Buying concert tickets could become an easier, more straightforward process after the U.S. House Subcommittee on Energy and Commerce passed the Speculative Ticketing Oversight and Prohibition (STOP) Act on Wednesday (Dec. 6). The bill is now eligible for a vote by the full House.

The STOP Act, which Rep. Gus Bilirakus (R-Fla.) called the “biggest ticket reform in years,” does far more than prevent speculative ticketing, though. The bill also addresses a range of deceptive ticketing practices and transparency issues that perplex, aggravate and annoy consumers.

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For starters, the bill requires ticket sellers to conspicuously show the final ticket price at the beginning of the purchase process rather than at check-out. “The first price that you see when you order the ticket is the price that you pay — not a penny more,” said Rep. Jan Schakowsky (D-Ill.) during Wednesday’s hearing.

The bill also ensures ticket buyers can get refunds when concerts are cancelled or postponed. Ticket buyers will have the option of receiving a full refund or, subject to availability, a replacement ticket if the event is postponed and rescheduled in the same or a “comparable” location.

“Consumers should not be left on the hook if an event is canceled or postponed and should have the option to receive a full refund or comparable ticket to a rescheduled show or game,” said Rep. Frank Pallone (C-NJ).

The STOP Act also helps consumers know if they’re buying a ticket from the primary seller or a secondary marketplace. The bill would require ticket sellers to provide buyers with a “a clear and conspicuous statement” that the provider is engaged in the secondary sale of the ticket. In addition, the secondary ticket marketplace cannot state that it is “affiliated with or endorsed by a venue, team, or artist” unless a partnership agreement exists.

Deceptive websites that could mislead ticket buyers are also banned. Ticket providers are prevented from using a domain name or subdomain that contains the name of a specific team, league, venue, performance or artist — including “substantially similar” and misspelled names — unless authorized by the owner of the name. Ticket sellers must also make their refund policies known up front.

Finally, as the name of the bill implies, the STOP Act bans speculative ticketing, in effect barringprimary and secondary ticketing marketplaces from selling tickets they do not possess.

For its part, Live Nation, owner of the country’s largest ticketing company, Ticketmaster, welcomes the new measures. “We’ve long supported a federal all-in pricing mandate, along with other measures including banning speculative ticketing and deceptive websites that trick fans,” the company said in a statement. “We’ll continue working with policymakers, advocating for even stronger reforms and enforcement to stop predatory practices that hurt fans and artists.”

Even if the STOP Act passes in the full House, the U.S. Senate must pass a version of the bill for it to become law. Two similar bills have already been introduced in the Senate. Like the STOP Act, the TICKET Act, introduced by Ted Cruz (R-Tex.) and Maria Cantwell (D-Wash.), would prevent hidden ticket fees, require upfront pricing and stop speculative ticket selling. The Unlocking Ticketing Markets Act, introduced by Sens. Amy Klobuchar (D-Minn.) and Richard Blumenthal (D-Conn.), would limit exclusive, multi-year ticketing contracts in live entertainment.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Get ready to rattle and hum: U2‘s Las Vegas residency just landed another extension. The band announced the final four dates via Instagram this week.

The residency kicked off Sept. 29, and it’s gotten even bigger since the launch. Due to high demand, the band added has added over a dozen additional shows to U2: UV Achtung Baby Live at Sphere in the last two months.

Tickets for the final four shows will go on sale on Friday, Dec. 8 via Ticketmaster.

According to the announcement, U2.com paid subscribers were able to submit a presale ticket request for the newly added shows from Dec. 4-5. Presale tickets seem to be available on Stubhub and Vivid Seats but they’re priced at $600+. General on sale begins on Friday.

The new concert dates brings the tally to more than 40 shows, with the recently added dates happening in late February and early March 2024.

U2 will also play back-to-back shows over Super Bowl weekend. The Sin City residency was originally announced in a Super Bowl commercial earlier this year.

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The cheapest tickets to U2’s Las Vegas residency are currently priced at around $300-$500 on sites such as StubHub, Seat Geek, Vivid Seats and Ticketmaster. You can save up to $10 off eligible purchases of $250+ at Seat Geek with code BILLBOARD10 (valid on first purchase only).

Citing “unprecedented demand,” the band — who have nearly two dozen Grammys under their belt — announced the new batch of residency concerts at The Sphere on May 12, with the press release noting that there had been more than 1 million ticket requests at the time.

In September, U2 dropped a new single, “Atomic City,” to coincide with the launch of its new residency. The band released the music video teaser on the Sept. 28, and after a sold-out debut, ticket demand is expected to grow even more.

U2 has extended its residency multiple times. In addition to new dates added in May, the band added seven dates in late April and October, also citing demand for tickets in its decision to tack on more shows.

“U2 hasn’t played live since December 2019 and we need to get back on stage and see the faces of our fans again,” Bono, The Edge and bassist Adam Clayton said in a previous statement announcing the Las Vegas residency at the new, state-of-the art theater at The Venetian. “And what a unique stage they’re building for us out there in the desert. We’re the right band, Achtung Baby the right album, and Sphere the right venue to take the live experience of music to the next level. That’s what U2’s been trying to do all along with our satellite stages and video installations, most memorably on the ZOO TV Tour, which ended in Tokyo 30 years ago this fall. Sphere is more than just a venue, it’s a gallery and U2’s music is going to be all over the walls.”

The band gave fans a deeper look inside the epic Sphere during an interview with Apple Music’s Zane Low.

“Walking in an actually seeing our stage there and seeing our instruments and light and the finished building was quite a moment,” U2’s The Edge explained to Low. “That’s when it really got real. When you’re actually imagining there’s going to be person in each one of these seats. The proximity is incredibly intimate that’s what so amazing. It’s only 18,000 (seats) but everyone is going to get this perfect view of the stage. Unfortunately, with this incredible visual we’re going to have our work cut out to get people’s attention. It’s like a throw down, how do you make this personal connection in this big venue?”

Opening night of the residency included a tribute to the band’s founding members Larry Mullen Jr. who missed the first night. Paul McCartney, Dr. Dre, Snoop Doog, Diplo, Luke Wilson, Jon Hamm, Dakota Fanning, Bryan Cranston, Aaron Paul, Elizabeth Banks and Josh Duhamel were some of the celebs at the show opening night. Bono also paid tribute to Sinead O’Conner with a performance of “Nothing Compares to You” during a show and Harry Style was spotted at the residency in November.

Singer, songwriter and dancer Victoria Monét gives Billboard a full behind-the-scenes look at her The Jaguar Tour, being a mother on the road, getting her first solo Billboard Hot 100 placement, love for Ciara and more!

Victoria Monét:
Are you hearing that?

Cameraman:
Yeah, let’s hold for one second.

Victoria Monét:
I can’t get no quiet around here because we’re on tour.

What’s up? It’s Victoria Monét, and this is my tour stop in New York City. And this is where I’m at the stage right down there in a little bit, so see you there!

It’s my very first tour, headlining ever. I’m doing a combination of songs from Jaguar I and Jaguar II. So you get, like, kind of two of my projects in one tour. It’s just really awesome. I’m excited to be doing this.

If I had to pick my favorite songs to perform from ‘Jaguar I and II, I think I would bookend it. My show starts with “Moment,” which is from Jaguar I, and it’s always exciting to see the crowd for the very first time. Everyone’s just, like, super in tune, all the phones are out, so that’s always really exciting. And then the finale is really fun. I do a song from Jaguar II called “On My Mama.” There’s a lot of energy surrounding it — it’s on the radio right now, so it feels very current.

The dance from the music video is somewhat viral, so I can see people doing it in the audience, so that always makes it more, like, an interactive part of the show, which feels really fun to do.

To see “On My Mama” become my first solo Hot 100 entry is really insane. I’ve been writing for so long and I’ve seen glimpses of it for my pen, but not for me as an artist, so it’s really, like, a whole new light for me. I’m super excited. I’m really grateful. I know how much it takes to get an accolade now. So I’m just thankful for everyone who is behind the scenes pushing it, every person at radio, everybody who’s streaming it and sharing with their friends and just making it go and do what it’s doing. I just have a really good understanding of what it takes to be anywhere near Hot 100. So I’m very, very thankful.

And now we are headed to talk to the GRAMMY U students!

Watch the full video above!

Republic Records has a historic week on the Billboard 200 albums chart (dated Dec. 9), as the label holds the top six titles. It is the first time a label has claimed the entire top six, or even top five, since the chart combined its previously separate mono and stereo album charts into one all-encompassing chart in August 1963.

On the Dec. 9 chart, the Nos. 1-6 titles are: Taylor Swift’s 1989 (Taylor’s Version) (rebounding 2-1 for its third non-consecutive week in the lead); Drake’s For All the Dogs (released via OVO Sound/Republic, falling to No. 2); Swift’s Midnights (6-3); Morgan Wallen’s One Thing at a Time (Big Loud/Mercury/Republic, 5-4); and Swift’s Folklore (9-5) and Lover (8-6). (All of the top six albums have spent time at No. 1.)

For good measure, Republic has a seventh title in the current top 10, as Swift’s chart-topping Speak Now (Taylor’s Version) jumps 17-10.

Many albums on the chart, including Swift’s, see gains encouraged by retail promotions for Black Friday and holiday shopping.

Earlier in the week, it was reported that Swift, with five titles in the top 10, became the first living artist with at least five of the top 10 titles in a single week since August 1963.

Republic’s triumph with the top six adds luster to an already big year for the company, as it finished 2023 at No. 1 on Billboard’s three leading year-end label rankings: Top Labels, Billboard 200 Labels and Billboard Hot 100 Labels. It was the third year in a row Republic led all three year-end rankings.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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YG Entertainment has renewed its exclusive contract with all four members of BLACKPINK, the company announced Wednesday (Dec. 6), sending stock in the K-pop giant soaring on news that its most successful act would remain with the agency.

At the market’s open, YG’s share price skyrocketed from 48,000 KRW ($36.57) — its lowest since January — to 61,900 KRW ($47.16), a 29% increase. It has since settled down to 58,700 KRW ($44.72) at time of publishing, which still marks a more than 22% increase since the start of trading on Wednesday and a year-to-date gain of 24%.

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YG stock plummeted in September following reports out of Korea that the agency had not yet renewed its contract with the members of BLACKPINK, with Korean news outlet Daily Sports Seoul reporting that three of the group’s members — Jennie, Jisso and Lisa — would leave YG and spend only six months of the year as part of the group. After that report surfaced, the company issued a brief statement saying that the renewal of BLACKPINK’s contract “has not been confirmed and is being discussed.” BLACKPINK is the biggest act on YG’s roster, which also includes Bigbang, TREASURE and BABYMONSTER.

BLACKPINK is to date the most successful K-pop girl group to have impacted the U.S. market, playing Coachella in 2019 and headlining the festival in 2023. In 2022, it became the first K-pop girl group and the third K-pop group overall to top the Billboard 200 with its album Born Pink.

The terms of the new deal were not immediately disclosed.

In mid-November, Juan Luis Guerra shared on his social media a sneak peek of a new project that has him very excited: An animated movie called Capitán Avispa. The film, scheduled to hit theaters in the United States and Latin America sometime in 2024, according to Guerra, will feature old and new songs by the Dominican music master.

“In addition to the fact that I am going to write songs specifically for the character, you will hear everything from ‘Rosalía’ to ‘La Bilirrubina’,” Guerra told Billboard Español in a recent interview in New York, in which he revealed details of the movie for the first time. “He is a very beautiful character,” he added enthusiastically about Capitán Avispa (Captain Wasp in English). “He is a Latin hero, we could say, and everyone will like him.”

“Strong and brave, he never lies!” the insect declares in the teaser that Guerra published last month on his Instagram account, without identifying the voice behind the courageous and sweet character.

“The main voice of the Captain is done by my dear [Luis] Fonsi,” Guerra told Billboard Español in the interview recorded for Billboard News, adding that “Joy [Huerta, from Jesse & Joy] does the voice of Honey Bee, who is Capitán Avispa’s companion.” He also excitedly announced that they both sing a “beautiful song together — they are the most beautiful voices you can ever hear.”

Helmed by his son Jean Gabriel Guerra (who has directed many of his father’s music videos) along with animation director Jonathan Meléndez, Capitán Avispa was created by Juan Luis, who has recruited other friends and colleagues to give life to the different characters: Juanes provides the voice of Sargento Picadura, he revealed, and the Colombian rocker’s wife, actress Karen Martínez (also known as Chechi) plays Jimena. Additionally, Dominican actor José Guillermo Cortinez provides the voice of a character named Jacques Puasón, and Dominican actress Amelia Vega — Miss Universe 2003, as well as Guerra’s niece — voices Bolivia.

A four-time-Grammy and 24-time-Latin Grammy winner, Guerra has had a fruitful four-decade career, in which he’s placed dozens of songs and albums on the Billboard charts — from “Ojala Que Llueve Café,” his first entry on Hot Latin Songs, which reached No. 21 in Nov. 1989, and his iconic Bachata Rosa, which topped the Tropical Albums chart for 12 weeks in 1991; to “Mambo 23,” which reached No. 1 on the Tropical Airplay just last week (Nov. 25).

The latter song is part of his most recent production with his group 4.40, Radio Güira, a six-track EP full of humor, love and poetry, over mambo, bachata and merengue rhythms, very much in the style of Juan Luis Guerra. Each of the songs is presented as if it’s being played on the radio, with supposed calls from listeners and even a special cooking recipe.

“We wanted to put a smile on the faces of people who listened to Radio Güira,” Guerra said. “It was part of what Radio Güira is, bringing joy, bringing a message of peace, of love.”

Watch more of the interview above in the Billboard News video.