It was night two for Maná in Chicago at the United Center on Saturday (April 29), but it was the 12th show overall for the Mexican rock band who’s been on the road with their México Lindo Y Querido Tour in the United States since March.

“Tonight, we have to beat the excitement we’ve felt in other cities throughout our tour,” Fher Olvera, the band’s frontman, informed the crowd — which roared in response, obviously up for the challenge. “We’ve missed you all so much,” he continued. “It’s been more than three years since we were last here. Latinos have gained so much territory in Chicago. We feel at home here, like if we were in Mexico.”

Rocking black nails, skintight black jeans and a blue jacket, Olvera was the ultimate rockero. And so were his bandmates — Alex González, Sergio Vallín and Juan Calleros — whose typical uniform includes dark jeans, T-shirts and/or black vests. “Age is just an attitude,” Olvera, 63, stated. “You see Mick Jagger from the Rolling Stones who’s almost 80 and he’s still rocking out. I don’t know if I’ll get to that point.” After watching him work the stage, even after a suffering a knee injury earlier this year, Olvera is clearly in his prime. With his signature raspy vocals, he serenaded a crowd that hadn’t seen the band live since they last performed in this city in 2019 with their Rayando el Sol Tour.

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As ever, Maná’s concerts are the type where you know you’re going to get hit with the classics, which means you’ll be on your feet and singing at the top of your lungs over the course of two hours, the duration of the group’s set. This concert was no exception. The show featured a stacked setlist including hits from albums released over the span of three decades, such as ¿Dónde Jugarán Los Niños?, Cuando Los Ángeles Lloran, Sueños Líquidos and Revolución de Amor.

The songs that were part of the setlist included “Cómo Te Deseo,” “De Pies a Cabeza,” “Labios Compartidos,” “Vivir Sin Aire,” “Eres Mi Religión,” “Mariposa Traicionera,” “En El Muelle de San Blas,” “Me Vale” and “Clavado En Un Bar,” to name a few.

They closed with the ’90s anthem “Rayando el Sol.” “Thank you for the love, Chicago. Thank you for the affection,” Olvera said, expressing gratitude for a city that has welcomed the band with open arms for more than 30 years. To return the love, they’ve announced a third show at the city’s United Center for later this year on Oct. 1.

A testament to their timeless rock-en-Español anthems and performance prowess, Maná kicked off their trek in March, just months after an unprecedented sold-out residency at the Kia Forum in Los Angeles last year. “The main thing is our shows are a big party and a celebration of life,” González previously told Billboard Español. “We are excited to continue that celebration and share it with more people across the United States.” Olvera added, “We don’t take this for granted. It’s amazing to feel the love from all our Latin fans across the world. It’s an honor to represent our heritage.”

As one of the most important Latin pop-rock bands, Maná’s career spans over three decades. Throughout the years, the band has scored 10 No. 1s on Billboard’s Hot Latin Songs chart and eight No. 1s on Top Latin Albums.

Maná’s México Lindo Y Querido Tour continues with stops in cities such as Atlanta, Las Vegas, Greensboro and two back-to-back shows in Los Angeles, among other cities. Here’s more info on upcoming dates and tickets.

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The last time Bacilos had a headlining U.S. tour was in in 2004. Now, 19 years later — and following the postponed “¿Dónde Nos Quedamos?” 2020 Tour — the tropipop group is hitting the road with its Back in the USA 2023 trek.

Currently composed by original band members Jorge Villamizar and André Lopes, Bacilos kicked off its highly-awaited live comeback on Thursday (April 27) in the open-venue Miami Beach Bandshell, where they performed to a sold-out crowd.

“We’re in our house, thank you for coming,” Villamizar said after opening the night with “Pasos de Gigantes” and “Por Hacerme el Bueno.”

A bohemian night accompanied by great storytelling before every song — for example, how Luis Enrique’s “Yo No Se Mañana” was co-written by Villamizar and how “Caraluna” was born on a drive on Miami’s I-95 highway — Bacilos crooned to a loyal audience with timeless pop hits “Besala Ya,” “Nada Especial,” and “Tabaco y Chanel,” to name few.

“Thank you, Live Nation, for believing in us after all these years,” Villamizar said to the tour promoters before closing off the night with their smash hit “Mi Primer Millon.”

Formed in Miami, Florida, in 1997, Bacilos gained notoriety as a group that blended pop and tropical influences into one distinctive, catchy and often danceable mix. Their album Caraluna won the 2003 Grammy Award for best Latin pop album. In 2007, the group, then made up of Villamizar, Lopes, and Jose Javier Freire, parted ways. 

Now, in 2023, they’re part of the nostalgia tour trend.

“What makes these nostalgic touring concepts powerful is that it’s multigenerational,” Hans Schafer, senior vp of global touring at Live Nation, previously told Billboard. “The music has been passed down generations and continues to live on. Now we are seeing more artists interested and excited to tap into the nostalgia of fans.”

See upcoming Back in the US tour dates and venues below:

Sunday, April 30, 2023 – Atlanta @ Buckhead Theatre
Thursday, May 4, 2023 – Houston @ House of Blues
Saturday, May 6, 2023 – Austin @ Emo’s
Sunday, May 7, 2023 – Dallas @ The Echo Lounge & Music Hall
Wednesday, May 10, 2023 – Boston @ Paradise Rock Club
Friday, May 12, 2023 – New York @ Irving Plaza
Sunday, May 14, 2023 – Chicago @ House of Blues

Bonnie Raitt is undergoing surgery for an undisclosed “medical situation,” according to a statement issued by her team on social media. She has called off a handful of upcoming tour dates, which have either been rescheduled already for 2023 or will be rescheduled for 2024.

“Bonnie has a medical situation that requires surgery to address. The doctors say that in order for her to heal properly, they recommend she not perform for a couple of weeks,” a post on Raitt’s Twitter account said on Friday (April 28).

The update continued: “Unfortunately, this overlaps our five tour dates in May, and we are very sorry to have to cancel our performance at @brandicarlile ’s Mothership Weekend on May 14th and postpone our shows in Athens, Louisville, Indianapolis and Pittsburgh. Please see below for more information about the rescheduled appearances. We deeply apologize for this delay and inconvenience. It’s always upsetting to have to disappoint her fans, band, crew and our promoters, but sometimes unforeseen things just happen.”

The statement addressed her health, noting that “thankfully, Bonnie’s in great hands,” and thanked fans for their well wishes. “We very much appreciate your respecting her request for privacy at this healing time,” it read.

Concertgoers have been told to hold on to their tickets, as they can be used for the rescheduled show date. Additional information will be available through their point of purchase.

See the rescheduled dates and the official statement via Twitter below.

“Do you really wanna know where I was April 29th?” Taylor Swift asks in “High Infidelity,” a bonus track from her extended Midnights (3am Edition) album. “Do I really have to chart the constellations in his eyes?”

It was Swift’s “High Infidelity” that trended on Twitter on its first April 29, after being released six months ago (and to the dismay of some REO Speedwagon fans who thought 1980’s Hi Infidelity was maybe getting rediscovered on April 29).

Swifties had clever quips and memes aplenty across social media on Saturday, as well as celebratory tweets marking a new “holiday” to observe in the fandom.

“i cant believe april 29 never existed until taylor swift invented it,” one fan commented in a tweet, while another honored the day along with the birth of her nephew: “My nephew being born on High Infedility Day,” they wrote with a shocked face emoji.

Most prevalent were tweets referencing a widespread guess that Swift might perform “High Infidelity” for the first time ever — during the part of her Eras Tour set featuring two surprise songs Saturday night in Atlanta, following the live debut of “Coney Island” solo at Friday’s show — to observe High Infidelity Day. Some went into a spiral of anxiety that they might be getting their hopes up too soon.

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“When Taylor doesn’t perform High Infidelity on April 29th because everyone is assuming she’s going to and the whole point of a surprise song is that it’s a surprise,” one pointed out. “what do we do if taylor ends up not singing high infidelity today,” another asked.

See some of the best fan tweets on April 29 about “High Infidelity” below and look out for Billboard‘s review of Swift’s April 29 show on Sunday.

Jon Pardi got quite the surprise during his performance at Stagecoach on Friday night (April 28): an official invitation to become the newest member of the Grand Ole Opry, via a video invite from Alan Jackson.

While Pardi was on stage at the Indio, California, festival, friend and restauranteur Guy Fieri appeared to point the country star’s attention toward Jackson’s video.

“I’ve been appreciating your music ever since you were touring with me a few years ago. So I get the honor to invite you in front of all your Stagecoach friends out there to be the first native of California to become an official member of the Grand Ole Opry,” Jackson said, guitar in hand.

Meanwhile, on the stage, Opry executive producer Dan Rogers set up the Opry mic stand in front of Pardi.

“That mic stand represents the future of country music as well as its incredible history,” Rogers told the crowd. “This night will go down in history, too, both because Jon is the first artist invited to join the Opry on this stage and because he’s the first native Californian to get that call. What a great night!”

Pardi’s induction date has not yet been announced.

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“I moved to Nashville chasing a dream at 22 years old and now I’m here. I love you guys and I love country music. Thank you, everybody. This is an amazing night. I’ll never forget it,” an emotional Pardi said upon hearing the news.

Later in the night Pardi added, “I always wondered how this might happen if it was going to. I never imagined anything this great. That was incredible.”

Backstage, Rogers made another statement in support of Pardi: “For nearly a decade now, Jon Pardi has been adding something great to the show every single time he plays the Opry,” he noted. “For me personally, I’ll never forget the big sounds he brought to the Opry stage during the pandemic and the way he connected with audiences around the world via our livestream even when he was playing to an empty Opry House. I have no doubt there are good times ahead for all of us with Jon as a future Opry member.”

Pardi recently received his third nomination for album of the year at the upcoming ACM Awards. He also announced his Mr. Saturday Night World Tour, kicking off in August. See all of his upcoming dates here.

Taylor Swift performed “Coney Island” live for the first time in Atlanta Friday night (April 28). But the Evermore highlight, a heart-wrenching track that features The National‘s Matt Berninger trading vocals with Swift, was a solo performance at the city’s Mercedes-Benz Stadium.

Swift carefully chose her words in introducing “Coney Island” to the stadium bursting with zealous fans, clarifying that she had something special up her sleeve but the surprise would be delivered by her alone.

“Any time I’m gonna talk about or even reference another artist, I feel inclined to tell you that if they’re not here, they’re not here,” she told the crowd. “No one else is here. You are stuck with me. It’s only me.”

She continued, “But I am gonna talk about another artist. I just feel like, you know, stadiums are huge and it’s important to really communicate, so that’s what I’m doing. I’m gonna talk about another artist who has an album that just came out that is so incredible. The National just had an album come out. This band has influenced me beyond my ability to verbalize how much they’ve influenced me — just lyrically, their ability to set a scene, their ability to tell a story. And obviously, Aaron Dessner is in The National and he has completely changed my life.”

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Swift took a moment to promote the band’s new album and her own contribution to it, her new National collab “The Alcott,” which was released the same day as her first of three Atlanta shows. Sitting at the piano, she then sang “Coney Island,” which Swifties have been eager to hear live during the surprise songs segment of her Eras Tour set.

“I was lucky enough to be able to write a song with them for their new album, which is called the First Two Pages of Frankenstein. Check it out, stream it, buy it on vinyl. I love them so much. They’ve been so kind to me. So, I’m not gonna sing the song that we have on this new album — it’s called ‘The Alcott’ — check that out, though. But I am gonna sing ‘Coney Island.’”

Watch a fan-captured video of Swift’s solo version of Evermore‘s “Coney Island” live from Atlanta below.

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