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Spring doesn’t start until the Amazon Big Spring Sale goes live. Luckily, the now annual event is live and runs through March 31. Whether you’re shopping for new audio gear, tech-savvy upgrades, spring essentials, or getting a head start on Mother’s Day and Father’s Day gifts, Amazon’s spring sale has plenty of bargains to browse before prices go back to normal.

While the discounts aren’t as steep as during tentpole events like Prime Day or even Amazon’s October event, you can still find great savings on headphones, speakers, turntables, beauty products, and loads of other tech gadgets.

Amazon Big Spring Sale, Shop at a Glance

To help make your shopping experience a little easier, we’ve dug through all the good, the great, and the best deals worth your time and money during Amazon’s Big Spring Sale event and compiled them into separate categories for you to shop below. While most of the discounts will last until the event is over, some will sell out. Each day will keep updating our list to keep the best deals flowing.

Keep reading for more details about Amazon’s Big Spring Sale, plus a list of trending deals that you can shop before the sale ends.

When Is the Big Spring Sale?

The Big Spring Sale is held from March 25 to 31. Shoppers have the chance to score deals each day during the multi-day sale event.

Is the Sale for Prime Members Only?

No! Unlike Prime Day, Amazon’s Big Spring Sale is open to all shoppers. However, Prime members will get access to exclusive, member-only deals.

The membership is $14.99 per month or $139 for the annual plan. Amazon offers a 50% discount for students and qualifying government assistance recipients. Prime members get access to Prime Video, Amazon Music, Prime Gaming, Amazon Photos, RxPass, Grubhub+ and exclusive Prime deals.

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Amazon Big Spring Sale offers many discounts on popular electronics including smart TVs, tablets, phones, smartwatches and more. There’s never been a better time to upgrade your gadgets.

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Give your makeup routine a makeover with must-have deals from top beauty brands including Maybelline, CeraVe, Well People, and more.

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A federal judge has refused Universal Music Group’s request for an injunction that would have immediately blocked artificial intelligence company Anthropic PBC from using copyrighted lyrics to train future AI models.

In decision issued Tuesday, Judge Eumi K. Lee ruled that it remained an “open question” whether using copyrighted materials to train AI is illegal – meaning UMG and other music companies could not show that they faced the kind of “irreparable harm” necessary to win such a drastic remedy.

“Publishers are essentially asking the court to define the contours of a licensing market for AI training where the threshold question of fair use remains unsettled,” the judge wrote. “The court declines to award publishers the extraordinary relief of a preliminary injunction based on legal rights … that have not yet been established.”

The ruling was not on the actual merits of the case, but it represents a victory for Anthropic — which likely would have needed to overhaul its training operations if the judge had sided with UMG. The case will now proceed ahead, likely with a motion by Anthropic seeking to dismiss the case entirely.

An attorney for UMG and the other music companies did not immediately return a request for comment on Wednesday.

UMG and other music publishers sued Anthropic in 2023, claiming the company was violating copyrights en masse by using songs without authorization to teach its Claude AI models how to spit out new lyrics. Anthropic denies the allegations, saying its training is a so-called “fair use” of copyright materials.

The case is one of many lawsuits, filed by authors, newspapers, musicians and other creatives, that will test whether AI companies are breaking the law by taking the fundamental step in creating their technology – a potentially trillion-dollar question in the booming industry.

A month after UMG filed its case, the music giant demanded a preliminary injunction – type of interim ruling that would prohibit the AI firm from continuing to use the songs while the case plays out in court. “If the court waits until this litigation ends to address what is already clear—that Anthropic is improperly using publishers’ copyrighted works—then the damage will be done.”

But in Tuesday’s decision, Lee said UMG and the other music companies couldn’t show such harm because that key question in the case – the trillion-dollar issue of fair use – has not been reached by a final ruling, either in the current lawsuit against Anthropic or in any of the other case against AI firms.

“[Earlier] cases demonstrate that emerging technologies often test the bounds and principles of copyright law,” the judge wrote. “Here, it is an open question whether training generative AI models with copyrighted material is infringement or fair use.”

Even if the legal question was settled, Lee said that any harm caused by Anthropic’s use of the lyrics could later be compensated by a monetary judgment, meaning it was not the kind of irreversible damage that must be stopped before the case plays out.

In a statement to Billboard on Wednesday, a spokeswoman for Anthropic said the company was pleased that the judge had rejected UMG’s “disruptive and amorphous request” for an immediate injunction: “As the case continues, we look forward to explaining why use of copyrighted material for training large language models aligns with fair use principles under copyright law.”

Yeah Yeah Yeahs’ “Spitting Off the Edge of the World,” featuring Perfume Genius, sports a big boost in streams and sales after being featured in the new film The Gorge, driving it to a No. 1 debut on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), for February.

Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of February. The ranking includes newly released films from the preceding three months.

“Spitting Off the Edge of the World” was originally released on Yeah Yeah Yeahs’ 2022 album Cool It Down — the rockers’ first full-length record since 2013’s Mosquito — as its lead single.

After its synch in The Gorge — which was released in theaters on Feb. 14 via Apple TV+ and stars Miles Teller, Anya Taylor-Joy and Sigourney Weaver — “Spitting Off the Edge of the World” accumulated 2.4 million official on-demand U.S. streams and 5,000 downloads in February in addition to its Tunefind activity, according to Luminate.

As a result of its boost in metrics, the song even entered Billboard’s Rock Digital Song Sales chart dated March 1 at No. 1, earning 3,000 downloads in the March 14-20 tracking week alone.

In all, The Gorge appears on the 10-position Top Movie Songs chart five times, the movie’s next-highest entry being Devlin and Ed Sheeran’s rendition of “(All Along the) Watchtower” at No. 4 (85,000 streams).

“I Always Wanted a Brother,” from Mufasa: The Lion King, ranks at No. 2 in its final month of eligibility, as the movie was released in December 2024. The song jumps to No. 2, after appearing at No. 8 on the January tally, via 16.5 million streams and 1,000 downloads in February.

Read on for the full chart, which also features music from Heart Eyes, Back in Action, Captain America: Brave New World and You’re Cordially Invited.

Rank, Song, Artist, Movie

In 2023, Grammy-winning producer Daniel Nigro founded his independently-funded Amusement Records primarily as a home for a then-independent Chappell Roan to release the album they made together, The Rise and Fall of a Midwest Princess.

Roan at the time had been recently dropped by her former label, but as Nigro told Billboard when announcing Amusement: “I was so in love with everything that we were doing. I believe in [Chappell] so much that I was like, ‘Do I want this added stress in my life? Is it worth it? Yes.’”

And it sure was. Last August, almost one year after her debut album’s release, The Rise and Fall peaked at No. 2 on the Billboard 200. The following month, she scored her highest-charting Hot 100 hit with “Good Luck, Babe!” And this February, Roan won the Grammy for best new artist.

Now, on Wednesday (March 26), Universal Music Group and Nigro announced an expanded partnership with Amusement following the knockout success of Roan and building on the producer’s long-term creative relationship with superstar Olivia Rodrigo (who is signed to UMG label Geffen/Interscope). Going forward, Amusement will operate as a label venture within UMG, allowing new signees to partner with any of UMG’s labels.

“Daniel embodies the type of creative brilliance and entrepreneurial spirit that is at the heart of UMG,” UMG chairman and CEO, Sir Lucian Grainge, said in a statement. “I can’t wait to hear the culture shaping music and artists [he] will bring next to our global family.”

Since Nigro founded Amusement, he and Roan have both celebrated new highs. The Rise and Fall of a Midwest Princess spawned six Hot 100 hits, including the top 10 smash “Pink Pony Club.” Meanwhile, Nigro earned his second Grammy for producer of the year at the 2025 ceremony for his work with Roan, Rodrigo and the soundtrack for The Hunger Games: The Ballad of Songbirds & Snakes. (His first win was for Rodrigo’s debut album Sour.)

“After 6 years of working almost exclusively with the various labels [and] artists under Universal, it made perfect sense to make the relationship more formal,” Nigro said in a statement. “I want Amusement Records to be a place where artists can feel comfortable growing and developing at their own pace but with all the real resources needed to thrive and succeed.”

“Also,” he added, “a place where I can have the freedom to help choose the right team each time for the artist. I know in my heart that the people at Universal understand this, and I am beyond excited about what’s to come.”