*NSYNC superfans who were squirreling away cash and wishing for a possible 30th anniversary reunion tour in 2027 might want to re-allocate those funds because member Joey Fatone says the chances of him taking the stage again with former bandmates Justin Timberlake, JC Chasez, Lance Bass and Chris Kirkpatrick are pretty slim.

While making the rounds this week promoting his new docuseries Boy Band Confidential, Fatone said a reunion is unlikely at the moment, even with the anniversary of the band’s 1997 self-title debut album on the horizon next year. While the group technically went on hiatus in 2002 following the Celebrity tour and have not officially broken up, Fatone said he’s constantly asked if there are any plans to get back together. “Do I see anything in the near future? No I don’t,” he told ET.

When ET‘s Nischelle Turner noted that Chasez stirred the pot again last month during a panel at the Rewind Washington convention when he noted that all of them were about to hop on a Zoom call for unspecified reasons, Fatone confirmed that all five did indeed gather for that chat. “All of us were there,” Fatone said cryptically. “Talking, just talking to each other. ‘Hey, do we see anything?’ Or anything like that? It’s like … no.”

As for whether he would want to do it, Fatone said yes, but it’s not just his call, explaining that some of the boy band’s members have young kids at home, some are also all-in, but “some of the other guys? Maybe not. I can only speak for myself.” When Turner said the “general consensus” is that Timberlake — by far the most successful solo act of the bunch — is the “holdout” on any get back, Fatone said that would seem to make sense, but at the end of the day it is a “group thing,” because they all have a little bit of doubt about whether it makes sense.

“I know it sounds crazy, but we also have the doubt of, ‘what happens if this sucks? What happens if it ain’t good?’,” he said of a fear that re-capturing their early millennium chart magic and onstage chemistry might be hard after more than 20 years apart. When Turner suggested a Coachella surprise performance as a potential vehicle for a return, Fatone reminded her that they did hit the stage together with Ariana Grande during her Coachella debut in 2019, sans Timberlake.

Fatone also noted that he still does Broadway and solo shows because he loves performing and plans to keep doing it “until the day I die. I’m ready to go! So whenever you guys are ready.”

It’s not like they never appear together. In a sweetly nostalgic post last October celebrating the 30th anniversary of their formation, all five men appeared in a video compilation in which they reflected on their deep bond with fans and each other. “30 years. ✨ October 1, 1995 feels like yesterday… and somehow a lifetime ago. Five guys chasing a dream turned into something bigger than we ever imagined,” the post began. “The music. The shows. The memories. An unbreakable bond: with each other, and with all of you. Through every high and low, your love has carried us. Forever grateful. 💙 Here’s to three decades of *NSYNC.”

From 1995 until their hiatus in 2002, *NSYNC released four albums and scored an unbeatable run of chart hits, including the 2000 Billboard Hot 100 No. 1 “It’s Gonna Be Me,” as well as the 1999 No. 2 hit “Music of My Heart” with Gloria Estefan, the No. 4 smash “Bye Bye Bye” and a pair of No. 5 singles with “Girlfriend” and “This I Promise You.”

They also reunited in 2013 for a surprise performance at that year’s MTV VMAs, then again in 2018 for a Hollywood Walk of Fame ceremony, as well as to release the song “Better Place” for Timberlake’s 2023 Trolls Band Together animated film and in the studio to record “Paradise” from Timberlake’s sixth solo album, 2024’s Everything I Thought It Was.

Despite all those collaborations, though, Fatone made it sound like the chances of all five hitting the stage for a major tour is not in the cards for now. “I’ve always pushed the issue,” he told ET. “I’ll be honest, I always say, ‘Hey, why not? because I think I’m ready. I don’t think everybody else is ready yet.”


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Women thoroughly dominate the nominations for the 2026 Academy of Country Music Awards, announced Thursday morning (April 9).

This year’s four most-nominated artists are all women: Megan Moroney leads with nine nods, followed by Miranda Lambert (eight) and Ella Langley and Lainey Wilson (seven each). It’s the second year in a row that a female solo artist has led the nominations. Langley was out front last year with eight nods.

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Lambert, the most decorated artist in ACM history, with 33 wins, may well collect even more trophies when the 2026 ACM Awards are presented at the MGM Grand Garden Arena in Las Vegas on May 17. The show will stream live on Prime Video for the fifth consecutive year.

Lambert’s eight nominations are the most she has received in a single year since 2017. Lambert received her 17th nomination for female artist of the year, which allows her to pull ahead of Reba McEntire for the most nominations in the history of that category. McEntire was nominated 16 times from 1984 to 2018. The two artists share a nomination this year – music event of the year for “Trailblazer,” which they recorded with Wilson. McEntire was nominated twice for her work on the record, as both an artist and a producer. These are her first ACM nods since 2021.

Moroney received her first nod for entertainer of the year, where she faces six repeat nominees. Chris Stapleton (who won in 2023) received his eighth nonconsecutive nomination in the category. Luke Combs, who has yet to win in the category, was nominated for the seventh year in a row. If Combs finally wins, he’ll complete what the ACM calls the Triple Crown, having previously won new male artist of the year and male artist of the year.

Morgan Wallen received his fourth consecutive entertainer of the year nod. He, too, has yet to win in the category. Jelly Roll, Cody Johnson and Wilson each received their third entertainer of the year nods. Wilson won the last two years. If she wins again this year, she’ll become the first person to win three years running since Jason Aldean won every year from 2016 to 2018. She’d be the first woman to ever win three years in a row.

Carter Faith’s Cherry Valley was a surprise nominee for album of the year. It’s the first debut album to be nominated in that category since Stapleton’s Traveller 10 years ago. (Zach Top‘s Cold Beer and Country Music, nominated last year, was his first country album, but he had a prior bluegrass release on another label. Maren Morris’ Hero, nominated in 2017, was her first major-label album, but she had released three previous albums.)

Faith’s album is competing with Wallen’s I’m the Problem, his third album in a row to be nominated in that category; Top’s Ain’t in It for My Health, his second album in a row to be nominated in that category; and albums by first-time category nominees Riley Green and Parker McCollum.

Wilson’s “Somewhere Over Laredo” is this year’s only work to receive nominations for single, song and visual media of the year. The song interpolates the melody of the Oscar-winning classic “Over the Rainbow,” which resulted in that song’s co-writers, Harold Arlen and Yip Harburg, receiving posthumous ACM song of the year nominations. Arlen died in 1986; Harburg in 1981.

Langley’s “Choosin’ Texas” and Top’s “I Never Lie” were nominated for both single and song of the year but didn’t land nods for visual media of the year.

Gavin Adcock, Shaboozey and Tucker Wetmore were nominated for new male artist of the year for the second year in a row. (They lost to Top last year.) Dasha was nominated for new female artist of the year for second year in a row. (She lost to Langley last year.) ACM rules allow artists two tries in these categories.

The ACM quietly dropped its new duo/group of the year category, which was won in 2024 and 2025 by Tigirlily Gold and The Red Clay Strays, respectively, because not enough qualified entries were submitted.

Brooks & Dunn received their 26th nomination for duo of the year (or equivalent categories in previous years), extending their likely unbeatable record. Other artists who added to their impressive nominations tallies in various categories are Rascal Flatts (their 14th nod for group of the year), Brothers Osborne (their 12th nod for duo of the year), Old Dominion (their 11th nod for group of the year), Stapleton (his 11th nomination for male artist of the year) and Ballerini (her ninth nod for female artist of the year). Ballerini has yet to win in that category. Unless she wins this year, she’ll join Anne Murray as the only artists to go 0-9 in that category. The widely-admired Canadian singer was nominated nine times between 1972 and 1986 without ever winning.

The year’s most-nominated male artist is Stapleton, with six nods, followed by Top (five), and Johnson and Green (four each). Stapleton is within striking distance of two big records. If he converts even one of his six nominations this year into a win, he’ll tie George Strait’s record for the most ACM Awards by a male artist (19). And if Stapleton wins male artist of the year, he’ll tie Merle Haggard’s record as the artist with the most wins in that category (six).

No group or duo received more than one nod.

This year’s most nominated non-artist is producer/songwriter Carson Chamberlain, who received three nods for his work with Top. Behind-the-scenes pros with two nominations each were Dann Huff, Charlie Handsome, Jessie Jo Dillon, Kristian Bush, Christen Pinkston, Wesley Stebbins-Perry and Tim Colfield.

Thelma & James were nominated for duo of the year. The duo is comprised of MacKenzie Porter and her husband Jake Etheridge. This is the fourth year in a row that a married couple has been nominated in this category. The War and Treaty was nominated the last three years. Deep ACM trivia: Porter was nominated for music event of the year three years ago as a featured artist on Dustin Lynch’s “Thinking ’Bout You.”

Here’s the complete nominations list for the 2026 Academy of Country Music Awards.

Entertainer of the Year

Luke Combs

Jelly Roll

Cody Johnson

Megan Moroney

Chris Stapleton

Morgan Wallen

Lainey Wilson

Female Artist of the Year

Kelsea Ballerini

Miranda Lambert

Ella Langley

Megan Moroney

Lainey Wilson

Male Artist of the Year

Luke Combs

Riley Green

Cody Johnson

Chris Stapleton

Zach Top

Group of the Year

49 Winchester

Flatland Cavalry

Old Dominion

Rascal Flatts

The Red Clay Strays

Duo of the Year

Brooks & Dunn

Brothers Osborne

Dan + Shay

Muscadine Bloodline

Thelma & James

Album of the Year

[Awarded to artist(s)/producer(s)/record Company–label(s)]

Ain’t In It For My Health – Zach Top; Producer: Carson Chamberlain; Record Company-Label: Leo33

Cherry Valley – Carter Faith; Producer: Tofer Brown; Record Company-Label: Gatsby Records / MCA

Don’t Mind If I Do (Deluxe) – Riley Green; Producers: Dann Huff, Michael Knox; Record Company-Label: Nashville Harbor Records & Entertainment

I’m The Problem – Morgan Wallen; Producers: Joey Moi, Charlie Handsome, Jacob Durrett; Record Company-Label: Big Loud Records

Parker McCollum – Parker McCollum; Producers: Frank Liddell, Eric Masse; Record Company-Label: MCA

Song of the Year

[Awarded to songwriter(s)/publisher(s)/artist(s)]

“A Song To Sing” – Miranda Lambert & Chris Stapleton; Songwriters: Chris Stapleton, Miranda Lambert, Jenee Fleenor, Jesse Frasure; Publishers: I Wrote These Songs; Pink Dog Publishing; Songs for the Munch Music; Songs of Influence; Sony/ATV Tree Publishing; Warner-Tamerlane Publishing Corp

“Am I Okay?” – Megan Moroney; Songwriters: Megan Moroney, Luke Laird, Jessie Jo Dillon; Publishers: Big Ass Pile of Dimes Music; Big Music Machine

“Choosin’ Texas” – Ella Langley; Songwriters: Ella Langley, Luke Dick, Miranda Lambert, Joybeth Taylor; Publishers: Bada Bing & Bada Langley Publishing; Little Louder Songs; Sony Music Publishing

“I Never Lie” – Zach Top; Songwriters: Zach Top, Carson Chamberlain, Tim Nichols; Publishers: Music and Magazine Publishing; Rio Bravo Music Inc; Sony/ATV Tree Publishing; Too Broke to Quit Music; Zach Top Music

“Somewhere Over Laredo – Lainey Wilson; Songwriters: Lainey Wilson, Trannie Anderson, Dallas Wilson, Andy Albert, Harold Arlen & Yip Harburg; Publishers: Concord Sounds; Dtown Boogie Music; Emi Feist Catalog Inc; Songs of Riser House; Songs of Wild Cat Well Music; Sony/ATV Countryside; Story Farmer; Tacklebox Music Publishing

Single of the Year

[Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]

“6 Months Later” – Megan Moroney; Producer: Kristian Bush; Record Company-Label: Sony Music Nashville / Columbia Records

“Choosin’ Texas” – Ella Langley; Producers: Ella Langley, Miranda Lambert, Ben West; Record Company-Label: SAWGOD / Columbia Records

“I Never Lie” – Zach Top; Producer: Carson Chamberlain; Record Company-Label: Leo33

“Somewhere Over Laredo” – Lainey Wilson; Producer: Jay Joyce; Record Company-Label: BBR Music Group / BMG Nashville / Broken Bow Records

“The Fall” – Cody Johnson; Producer: Trent Willmon; Record Company-Label: CoJo Music / Warner Records Nashville

Visual Media of the Year

[Awarded to Producer(s)/Director(s)/Artist(s)]

“6 Months Later” – Megan Moroney; Producers: Christen Pinkston, Wesley Stebbins-Perry; Director: CeCe Dawson, Megan Moroney

“A Song To Sing” – Miranda Lambert & Chris Stapleton; Producer: James Stratakis; Director: Alexa King Stone, Stephen Kinigopoulos

“Cuckoo” -Stephen Wilson, Jr.; Producer: Tim Cofield; Director: Tim Cofield

“Somewhere Over Laredo” – Lainey Wilson; Producer: Katie Babbage; Director: TK McKamy

“The Fall” – Cody Johnson; Producers: Christen Pinkston & Wesley Stebbins-Perry; Director: Dustin Haney

Music Event of the Year

[Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]

“A Song To Sing” – Miranda Lambert & Chris Stapleton; Producer: Dave Cobb; Record Company-Label: Republic Records

“Amen” – Shaboozey & Jelly Roll; Producers: Danny Majic, Nevin Sastry, Sean Cook; Record Company-Label: Empire

“Don’t Mind If I Do” – Riley Green feat. Ella Langley; Producer: Dann Huff; Record Company-Label: Nashville Harbor Records & Entertainment

“Trailblazer” – Reba McEntire, Miranda Lambert, Lainey Wilson; Producers: Tony Brown, Reba McEntire; Record Company-Label: MCA

“You Had To Be There” – Megan Moroney & Kenny Chesney; Producer: Kristian Bush; Record Company-Label: Sony Music Nashville / Columbia Records

Songwriter of the Year

Jessie Jo Dillon

Ashley Gorley

Charlie Handsome

Chase McGill

Blake Pendergrass

Artist-Songwriter of the Year

Luke Combs

Riley Green

Ella Langley

Megan Moroney

Morgan Wallen

New Male Artist of the Year

Gavin Adcock

Vincent Mason

Shaboozey

Hudson Westbrook

Tucker Wetmore

New Female Artist of the Year

Avery Anna

Mackenzie Carpenter

Dasha

Caroline Jones

Emily Ann Roberts

The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Giving credence to the saying “it’s not me, it’s you,” Taylor Momsen is beginning to think that touring with AC/DC might be a hazard to her health. The Pretty Reckless singer posted a video on Wednesday (April 8) in which she received medical treatment from a doctor in Mexico after she was bitten by a venomous spider.

“When do my superpowers kick in? That’s what I want to know,” a nonplussed Momsen says with a smile as a doctor cleans a nasty-looking bite mark on her lower right leg while another member of the medical team gives her a shot in her left arm in what looks like a green room backstage.

The brief video ends with a snippet of the old “Spider-Man, Spider-Man, does whatever a spider can” cartoon theme song.

You see, this is becoming a habit for Momsen, who revealed in the caption that this isn’t her first bite on a tour with the Australian hard rock legends. “🕷️🕷️🕷️ So it wouldn’t be an AC/DC tour if I didn’t get bit,” wrote Momsen. “This time a massive spider decided to take a chunk out of me and its venom did a number on my system so had to have the wonderful doctors in Mexico come and deliver quite the shot before the show last night…add it to the list!”

The last time Momsen toured with AC/DC in 2024, she was bitten by a bat while on the road in Spain during a performance of, no joke, “Witches Burn” from her band’s 2021 Death By Rock and Roll album. In a clip from the time, a bat landed on the singer’s thigh and she didn’t notice it at first. But after spotting some fans pointing at her she looked down and said, “There’s a f–king flying bat on my leg right now … I must really be a witch!”

A crewmember helped her remove the flying menace, but not before it sank into her leg, which sent her to a Spanish hospital, where she had to get treatment and two weeks of follow-up rabies shots. “Thanks to all the staff at the hospital who dubbed me #batgirl after seeing it on the local news that morning…more footage to come…that’s one for the books!!!!,” she wrote at the time.

She was equally chill about her latest unexpected venom incident, doubling-down on her joke from 2024, writing, “Spider woman? Batgirl? 🕷️🕷️🕷️🦇🦇🦇 WTF 😬”

Momsen has a couple days to rest before hitting the stage to warm-up for AC/DC at Estadio GNP Seguros in Mexico City on Saturday (April 11) and then again April 15. The band will then take some well-deserved time off before moving on to a European swing beginning with a June 5 show at the Rock Im Park festival in Nuremberg, Germany and then teaming back up with AC/DC in Charlotte, N.C. on July 11 for a North American summer stadium run in-between their own club shows.

Check out Momsen’s spider scene below.


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With Nothing’s About To Happen to Me which dropped in February, Mitski’s recording career goes eight albums deep. There’s a sense she’s only getting started.

Following its release, Nothing’s About To Happen to Me debuted at No. 10 on the Billboard 200 chart with nearly 43,000 equivalent album units earned, the singer and songwriter’s best week ever by units. That for an artist who has converted a massive presence on TikTok into pop star-level popularity.

Mitski’s fans adore her. And she is reaching out to them, everywhere, on this album cycle, for which Mitski has been something of a road warrior. She completed a six-night residency at New York’s multi-purpose cultural center The Shed, in addition to a Tansy House Installation; five nights at Hollywood High School; four nights at the Sydney Opera House as part of Vivid LIVE, and locked-in shows in Mexico City, Istanbul, Paris, Brussels, Amsterdam, London, Manila, Bangkok, Jakarta, Kuala Lumpur, and Singapore.

Mitski returned to The Late Show with Stephen Colbert earlier year to perform “I’ll Change For You,” her first performance on the show since 2016, and last night (April 8) stopped by Jimmy Kimmel Live, for a rendition of album track “If I Leave.”

Wearing a luxurious, faux leopard-skin coat, and a knee-length string of beads, the Japan-born artist was a picture of calm as her full band rocked out.

Mitski wrote all of the songs and performed all of the vocals on Nothing’s About to Happen to Me, which was produced and engineered by Patrick Hyland and mastered by Bob Weston, and features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, engineered by Michael Harris.

Her tour continues May 2 with a concert in Istanbul. Visit Mitski’s website for more, and watch her latest late-night appearance below.

Pop stardom is about the big moments. Securing one, and nailing it. Keli Holiday’s arrival at the 2025 ARIA Awards was a moment that many of us would rate as the stuff of nightmares, a phobia right up there with heights and massive, fangy spiders.

Holiday had the honors of opening the ARIAs with a performance of his viral smash “Dancing2.” Just Holiday, his hair teased like a mane, chest out, staring down the barrel of national TV cameras. Right on cue, he strutted through the industry tables at Sydney’s Hordern Pavilion, singing and cutting a path to the stage where an all-star band awaited. No worries.

Big moments, if and when they come, rarely do so with such a high degree of failure. He nailed it. Later, he nabbed an ARIA Award for best video, a fan-voted category.

In the five-plus months that have passed, Holiday has been gliding like he did at the ARIAs.

Holiday’s second studio album Capital Fiction, opened at No. 3 on the all-genres ARIA Albums Chart in February, and topped the national Australian albums tally. His tour in support of the LP got underway in March and went deep into regional Australia, visiting the capitals with a string of sellouts, and expands with his first-ever run of dates in North America, followed by more shows Down Under, and then the United Kingdom and Europe.

On April 29, Holiday has two chances of adding to his collection. He’s a first-time nominee for the APRA Music Awards, including the coveted song of the year for “Dancing2,” which took flight on TikTok, where fans clamored to its message of love, connection and positivity.

This new chapter for Keli Holiday is a “representative of love,” he tells Billboard over Zoom. “The core of it, it’s really joyous. It’s really about love. Human beings, we’re constantly craving love. We constantly hold on to love. It’s top of the rock. There is something to be said for the fact that, with all the madness going on in the world, any skerrick of sunshine we can clutch onto, whether that be through a song, or a movie, or a conversation is welcomed with a wide embrace. That’s what I represent with my shows and what I want to do it, because I really feel it, so I got to give it back.”

Holiday has been here before, but all of this is new. He’s the alter-ego of Adam Hyde, who alongside Reuben Styles is co-founder of Peking Duk, the multi-platinum, ARIA Award-winning electronic duo which has accumulated more than 400 million streams across such songs as “High,” “Take Me Over,” “Stranger” and “Fire.” The duo’s debut album, Paradise, is due out Aug. 14 and features the cut “Thrills” with Rico Nasty.

Want a job done, ask a busy person. Holiday is that person. He’s already making headway on a new album. “I’ve written the majority of the next record,” he tells Billboard. “I want to get that album as close to ready as possible before embarking on those shows. Because I have a lot of ideas coming out of me at the moment, and to not act upon them while they’re creating a little buzz within would be remiss. It’d be a disservice to the idea itself, so I’m really looking forward to that.”

And how far along is the process? “As far as the agonizing part goes, I’d say I’m about 60% now. The most important thing is the bones of it, the writing. So, I’ve really hunkered down. I think I’ve written all the songs for the record. I could be wrong.” Holiday plans to “get with some people in L.A., throw some different sonic ideas around. We’ll see where we land.”

Next stop, The Echo in Tinseltown on May 1.

For those fans about to experience Keli Holiday for the first time, he sets the scene with the “wild, sweaty, beautiful union of people getting down to a bunch of new music” on his Australian tour. “It felt so refreshing to be able to bring this show that I created around this country, and to have it received in a warm embrace. It was gorgeous. I’m still kind of humming from it.”

That confident ARIAs performance last November, and hanging out backstage with Olivia Dean and his peers, was like a gate opening for Holiday. “Buzz is definitely the word,” he recounts of the experience. “It was, like, a different kind of nervous energy. It was a real excitement. To be able to walk through the room, sing this song, meet all these wonderful people, it was just a great way to introduce Keli Holiday to Australia, in a really kind of formal way. Even though I wasn’t wearing a shirt.”

Visit keliholiday.com for all tour dates.

Robert Plant, he’s still got it. Never any doubt.

The legendary Led Zeppelin frontman returned to The Late Show with Stephen Colbert on Wednesday evening (April 8), for something old, and something folky.

The British singer and his group Saving Grace performed Martha Scanlan’s “Higher Rock,” lifted from their self-titled debut covers album, released last September. The veteran artist and his bandmates stuck around for a bonus shot at the Zeppelin classic, “Ramble On.”

It’s the second time Plant has graced the Late Show stage in six months. Last November, he stopped by for a deep dive into The Lord of the Rings and the fantasy classic’s late author J.R.R. Tolkien. Hitting “Ramble On” was a neat tie-in. The song was originally recorded in 1969, appears on Zeppelin’s second studio album, and is said to have been inspired by LOTR.

Earlier, in a sitdown with Colbert, Plant discussed the state of English folk music. He digs it, well, most of it. It’s become “quite healthy again. There’s a contemporary element of it,” he remarks in a “Colbert Before Air” edit. The American stuff, however, “it’s a lot more bloodthirsty and there’s a lot more treachery.” Sea shanties, nope.

Colbert’s beloved late-night show is scheduled to go off the air, for good, on May 21. The talk-show master isn’t folding with the end in sight.

Plant, one of many superstar entertainers booked for the last run, is one of the best to ever do it. Zep’s career spans nine albums and 12 years, effectively ending when drummer John Bonham died in 1980. Seven of those went to No. 1 on the Billboard 200 chart, and five are certified diamond by the RIAA, for 10 million units shifted in the United States. The blues-rockers were indicted into the Rock And Roll Hall of Fame in 1995.

Saving Grace was recorded between April of 2019 and January of 2025 in the Cotswolds region of England and on the Welsh Borders. Plant most recent collaborations have been with longtime creative partner Alison Krauss, with whom he went on tour last summer, and the Sensational Shapeshifters, which was active from 2012 to 2018.

Plant and Saving Grace (vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown) will embark on a tour of Europe and the United States this summer and fall.

See the dates here.

For their next musical adventure, PNAU is aiming straight for the heart — with some help from Mexico’s The Warning.

The electronic music hitmakers return with “Tu Corazón (Your Heart),” a good time crunched into three pumping minutes. It’s a piece of art years in the making, honed on multiple continents.

“Tu Corazón,” say reps for PNAU’s Nick Littlemore and Peter Mayes, is a song about opening your heart to the beauty around you, an important reminder in this ever-changing world.

PNAU were first made aware of The Warning when Littlemore’s other project, Empire of the Sun, was filming in Mexico more than a decade ago. At the time, The Warning, the Villarreal Vélez sisters Daniela (guitar, vocals, piano), Paulina (drums, vocals, piano), and Alejandra (bass guitar, backing vocals, piano), were a band on the way up, dreaming of the big stage.

After an initial meeting, the siblings headed to a recording session in PNAU’s studio in downtown Los Angeles. “Tu Corazón (Your Heart)” is part of that long-percolating collaborative process.

“Tu Corazón is a flash of ecstatic dance, coming at you from our sister city of Monterrey,” comments Littlemore. “A once storied adventure, now a booming jam – punk, love and all wild. Try as you might to sit still, I challenge you to do so. You have been warned!”

The Warning adds: “This song is about opening your heart to every beautiful thing this world has to offer through community and the people we love. We had a great time working with PNAU creating something this unique and fun! It was a very nostalgic process for us and we loved connecting with our past selves through this song. We are grateful to have been a part of this record and we love Pete and Nick very much!”

The official music video was shot in Monterrey, and can be seen below.

Forged in Sydney’s rave scene, PNAU has gone where few Australian electronic acts have ventured before: landing No. 1 hits around the globe.

An international breakthrough came when PNAU joined forces with Elton John on the Rocket Man’s 2012 remix album Good Morning to the Night. The collection went to No. 1 on the Official U.K. Albums Chart. PNAU and Elton repeated the feat for another remix, the 2021 single “Cold Heart” with Dua Lipa, and landed a bonafide global smash.

“Tu Corazón” follows The Warning’s single “Kerosene,” and a bunch of high-profile concerts and festival spots including Lollapalooza Chile, Argentina, Brazil, and a record-breaking crowd of 50,000 for their homecoming date at Monterrey. Later this year, the sister act will support YUNGBLUD on his IDOLS World Tour in the United States and United Kingdom.

“Tu Corazón (Your Heart)” comes on the heels of PNAU’s collaborations with Italian trio MEDUZA, “Rollin,” “Light Me Up” with Kungs, and a slew of remixes with the likes of including Coldplay, Parcels, Tame Impala, Diana Ross and Sophie Ellis-Bextor.

The latest incarnation of PNAU is the OG lineup. Sam Littlemore, Nick’s brother, joined in 2016 and wrapped up at the end of the last album cycle, 2024’s Hyperbolic. Billboard understands Sam contributed to the production of the new song, which was recorded before they parted ways.

To coincide with the new release, PNAU announces a 12-date Nirvana Tour of Australia’s East Coast this June and July, the winter months in these parts. Before that, the lads will debut their live show May 1 at Foro Indie Rocks! in Mexico City.

PNAU DJ Sets:

April 10 – Beach Hotel, Byron Bay

April 11 – Ability Fest, The Timber Yard, Melbourne

PNAU Debut Live Show in Mexico:

May 1 – Foro Indie Rocks!, Mexico City

PNAU Nirvana Tour 2026:

​​June 19 – Gilligan’s, Cairns

June 20 – The Warehouse, Townsville

June 21 – Magnums, Airlie Beach

June 24 – McGuires Hotel, Mackay

June 25 – Leichhardt Hotel, Rockhampton

June 26 – Sugarland Tavern, Bundaberg

June 27 – The Powerhouse, Toowoomba

June 28 – Beach Hotel, Byron Bay

July 1 – Hoey Moey, Coffs Harbor

July 2 –  Shoal Bay Country Club, Shoal Bay

July 3 – King Street Hotel, Newcastle

July 4 – Drifters Wharf, Gosford

After completing their North American tour, Bleachers will embark on a visit to the U.K. and Europe.

The indie pop-rock outfit will play their biggest pan-European headline jaunt to date across November and December, including a raft of shows up and down the United Kingdom.

According to reps, £1/€1 from each ticket sold will be donated to The Ally Coalition to support LGBTQ+ youth.

As previously reported, the group will tour in support of the May 22 release of everyone for ten minutes (via Big Hit), their fifth studio album. Before Jack Antonoff and Co. head abroad, a major run of shows that get underway June 5 in Chicago IL, rolling into cities across the United States and Canada, and wrapping up Oct. 8 in Nashville, TN. Along the way, a five-night headline residency this September in Los Angeles.

The forthcoming collection includes previously released cuts “You and Forever, “Dirty Wedding Dress,” and “The Van,” which dropped this week and can be streamed in full below.

Everyone for ten minutes, reads a statement announcing the new project, is the “inevitable culmination of a lifetime of devotion to bands for the six members of Bleachers and, ultimately, finds each one at their creative peak.”

It’s said to have “moments where it briefly peers into darkness,” but is “essentially an optimistic record that feels lovestruck and hopeful, leaping from harmony-laden folk rock to shimmering pop soul to the sax-assisted New Jersey sound that Bleachers have become synonymous for.”

Bleachers U.K. and Europe 2026 Tour:
Nov. 5 – Alcatraz, Milan, IT
Nov. 7 – Tonhalle, Munich, DE
Nov. 9 – Columbiahalle, Berlin, DE
Nov. 10 – Columbiahalle, Berlin, DE
Nov. 12 – Sentrum Scene, Oslo, NO
Nov. 13 – Annexet, Stockholm, SE
Nov. 15 – Sporthalle, Hamburg DE
Nov. 17 – Paradiso, Amsterdam, NL
Nov. 18 – Paradiso, Amsterdam, NL
Nov. 20 – Cirque Royal, Brussels, BE
Nov. 21 – Salle Pleyel, Paris, FR
Nov. 24 – O2 Academy, Bristol, UK
Nov. 25 – O2 Academy, Glasgow, UK –
Nov. 26 – O2 Academy, Leeds, UK
Nov. 28 – O2 Academy, Birmingham
Nov. 30 – 3Olympia, Dublin, IE
Dec. 2 – O2 Apollo, Manchester, UK
Dec. 3 – Eventim Apollo, London, UK

BTS‘ certainly made a splash with “SWIM,” the lead single from their seventh studio album ARIRANG. The 2026 LP was the K-pop group’s first record after they announced they would be taking an indefinite break in 2022 for the members to complete their mandatory military service.

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In true BTS fashion, the new album and lead single topped the charts immediately upon release. “SWIM” debuted at No. 1 on the Billboard Hot 100 and ARIRANG did the same on the Billboard 200. Seven must be the band’s lucky number, as ARIRANG was their seventh album and seventh Billboard 200 No. 1 while “SWIM” was their seventh Hot 100 chart-topper.

Below are the lyrics to BTS’ “SWIM.”

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim, swim
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Bad world
Gone away, I still wake up in this mad world
Name a place that I could breathe on this map, world
Lookin’ like a goody, goody in this bad world, bad world
Don’t know how to act, girl
I’m in the deep, tell me where the hell you at, girl?
Oh, you ain’t even gotta love me back, girl
You know that I’m never holdin’ back, girl, yeah

So easy
Don’t make it so hard
Nights like these, I just wanna get lost
Right here with the moon and the sharks
I ain’t gotta think ’bout a thing, baby, I just

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Water, water so deep
Water so deep
Take it off the ground
I ain’t never gettin’ cold feet
Yeah, you know me
Yeah, you know me
Sittin’ on the shore
Now I’m ready for the whole sea
I can feel the high waves comin’ (yeah)
Why you run away? You can run in (yeah)
Salt on my tongue, she’s stunnin’ (yeah)
You’re the only place that I wanna be, yeah

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Splash (splash), drift (drift)
I make waves with my two fins (two fins)
Splash (woo), drip (drip)
I just wanna take it across the line
Under here, we don’t chase the time
Baby, everything can’t be so sad (so sad)
Turn my face from the land
I just wanna dive
I just wanna dive

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
Let it all begin
Swim, swim
I just wanna dive
I just wanna dive

Lyrics licensed & provided by LyricFind.
WRITERS
James Essien, Ho Weon Kang, Sean Foreman, Tyler Spry, Jamison Baken, Ryan Tedder, Nam Jun Kim, Kirsten Allyssa Spencer, Derrick Milano
PUBLISHERS
Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.

Andrea Bocelli will join the list of international artists who have performed at the iconic Zócalo in Mexico City on April 18, when he takes to the country’s main public square for a free concert. And he won’t do it alone.

That night, the acclaimed Italian tenor will be accompanied by the Mexican cumbia band Los Ángeles Azules and singer/songwriter Ximena Sariñana, announced Banco Plata, the event’s organizer alongside the city government.

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“Can you imagine that fusion? Neither can we, but we can’t wait to hear how it sounds,” said the bank in a message posted on social media on Tuesday night (April 7).

Bocelli will bring his celebrated 1997 album Romanza — one of his most successful and commercially acclaimed — to the Plaza de la Constitución (the official name of the Zócalo) in celebration of its 30th anniversary.

Clara Brugada, Mexico City’s head of government, previously expressed excitement about Bocelli’s performance at the iconic venue. “It will be a magical evening that reaffirms Mexico City as the cultural capital of the world,” she said.

The Zócalo is considered a landmark of great importance, as it is a plaza filled with symbolism where politics, social movements, culture and religion intersect. It is the second-largest public square in the world, only behind Tiananmen Square in Beijing.

One of the earliest concerts held at the Zócalo on record was by Los Tigres del Norte in 1999, which lasted nearly three hours. Since then, artists like Paul McCartney, Roger Waters, Justin Bieber, Shakira, Los Fabulosos Cadillacs and Grupo Firme have performed there before thousands of attendees.

On March 1, Colombian superstar Shakira set a record as the artist who has drawn the largest number of attendees to a free show in the Zócalo, with 400,000 people gathered, according to official figures. The previous record-holder was the Argentine band Los Fabulosos Cadillacs, which brought together 300,000 people on June 3, 2023, followed by Grupo Firme, which attracted 280,000 attendees a year earlier.