The New York Stock Exchange (NYSE) has notified radio and podcast giant Audacy of its plan to delist the company’s Class A common stock from the exchange over its consistently low share price, Audacy announced Tuesday (May 16).

According to a press release, “the NYSE will consider commencing delisting procedures when a company’s listed securities experience an abnormally low selling price.” The NYSE abruptly halted trading of Audacy’s stock at 2 p.m. ET on Tuesday, when shares were trading for $.094 — down slightly from $.10 at the start of the day. The company’s share price is down nearly 63% since the beginning of the year.

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NYSE rules require a minimum average closing price of $1 per share over 30 consecutive trading days, but Audacy’s share price hasn’t traded above that threshold since July 5, 2022.

The NYSE has applied to the Securities and Exchange Commission (SEC) to delist Audacy’s stock. While that process plays out, trading in the company’s common stock on the exchange will be suspended, though it can still be traded over the counter.

Audacy signaled its intent to appeal the delisting by filing a written request, which it is required to do within 10 days of receiving the delisting notice. If that appeal is successful, the stock may resume trading on the NYSE.

In a statement, Audacy president/CEO David J. Field said that while the company is “disappointed” in the NYSE’s decision, he is “hopeful” that Audacy stock will start trading on the exchange again later this year “as we execute our action plans which include a reverse stock split to satisfy NYSE rules, the continued execution of our liability management plans and working with our financial advisors to refinance our debt.”

Field also stated that the company is confident it “will benefit from a general market recovery and will be able to capitalize on our investments in strategic transformation that position Audacy well for the future.”

Radio companies have been slammed by an advertising slowdown since the second half of 2022, and Audacy has been particularly hard-hit. In its first-quarter earnings released Wednesday (May 10), the company’s net revenue of $259.6 million was down 5.7% year-over-year, while cash operating expenses were up 3%. Adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) was $3.5 million, compared to $26 million in the first quarter of 2022.

On a May 10 earnings call, Audacy CFO Richard Schmaeling noted that the company’s network advertising revenue fell 6% year-over-year due to inflation and rising interest rates (though its podcast advertising revenue was up 14%). He warned that advertising demand has “further softened” since the start of 2023 and added that “it could get worse before it gets better,” noting that the company “is continuing to work to accelerate revenue growth, develop and execute added cost reduction actions and to sell other noncore assets.”

“However,” Schmaeling continued, “these actions may not be sufficient to fully mitigate the impact of potential further advertising weakness.”

Three hours or bust!

On their ambitious new tours, Beyoncé and Taylor Swift are setting the bar impossibly high for treks to come, playing three-hour (or longer!) concerts that each cover more than 3 dozen songs from their respective catalogs. Rock fans have come to expect marathon concerts from the likes of Bruce Springsteen or Pearl Jam, but this is a rarity for a pop concert; by comparison, another currently touring pop superstar, Janet Jackson, is playing just under two-hour shows.

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On the new Billboard Pop Shop Podcast, Katie & Keith — with a special assist from Billboard touring director Dave Brooks — are discussing whether this could become the norm for a pop show or if Bey and Swift are just supernova outliers.

Also on the show, we’ve got chart news on how Morgan Wallen charts a 10th straight week at No. 1 on the Billboard 200 with his album One Thing at a Time. How rare is that? How many albums have spent at least 10 weeks at No. 1 in the chart’s history? And how many more weeks do we think he’ll spend on top? Plus, Ed Sheeran’s – (Subtract) lands at No. 2 in its first week on the chart.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

If you missed out on Willie Nelson’s 90th birthday concerts on April 30 and May 1 in Los Angeles, you can see all the special performances honoring the 12-time Grammy winner in a limited theatrical run.

Long Story Short: Willie Nelson 90 will be shown in theaters on June 11, with an encore presentation on June 13 and 14. Recorded at the Hollywood Bowl over two nights in April, the concert film will include performances by Nelson, Keith Richards, Neil Young, George Strait, Miranda Lambert, Snoop Dogg and many more.

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Nelson, who will be inducted into the Rock & Roll Hall of Fame later this year, is having a banner year as a nonagenarian. He was honored with an educational endowment at the University of Texas’ LBJ School of Public Affairs and will have a new book about his songwriting called “Energy Follows Thought: The Stories Behind My Songs,” coming out on Oct. 31 through William Morrow.

The Texas actor, activist and songwriter penned hits like “Crazy,” “Funny How Times Slips Away” and “On the Road Again” over his seven-decade career, as well as co-founded Farm Aid.

Tickets for the concert film, presented by Blackbird Presents, Joe Hand Promotions and Nelson’s manager Mark Rothbaum, go on sale today at willienelson90experience.com

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Ed Sheeran scores his fifth No. 1 on Billboard’s Top Album Sales chart (dated May 20) as – (pronounced Subtract) debuts in the top slot. Further, it does so with his largest sales week since 2017 – thus bigger than any week posted by Sheeran’s last two albums (2021’s Equals and 2019’s No. 6 Collaborations Project).

Subtract starts with 81,000 copies sold in the United States in the week ending May 11, according to Luminate. It’s the 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.

Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).

Also in the top 10 of the new Top Album Sales chart, LE SSERAFIM’s Unforgiven debuts at No. 2, the Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 soundtrack bows at, appropriately, No. 3, and The Smashing Pumpkins’ ATUM: A Rock Opera in Three Acts enters at No. 8.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Subtract’s 81,000 sold, physical sales comprise 59,000 (45,000 on CD, 14,000 on vinyl – Sheeran’s largest sales week on vinyl – and a couple hundred on cassette) and digital download sales comprise 22,000. Subtract also enters at No. 1 on the Vinyl Albums chart, his third leader on that list, as well as No. 1 on Tastemaker Albums and Top Current Album Sales. Vinyl Albums tallies the top-selling vinyl albums of the week. Tastemaker Albums lists the week’s top-selling albums at independent record stores. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales.

Korean pop girl group LE SSERAFIM debuts at No. 2 on Top Album Sales with Unforgiven, selling 38,500 copies in the week ending May 11. It’s the second top 10, highest charting effort, and best sales week for the act. The album was released to digital retail on May 1 and sold less than 500 copies in the week ending May 4. Its debut on Top Album Sales was prompted by its CD release on May 5.

Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s album sales in the week ending May 11 were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).

The Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 soundtrack bows at No. 3 on Top Album Sales, with 29,000 copies sold. Of that sum, vinyl sales comprise 11,000 (enabling its debut at No. 2 on the Vinyl Albums chart).

The multi-artist Guardians soundtrack (comprised entirely of previously released pop and rock songs) also debuts at No. 1 on Billboard’s Soundtracks chart and Top Rock Albums tally. All three of the Guardians theatrical film soundtracks have reached No. 1 on both the Soundtracks chart and the Top Rock Albums chart.

Soundtracks and Top Rock Albums ranks the week’s most popular soundtracks and rock releases, respectively, by equivalent album units.

A quartet of former No. 1s is next on Top Album Sales, as SEVENTEEN’s SEVENTEEN: 10th Mini Album: FML falls 1-4 in its second week (27,000; down 80%), Agust D’s D-Day dips 2-5 (14,000; down 46%), Taylor Swift’s Midnights is a non-mover at No. 6 (12,000; up 7%) and Metallica’s 72 Seasons descends 5-7 (10,000; down 20%).

The Smashing Pumpkins’ ATUM: A Rock Opera in Three Acts debuts at No. 8 on Top Album Sales, selling 9,000 copies. Of that sum, vinyl sales comprise 4,000 – and the set bows at No. 8 on the Vinyl Albums chart. On Top Album Sales, ATUM marks the eighth top 10-charting effort for the rock act, and first since 2012’s Oceania debuted and peaked at No. 4.

Rounding out the top 10 of the new Top Album Sales chart is Swift’s chart-topping Lover (13-9 with 7,000; up 17%) and Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd (12-10 with nearly 7,000; up 2%).

In the week ending May 11, there were 2.021 million albums sold in the U.S. (up 10.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.661 million (up 12%) and digital albums comprised 360,000 (up 4.5%).

There were 737,000 CD albums sold in the week ending May 11 (up 3.5% week-over-week) and 914,000 vinyl albums sold (up 19.8%). Year-to-date CD album sales stand at 12.673 million (up 5.7% compared to the same time frame a year ago) and year-to-date vinyl album sales total 17.972 million (up 27.9%).

Overall year-to-date album sales total 37.554 million (up 10.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 30.842 million (up 17.6%) and digital album sales total 6.713 million (down 12.7%).

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The Super Mario Bros. Movie is headed to video on demand, and if you want a physical copy, pre-order the hit film on Blu-ray/DVD. The animated blockbuster — starring Chris Pratt as Mario, Charlie Day as Luigi, Anya Taylor-Joy as Princess Peach and Jack Black as Bowser — has raked in more than $1 billion and counting.

Based on Nintendo’s popular video game series, Super Mario Bros. follows Mario and Luigi as they set out on a “whirlwind adventure through Mushroom Kingdom.” The brothers get separated, leaving it up to Mario to find and rescue Luigi from Bowser and save Mushroom Kingdom (with help from Princess Peach).

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Jack Black Peaches

Jack Black Drops Music Video for ‘Super Mario Bros. Movie’ Song ‘Peaches’

With its huge box-office opening, Super Mario Bros. surpassed Frozen as the highest grossing debut for an animated movie and stands as the highest-grossing movie of 2023 ahead of Avatar: The Way of Water and Ant-Man and the Wasp: Quantumania. The animated hit held the No. 1 spot at the box office for four consecutive weeks.

When Can You Watch The Super Mario Bros. Movie From Home?

When will The Super Mario Bros. Movie be released on streaming? According to Prime Video, the movie will be available to stream on the West Coast starting Monday (May 15) at 9 p.m. PT., while East Coasters can start streaming at midnight on Tuesday (May 16).

Based on other blockbusters, audiences might be waiting a little while to stream for free. Top Gun: Maverick, for example, was released to streaming platforms roughly three months after premiering in theaters but didn’t land on Paramount+ until later December 2022. Similarly, Avatar 2 hit streaming around three months after the theater debut, but the film won’t be released on Disney+ until June 7.

Either way, pre-ordering a copy of The Super Mario Bros. Movie will put you first in line to watch the movie from home as soon as it drops on VOD.

‘The Super Mario Bros. Movie’
$29.99

The Super Mario Bros. Movie is $29.99 to pre-order a digital copy via Prime Video and other platforms such as Vudu, Apple TV/iTunes and Google Play once it’s officially released. Stream the Super Mario Bros. Movie on your TV, computer, phone and other devices via Prime Video and apps from other streamers (use Express VPN to stream internationally).

Amazon Prime members can stream The Super Mario Bros. Movie on Prime Video and enjoy fast and free shipping once the Blu-ray becomes available.

Not a member yet? Launch your 30-day free trial to Amazon Prime here. The membership is $14.99/month after the free trial (Amazon offers 50% discounts for students and SNAP/Medicaid recipients) and includes free shipping on millions of items, plus access to Prime Video where you can stream Prime Originals free of charge in addition to episodes of your favorite shows and movies that you can rent or buy. Prime Video also lets you add on channels such as Paramount+, Showtime, HBO Max and Starz.

The Super Mario Bros. Movie Blu-ray remains in the top spot on Amazon’s roster of bestselling kids & family Blu-rays.

Amazon

Buy: The Super Mario Bros. Movie (4K Ultra HD + Blu-ray + Digital) [4K UHD] $29.96

The movie is $24.99 for a Blu-ray/DVD/digital combo and $29.99 for the 4K edition at Amazon. The release was originally set for June, but availability could change depending on what’s in stock. You can also pre-order at retailers such as Target and Walmart.

Walmart

The Super Mario Bros. Limited-Edition Gift Set (Pre-Order

Price: $32.96

Buy Now

This Walmart-exclusive limited-edition gift set pictured above includes a collectible tin that you can use to house and display the movie discs. The gift set is available for $32.96 (pre-order) while supplies last.

If you’re a fan of video game, then you’ll love the Super Mario Bros. Movie merch available online such as the official Super Mario Bros. Movie Storybook ($14.99), this Super Mario Bros. Bomber Jacket ($34.99), Super Mario Bros. Monopoly, and LEGO’s Super Mario 64 Question Mark Block ($199.99) and Mighty Bowser Kit ($269.65).

Watch the trailer for The Super Mario Bros. Movie below.

The final album from Canadian singer-songwriter Gordon Lightfoot, who died May 1 at age 84, will be released on July 14.

At Royal Albert Hall is a double album that was recorded live in concert at the legendary London venue on May 24, 2016. It’s Lightfoot’s fourth live album, following a 1962 release, Two Tones at the Village Corner; Sunday Concert (which reached No. 143 on the Billboard 200 in 1969); and All Live, a 2012 release.

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At Royal Albert Hall is described in a press statement as “an unembellished live mix of that night’s performance, without edits, overdubs, remixing, or re-sequencing. It captures every song performed in the order they were played, down to the encore by Gordon and his band – Rick Haynes on bass, Barry Keane on drums, Mike Heffernan on keys, and Carter Lancaster on guitar.”

It is being released via Linus Entertainment, the Canadian independent label that released Harmony, Lightfoot’s last studio album with his band, in 2004. (A subsequent studio album, Solo, did not feature his band.)

The upcoming, 26-track album features six of Lightfoot’s 11 Billboard Hot 100 hits, including all four of his top 10 hits: “If You Could Read My Mind,” “Sundown,” “Carefree Highway” and “The Wreck of the Edmund Fitzgerald.” It also has his Hot 100 hits “Rainy Day People” and the exquisite “Beautiful” and includes “Early Morning Rain,” a Hot 100 hit that Lightfoot wrote in 1965 for Peter, Paul & Mary.

The collection also features songs that have never previously appeared on a live album, including “The Watchman’s Gone,” “Sea of Tranquility,” “Now and Then,” “All the Lovely Ladies,” “Drifters,” “Beautiful,” “Did She Mention My Name,” “Sweet Guinevere,” “Never Too Close,” “Don Quixote,” “Minstrel of the Dawn,” “I’d Rather Press On” and “Waiting for You.”

In the weeks prior to his death, Lightfoot reportedly insisted that this live album be released as soon as possible. He approved the cover artwork and made it clear that no changes were to be made to the recording.

Lightfoot’s songs have been recorded by Bob Dylan, Elvis Presley, Eric Clapton, Barbra Streisand and hundreds of other artists.

Lightfoot was inducted into the Songwriters Hall of Fame in 2012. He won 13 Juno Awards in his native Canada, capped by his induction into the Canadian Music Hall of Fame in 1986. He won four Juno Awards for male vocalist of the year (1971-73 and 1975) and two for composer of the year (1973 and 1977). Lightfoot was nominated for four Grammys (but never won) — best folk performance for Did She Mention My Name (1968), best pop vocal performance, male for “If You Could Read My Mind” (1971) and song of the year and best pop vocal performance, male for “The Wreck of the Edmund Fitzgerald” (1976).

The esteem with which Lightfoot was held was reflected in tweets and other messages that were released following his death. Canada’s Prime Minister Justin Trudeau wrote: “We have lost one of our greatest singer-songwriters,” he states. Lightfoot “captured our country’s spirit in his music – and in doing so, he helped shape Canada’s soundscape. May his music continue to inspire future generations, and may his legacy live on forever. To his family, friends, and many fans across the country and around the world: I’m keeping you in my thoughts at this difficult time.”

Neil Young, Billy Joel, Bryan Adams, Brian Wilson, Belinda Carlisle and more also weighed in with thoughtful messages.

“Gordon was a great Canadian artist,” wrote Young, a fellow Canadian. “A songwriter without parallel, His melodies and words were an inspiration to all writers who listened to his music, as they will continue to be through the ages. There is a unique and wonderful feeling to Gordon’s music. Lightfoot is a Canadian legend.”

Joel wrote: “Sad morning over here. Rest easy Gordon Lightfoot. So sad to hear of the death of Gordon Lightfoot. He was a lifelong musical hero of mine…”

“This one is really hard to write,” read a statement from Adams, another Canadian musician. “Once in a blue moon you get to work and hang out with one of the people you admired when you were growing up. I was lucky enough to say Gordon was my friend and I’m gutted to know he’s gone. The world is a lesser place without him. I know I speak for all Canadians when I say: thank you for the songs Gordon Lightfoot. Bless your sweet songwriting heart, RIP dear friend.”

Here’s the complete track listing for At Royal Albert Hall:

Disc One

“The Watchman’s Gone”
“Sea of Tranquility”
“Now and Then”
“All the Lovely Ladies”
“Drifters”
“A Painter Passing Through”
“Christian Island”
“Rainy Day People”
“Shadows”
“Beautiful”
“Carefree Highway”
“Did She Mention My Name”
“Ribbon of Darkness”
“Sundown”

Disc Two

“Sweet Guinevere”
“The Wreck of the Edmund Fitzgerald”
“Never Too Close”
“Don Quixote”
“Minstrel of the Dawn”
“I’d Rather Press On”
“Let It Ride”
“If You Could Read My Mind”
“Restless”
“Baby Step Back”
“Early Morning Rain”
“Waiting for You”