Kelly Clarkson kicked off the week of her popular daytime talk show on Monday (April 10) with a duet, calling on Charles Esten for an anthemic cover of Bruce Springsteen’s “Glory Days.”

With Esten on the guitar, the duo harmonized in the chorus of the ode to nostalgia, which peaked at No. 5 on the Billboard Hot 100 songs chart dated August 3, 1985. The song, featured on Springsteen’s Born in the U.S.A., spent a total of 18 weeks on the tally.

Other songs Clarkson has recently taken on for her Kellyoke segment include Lenny Kravitz’s cover of “American Woman,” GAYLE’s Grammy-nominated breakout “abcdefu” — complete with tweaked lyrics to allude to her divorce from Brandon Blackstock — and Janet Jackson’s “When I Think of You.”

Clarkson is also gearing up to release her highly anticipated album Chemistry, her first project of original, non-holiday music since 2017’s Meaning of Life. The studio set’s lead single “Mine” is set to arrive April 14 via Atlantic Records.

Watch Kelly Clarkson and Charles Esten perform Bruce Springsteen’s “Glory Days” below.

Jack Black‘s music video for his Super Mario Bros. Movie ballad is peach perfection.

Black, all decked out in a Bowser-green suit and seated at a peach piano in a peach room, croons an ode to Princess Peach in the colorful clip. A framed photo of Peach sits atop his piano, along with a bowl of peaches.

Black is the voice of Bowser in Illumination and Universal’s Nintendo video game adaptation, which hit movie theaters this weekend. The Super Mario Bros. Movie scored the top global launch ever for an animated pic, and the second-best ever domestically, according to The Hollywood Reporter.

The music video for “Peaches” was directed by Cole Bennett, who says Black’s suit was both Bowser and Elton John-inspired.

Watch “Peaches” below, as well as a behind-the-scenes clip of the making of the music video.

Jamie Lee Curtis is applauding Karol G for calling out her GQ Mexico magazine cover that the Colombian star alleges was photoshopped.

“Today my GQ magazine cover was made public, a cover with an image that does not represent me,” Karol G had posted on Instagram Thursday (April 6), with the cover image shown next to a selfie. “My face doesn’t look like that, my body doesn’t look like that and I feel very happy and comfortable with how I look naturally. I understand the repercussions this can have, but beyond feeling it’s disrespectful to me, it’s disrespectful to women who wake up looking to feel comfortable with themselves despite society’s stereotypes.”

On Sunday, Curtis shared the magazine cover and the singer’s comments on her own Instagram account, bringing the conversation over to her fans.

“I’m so happy that @karolg is bringing awareness to an issue I have been concerned about for a long time,” Curtis. “We are human beings. We are not AI and this genocide against what is naturally beautiful is alarming and needs to be talked about.”

The Everything Everywhere All at Once actress added that she, Justine Bateman and Andie MacDowell have been vocal about this issue previously, and that she’s “very encouraged that a younger person is joining the chorus of disapproval. The cosmeceutical industrial complex wants you to look in the mirror and hate yourself and then buy their bulls—.”

Karol G’s history-making Mañana Será Bonito debuted at No. 1 on the Billboard 200 last month. It became the first No. 1 for her on the chart, and it marked the first time that an all-Spanish-language album by a woman topped the list.

See Jamie Lee Curtis’ post below.

Morgan Wallen’s One Thing at a Time continues to cruise at No. 1 on the Billboard 200, as the album spends a fifth straight and total week atop chart (dated April 15). The set earned 173,000 equivalent album units in the United States in the week ending April 6 (down 12%), according to Luminate. One Thing at a Time debuted at No. 1 on the Billboard 200 dated March 18 and has held in place ever since.

Across Wallen’s two No. 1 albums on the Billboard 200, One Thing at a Time and Dangerous: The Double Album, he has now spent a total of 15 weeks atop the chart. That surpasses Bad Bunny for the second-most weeks at No. 1 this decade. Only Taylor Swift has more weeks at No. 1 since the start of 2020, with 20 total.

Also in the top 10 of the new Billboard 200 chart, Melanie Martinez scores her highest-charting album yet with the No. 2 debut of Portals, Tyler, the Creator’s former No. 1 Call Me If You Get Lost surges 137-3 after its deluxe reissue with eight additional songs and supergroup Boygenius starts at No. 4 with its first full-length studio album (and major label debut), The Record.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 15, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (April 11). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 173,000 equivalent album units earned in the week ending April 6, SEA units comprise 162,000 (down 9%, equaling 215.58 million on-demand official streams of the set’s 36 songs), album sales comprise 8,000 (down 53%) and TEA units comprise 3,000 (down 6%).

Martinez logs her highest-charting album yet on the Billboard 200, as her new studio effort Portals opens at No. 2. The set earned 142,000 equivalent album units, her biggest week ever by units earned. Of that sum, album sales comprise 99,000 (her largest sales week ever), SEA units comprise 42,000 (equaling 60.58 million on-demand official streams of the set’s songs, her largest streaming week ever) and TEA units comprise 1,000 units.

In total, Portals marks Martinez’s third top 10-charting set, following K-12 (No. 3 peak in 2019) and Cry Baby (No. 6 in 2015).

The new album was previewed by the songs “Void” (the set’s official first single) and “Death,” both of which have reached the top 40 on the Hot Rock & Alternative Songs chart, while “Death” debuted on the Billboard Hot 100 dated April 1 at No. 95. The latter debut is Martinez’s first appearance on the Hot 100 since 2012, and the first time she’s charted with anything that wasn’t part of her run as a contestant on NBC’s The Voice. (Her two previous entries on the Hot 100 were both covers from the reality competition show.)

Portals’ sizable first-week sales of 99,000 was supported by 21 different physical variants of the album — six vinyl LPs, 14 CDs and one cassette. The audio content across all of the editions is the same; the variations are mostly distinguished by their packaging (including color vinyl editions, alternative covers, a signed CD and four deluxe boxed sets with either a tank top or a shirt along with a CD).

Tyler, the Creator’s chart-topping Call Me If You Get Lost jumps from No. 137 to No. 3 following its deluxe reissue on March 31. The set, first released in 2021, was reintroduced to the market with eight additional songs (dubbed the Call Me If You Get Lost: The Estate Sale edition). All versions of the album, old and new, are combined for tracking and charting purposes.

In total, Call Me If You Get Lost earned 68,000 equivalent album units for the week, up 617%. The bulk of that sum was driven by SEA activity: 57,000 (up 734%, equaling 77.97 million on-demand official streams of all of the set’s songs, old and new). The set also sold 11,000 copies, including digital download and CD editions of the new deluxe version (though the CD is exclusively sold through the artist’s webstore at this time).

Call Me If You Get Lost was last in the top 10 almost a year ago, on the April 30, 2022-dated chart, when the album zoomed 120-1 after its belated release on vinyl pushed it back to the top. It first led in July 2021 upon its debut.

Rock supergroup Boygenius sees its debut full-length studio album — and major label debut — The Record launch at No. 3 on the Billboard 200. The trio comprises Julien Baker, Phoebe Bridgers and Lucy Dacus. The set starts with 67,000 equivalent album units earned. Of that sum, album sales comprise 53,000, SEA units comprise 14,000 (equaling 18.17 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

The Record was previewed by a trio of charting songs on Billboard’s tallies: “Emily I’m Sorry,” “Not Strong Enough” and “$20.” The latter two charted on the Adult Alternative Airplay chart (with “Not Strong Enough” hitting the top 10 on the April 15-dated list), while the former two both reached Hot Rock & Alternative Songs.

The Record was supported largely by vinyl sales. Of the album’s overall first-week units, vinyl sales represented 67% of the total sum (45,000 of 67,000). And, of the album’s traditional album sales number, vinyl accounts for 85% of the total (45,000 of 53,000). The Record was available in eight different-colored vinyl variants, including exclusives for indie stores, Target and Urban Outfitters.

SZA’s former No. 1 SOS is a non-mover at No. 5 on the Billboard 200 with 64,000 equivalent album units earned (down 8%), Swift’s chart-topping Midnights rises 7-6 with 61,000 (up 5%) and Luke Combs’ Gettin’ Old dips 4-7 with 54,000 (down 46% in its second week). Wallen’s chart-topping Dangerous: The Double Album climbs 9-8 with 45,000 (up 3%), Metro Boomin’s former No. 1 Heroes & Villains falls 8-9 with 42,000 (down 7%), and Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. drops 3-10 with 38,000 (down 67% in its second week).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.