(G)I-DLE is back, revealing on Wednesday (Sept. 14) that their highly anticipated fifth mini-album, I Love, is coming next month.

The group unveiled a teaser for the release, which features a beating heart animation with sound effects for 10 minutes before revealing the mini-album’s title.

(G)I-DLE also shared a poster-inspired photo to Twitter, announcing that I Love will be arriving on October 17. The release comes just months after the group released their debut studio album, I Never Die, in April.

“We believe every group is unique in their own way. For us, we believe that our music and our music videos leave a strong impact because we want to do something that expresses us well and in an honest way,” (G)I-DLE’s Soyeon told Billboard of the K-pop power players in 2020, following the release of their third EP, I Trust.

“Soyeon’s been writing for us since debut, and she knows us really well, each of our members,” Yuqi added. “She knows which parts suit us. I think we all trust her a lot. And the songs are good! So we just follow her. Whenever I listen to her songs for the first time, I really think, “Oh, this song is going to be on point.” [Laughs] The songs just hit me. I never thought that a K-pop girl group could do this before. I just love it so much. In my opinion, it’s my style. “oh my god” is really my style, I love it so much. I want to perform it for our fans as soon as possible.

See the I Love announcement below.

 

Ozzy Osbourne has dealt with a number of health emergencies over the years, but that’s not going to stop him from performing for fans.

“It’s where I belong,” he recently told People of being on the road. “The relationship I have with my audience is the biggest love affair of my life.”

Between surgeries to treat a staph infection in 2018, the reveal of his Parkinson’s disease diagnosis in 2019, a pneumonia battle that was followed by a fall at home in 2020 as well as a major neck surgery in June and a positive COVID-19 diagnosis this year, the Blizzard of Ozz has been dealing with continuous health issues.

“That’s the only thing that reminds me I’m getting older: things going wrong and not working anymore,” he told the publication. “But I still feel young at heart.”

Osbourne however, is not going to “retire” any time soon. “I am determined to get back on stage even if I have to be nailed to a board and wheeled on,” he said. “Survival is my legacy.”

Ozzy unveiled his 13th solo album, Patient Number 9, just last week (Sept. 9), which features an all-star guest list that includes Iommi, Zakk Wylde, Red Hot Chili Peppers drummer Chad Smith, Pearl Jam guitarist Mike McCready, Guns N’ Roses’ Duff McKagan and the late Foo Fighters drummer Taylor Hawkins, among others.

JoJo Siwa seems to be in a new relationship. The 19-year-old star potentially confirmed her romance with fellow TikToker Avery Cyrus by sharing a sweet video of the duo.

In the clip, Siwa and Cyrus are seen posing together in a photo booth, smiling before they lean in for a kiss. “Happiest girl,” the dancer captioned the post. The video comes after weeks of speculation that the two were dating.

@itsjojosiwaHappiest girl🫶🏼♬ je te laisserai des mots by Patrick Watson – Ms

Last month, 18-year-old Kylie Prew confirmed that she and Siwa have broken up. “I don’t like drama and it makes me really, really anxious so I don’t really wanna talk about it for a while,” Prew explained during an Instagram Live session, which has since been re-shared on TikTok. “Someone asked me if I am single. I am. I have been single for almost two months.”

Siwa and Prew first broke up in 2021 after dating for a few months. The Dancing With the Stars runner-up did not address the split until November, and explained that it was simply the “right person, wrong time.”

The pair then announced that they got back together in May 2022 via a photo shared to Siwa’s Instagram, in which she is seen kissing Prew on the cheek during a visit to Disneyland. By June, Siwa told People that she and Prew were “still learning things, setting new boundaries, releasing boundaries, all the normal stuff.”

Cyrus, meanwhile, parted ways from TikTok star Soph Mosca this summer after dating for two years.

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Chapel Hart has been one of the standouts of America’s Got Talent 2022, winning hearts and fans every step of the way.

On Tuesday night (Sept. 13), the family trio gave it their best shot in the AGT finale, with a performance of “American Pride,” an original song.

The patriotic number wasn’t without its problems. And it all ended in tears as the threesome battled vocal issues from start to finish, a problem both Simon Cowell and Howie Mandel raised in their wrap up.

“Some of the vocals were a bit off because of nerves. Forget that,” Cowell remarked. “I really, really like you and I’m really happy that you did what you did tonight. Good for you.”

America has really, really liked the trio, too. What happens next, is anyone’s guess.

“Some of the vocals were off,” noted Mandel, “and maybe because you were emotional and because there was a lot of pressure. I think America’s going to like that song. But the last two songs you did were 10 times better.”

Next up, America votes.

The Mississippi-raised country act grabbed the spotlight early in the season with an update on Dolly Parton’s classic “Jolene,” originally a hit back in 1974.

As the world caught on, so too did Loretta Lynn, Tanya Tucker, Darius Rucker and even Dolly herself.

The vocal group, comprising sisters Danica and Devynn Hart, and their cousin Trea Swindle, earned the “Golden Buzzer” for their performance of “You Can Have Him Jolene.”

The AGT hopefuls followed up in the semis with another original number, “The Girls Are Back In Town.”

Chapel Hart was among 10 acts who performed live for America’s votes, a group that included saxophonist Avery Dixon, country singer Drake Milligan, singer Sara James, and AI act Metaphysic.

Watch Chapel Hart’s performance below.

 

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The WNBA Finals are here! The Connecticut Sun and Las Vegas Aces are preparing to go head-to-head in Game 2 of the 2022 WNBA Finals at the Michelob Ultra Arena at Mandalay Bay Resort and Casino in Las Vegas on Tuesday (Sept. 13).

Although ABC hosted Game 1, the remaining WNBA finals games will air exclusively on ESPN. Game 2 kicks off at 9 p.m. ET on ESPN, while Game 3 is slated to take place on Thursday (Sept. 15) at the same time. If necessary, Games 4-5 will be held on Sunday (Sept. 18) and next Tuesday (Sept. 20).

How to Watch the 2022 WNBA Finals Without Cable

No cable needed! You can stream the 2022 WNBA Finals (on your TV, laptop or another device) with a free trial from a platform that carries ESPN, such as Fubo TV, YouTubeTV and DirectTV Stream, the latter of which is discounted to $49.99 a moth for the first two months, but only for a limited time.

Get instant access to ESPN, CBS, NBC, Fox, FX, National Geographic, AMC, TLC, TNT, USA and more channels with Direct TV Stream, plus you’ll get a free 5-day trial and DVR storage.

Fubo TV’s best value package is $69.99 a month after a 7-day free trail. The streaming package includes 132 channels, 100+ sporting events, 1,000 hours of cloud DVR and unlimited screens at home.

Meanwhile, Hulu + Live TV offers 75+ channels for $49.99 a month for the first two months, thanks to a special sale that ends next month. Save $20 over two months when you join Hulu + Live TV by Oct. 5. Besides live channels, the subscription includes Hulu, Disney+, ESPN+ and unlimited DVR.

Streaming from outside of the U.S.? Use ExpressVPN to watch ESPN, Hulu and more.

Spotify is the king of music streaming — but its lead is dwindling. YouTube generated over $6 billion to the music industry in the 12 months ended June 2022, the company announced Tuesday (Sept. 13). That was a 50% increase from the last figure YouTube reported, $4 billion over a 12-month period, in June 2020.

Reaching the $6 billion milestone raises the question of when — if at all — YouTube might surpass Spotify in terms of value to rights holders and creators. “We want our twin engine of ads and subscriptions to be the #1 contributor of revenue to the industry by 2025,” wrote Lyor Cohen, YouTube’s global head of music, in a blog post on Tuesday.

That won’t be easy, but it isn’t impossible. Consider how fast YouTube has grown since Cohen joined the company from Warner Music Group (where he was chairman/CEO of recorded music) in 2016.

YouTube Music reached 30 million subscribers in October 2020 and announced the 50-million subscriber in September 2021 — a 67% increase worth 20 million subscribers in less than a year. In 2017, a year before YouTube Music launched, the company’s two music streaming platforms — Google Play and YouTube Red — had a combined 5 million subscribers, Billboard reported at the time. YouTube’s announcement Tuesday did not include an update on its subscriber count for YouTube Music.

Spotify has handily maintained its lead over YouTube, Apple Music and Amazon Music in numbers of subscribers. Over roughly the same time YouTube added 20 million subscribers (the third quarter of 2020 to the third quarter of 2021) Spotify added 28 million subscribers, to 172 million, and finished the second quarter of 2022 with 188 million. It’s still pushing hard, too, betting big on podcasts and audiobooks to bring in more customers.

But YouTube has the benefit of being the planet’s de facto source for video content. With 2.6 billion monthly users as of January 2022, according to Statista, YouTube ranks behind only Facebook in global audience size. That massive footprint gives YouTube an opportunity to monetize free users through advertising and convert some small percentage of users into paying customers. YouTube goes a step beyond other music streaming platforms by monetizing a range of music videos: short- and long-form videos, live videos and audio-only tracks. User-generated content accounted for 30% of royalties paid to the music industry — the same proportion as its June 2021 announcement.

Spotify paid out $7 billion in royalties to the music in 2021, up 40% from $5 billion in 2020, according to the company’s annual Loud & Clear report. That was $1 billion more than YouTube just announced and six months earlier.

Since YouTube provided a mid-year statistic, comparing YouTube’s latest figure to Spotify requires estimating the latter’s royalties for the period ended June 30, 2022. Spotify doesn’t specify music royalties in its income statements, however. Music royalties are lumped with other expenses — including some podcast content — into cost of sales, which were $9.1 billion (7.96 billion euros) in the 12-month period ended June 30.

Using Spotify’s ratio of music royalties-to-cost of sales from 2021, the company would have paid out about $7.6 billion in the 12-month period ended June 30, 2022, the same period covering YouTube’s $6 billion in music royalties. In this back-of-the-envelope calculation, Spotify’s music royalties were roughly 27% greater than YouTube’s for the same period.

Cohen’s goal of surpassing Spotify by 2025 would require YouTube to outgrow Spotify over the next two and a half years. It would take a significant different in royalty payout growth rates, however. If Spotify can manage to grow music royalties by 20% annually, YouTube would need to increase its payouts to the music industry by 32%.

Not long ago, the music industry railed against YouTube for paying what many people considered substandard royalties despite owning a massively popular platform. Now, seven years after the launch of the YouTube Music subscription service, YouTube is a vital source of both promotion and revenue.

In the press release, Michael Nash, executive vp of digital strategy at Universal Music Group, noted YouTube’s “an exponential increase in payouts to recording artists, songwriters, labels and the entire music ecosystem.” Annabella Coldrick, CEO of Music Managers Forum welcomed the “significant uplift in payments from YouTube” that’s “very positive news for artists and songwriters in a time of economic uncertainty and rising touring costs.”