If he can dream it, he can win it. Austin Butler took home the 2023 Golden Globe in the best actor in a drama category on Tuesday (Jan. 10) for his portrayal of Elvis Presley in Baz Luhrmann’s Elvis.

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“Oh man, all my words are leaving me! I’m just so grateful right now,” the 31-year-old actor exclaimed as he accepted the trophy. “I owe this to a bold, visionary filmmaker who allowed me to experience, to take risks, and I always knew I would be supported — Baz Luhrmann, I love you.”

The actor also thanked Priscilla Presley and Lisa Marie Presley, who were in the audience. “Thank you, guys, thank you for opening your hearts, your memories, your home to me. Lisa Marie, Priscilla, I love you forever,” he told the pair as piano music played louder and louder to urge him to wrap up his speech.

And that’s when Butler offered up a suggestion for the person behind the ceremony’s play-off music. “You could at least play ‘Suspicious Minds’ or something!” he joked, referencing The King’s 1969 Billboard Hot 100 hit.

The actor wrapped up his speech by giving the late artist a shout-out. “You were an icon and a rebel, and I love you so much,” he said of the three-time Grammy winner.

Austin beat out Brendan Fraser (The Whale), Hugh Jackman (The Son), Billy Nighy (Living) and Jeremy Pope (The Inspection) for the best drama actor trophy.

The 80th annual Golden Globes were hosted by comedian Jerrod Carmichael, and held at The Beverly Hilton in Beverly Hills, Calif. The ceremony aired on NBC and streamed on Peacock.

After jesting about Rihanna’s long-awaited album and the controversy that kept the Golden Globes off broadcast TV last year, 2023 Globes host Jerrod Carmichael took a moment to make a swipe at Kanye West.

Quieting the crowd after a commercial break, the comedian spoke directly to legendary filmmaker Steven Spielberg. “I want to take out a second to shout out Steven Spielberg, who is here,” he said. “It’s an honor sir. Congrats on The Fabelmans. I actually saw it with Kanye and it changed everything for him,” he continued as the audience exploded with laughter. “That’s how good you are. You changed Kanye West’s mind.”

Spielberg, for his part, laughed and raised his hands in prayer and looked up to the sky, as if to say, “if only.” The Fabelmans is the director’s semi-autobiographical 2022 film about a young boy born to Jewish parents in New Jersey who falls in love with cinema (Spielberg himself is Jewish). West, as nearly everyone is aware at this point, has been on a months-long diatribe* spouting antisemitic tropes and hate speech.

*Editor’s Note: After an Oct. 8, 2022 tweet in which he announced he was going “death con [sic] 3 on Jewish people,” Kanye West (Ye) has repeatedly doubled down on antisemitic hate speech, even going so far as to praise Hitler, a man responsible for the systematic murder of six million Jews during the Holocaust. This arrives at a troubling time when antisemitism is on the rise, with the Anti-Defamation League noting a 34% year-over-year increase in antisemitic incidents (assault, harassment and vandalism) in America in 2021. Many companies have cut business ties with the rapper/fashion designer, while numerous musicians, friends and politicians have condemned his comments.

Kanye West is facing very public reckoning. The “Hurricane” rapper made headlines at his Yeezy Paris Fashion Week show on Oct. 3 for wearing a shirt emblazoned with the phrase “White Lives Matter” on its back, and featuring Black models in the shirt. The phrase is one that was adopted by neo-Nazi and white supremacist groups in response to the Black Lives Matter movement, and the rapper has been facing backlash from both fans and celebrities online.

But the controversy did not stop for there for Ye, who has doubled down on his comments on Instagram and later took to Twitter to use antisemitic rhetoric in his posts, then continued to amplify his hate speech in interviews. The reaction from the public was swift, with several companies — including The Gap, Balenciaga and more — terminating their relationships and brand deals with the rapper.

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Forbes has also reported that Ye has lost his billionaire status after Adidas announced Oct. 25 that it was dropping his due deal, and that the brand does not tolerate hate speech. The move, according to the publication, now puts Ye’s net worth at $400 million and resulted in his removal from Forbes‘ billionaires list.

Since then, Adidas has opened an internal investigation after several former employees accused West of inappropriate workplace conduct during meetings with Adidas employees. People in his orbit, from former girlfriend Julia Fox to collaborator Pusha T, have also distanced themselves from him. Furthermore, Ye’s Nov. 22 dinner with Donald Trump and white nationalist Nick Fuentes was widely denounced, even by Trump’s former vice president, Mike Pence.

From brands and scrapped documentaries, to airplay declines of his music catalogue and more, here are the consequences Kanye West has faced due to his “WLM” and antisemitic remarks.

*Editor’s Note: After an Oct. 8, 2022, tweet in which he announced he was going “death con [sic] 3 on Jewish people,” Kanye West (Ye) has repeatedly doubled down on antisemitic hate speech, even going so far as to praise Hitler, a man responsible for the systematic murder of six million Jews during the Holocaust. This arrives at a troubling time when antisemitism is on the rise, with the Anti-Defamation League noting a 34% year-over-year increase in antisemitic incidents (assault, harassment and vandalism) in America in 2021. Many companies have cut business ties with the rapper/fashion designer, while numerous musicians, friends and politicians have condemned his comments.

Rihanna graced the 2023 Golden Globes with her sparkling presence during the Tuesday (Jan. 10) awards show. And while she didn’t walk away with a Globe, she did give three high-profile fans a chance to shoot their shot at having a moment with the superstar.

While presenting at the 80th annual Golden Globes, Niecy Nash took a moment to let Rihanna know she was her muse for spooky season. And it just happened to be the exact moment she had all eyes and ears in the room laser-focused on her.

As the presenter for the award for actress in a television series – musical or comedy, Nash waited until all the nominees – which included Selena Gomez for her starring role in Only Murders in the Building – were listed off to make a joke, keeping the nominees on edge as she basked in the glow of Bad Gal RiRi.

“Rihanna, I love you and I dressed up as you for Halloween. I just had to say that,” Nash said before revealing that Quinta Brunson was the winner for Abbott Elementary. “Had to take my moment.”

Later in the show, presenter Billy Porter piggybacked off Nash’s moment, saying, “If I believed in Halloween, I would have dressed up as Rihanna as well.”

Following a commercial break, Carmichael followed Nash’s lead too, not letting his chance for a moment with Rihanna go to waste. “Only because I see Rihanna is here, I’m going to say something very controversial I will actually get in trouble for,” the Globes host stated. “Rihanna – you take all the time you want on that album, girl. Don’t let these fools on the internet pressure you into nothing.”

As fans of the nine-time Grammy winner joke about relentlessly online, Rihanna has not released a studio set since the Billboard 200-topping ANTI in January 2016. More recently, however, she released the single “Lift Me Up” as part of her involvement in the soundtrack to 2022’s Black Panther: Wakanda Forever. “Lift Me Up” was nominated for best original song, motion picture, but lost to “Naatu Naatu” from the action film RRR.

For her part, Rihanna laughed good-naturedly at the jests.

And she’s hardly been idle. Rihanna will headline the Super Bowl halftime show on Feb. 12, less than a year after giving birth to her first child with A$AP Rocky in May 2022.

With 10 nominees apiece in each of the Big Four categories at the 2023 Grammy Awards, predicting the night’s winners is tougher than ever — but that won’t stop the Billboard Pop Shop Podcast from trying.

On the latest episode, Katie & Keith are breaking down Billboard awards editor Paul Grein’s Big Four predictions — in the record of the year, song of the year, best new artist and album of the year categories. Will Harry Styles and Lizzo snag their first Big Four wins, thanks to nods in three of the four categories each? And after years of being passed over for album of the year, could Renaissance be Beyoncé’s golden ticket — or will Bad Bunny continue on his unstoppable path toward global domination and take the top prize with Un Verano Sin Ti instead?

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There’s a lot to discuss ahead of the Feb. 5 awards show, so let’s get to it in the brand-new episode of the Billboard Pop Shop Podcast below.

Also on the show, it’s a rather exciting week on the Billboard Hot 100 songs chart, as both The Weekend and Beyoncé notch new top 10 hits, David Guetta and Bebe Rexha’s “Blue (I’m Good)” hits a new peak, and Taylor Swift’s “Anti-Hero” jumps back to No. 1 for a seventh week — tying for the most weeks any Swift song has spent atop the chart. Plus, on the Billboard 200, SZA’s SOS clocks a fourth straight week at No. 1 — becoming the first R&B album by a woman to spend its first four weeks atop the list in nearly 30 years.

Plus, we happened to get some breaking pop news while we were recording the podcast: The 2023 Coachella headliners have arrived! And Keith shares his experience attending ABBA’s Voyage concert in London — what it was like to see he virtual concert in person?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

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Luke Combs is crooning about a girl who moves on easy with “Going, Going, Gone” off his popular 2022 album, Growin’ Up.

“Sometimes I feel like a college kid, and some days I feel like I’m 65 or 70 — I wouldn’t say I’m middle-aged, but it’s like I feel like a real adult,” the CMA Awards reigning entertainer of the year previously told Billboard of his skyrocketing career. “When I walk into a room, no one’s like, ‘That can be a guy in college.’ Nobody thinks that… It’s like, time to kind of get it together fully, and dig into this life thing.”

If you need a guide to follow along with Luke Combs’ “Going, Going, Gone,” find the lyrics below:

Some things in life are meant to fly
And others, they were born to run
You can’t tie down up and leaving
Like the changing of the seasons
Good things, they come and then they go

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

I could say it wasn’t meant to be
But maybe meant to be’s misunderstood
Can’t hold on to letting go
Change the way the river flows
Loving her’s like roping in the wind

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

She ain’t got one bit of stick around
There’s no sense in trying to slow her down

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

Going, going, gone
Going, going, gone

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: James Mcnair, Luke Albert Combs, Ray Fulcher