Zara Larsson breaks down her music video for her latest song ‘Can’t Tame Her’ exclusively for Billboard.
Brandi Carlile, Phish lead singer Trey Anastasio and American reggae band Stick Figure are slated to headline this year’s Levitate Music and Arts Festival, which is slated for July 7-9 at the Marshfield Fairgrounds near Cape Cod, Mass. Other notable artists on the bill include Goose, Ziggy Marley, Rebelution and Peach Pit.
This year’s event will celebrate the 10th anniversary of the festival as well as the 20th anniversary of the Levitate surf and skate shop brand that launched it.
“It’s humbling,” says Levitate co-founder Daniel Hassett of the upcoming festival. “We’re excited to use this milestone to dig into our roots and expand our arts and mural programming, partner with more local vendors than ever, [double] our kids’ programs and [expand] our greening efforts.”
Over the past 20 years, the Levitate brand has grown considerably. In addition to launching an apparel line and kids’ summer camps, it expanded its flagship store; launched an outdoor restaurant, music and events venue; established a fall touring series called Levitate Flannel Jam; and founded the non-profit Levitate Foundation.
“I couldn’t be prouder of what Levitate has become,” adds co-founder and artist director Jess Hassett. “The line-up is full of amazing female artists including Brandi Carlile, Lucius, Celisse, and Melt. Pro-skater Nora Vasconcellos will be exhibiting her incredible skills and our arts and mural program will feature a bigger and more diverse group of brilliant artists than ever before.”
Tickets for the festival go on sale Tuesday; 1% of each ticket sold will go to the Levitate Foundation. Visit www.levitatemusicfestival.com for more information and the full lineup.
After KEY opened up to Billboard about the film and family references that made Gasoline his most personal and empowering album yet, the K-pop star returns with its deluxe version, Killer, that showcases another side of the SHINee member.
The title track single “Killer” sees KEY throwing it back to the ’80s with a workout-ready, synth-pop production soundtracking the guilt and self-conviction he needs to justify a harsh breakup. The accompanying video keeps somewhat in line with the throwback sound with KEY embracing similar elements to classic sci-fi action flicks like Tron and Blade Runner for cinematic scenes of the star riding through a city on a futuristic motorcycle. Meanwhile, the dance numbers in the visual feel classically KEY as he powers through interpretive dance moves to tell his story.
KEY also showed how the vintage inspirations come to life in Killer‘s album packaging, sharing on Instagram the video game and VHS–esque graphics that will instantly strike nostalgia in any ’80s or ’90s kid.
Alongside “Killer,” KEY’s repackaged record includes two other new songs including anthemic thumper “Heartless” and “Easy,” produced by KEY’s past collaborators LDN Noise who have been behind tracks like “Guilty Pleasure,” and SHINee singles “View” and “Married to the Music.”
Watch “Killer” below:
Two men who were allegedly shot outside a pre-Super Bowl party that followed a Justin Bieber concert last year have filed a wide-ranging lawsuit Bieber and Kodak Black, among a host of other defendants.
Plaintiffs Mark Schaefer and Adam Rahman are alleging negligence, battery, assault and intentional infliction of emotional distress in claims brought by lawyer Gloria Allred over injuries they say they suffered during the Feb. 11, 2022, incident, which occurred outside Los Angeles restaurant The Nice Guy where the party was being held. Filed Thursday (Feb. 9) and obtained by Billboard, the suit claims that the defendants “negligently breached the duties owed to Plaintiffs” by “failing to provide adequate security; failing to warn Plaintiffs of the danger; increasing the likelihood of violence; and/or instigating, escalating, and exacerbating the impact of the violence.”
Kodak Black is solely named on a total of three counts — assault, battery and intentional infliction of emotional distress — with the plaintiffs singling out his conduct as a “substantial factor” in causing them harm.
The complaint goes on to claim that both plaintiffs suffered “physical pain, mental suffering, loss of enjoyment of life, disfigurement, physical impairment, inconvenience, grief, anxiety, humiliation, and severe emotional distress,” along with financial harm including medical expenses and lost earnings. Schaefer and Rahman are asking for general, special and punitive/exemplary damages in amounts to be determined at trial.
Reps for Kodak Black and Bieber did not immediately respond to requests for comment.
On the night of the party, which was held on Feb. 11, 2022, the LAPD reported that four men, reportedly including Kodak Black, were shot outside The Nice Guy. Videos posted to TMZ and social media showed Black posing for photos with a group of people outside the restaurant when a fight broke out. Black was among several people involved in the scuffle when shots rang out, sending everyone at the scene running for cover.
The party followed Bieber’s private concert at the Pacific Design Center in West Hollywood, Calif., which was held as part of “Homecoming Weekend” — a series of events held in advance of that year’s Super Bowl. Guests at the bash also reportedly included Jeff Bezos, Hamilton actor Anthony Ramos, NFL Hall-of-Famer Tony Gonzalez, Drake, Khloe Kardashian, Tobey Maguire and Bieber’s wife Hailey Bieber.
The Super Bowl averaged an impressive 113 million viewers on Sunday (Feb. 12), a one percent increase in comparison to last year’s big game and the broadcast’s greatest viewership in six years.
About 106 million of the viewers watched the game on Fox and a Spanish-language feed on Fox Deportes, while the remainder opted for Fox and NFL digital platforms, according to The Hollywood Reporter.
As expected, viewing peaked during Rihanna‘s halftime performance, which averaged 118.7 million viewers, making it the second-most-watched halftime show on record behind Katy Perry’s 2015 performance.
During her 12-minute show, RiRi was dressed in a curve-hugging red outfit, surprising fans with a pregnant belly during the airborne performance at the State Farm Arena in Glendale, Arizona, where she treated viewers to a medley of some of her biggest hits.
The new baby will have a big sibling, as Rihanna just welcomed her first child with A$AP Rocky in May. “When I first got the call to do it again this year, I was like, [hisses] ‘You sure?’ I’m three months postpartum,” RiRi previously said about accepting the Super Bowl gig, during an Apple Music Super Bowl LVII Halftime Show press conference earlier in the week. “Should I be making major decisions like this right now? I might regret this. But when you become a mom, there’s something that just happens where you feel like you can take on the world. The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that.”


