UPDATE (Jan. 9): The Society of Composers & Lyricists (SCL) announced Monday that composer Justin Hurwitz and director Damien Chazelle will receive the 2023 Spirit of Collaboration Award at the fourth Annual SCL Awards on Feb. 15 at the Skirball Cultural Center in Los Angeles. The award, considered the SCL’s most distinctive and perhaps most meaningful, is presented to a composer and filmmaker who maintain a distinguished creative partnership. Hurwitz has scored each of Chazelle’s five films as a director — Guy and Madeline on a Park Bench (2009), Whiplash (2014), La La Land (2016), First Man (2018), and Babylon (2022). Previous recipients of the award are Thomas Newman and Sam Mendes, Carter Burwell and the Coen Brothers, and Terence Blanchard and Spike Lee.

In addition, the SCL will present two 2023 Jury Awards in recognition of the increasing number of ways music is used in an audiovisual context. The Jury Awards, voted on by the SCL board of directors, will be presented to the opera Omar, co-composed by Michael Abels and Rhiannon Giddens, and the audiovisual concert experience Women Warriors: The Voices of Change, for which Amy Andersson is musical director.

PREVIOUSLY (Dec. 22, 2022): Less than 24 hours after Alexandre Desplat was shortlisted for Academy Awards for best original song and best original score for his work on Guillermo Del Toro’s Pinocchio, the French composer emerges as the top nominee for the 2023 SCL Awards for his work on that same film.

Desplat is nominated for outstanding score for a studio film and outstanding song for a musical/comedy for “Ciao Papa,” which he co-wrote with Del Toro and Roeban Katz.

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The awards by the Society of Composers & Lyricists, now in their fourth year, will be presented on Feb. 15, 2023, at the Skirball Cultural Center in Los Angeles. Actor-musician Darren Criss is set to host.

Many of the SCL nominees were shortlisted for Oscars on Dec. 21, but some who were left off received nods here, including Michael Giacchino (nominated for scoring The Batman), and Trent Reznor and Atticus Ross (nominated for co-writing the song “(You Made It Feel Like) Home” from Bones and All).

The Society of Composers & Lyricists is a leading organization for professional film, television, video game, and musical theater composers and lyricists. The 77-year-old organization is focused on education and addressing the creative, technological and legal issues affecting the music for visual media community.

Next month, the composer and director recipients of the SCL Spirit of Collaboration Award will be announced. The SCL Awards ceremony will feature a presentation of that award and a performance.

Here are the nominees for the 2023 SCL Awards:

Outstanding score for a studio film

  • Alexandre Desplat – Guillermo Del Toro’s Pinocchio
  • Carter Burwell – The Banshees of Inisherin
  • Michael Abels – Nope
  • Michael Giacchino – The Batman
  • John Powell – Don’t Worry Darling

Outstanding score for an independent film

  • Leo Birenberg, Zach Robinson – Weird: The Al Yankovic Story
  • Sharon Farber – Brainwashed: Sex-Camera-Power
  • Ryan Lott – Everything Everywhere All at Once
  • Rob Simonsen – The Whale
  • Mark Smythe – The Reef: Stalked

Outstanding song for a musical/comedy:

  • Alexandre Desplat, Roeban Katz, Guillermo Del Toro – “Ciao Papa” From Guillermo Del Toro’s Pinocchio
  • Khiyon Hursey, Sukari Jones, Benj Pasek, Justin Paul, Mark Sonnenblick – “Good Afternoon” From Spirited
  • Danny Elfman – “Light the Match” From Central Park
  • Billy Eichner, Marc Shaiman – “Love Is Not Love” From Bros
  • Weird Al Yankovic - “Now You Know” From Weird: The Al Yankovic Story

Outstanding song for a drama/documentary:

  • Diane Warren – “Applause” From Tell It Like a Woman
  • Taylor Swift – “Carolina” From Where the Crawdads Sing
  • Lady Gaga, Bloodpop – “Hold My Hand” From Top Gun: Maverick
  • Tems, Rihanna, Ludwig Göransson, Ryan Coogler – “Lift Me Up” From Black Panther: Wakanda Forever
  • Trent Reznor, Atticus Ross – “(You Made It Feel Like) Home” From Bones and All

Outstanding score for television

  • Nicholas Britell – Andor
  • Siddhartha Khosla – Only Murders in the Building
  • Bear Mccreary – The Lord of the Rings: The Rings of Power
  • Theodore Shapiro – Severance
  • Cristobal Tapia De Veer – The White Lotus

Outstanding score for interactive media

  • Nainita Desai – Immortality
  • Stephanie Economou – Assassin’s Creed Valhalla: Dawn of Ragnarök
  • Bear Mccreary – God of War Ragnarök
  • Winifred Phillips – Jurassic World Primal Ops
  • Christopher Wiliis – Cat Burglar

David Raksin award for emerging talent

  • Dara Taylor – The Invitation
  • Anna Drubich – Barbarian
  • DeAndre James Allen-Toole – God’s Country
  • Esin Aydingoz – Simchas and Sorrows
  • Nami Melumad – Star Trek: Strange New Worlds

Stephen Sanchez notched his first hit on the Billboard Hot 100 songs chart with “Until I Found You,” which peaked at No. 38 on the chart.

“I was in a serious relationship at the time,” Sanchez previously told Billboard of writing the song. “There was a lot of back-and-forth toward the beginning because I was super fearful of it, and I pushed her away because of that. We had established a very solid friendship before then, and it isolated us from even having that. I moved to Nashville months later, we reconnected and I took her out on a date. The song is just reflecting that time: When I was without her friendship and loving, it was so hard. I just remember how shallow that time felt in my life. [When] I wrote the song, we were very much in love, and it made that moment of our lives more beautiful.”

If you need a guide to follow along with Stephen Sanchez’s “Until I Found You,” find the lyrics below:

Georgia, wrap me up in all your
I want you in my arms
Oh, let me hold you
I’ll never let you go again like I did
Oh, I used to say

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

Georgia pulled me in, I asked to
Love her once again
You fell, I caught you
I’ll never let you go again like I did
Oh, I used to say

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

Lyrics licensed & provided by LyricFind

Lyrics © DistroKid, Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Emily Mahin Beihold, Stephen Sanchez

Paul Mescal is replacing Blake Jenner in the decade-spanning production of the movie musical of Stephen Sondheim’s Merrily We Roll AlongThe Hollywood Reporter has confirmed.

Richard Linklater will be directing the project, which is being backed by Blumhouse, and will shoot over a 20-year span. (The director shot his Oscar-winning Boyhood over 12 years.)

The much-beloved musical, based on the 1934 play of the same name by George S. Kaufman and Moss Hart, follows Franklin Shepard, a talented composer of Broadway musicals who abandons his friends and career to become a producer of Hollywood movies. The story begins at the height of his Hollywood fame and moves backwards in time, showing important moments in Frank’s life.

Mescal will play the lead role of Broadway composer Franklin Shepard, which was previously meant to be played by Jenner. After being cast, Jenner was embroiled in allegations of domestic abuse.

In November 2019, actress Melissa Benoist posted a 14-minute Instagram video during which she spoke of being a survivor of domestic violence. At the time, Benoist did not name her abuser. In October 2020 Jenner, who was previously married to Benoist, took to social media where he apologized for an abusive relationship, writing that he took “full responsibility and accountability for the hurt that I inflicted during my relationship with my past partner — emotionally, mentally, and yes, physically.” (Jenner, who also lodged claims of abuse against his former partner, also did not name the partner he was referring to in his post.)

Mescal will join a previously announced cast that includes Beanie Feldstein and Ben Platt. The project, announced four years ago, completed its first segment of filming in August 2019. Ginger Sledge will produce with Jason Blum for Blumhouse, along with Jonathan Marc Sherman and Linklater.

Mescal, who broke out in Hulu series Normal People, was recently cast in Ridley Scott’s Gladiator sequel. He has earned acclaim this past year for his work in Cannes standout Aftersun.

Above the Line first reported this news.

This article was originally published by The Hollywood Reporter.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” leapt 22-6 on the Billboard Hot 100 dated January 14, after it debuted at its No. 5 high in December.

The track, a slick re-creation of Mario Winans’ 2004 hit, “I Don’t Wanna Know,” seamlessly blends the talents of all three artists, allowing for a TikTok viral track.

If you need a guide to follow along with Metro Boomin, The Weeknd and 21 Savage’s “Creepin’,” find the lyrics below:

Ooh, ooh-ooh
Ooh-ooh-ooh, ooh, ooh-ooh (just can’t believe this, man)
(Metro Boomin want some more, nigga)

Somebody said they saw you
The person you were kissin’ wasn’t me
And I would never ask you
I just kept it to myself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
Oh-oh, oh-oh, ooh-whoa
Oh-oh, oh-oh, oh-oh

Oh, yeah
I think about it when I hold you
When lookin’ in your eyes, I can’t believe
And I don’t need to know the truth
Baby, keep it to yourself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

Did he touch you better than me? (Touch you better than me)
Did he watch you fall asleep? (Watch you fall asleep)
Did you show him all those things, that you used to do to me?
If you’re better off that way (better off that way)
There ain’t more that I can say (all that I can say)
Just go on and do your thing and don’t come back to me
Ooh, ooh-ooh
Ooh-ooh-ooh, ooh-ooh, ooh-ooh

Whoa, whoa, whoa, 21
Had me crushin’, I was cuffin’ like the precinct
How you go from housewife to a sneaky link?
Got you ridin’ ’round in all type of Benzes and Rovers
Girl, you used to ride in the rinky dink
I’m the one put you in Eliantte (on God)
Fashion Nova model, I put you on the runway (on God)
You was rockin’ Coach bags, got you Chane’-ne’
Side bi— in Frisco, I call her my baby (21)
I got a girl, but I still feel alone (on God)
If you playin’ me that mean my home ain’t home (on God)
Havin’ nightmares of goin’ through your phone (21)
Can’t even record, you got me out my zone

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

If you creepin’, just don’t let me find out (on God)
Get a hotel, never bring ’em to the house (on God)
If you’re better off that way
Baby, all that I can say
If you’re gonna do your thing then don’t come back to me

Lyrics licensed & provided by LyricFind

Lyrics © Spirit Music Group

Written by: Chauncey Lamont Hawkins, Eithne Patricia Brennan, Erick S. Sermon, Mario Winans, Michael Carlos Jones, Nicholas Domini Ryan, Parrish Joseph Smith, Roma Shane Ryan

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Lizzo took a moment on a Sunday morning to share her concerns about cancel culture.

“This may be a random time to say this but it’s on my heart.. cancel culture is appropriation,” Lizzo tweeted on Sunday (Jan. 8).

“There was real outrage from truly marginalized people and now it’s become trendy, misused and misdirected,” she wrote.

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Lizzo continued: “I hope we can phase out of this & focus our outrage on the real problems.”

Just days before, the “About Damn Time” singer had taken to social media to shut down the “tired” “discourse around bodies.”

 “I’ve seen comments go from, ‘Oh my gosh, I liked you when you were thick. Why did you lose weight?’ ‘Oh my gosh, why did you get a BBL? I liked your body before.’ ‘Oh my gosh, you’re so big. You need to lose weight but for your health’ to ‘Oh my gosh, you’re so little. You need to get a– or titties or something.’ ‘Oh my gosh, why did she get all that work done? It’s too much work,’” she said in a TikTok video on Friday.

She continued, “Are we OK? Do you see the delusion? Do you realize that artists are not here to fit into your beauty standards? Artists are here to make art. And this body is art. I’mma do whatever I want with this body. I wish that comments costed y’all money so we could see how much time we are f—ing wasting on the wrong thing. Can we leave that s— back there please?”

See Lizzo’s latest message to her fans below.

Beyoncé and Jay-Z‘s daughter Blue Ivy Carter turned 11 this weekend, and Grandma Tina Knowles-Lawson couldn’t be more proud of her.

“The day that you were born was one of the best days of my life,” she wrote on Instagram on Sunday, the day after Blue Ivy’s Jan. 7 birthday. Beyoncé and Jay-Z, who are also parents to 5-year-old twins Rumi and Sir, welcomed Blue Ivy in 2012.

“I was really praying and pushing your mom to have you on January 4 which is my birthday,” she recalled of her daughter Beyoncé giving birth. “I really wanted you to share my birthday, but like your auntie Solo you decided to come when you were good and damn ready and that was on January 7 three days after my birthday. Knowing you and your personality now, I realize that you needed your own day because you were such a queen and you are so very special!”

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Knowles-Lawson gushed, “You can sing dance, play basketball, play, volleyball, paint draw, sculpt, sew, write poetry, write songs , , create, act , play the piano ! I could go on and on. Because there’s really nothing that you can’t do .You are funny and beautiful and graceful , Kind , and so smart. I could not ask for a better granddaughter Ms. Blue Ivy Carter!”

“I could not be more blessed , grateful , and completely in love with another human,” she said of her talented granddaughter. “You truly bring me joy!!”

See the sweet Instagram snapshot of them together that she posted below.