyant rock legend) and three non-music docs.

Killers of the Flower Moon and Spider-Man: Across the Spider-Verse and each received 10 nominations in the awards, which are presented by the Hollywood Creative Alliance. The Holdover and Poor Things are tied with nine nominations each. The Color Purple had eight, including best actress for Fantasia Barrino.

Bradley Cooper’s Maestro, about legendary conductor Leonard Bernstein, received seven nods including best actor and best director for Cooper and best actress for Carey Mulligan.

Winners of the 2024 Astra Film Awards will be revealed on Saturday, Jan. 6, during a live-streamed event from the Biltmore Hotel in Los Angeles, beginning at 6:30 pm PT/9:30 pm ET. Comedian Jimmy O. Yang will serve as host.

The Astra Creative Arts Awards winners will be revealed on Monday, Feb. 26 at City Market Social House in Los Angeles.

Here are nominees for the 2024 Astra Film and Creative Arts Awards in 14 selected categories:

Best Original Song

“Camp Isn’t Home” from Theater Camp, Written by Ben Platt, Noah Galvin, Molly Gordon, Nick Lieberman, and Mark Sonnenblick – Performed by Ben Platt, Molly Gordon, Noah Galvin, Alexander Bello, Bailee Bonick, Donovan Colan, Jack Sobolewski, Kyndra Sanchez, Luke Islam, Madisen Lora and Quinn Titcomb (Searchlight Pictures)

“Dance the Night” from Barbie, Written by Mark Ronson, Andrew Wyatt, Dua Lipa, and Caroline Ailin – Performed by Dua Lipa (Warner Bros. Pictures)

“I’m Just Ken” from Barbie, Written by Mark Ronson and Andrew Wyatt – Performed by Ryan Gosling (Warner Bros. Pictures)

“Peaches” from The Super Mario Bros Movie, Written by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker – Performed by Jack Black (Universal Pictures)

“This Wish” from Wish, ​​Written by Julia Michaels, Benjamin Rice, and JP Saxe – Performed by Ariana DeBose (Walt Disney Pictures)

“What Was I Made For?” from Barbie, Written By Billie Eilish O’Connell and Finneas O’Connell – Performed by Billie Eilish (Warner Bros. Pictures)

Best Score

Elemental, Thomas Newman (Disney/Pixar)

Killers of the Flower Moon, Robbie Robertson (Apple Original Films)

Oppenheimer, Ludwig Göransson (Universal Pictures)

Poor Things, Jerskin Fendrix (Searchlight Pictures)

Saltburn, Anthony Willis (Amazon MGM Studios)

Spider-Man: Across the Spider-Verse, Daniel Pemberton (Sony Pictures)

Best Documentary Feature

20 Days in Mariupol (PBS Distribution)

American Symphony (Netflix)

Beyond Utopia (Roadside Attractions)

Little Richard: I Am Everything (Magnolia Pictures)

Still: A Michael J. Fox Movie (Apple Original Films)

Taylor Swift: The Eras Tour (AMC Theatres Distribution)

Best Animated Feature

The Boy and The Heron (GKids)

Elemental (Disney/Pixar)

Nimona (Netflix)

Spider-Man: Across the Spider-Verse (Sony Pictures)

Suzume (Sony Pictures/Crunchyroll)

Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount Pictures)

Best Voice-Over Performance

Ariana DeBose – Wish (Walt Disney Studios)

Bradley Cooper – Guardians of the Galaxy Vol. 3 (Disney/Marvel)

Daniel Kaluuya – Spider-Man: Across the Spider-Verse (Sony Pictures)

Hailee Steinfeld – Spider-Man: Across the Spider-Verse (Sony Pictures)

Jack Black – The Super Mario Bros Movie (Universal Pictures)

Shameik Moore – Spider-Man: Across the Spider-Verse (Sony Pictures)

Best Cast Ensemble

Air (Amazon MGM Studios)

Barbie (Warner Bros. Pictures)

Killers of the Flower Moon (Apple Original Films)

Oppenheimer (Universal Pictures)

The Color Purple (Warner Bros. Pictures)

The Holdovers (Focus Features)

Best Supporting Actress

America Ferrera – Barbie (Warner Bros. Pictures)

Danielle Brooks – The Color Purple (Warner Bros. Pictures)

Da’Vine Joy Randolph – The Holdovers (Focus Features)

Julianne Moore – May December (Netflix)

Rachel McAdams – Are You There God? It’s Me, Margaret (Lionsgate)

Viola Davis – Air (Amazon MGM Studios)

Best Supporting Actor

Charles Melton – May December (Netflix)

Colman Domingo – The Color Purple (Warner Bros. Pictures)

Dominic Sessa – The Holdovers (Focus Features)

Glenn Howerton – BlackBerry (IFC Films)

Robert Downey Jr. – Oppenheimer (Universal Pictures)

Ryan Gosling – Barbie (Warner Bros. Pictures)

Best Actress

Carey Mulligan – Maestro (Netflix)

Emma Stone – Poor Things (Searchlight Pictures)

Fantasia Barrino – The Color Purple (Warner Bros. Pictures)

Greta Lee – Past Lives (A24)

Lily Gladstone – Killers of the Flower Moon (Apple Original Films)

Margot Robbie – Barbie (Warner Bros. Pictures)

Best Actor

Barry Keoghan – Saltburn  (Amazon MGM Studios)

Bradley Cooper – Maestro (Netflix)

Cillian Murphy – Oppenheimer (Universal Pictures)

Colman Domingo – Rustin (Netflix)

Jeffrey Wright – American Fiction (Orion Pictures / Amazon MGM Studios)

Paul Giamatti – The Holdovers (Focus Features)

Best Original Screenplay

Air, Written by Alex Convery (Amazon MGM Studios)

Anatomy of a Fall, Written by Justine Triet & Arthur Harari (NEON)

Barbie, Written by Greta Gerwig & Noah Baumbach (Warner Bros. Pictures)

Past Lives, Written by Celine Song (A24)

Saltburn, Written by Emerald Fennell (Amazon/MGM Studios)

The Holdovers, Written by David Hemingson (Focus Features)

Best Adapted Screenplay

American Fiction, Screenplay by Cord Jefferson (Orion Pictures / Amazon MGM Studios)

Are You There God? It’s Me, Margaret, Screenplay by Kelly Fremon Craig (Lionsgate)

Killers of the Flower Moon, Screenplay by Eric Roth & Martin Scorsese (Apple Original Films)

Oppenheimer,  Screenplay by Christopher Nolan (Universal Pictures)

Poor Things, Screenplay by Tony McNamara (Searchlight Pictures)

Spider-Man: Across the Spider-Verse, Screenplay by Phil Lord, Christopher Miller, Dave Callaham (Sony Pictures)

Best Director

Alexander Payne – The Holdovers (Focus Features)

Ben Affleck – Air (Amazon MGM Studios)

Bradley Cooper – Maestro (Netflix)

Celine Song – Past Lives (A24)

Christopher Nolan – Oppenheimer (Universal Pictures)

Cord Jefferson – American Fiction (Orion Pictures / Amazon MGM Studios)

Emerald Fennell – Saltburn (Amazon MGM Studios)

Greta Gerwig – Barbie (Warner Bros. Pictures)

Martin Scorsese – Killers of the Flower Moon (Apple Original Films)

Yorgos Lanthimos – Poor Things (Searchlight Pictures)

Best Picture

Air (Amazon MGM Studios)

American Fiction (Orion Pictures / Amazon MGM Studios)

Barbie (Warner Bros. Pictures)

The Color Purple (Warner Bros. Pictures)

The Holdovers (Focus Features)

Killers of the Flower Moon (Apple Original Films)

Maestro (Netflix)

Oppenheimer (Universal Pictures)

Past Lives (A24)

Spider-Man: Across the Spider-Verse (Sony Pictures)

You might have seen some rumors floating around online Thursday (Dec. 7) that Selena Gomez is dating producer Benny Blanco — well, Gomez saw the rumors too. The pop star/actress went on an Instagram commenting spree Thursday, responding to social media reaction to the rumored pairing.

“He is my absolute everything in my heart,” she commented on this post, before replying to other comments on the account. “I don’t understand. If you actually care about me. This is my happiest,” she said to one commenter. “If you don’t, feel free to say whatever you want. But I will never allow your words to guide my life. Ever. I’m done. If you can’t accept me at my happiest then don’t be in [my] life at all.”

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One commenter fired back: “If you can’t handle the hate then stop posting pictures of your boyfriend lol – it should be special between you two only. Don’t be mad at your fans. They love you.” Gomez countered by offering up a timeline of the new relationship, saying that they’ve actually kept things private for half a year. “Not mad. It’s been 6 months bb. I will always defend my friends family and fans till the day I die.”

Billboard has reached out to a rep for Gomez to confirm the validity of the comments.

Following the comments, Gomez took to her own Instagram Stories and shared a photo that appeared to be of her and Blanco. In a separate Story, she wrote: “Just a reminder of how much I appreciate and love each and everyone of you.”

Blanco co-produced Gomez’s most recent song “Single Soon,” which arrived in August and was a top 20 hit on the Billboard Hot 100. They also collaborated on Blanco’s “I Can’t Get Enough,” alongside Tainy and J Balvin, in 2019.

Aside from addressing Blanco rumors, she also responded to a fan who asked the status of her third solo album. “When is sg3 coming sel?” the comment read, to which Gomez responded: “in 2 months.”

Record Store Day’s Black Friday festivities on Nov. 24 yielded big gains for vinyl album sales in the U.S., thanks to hot-selling titles by the likes of Linkin Park, Olivia Rodrigo, The Doors, U2 and Post Malone – all released exclusively for the indie store holiday.

According to Luminate, in the tracking week ending Nov. 30, the top five-selling Record Store Day (RSD) Black Friday album release were Linkin Park’s Lost Demos (on translucent sea blue vinyl), Rodrigo’s four-song Guts: The Secret Tracks (on opaque deep purple vinyl), The Doors’ Live in Bakersfield, California, August 21, 1970 (on double vinyl), U2’s U2 Live: Under a Blood Red Sky (on red vinyl, naturally) and Post Malone’s The Diamond Collection (on clear double vinyl). (See lists below, which are ranked by album sales generated in the week ending Nov. 30.)

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The Doors’ Live in Bakersfield set was released on both vinyl and as a two-CD set, and their combined sales across the two configurations make the album the RSD Black Friday top-seller overall for the week.

Typically, many unique and limited-edition titles – both albums and singles – are released for RSD Black Friday celebrations, exclusively sold through independent and small chain music stores. Record Store Day traditionally has its main indie store holiday in the springtime (2023’s edition was held on April 22), followed by a secondary shindig for Black Friday.

In the week ending Nov. 30, U.S. vinyl album sales industry-wide (across all sellers of music, not just indie stores and small chains) grew 67% to 1.748 million sold (up from 1.046 million sold the previous week). Independent store vinyl album sales for the week jumped 149% to 829,000 (up from 333,000 the previous week). 47.4% of all vinyl albums sold in the U.S. in the week ending Nov. 30 were purchased at independent and small chain music stores (829,000 of 1.748 million).

With 1.748 million vinyl albums sold industry-wide, that marks the fifth-largest week for vinyl album sales in the U.S. in the modern era, since Luminate began electronically tracking music sales in 1991. (It’s also the second-largest week of 2023 for vinyl album sales, following the week ending April 27, which captured Record Store Day 2023, with 1.809 million sold). The biggest week since 1991 for vinyl album sales was the week ending Dec. 22, 2022, when 2.232 million vinyl albums were sold.

Top-Selling Record Store Day Black Friday 2023 Exclusive Albums at Independent Record Stores in U.S. (By Configuration)
Rank, Artist, Title
1. Linkin Park, Lost Demos (translucent sea blue vinyl)
2. Olivia Rodrigo, Guts: The Secret Tracks (opaque deep purple vinyl)
3. The Doors, Live in Bakersfield, California, August 21, 1970 (double vinyl)
4. U2, U2 Live: Under a Blood Red Sky (red vinyl)
5. Post Malone, The Diamond Collection (clear double vinyl)
6. Rilo Kiley, Under the Blacklight (translucent “blacklight” purple vinyl)
7. Noah Kahan, Cape Elizabeth (color marbled vinyl)
8. Grateful Dead, Filmore West 1969, March 2nd (five vinyl LP box set)
9. Coheed and Cambria, Live at the Starland Ballroom (solar flare colored double vinyl)
10. Gram Parsons and The Fallen Angels, The Last Roundup: Live From the Bijou Café in Philadelphia, 3/16/73 (double vinyl)
11. Jerry Garcia & John Kahn, Pure Jerry: Marin Veterans Memorial Auditorium San Rafael, California – February, 28, 1986 (double vinyl)
12. Joni Mitchell, Court and Spark: Demos (vinyl)
13. CZARFACE, CZARtificial Intelligence (translucent Czarbury orange vinyl)
14. The Beach Boys, The Beach Boys’ Christmas Album (green vinyl)
15. My Morning Jacket, Happy Holiday! (clear vinyl with “white snow splatters”)
16. Faces, Had Me a Real Good Time: Live at the BBC, In Session & In Concert 1971-1973 (vinyl)
17. Nas, I Am… The Autobiography (double vinyl)
18. The English Beat, I Just Can’t Stop It (double vinyl)
19. Willie Nelson, Shotgun Willie (double vinyl)
20. Bill Evans / Chuck Israels / Larry Bunker, Tales: Live in Copenhagen (1964) (vinyl)
21. Various Artists, Jazz Dispensary: At the Movies (purple marble vinyl)
22. Kim Petras, Problematique (apple red vinyl)
23. Jonas Brothers, The Family Business (clear double vinyl)
24. Soundtrack, Asteroid City (orange double vinyl)
25. The Flaming Lips, Live at the Paradise Lounge (pink vinyl)

Top-Selling Record Store Day Black Friday 2023 Exclusive Singles at Independent Record Stores in U.S.
Rank, Artist, Title
1. Prince and The N.P.G, Gett Off (12-inch vinyl)
2. Billy Strings featuring Willie Nelson, California Sober (green 12-inch vinyl)
3. Turnstile x BADBADNOTGOOD, Mystery / Alien Love Call, featuring Blood Orange / Underwater Boi (12-inch vinyl)
4. Motley Crue, Too Young to Fall In Love (Remix) / Knock em’ Dead Kid / Too Fast for Love (orange/black 12-inch vinyl)
5. Cypress Hill, Insane In the Brain (2023 Remix) / Hits From the Bong (2023 Remix) (12-inch vinyl)
6. Phoenix, Winter Solstice / Winter Solstice (Braxe+Falcon Remix) (7-inch vinyl)
7. Aimee Mann, Dead Eyes / Dead Eyes (demo) (7-inch vinyl)
8. Jeff Beck, Midnight Walker Lament, featuring Imelda May / Elegy for Dunkirk (Live), featuring Olivia Safe / Goin’ Down (Live) (12-inch vinyl)
9. The Hold Steady, The Death of the Punchline / Radar & Leda (random color 12-inch)
10. Waterboys, This Is the Sea (Fast) / The Passenger (10-inch vinyl)

Source: Luminate, for the week ending Nov. 30, 2023.

At least 15 music docs are among 167 features that are eligible for consideration in the documentary feature film category at the 2024 Oscars. These include films that tell the stories of such varied musicians as Jon Batiste, Carlos Santana, Syd Barrett and Pink Floyd, Joan Baez, Little Richard, Ladysmith Black Mambazo, Thelonious Monk and Blood, Sweat & Tears.

Members of the documentary branch of the Academy of Motion Picture Arts & Sciences will vote to determine the shortlist and, later, the nominees in this category. The shortlist of 15 films will be announced on Thursday, Dec. 21.

The Academy notes that some of the eligible films in this category have not yet had their required qualifying release and must fulfill that requirement and comply with all the category’s other qualifying rules to advance in the voting process.

Films submitted in the documentary feature film category may also qualify for Academy Awards in other categories, including best picture. Documentary features that have been submitted in the international feature film category as their country’s official selection are also eligible in this category. 

The Academy also released lists of eligible films in two other categories on Thursday (Dec. 7). A total of 33 features are eligible in the animated feature film category. Eighty-eight countries or regions have submitted films that are eligible in the international feature film category. (A shortlist of 15 films will also be announced in that category on Dec. 21.)

Nominations for the 96th Academy Awards will be announced on Tuesday, Jan. 23. The 96th Oscars will be held on Sunday, March 10, at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. Jimmy Kimmel is hosting.

Here are 15 notable music docs that are vying for a spot on the shortlist in the documentary feature film category. They are listed in alphabetical order.

We all know Adele has a way with words — both in song and in interviews — but in her cheeky speech Thursday morning (Dec. 7) at The Hollywood Reporter‘s Women in Entertainment breakfast, she warned the crowd that she’s “not really a motivational words kinda gal.”

“I’m just gonna be upfront about it straightaway,” she said as she accepted the Sherry Lansing Leadership Award. “I’m also not really a speeches kind of gal. They’re really not my f—ing forte. I can’t. When I’m nervous, I swear. Forgive me. I’m British, what can I say?”

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It might be hard to convince the room of Hollywood power players gathered at the Beverly Hills Hotel that Adele is not a “speeches kind of gal” after she gave an equal-parts heartfelt and riotous one on Thursday, poking fun at the early call time (“It’s an absolute honor to be here today in full f—ing glam at 8 a.m.”) while paying tribute to the industry’s trailblazing women who preceded her (“It’s because of them that I have every right to be the boss at work and the boss at home”).

The event also brought together two music powerhouses who one might assume had crossed paths before. “I finally got to meet Dua Lipa!” Adele said in her speech. “A bit starstruck. Absolutely love her. Fellow Londoner.” She also joked about the height of the microphone onstage and invoked her fellow pop star’s name. “It’s hard with this microphone, isn’t it, Dua?” she said. “We’re very, very tall — like supermodels. Well you are, I’m not — but anyway!”

Previous Sherry Lansing Award recipient Helen Mirren presented Adele with the honor, recalling the first time she heard the song “Hometown Glory” from Adele’s 2008 debut album 19 and “a shiver went down my back. That chill that comes just a few times in your life, when you realize you are listening to a brilliant and game-changing new artist. And I thought, ‘Wow, a goddess walks amongst us.’”

Kerry Washington was also honored at the event, receiving the Equity in Entertainment Award from Ariana DeBose. And the most touching aspect of the program was when Dua Lipa, Camila Cabello and others helped present more than $1 million in scholarships to high school seniors who are part of THR’s Women in Entertainment Mentorship Program. “The scholarships had me in floods of tears,” Adele said to start her speech.

Watch Adele’s full speech and see Dua Lipa’s photos from the event below:

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SPOILER ALERT: This story contains the identity of the contestant eliminated on Wednesday night’s (Dec. 6) episode of The Masked Singer.

During his deep run into season 10 of The Masked Singer, Husky proved he was a big dog with a series of impressive performances. The canine with deep-blue eyes wowed the judges with his soulful spin on Elton John’s “Bennie and the Jets,” busting out a sky-high falsetto and working the crowd like a veteran. He seemed more in his favored lane on a growly, fist-pumping run through Rick James’ “Super Freak,” on Harry Potter Night, which got judge Nicole Scherzinger thinking it could be R&B singer Tank, while Jenny McCarthy-Wahlberg guessed it might be Brian McKnight or Babyface.

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Robin Thicke said no to both of those, keying in on a crying-emoji clue that made him think it might be actor Terrence Howard, while always-wrong Ken Jeong suggested another sometimes weepy thespian, Morris Chestnut. The key clue, as it turned out, was the singer’s early success with the ladies, who, he said, would often shower him with their undergarments when he was onstage.

On Wednesday’s rock-themed Group C finals show — which featured a cameo from Poison’s Bret Michaels singing “Nothing but a Good Time,” as well as covers of songs by KISS and Mr. Big — Husky got emotional with the Bon Jovi ballad “Always,” once again proving his range with a lighters-in-the-air-worthy performance. Jeong clued into a “wild” clue and thought it might be DJ D-Wrek from host Nick Cannon’s long-running Wild ‘N Out series, while Thicke clued in on a carousel and doubled down on his earlier guess that it was none other than “Pony” singer Ginuwine.

The night also saw the elimination of Tiki (Sebastian Bach), with Group B champion Sea Queen moving on to the season finale.

Billboard spoke with Ginuwine before his elimination about coming out of his shell to do the show, why the Husky appealed to his “go-getter” personality, and how he felt about the viral Justin Timberlake “fo shiz” moment in Britney Spears’ recent The Woman in Me memoir.

You’ve done a bit of reality TV, including Celebrity Big Brother in the UK in 2018, but is it safe to assume this was even weirder than sharing a house with a drag queen, ballet dancer and a detective?

It’s two totally different shows. … I’m pretty much a reserved person. I try to stay out of the limelight as much as I possibly can, but over the last few years, I’ve tried to get out of being such a loner and come out of my shell and try some things, so I just gave it a chance. Now I’m back in my reserved mode.

In which case, how did you end up on the show? Was it your idea?

Oh no! It wasn’t my idea at all! They just happened to call. I was pretty much forgotten for a minute until this year, a couple things went viral and my name was poppin’. … I definitely wasn’t even trying to go viral — that’s not my thing. Crazy stuff happens. [Laughs] But it was good because I got to try out new things.

Did you think you had a chance at winning?

Again, anything I was gonna try, I’m definitely gonna try to win, but there were obstacles that stop you. You have no authority over whether you stay or go; you just do your best and hope for the best.

Talk about those obstacles — what made it hard for you?

[Laughs] Wearing that mask! Because it was real hot and very uncomfortable. I had fun, but the only reason I felt like I didn’t make it as far as I possibly could have was because of the mask … which was very hot and I have asthma, so it dried me out and I couldn’t sing as well as I usually do. I was hoarse a whole lot. If you came to one of my concerts, you would definitely see a big difference, but I have no regrets. I’m glad I did it.

Gotta ask: Why Husky?

They sent me that one, and right off the bat I could relate it to who I am: an alpha male, a go-getter and just focused on whatever it is that I try. So that was the one that suited me perfectly.

And, like, a horse would have been too obvious right?

[Laughs] Yeah, that would have been way too obvious!

You really got to spread your wings, singing a couple of rockers from Elton John and Bon Jovi — plus that Rick James jam — how did it feel to get out of your comfort zone?

They picked those, but I was real happy about the Rick James one, but I didn’t know the other two. I had to learn them and they were totally out of my comfort zone. I’ve been in this business for 27 years and I’m used to doing my own stuff, not stuff I have to learn.

The guesses were all over the place — Terrence Howard, Morris Chestnut, Brian McKnight — how did you feel about them? Did any of them piss you off?

Nah, I wasn’t pissed off about the guesses; that’s part of the fun. I was more like, “You think it’s Brian McKnight? We sound totally different!” I knew Robin would have a better guess than anyone else because I’ve been around him a lot. Because I was hoarse, I might have sounded a little less familiar and I was trying to throw them off so they couldn’t get it, and I wasn’t going to try to sound like myself.

It’s been more than 20 years since you released a new album, do you have anything in the works?

The state of music, in my opinion, has changed dramatically. Unless you have a big machine behind you, a song lasts a month, but back in my day one song could last a whole year. It’s oversaturated and, for me, I’m just humble and blessed that I came out in the ’90s era with music that still stands the test of time. I’ve never worked as much as I’ve been working in the last 10 years — doing shows, people using my music, all that — and so I really don’t have to work, which is a blessing for me to do the ’90s tour all over Australia, Japan, and because I wrote so much of my music back in the days, the royalty thing is good.

You mentioned some viral moments earlier, so I have to ask about the Justin Timberlake “fo shiz, fo shiz” moment in Britney Spears’ memoir and if you remember that.

Nah, I don’t remember that. [Laughs] I would have probably looked at him very weird if he did that like she said. I just don’t remember that, but I remember him being a cool dude and me kicking it down there in Florida with [*NSYNC’s] producer at one time. Nah, I don’t remember that.

I have to ask because I’m obsessed: Is it fair to say — as I do all the time — that “Pony” has basically become the modern shorthand for sex thanks to Magic Mike and every karaoke bar playlist over the past 20-plus years? How does it feel to have a Marvin Gaye-level sex jam in your catalog?

I couldn’t have said it better myself! You absolutely hit it right on the head. The No. 1 karaoke song and it’s stood the test of time. Even more successful artists than myself have used it … Rihanna [2014’s “Jump”], Britney [a viral ALTÉGO “Toxic Pony” remix], Drake [2016’s “Fake Love”] … so many people. So it introduces me to the younger generation and it keeps me relevant.